Search

The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!

Toggle Sphinx Query

SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Huntington MS St 26"/1) | (@(roleclean,performerclean) "Huntington MS St 26")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

New Search

3397 results for: Keyword - Huntington MS St 26

We found 2818 matches on Event Comments, 490 matches on Performance Comments, 272 matches on Performance Title, 16 matches on Author, and 0 matches on Roles/Actors.

1351
06 February 1782 @ Covent Garden

Performances

Mainpiece Title: Maid Of The Mill

Afterpiece Title: Choice of Harlequin

1352
23 February 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece The Distress'd Lovers, as17820219, but omitted: Miss Armstrong

1353
17 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Country Mad-Cap

Dance: End of Act II of mainpiece The Poney Races by Harris, Ratchford, Miss Matthews; End of mainpiece The Gala, as17820409

1354
09 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

1355
10 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Don Juan; or, The Libertine Destroy'd

Dance: End of Act III of mainpiece a new Masquerade Dance, in which a Minuet by Zuchelli and Miss M. Stageldoir; Afterpiece to conclude with a Dance of Furies (performers not listed)

Song: In Masquerade Dance a favorite song by Miss Romanzini, and to conclude with a Serious and Comic Air by Delpini

1356
20 September 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Foundling

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece to conclude with a Dance by the Miss Stageldoirs, &c

Monologue: 1782 09 20 As 17 Sept

1357
25 September 1782 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece The Belle of the Village by Harris and Miss Matthews

1358
27 September 1782 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820925

1359
05 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Capricious Lovers

Dance: End of Act I of afterpiece The Irish Fair by Blurton, Miss M. Stageldoir

1360
21 October 1782 @ Covent Garden

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Choice of Harlequin

1361
29 January 1783 @ Covent Garden

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Rosina

1362
25 February 1783 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Quaker

1363
29 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801

1364
23 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece to conclude with a Dance by Williamson, the Miss Stageldoirs, &c

1365
30 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

1366
04 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Thomasand Sally

Dance: End of Act II of mainpiece, as17831018; Afterpiece to conclude with a Treble Hornpipe by Williamson, Mills, Miss Stageldoir

1367
06 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

1368
06 January 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17840103 throughout

1369
14 February 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

1370
25 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Deserter

Dance: As17840320athi

1371
03 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Pasticcio

Afterpiece Title: Duke and No Duke

1372
10 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

1373
21 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: A Fete

Afterpiece Title: The Rival Candidates

1374
18 December 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Chaplet

1375
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]