The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Huntington MS St 26"/1) | (@(roleclean,performerclean) "Huntington MS St 26")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2818 matches on Event Comments, 490 matches on Performance Comments, 272 matches on Performance Title, 16 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Follies of a Day

Afterpiece Title: St

Song: End I 1st piece: song-Master Gray; End I 2nd piece: Time has not thin'd my flowing Hair-Incledon, Townsend; End 2nd piece: This Life is like a Country Dance-Fawcett; The Advantage of Toping-Townsend; Fat Dolly the Cook-Munden; The Anchor Smiths-Townsend

Entertainment: Imitations End I 1st piece: a Few Select Imitations-Townsend

Performances

Mainpiece Title: St David's Day

Afterpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Dance: In 3rd piece: As18000501

Song: In 3rd piece: As18000501

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: St

Afterpiece Title: The Hermione

Song: End I 1st piece: a Song-Master Gray; End II: The Muffin Man (Written by T. Dibdin, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Deserter of Naples

Afterpiece Title: St

Song: End: the following songs illustrative of the Whims and Sports of Bartholomew Fair: Raro Raro-Delpini; The Wind blew fresh and fair-Townsend; By the gaily circling Glass-Linton; a New Song (composed by Walsh, and written in Commemoration of His Majesty's Providential Escape [from assassination; see dl, 15 May])-Incledon

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Performances

Mainpiece Title: Hail Fellows Well Met

Afterpiece Title: Ways and Means

Afterpiece Title: The Rehearsal

Afterpiece Title: The Rights of Women

Performances

Mainpiece Title: The Rival Queens; Or, Drury-lane And Covent-garden

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

Performances

Mainpiece Title: Love And Madness

Afterpiece Title: 'Tis a Wise Child Knows its Father

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: An Escape into Prison

Song: As17971102

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Diversions of the Morning

Dance: IV:A Spanish Dance, as17581014

Performances

Mainpiece Title: The Way To Keep Him

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The New Hippocrates; or, A Lesson for Quacks

Entertainment: After the Play: by Desire, for that night only The Picture of a Playhouse or, Bucks Have at Ye All-Mr King; a Mimic Comic opera song-Mrs Clive

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Love Match

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: A New Prelude And Prologue

Afterpiece Title: Calypso

Afterpiece Title: Cross Purposes

Dance: In: Incidental Dances-Dagueville, Miss Besford, Miss Valois

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

Performances

Mainpiece Title: Seventeen Hundred And Eighty One; Or, The Cartel At Philadelphia

Afterpiece Title: Sir Courtly Nice; or, It Cannot Be

Afterpiece Title: Who'd have Thought It

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II mainpiece) Jewish Courtship

Afterpiece Title: The Mistake of a Minute

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos; or, A People Made Happy

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: The Force Of Fashion

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Fugitive

Performances

Mainpiece Title: The Greek Slave; Or, The School For Cowards

Afterpiece Title: The Pannel