SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Isaac Reed"/1) | (@(roleclean,performerclean) "Isaac Reed")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1326 matches on Author, 105 matches on Performance Comments, 59 matches on Event Comments, 4 matches on Performance Title, and 1 matches on Roles/Actors.
Event Comment: Benefit for Jewell, Treasurer. Reed, 139: "The Deserter, Burlesque Dance."

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Guardian

Dance: End of mainpiece The Deserter. The Deserter-Mme Dageville; Skirmish-Miss Simonet; Louisa-Mr Delpini; and with Byrne and Miss L. Simonet

Event Comment: Mainpiece: Not acted these 7 years [not acted since 18 Sept. 1778. Mrs Brooks is identified in Reed, p. 145]. "Miss George spins around every fifteen seconds like a top, and then runs to the back of the stage. She too is very apt to stay at the back of the stage. She knows when it is her turn to speak, joins the party, speaks, spins, and away again! Pray, Miss George, sometimes do your friends the favour to stay amongst them, and attend to what is going forward" (Morning Chronicle, 24 July)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Quaker

Event Comment: [A detailed account of all three pieces appears in Sophie v. la Roche, Sophie in London, 1933, pp. 93-95. The theatre is described as seeming "exceptionally small, but it is very prettily painted in blue and white; the boxes, as in Paris, are open and everything is well lit." In 3rd piece "A twelve-year-old girl dressed as a poor boy who walks around with a bundle of rushes, straw and reeds to patch up old chairs, then really sits down to work on one, sang and played unusually well; indeed, was obliged to give two encores; the third time, however, announced with dignity and candour that it would not be possible, and that she feared she might be unable to take her part the next day; which would grieve her excessively, as she liked having her modest talents appreciated and applauded. Everyone clapped and praised her aloud. She is beuatiful, and deserves to be the nation's darling, and will certainly become a great actress, competent to keep her voice, gesture and features in complete control, never using her talents wrongly or producing exaggerated effects."]

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Tit for Tat

Afterpiece Title: Harlequin Teague

Dance: As17860904

Event Comment: [Mrs Plomer is identified in Reed, Diaries, 159.

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Comus

Event Comment: [For this night Kemble Mem. lists The Pannel. The playbill and the Account-Book announce The Farm House. "M. 1 June. At Drury Lane. Saw The Country Girl and The Farm House" (Reed, Diaries, 167).] Receipts: #171 0s. 6d. (139.9.0; 30.3.0; 1.8.6)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Farm House

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Event Comment: Benefit Smith and Isaac. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters

Event Comment: At the Desire of Isaac Bickerstaffe, Esq.; for the Benefit of his cousin John Bickerstaffe

Performances

Mainpiece Title: Don Quixote, Part Ii

Dance: Harlequin-Layfield, Miss Santlow; With other comical Dances originally in the play-

Entertainment: As17100202

Event Comment: This day at noon will be published at 6d. A Letter to Mr Henry Woodward, Comedian, occasioned by his letter to the Inspector. by Simon Partridge, the facetious Cobbler of Pall Mall, and son to the late Mr Partridge, famous for his dispute with Isaac Bickerstaff. "Barbarian to attack, a chymist, Critick, Journalist, and Quack" (Anon). Printed for H. Jeffrey in Pope's Head Alley, Cornhill. [Another mock defense of Hill, casting opprobrium on him in the manner of the eightenth-century bully boys of the bathroom. A second edition of Sampson Edwards' Letter to Woodward appeared this day. See Comment, 9 Dec.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: TThe Italian Gardeners, as17521221; Le Matelot Basque, as17521005

Event Comment: [T+The Way of the World had been advertised for both this day and the day before at foot of playbills.] Paid Isaac Wheatland for the side drum in The Female Archer 9s. (Account Book). Receipts: #194 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus

Event Comment: [The Interlude (by Isaac Bickerstaffe; Music by Arnold) in Honor of His Danish Majesty. It concludes with a Large Coronet of Flowers and a Garland Dance. Done apparently to speed the departing guest and cement good public relations.] Receipts: #120 19s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Orpheus and Eurydice

Event Comment: Afterpiece: A Musical Entertainment [by Isaac Bickerstaffe] never acted before. This Piece was performed last Summer at Ranelagh; but though very much approved by the best judges of Musical Composition, by being performed in an Orchestra, lost the better part of its effect. It was thought it would please more in action upon the Theatre; and with the Addition of a New Scene, and Chorus and Ballet suitable to the subject; is now accordingly once more presented to the Public, with the necessary Advantages of Dresses and Decorations (Edition of 1770)

Performances

Mainpiece Title: 'tis Well It's No Worse

Related Works
Related Work: Tis Well It's No Worse Author(s): Isaac Bickerstaffe

Afterpiece Title: The Recruiting Serjeant

Event Comment: Benefit for Sparks. Miss Radley became Mrs Fitzgerald (Winston MS 10). Ld. Townly, Mr Sparks Jun: first Appearance (Cross Diary). Mr Sparks Junr Son of Mr Isaac Sparks made his first Appearance on any Stage in Ld. Townly a fine figure and met with Applause (Hopkins Diary)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A Peep behind the Curtain

Dance: End: Comic Dance, as17710416

Event Comment: Benefit for Wild (prompter) and Mahon. Mainpiece: Acted there but once. [See 20 March 1773.] Afterpiece: For the last time this season. Doors open half past 5. To begin half past 6 o'clock. [The Recruiting Serjeant interlude a Musical Entertainment by Isaac Bickerstaffe.

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Midas

Dance: II: The Humours of the New@Market Races, as17760503

Monologue: Interlude. End: A Favourite Interlude (never perform'd there) call'd The Recruiting Serjeant. Serjeant-Mahon; Countryman-Wilson; Wife-Miss Dayes; Mother-Mrs Willems

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Little French Lawyer

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

Performance Comment: End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick.
Event Comment: Afterpiece [1st time; mf 2, by Isaac Jackman; music by William Shield. Authors of Prologue and Epilogue unknown]. Account-Book, 1 Apr. 1782: Paid Jackman in full for the Divorce #50. Receipts: #207 3s. 6d. (186/9/0; 20/3/6; 0/11/0)

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Divorce

Related Works
Related Work: The Divorce Author(s): Isaac Jackman

Song: As17811022

Event Comment: By Permission of the Lord Chamberlain. [Author of Address unknown.] 1st piece: By the Author of Love in a Village, &c. [Isaac Bickerstaffe]; not acted these 16 years [1st acted at DL, 24 Nov. 1770], by Veterans of the Stage. 2nd piece: By the late Samuel Foote, Esq. 3rd piece: By Garrick; not acted these 12 years. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: 'tis Well It's No Worse

Related Works
Related Work: Tis Well It's No Worse Author(s): Isaac Bickerstaffe

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Event Comment: Afterpiece [1st time; C 3, by John Philip Kemble, based on 'Tis Well It's No Worse, by Isaac Bickerstaffe]. Morning Chronicle, 13 Mar. 1789: This Day is published The Pannel (1s.). Receipts: #204 8s. (165.3.0; 38.1.6; 1.3.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Pannel

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Eternal God-Reinhold (Isaac, Giordani); The Prince unable-Mrs Bland (Alexander's Feast); Non piu andrai-Morelli (Paisiello [recte Le Nozze di Figaro, Mozart]); Softly rise-Dignum, Chorus (Solomon, Boyce); Sweet bird-Mrs Crouch (L'Allegro); Every day will I give thanks-Incledon (Chandos Anthems); I know that my Redeemer liveth-Master Welsh; Hallelujah for the Lord God-Chorus (The Messiah).