SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Italian and Spanish Manner"/1) | (@(roleclean,performerclean) "Italian and Spanish Manner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1293 matches on Performance Title, 517 matches on Event Comments, 277 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: At the particular Desire of several Persons of Quality. Alter'd from Shakespear by the late Mr Betterton. [In Daily Post, 8 Sept., The Spanish Fryar had been announced for this day.

Performances

Mainpiece Title: The Second Part Of King Henry Iv: With The Humours Of Sir John Falstaffe And Justice Shallow

Performance Comment: King Henry-Booth; Prince of Wales-Williams; Prince John-Wm. Mills; Gloster-Oates; Westmoreland-Bridgwater; Hastings-Watson; Chief Justice-Boman; Justice Shallow-Cibber; Falstaff-Harper; Justice Silence-Miller; Fee6le-Griffin; Bardolfe-Shepard; Pistol-Norris; Falstaff's Boy-Miss Robinson Jr; Hostess-Mrs Wetherilt; Dol Mavis-Miss Lindar.
Cast
Role: Westmoreland Actor: Bridgwater
Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: With a new Grotesque Part. See Fog's, 15 March, for an essay on Drury Lane and Cibber

Performances

Mainpiece Title: All For Love

Afterpiece Title: Perseus and Andromeda: With The Devil Upon Two Sticks

Performance Comment: Don Cleophas Leandro (Spanish Gallant)-Cibber Jr; Scaramouch (a Magician)-Thurmond; Asmodeo (Devil upon Two Sticks)-Miss Brett; Pierot (Servant to the Magician)-Roger; Harlequin (Servant to Cleophas)-Surel; Donna Clara (in love with Cleophas)-Mrs Walter.
Event Comment: Mainpiece: Written by the late Mr Addison. Note, Mr Giffard thinks it proper to inform the Gentleman who sent to him to have the Spanish Fryar play'd for next Monday, that he had not recollected a Pre-engagement of that Day to several Persons of Quality, but if the Gentleman will be pleas'd to let Mr Giffard know where he may wait on him, he wou'd be very much oblig'd to him to fix any other Day he thinks fit

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Father Girard the Sorcerer

Event Comment: At the particular Desire of several Ladies of Distinction. N.B. Mr Giffard hopes the Gentleman who bespoke the Spanish Fryar, for Tomorrow, will not take it ill, that Hamlet is to be perform'd; because the Ladies, whom he mention'd, have since sent to him for that Play-but he shall be very glad to oblige him any other day

Performances

Mainpiece Title: The Old Batchelor

Dance: As17321115

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir John Vanbrugh. [Count de Montijo, the Spanish Ambassador, present.

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Country Revels

Event Comment: Mr Anthony Aston, commonly call'd Tony Aston . . . His Comical and Unparallelled Medley at the Bouffler's Tavern. 6 P.M. Tickets 2s. 6d

Performances

Mainpiece Title: Tony Aston's Medley

Performance Comment: Gomez and Elvira (Spanish Fryar); Humours of Scrub (Stratagem); Humours of Teague (Committee); Humours of Hob (Country Wake); Fondlewife and Laetitia (old Batchelor); Ben and Prue (Love for Jjjve); Jerry Blackacre (Plain Dealer); Vellum and Abigail (Drummer). And the Drunken Man .
Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: By Command of His Royal Highness the Duke. Egmont, Diary, III, 83: I went with my wife to the play entitled 'Sir Walter Raleigh,' revived by the comedians on occasion of the now differences with Spain. They choose one to represent Count Gundemar, who in all things is like Mr Giraldini, the Spanish minister at our Court lately recalled, and whenever any severe things were said which bore a resemblance to our ministry's transactions, or our backwardness to resent the insults of Spain, the audience clapped all over the house

Performances

Mainpiece Title: Sir Walter Raleigh

Afterpiece Title: The Virgin Unmask'd

Dance: V: Tambourine-Mlle Chateauneuf

Event Comment: By Command of His Royal Highness the Prince of Wales. For the Benefit of the Brave and Unfortunate Capt John Peddie, of the Prince of Orange, who, after defending his Ship, and saving her by the most Gallant Behaviour, against a Spanish Privateer, had the Misfortune to lose her, and all he had on Board, in the late Storm. Mainpiece: Written by the late Mr Addison. Pit and Boxes 5s. Galleries 2s. and 1s. Receipts: money #52 1s.; tickets #295 (Account Book); #350 (Rylands MS.)

Performances

Mainpiece Title: Cato

Afterpiece Title: Nancy

Dance: CComic Ballet-Villeneuve, Miss Oates; Wooden Shoe-Mechel

Event Comment: By the late Mr Addison. Benefit Capt Norton, late Commander of the Crawley Pink, who was taken the 18th of Sept. last, after a Gallant Engagement of Five Hours with Twelve Spanish privateers

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Quin; Portius-Ryan; Sempronius-Cashell; Juba-Hale; Lucius-Rosco; Syphax-Gibson; Marcus-Anderson; Decius-Ridout; Lucia-Mrs Stevens; Marcia-Mrs Horton.
Cast
Role: Marcus Actor: Anderson

Dance: II, V: As17431003

Event Comment: The Play of the Spanish Fryar is deferr'd on account of the Indisposition of a Principal Performer. Receipts: #93 13s. 6d

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry-Mrs Woffington; Col. Standard-Delane; Vizard-Ridout; Smuggler-Arthur; Young Clincher-Collins; Dicky-Cushing; Tom-Dunstall; Constable-Marten; Beau Clincher-Dyer; Lady Darling-Mrs Bambridge; Parley-Mrs Dunstall; Angelica-Mrs Ridout; Lady Lurewell-Mrs Vincent.
Cast
Role: Standard Actor: Delane

Afterpiece Title: Merlin

Event Comment: At Mr Phillips's Booth, Bowling Green, Southwark. A concert, etc. An Extraordinary Band of Musick. Pit 1s, 6d., Gallery 1s., Upper Gallery 6d. To begin each day at 12 o'clock noon. Mainpiece: An excellent Droll. [Possibly made from Dryden's Spanish Fryar.

Performances

Mainpiece Title: No Fool Like The Old One; Or, The Lucky Discovery

Afterpiece Title: Harlequin Statue, with Escape into Quart Bottle

Song: Phillips, Master Phillips, Miss Featherstone

Dance: Phillips, Master Phillips, Miss Featherstone

Event Comment: TThe Brothers and The Spanish Lady oblig'd to be deferr'd on account of the Indisposition of some of the performers. Receipts: #117 2s. 6d

Performances

Mainpiece Title: The Busy Body

Cast
Role: Miranda Actor: Miss Macklin.

Afterpiece Title: Thomasand Sally

Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; with songs-Bannister; Gonzalez-Aickin; Alonzo-Bransby; Sebastian-Farren; Francisco-Norris; Boatswain-Carpenter; Antonio-Hurst; Master of the Ship-Wrighten; Ferdinand-Vernon; Ariel-A Young Lady (A Scholar of Linley; 1st appearance upon any stage [Miss Field]); Miranda-A Young Lady (1st appearance upon any stage [Mrs Cuyler]); Chorus of Spirits-Gaudry, Legg, Fawcett, Kear, Carpenter, Chaplin, Holcroft, Follett, Mrs Scott, Miss Abrams, Miss Collett, Miss Jarratt, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.
Cast
Role: Ferdinand Actor: Vernon
Role: Miranda Actor: A Young Lady

Afterpiece Title: Harlequin's Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Performance Comment: and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton.
Event Comment: Benefit for Lewis. Mainpiece: Not acted these 7 years. 3rd piece [1st time; F 3, author unknown. Not in Larpent MS; not published]: Taken from Dryden's Spanish Fryar. Public Advertiser, 20 Mar.: Tickets to be had of Lewis, Bow-street, Covent Garden. Receipts: #246 18s. (164.3; tickets: 82.15) (charge: #66 10s.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: True-Blue

Afterpiece Title: The Jealous Husband

Dance: As17761223

Event Comment: Mainpiece: The Characters dressed in Spanish Habits. [Henderson's 1st recorded appearance as Leon was at Bath, 4 Feb. 1777.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707

Event Comment: Parsons not being sufficiently recovered The Spanish Barber and The Tailors [both announced on playbill of 7 June] are deferred till Friday. Afterpiece: A Modern Operatical, Sentimental, Crying Comedy

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Piety in Pattens

Performance Comment: Butler-Edwin; The Squire-Lamash; Mrs Candy-Mrs Love; Polly Pattens-Mrs Jewell.
Cast
Role: Mrs Candy Actor: Mrs Love

Dance: End II: Tambourine Dance, as17790602 End: a new dance, The Country Wake-Master and Miss Byrn

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit for Mrs Jewell. [Mainpiece in place of The Spanish Barber, announced on playbill of 16 Sept.

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Padlock

Performance Comment: Leander-Wood; Don Diego-Bannister; Scholars-Davis, Kenny; Mungo-Jackson; Ursula-Mrs Webb; Leonora-Mrs Jewell.
Cast
Role: Leander Actor: Wood

Dance: As17790818

Event Comment: [Mainpiece in place of Fatal Falshood, announced on playbill of 24 Apr.,] Afterpiece [1st time; MF 2, by Frederick Pilon]: The new Songs and Overture composed by Shield. The new Scenes by Richards and Carver. With a view of the English and Spanish Fleets entering the Bay. [This notice is included in all subsequent playbills.] Public Advertiser, 25 Apr. 1780: This afternon is published the Songs in The Siege Of Gibraltar (6d.). Ibid, 3 May 1780: This morning is published The Siege Of Gibraltar (1s.). Receipts: #168 5s. (166.4; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Siege Of Gibraltar

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Wilson, Edwin, Whitfield, Egan, Mrs Wilson, Mrs White, Mrs Morton. Cast from text (G. Kearsly, 1780) and London Chronicle, 3 May 1780: Beauclerc-Mattocks; Major Bromfield-Reinhold; Ben Hassan-Quick; Serjeant Trumbull-Wilson; Woolwich-Edwin; Muley-Whitfield; Serjeant O'Bradley-Egan; Lieutenant-Wordsworth; Officers-Booth, Fearon, Robson; Sailor-W. Bates; Soldiers-L'Estrange, Thompson, Wewitzer; Mob-Jones, Ledger, Brunsdon, Bates, Stevens; Jenny-Mrs Wilson; Moll Trumpet-Mrs White; Zayde-Mrs Morton.
Event Comment: [2nd piece in place of The Spanish Barber; 3rd piece of The Mayor of Garratt, both announced on playbill of 22 June.

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Event Comment: [Mainpiece in place of The Spanish Barber, announced on playbill of 14 Sept.] The last Time of performing this Season

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Genius of Nonsense

Event Comment: [Mainpiece in place of The Spanish Barber, announced on playbill of 27 June.]

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Dance: As17820620

Song: As17820620

Event Comment: [1st piece in place of The Spanish Barber; 2nd of The Mayor of Garratt, both advertised on playbill of 7 July.

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Cast
Role: Bertrand Actor: Usher

Dance: End: a new Dance, The Happy Sisters-Menage, Miss DeCamp, the two Miss Simonets

Event Comment: [Mainpiece in place of The Spanish Barber; afterpiece of The Mayor of Garratt, both advertised on playbill of 8 July.

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Minor

Event Comment: Afterpiece: To conclude with the Representation of an Engagement between the English and Spaniards, and the Storming of Fort Omoa, on the Spanish Main. Account-Book: Paid Chorus to 11th Inclusive #7 10s.; Poor Rate 1@2 Year #45 17s. 10d.; Thompson on Acct. Supernumeraries #10. Receipts: #212 3s. 6d. (179.13.0; 30.13.6; 1.17.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Harlequin's Invasion