SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Husband"/1) | (@(roleclean,performerclean) "Husband")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1533 matches on Performance Title, 396 matches on Roles/Actors, 195 matches on Performance Comments, 150 matches on Event Comments, and 0 matches on Author.
Event Comment: "Mrs Siddons' 'O Jaffier'--'Remember twelve'--'Aye, but that husband trusted her'--and, above all, the narrative of the night with Renault--were given with the most miraculous organs of varied emphasis, modulation, delicacy and propriety . . . Kemble's Jaffier was a perfect performance" (Public Advertiser, 14 Feb.). Receipts: #251 15s. (226/15; 23/6; 1/4; tickets not come in: 0/10)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Englishman in Paris

Dance: As17860116

Event Comment: "The Greybeards have certainly been chastised, for we did not find them at all gross. The piece is farcical and improbable, but has some good things, and is admirably acted. Coeur de Lion did not answer; nor was I much charmed with the music; but my ear is too bad to judge at first hearing. The scenes are excellent; Mrs Jordan is quite out of her character, and makes nothing of the part; and the turning the ferocious Richard into a tender husband is intolerable...It only makes a confusion in one's ideas, to maim a known story" (Walpole [15 Dec. 1786], XIII, 429)

Performances

Mainpiece Title: A School For Grey-beards

Afterpiece Title: Richard Coeur de Lion

Event Comment: Benefit for Kemble. Tickets delivered for The Careless Husband will be taken. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. [Mrs Siddons's 1st appearance as Lady Restless was at Manchester, 17 Feb. 1777.] Public Advertiser, 12 Mar.: Tickets to be had of Kemble, No. 16, Charles-street, Covent Garden. Receipts: #293 12s. 6d. (148.16.0; 15.3.0; 0.7.6; tickets: 129.10.0) (charge: #105 11s. 6d.)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Romp

Event Comment: The Tender Husband [advertised on playbill of 22 Nov.] is obliged to be deferred to Monday [q. v., and 5 Dec.], on Account of Edwin's Indisposition. Receipts: #95 19s. (84.17; 11.2)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Barnaby Brittle

Dance: As17871029

Event Comment: [The playbill announces The Tender Husband, and Three Weeks after Marriage, but the former "was last night obliged to be deferred on account of the real or feigned Indisposition of Mrs Abington, of which was sent to the Theatre at Two o'clock. The Merry Wives of Windsor was substituted...Mrs Wells, to whom the part of Mrs Page belongs, could not or would not play...Mrs Bernard read the part. Bernard also supplied the place of Cubitt in Slender. The Farmer was substituted for Three Weeks after Marriage" (Public Advertiser, 27 Nov.).] Receipts: #158 18s. (151.8.6; 7.9.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Farmer

Event Comment: The Provok'd Husband [advertised on playbill of 15 Jan.] is obliged to be deferred on Account of the Indisposition of Miss Farren. Receipts: #189 0s. 6d. (159.1.0; 29.5.6; 0.14.O)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Junior

Event Comment: Benefit for Pope. "Desdemona was happily pourtrayed by Mrs Pope, particularly...her manner of receiving the blow from Othello, by shewing she felt it as for the loss of her husband's affection rather than the indignity offered her sex" (Public Advertiser, 21 Apr.). Public Advertiser, 31 Mar.: Tickets to be had of Pope at his house in Half-Moon Street, Piccadilly. Receipts: #184 9s. 6d. (125.10.0; 3.13.6; tickets: 55.6.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Poor Soldier

Dance: As17880301

Event Comment: The Careless Husband [advertised on playbill of 12 Feb.] is obliged to be deferred, on Account of the Indisposition of Mrs Abington. [Afterpiece in place of Tom Thumb advertised on same.] Receipts: #119 6s. 6d. (107.1.0; 12.5.6)

Performances

Mainpiece Title: The Highland Reel

Afterpiece Title: The Miser

Dance: As17881107

Event Comment: [Mainpiece in place of The Provok'd Husband, advertised on playbill of 12 Sept. In it the playbill assigns Millamant to Miss Farren, but "Miss Farren ill, Mrs Goodall played Millamant" (Kemble Mem.). Miss Hagley's 1st appearance was at this theatre, 28 May 1789.] Receipts: #112 16s. 6d. (70.15.0; 39.13.6; 2.8.0)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Padlock

Event Comment: [Mainpiece in place of The Careless Husband, advertised on playbill of 22 Dec.] Paid House & Window tax, 1@2 Yr., #56 13s. 8d. Public Advertiser, 24 Dec.: [Pearce, who was from the Bath theatre, has] a clear bass voice, which he occasionally relieves by a falsetto...His first song was encored though sung much out of tune. Receipts: #113 4s. (77.2; 35.12; 0.10)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Event Comment: [The playbill announces The Suspicious Husband, but "The performance at this house was changed yesterday evening in consequence of the indisposition of Lewis, and Rose and Colin with The German Hotel were substituted for The Suspicious Husband"(Diary, 16 Dec.).] Receipts: #145 14s. 6d. (135.4.6; 10.10.0)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The German Hotel

Afterpiece Title: Robin Hood

Event Comment: The Picture of Paris. As 27 Dec. 1790. [Mainpiece in place of The Provok'd Husband, advertised on playbill of 3 Jan.] Receipts: #179 9s. (169.8; 10.1)

Performances

Mainpiece Title: The German Hotel

Event Comment: 1st piece: Acted but Once [on 5 May 1790]. With new Scenes and Dresses. A Procession, representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Husband. [This was included in all subsequent performances.] The Music by Stevens. [Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke.] Receipts: #231 14s. 6d. (230.6.6; 1.8.0)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: A Divertisement

Afterpiece Title: Hob in the Well

Dance: In 2nd piece: Byrn, Miss Blanchet (of dl)

Event Comment: 1st piece: With new Scenes and Dresses. And a Procession, representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Husband. As You Like It [advertised on playbill of 21 Sept.] is obliged to be deferr'd, on account of the sudden indisposition of a Principal Performer. Receipts: #156 5s. (151.12.6; 4.12.6)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Little Hunchback

Afterpiece Title: Comus

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke

Event Comment: [In mainpiece the playbill retains Mrs Bland as Madelon, but "Mrs Bland has just presented her husband with two fair daughters...In consequence Miss DeCamp, last night, assumed the part of Madelon" (Morning Herald, 15 Aug.).

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Village Lawyer

Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Duenna

Afterpiece Title: Modern Antiques; or, The Merry Mourners

Event Comment: [Mainpiece in place of The Careless Husband; Afterpiece of Richard Coeur De Lion, both advertised on playbill of 27 Sept.] Receipts: #159 19s. (111.0; 45.15; 3.4)

Performances

Mainpiece Title: At King's The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Waterman

Event Comment: [Mainpiece in place of The Careless Husband, advertised on playbill of 5 Nov. On the playbill no mention is made of the Epilogue (which is by Miles Peter Andrews), but "Lewis...was obliged to come forth at the unanimous call of the audience to speak the Epilogue" (Thespian Magazine, Dec. 1792, p. 153).] Receipts: #250 5s

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: Hartford Bridge

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Event Comment: The Careless Husband [advertised on playbill of 8 Nov.] is obliged to be deferred on account of the Indisposition of a Principal Performer. [This was F. Aickin's last appearance in London. Subsequently he acted for several years at the Liverpool theatre, of which he was the manager.] Receipts: #349 11s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Hartford Bridge

Song: As17921029

Event Comment: On account of the Indisposition of Parsons, HEIGHO FOR A HUSBAND! [advertised on playbill of 6 Jan.] is obliged to be postponed till Saturday next. [In 1st piece the playbill retains Mrs Bland, but she "being indisposed her part in The Mariners was given to Miss De Camp" (Thespian Magazine, Jan. 1794, p. 30). It is not stated who took Miss De Camp's place.]

Performances

Mainpiece Title: The Mariners

Afterpiece Title: WAYS AND MEANS

Afterpiece Title: HARLEQUIN PEASANT

Event Comment: Benefit for Macready, Richardson and Townsend. Tickets delivered for THE COUNTESS OF SALISBURY will be admitted. 1st piece: With a Procession representing the ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her Deceased Husband. Morning Herald, 5 June: Tickets to be had of Townsend, No. 249, High Holborn [other recipients not listed]. Receipts: #255 16s. (57/13; 8/2; tickets: 190/1)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: THE FARMER

Event Comment: Account-Book: Paid Mrs Phillimore on Account of moving the Wardrobe to and from the Opera House #4 4s. Powell, 22 Sept.: Henry V rehearsed at 10; No Song No Supper at 12; 23 Sept.: No Song No Supper rehearsed at 10 (for Bannister and Mrs Bland); Provoked Husband a 11. Receipts: #308 2s. 6d. (218.11.0; 88.15.0; 0.16.6)

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: No Song No Supper

Event Comment: Mainp1ece [1st time; T 5, by Frances D'Arblay. Prologue by the author (see text). Author of Epilogue unknown]. "It did not fail to keep [the audience] in the height of good humour, by frequent irresistible claims on their risible faculties; a particular instance of this was in Elgiva 's dying scene, when a passing stranger, in a fine tragic tone, says, 'Let us carry her to the other side of the hedge.' This hedge, which is supposed to be remotely situated from any dwelling, nevertheless proved to be a very accomodating retreat; for, in a few minutes after, the wounded lady is brought from behind it on an elegant couch, and, after dying in the presence of her husband, is carried off and placed once more 'on the other side of the hedge.' The laughter which this scene occasioned, although supported by the dying words of Mrs Siddons, was inconceivable" (Morning Herald, 23 Mar.). Powell, 20 Mar.: Edwy and Elgiva rehearsed at 10; 21 Mar.: Edwy and Elgiva rehearsed at 10. Receipts: #350 19s. (296.4.6; 51.9.0; 3.5.6)

Performances

Mainpiece Title: Edwy And Elgiva

Afterpiece Title: Alexander the Great

Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Event Comment: By Permission of the Lord Chamberlain. Benefit for Waldron, prompter. Mainpiece [1st time; TC 5, by Francis Godolphin Waldron. Larpent MS 1094; not published]: Founded on Shakespeare and Fletcher's Two Noble Kinsmen, by the Continuator of Ben Jonson's Sad Shepherd. With new Music composed by Dr Arnold. Copies of the Songs will be delivered gratis at the Theatre. Afterpiece [1st time; C 3, by Francis Godolphin Waldron, abridged from his The Maid of Kent. Larpent MS 1095; not published]: Written by the Author of Heigho for a Husband. Tickets and Places for the Boxes to be had of Waldron, No. 54, Drury-lane, and of Rice, at the Theatre

Performances

Mainpiece Title: Love And Madness

Afterpiece Title: 'Tis a Wise Child Knows its Father