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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Huntington MS St 26"/1) | (@(roleclean,performerclean) "Huntington MS St 26")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3397 results for: Keyword - Huntington MS St 26

We found 2818 matches on Event Comments, 490 matches on Performance Comments, 272 matches on Performance Title, 16 matches on Author, and 0 matches on Roles/Actors.

1351
06 February 1782 @ Covent Garden

Performances

Mainpiece Title: Maid Of The Mill

Afterpiece Title: Choice of Harlequin

1352
23 February 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpiece The Distress'd Lovers, as17820219, but omitted: Miss Armstrong

1353
17 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Country Mad-Cap

Dance: End of Act II of mainpiece The Poney Races by Harris, Ratchford, Miss Matthews; End of mainpiece The Gala, as17820409

1354
09 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

1355
10 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Don Juan; or, The Libertine Destroy'd

Dance: End of Act III of mainpiece a new Masquerade Dance, in which a Minuet by Zuchelli and Miss M. Stageldoir; Afterpiece to conclude with a Dance of Furies (performers not listed)

Song: In Masquerade Dance a favorite song by Miss Romanzini, and to conclude with a Serious and Comic Air by Delpini

1356
20 September 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Foundling

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece to conclude with a Dance by the Miss Stageldoirs, &c

Monologue: 1782 09 20 As 17 Sept

1357
25 September 1782 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece The Belle of the Village by Harris and Miss Matthews

1358
27 September 1782 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820925

1359
05 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Capricious Lovers

Dance: End of Act I of afterpiece The Irish Fair by Blurton, Miss M. Stageldoir

1360
21 October 1782 @ Covent Garden

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Choice of Harlequin

1361
29 January 1783 @ Covent Garden

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Rosina

1362
25 February 1783 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Quaker

1363
29 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Dance: As17830603

Song: End of afterpiece Stand to your Guns, as17830801

1364
23 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece to conclude with a Dance by Williamson, the Miss Stageldoirs, &c

1365
30 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

1366
04 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Thomasand Sally

Dance: End of Act II of mainpiece, as17831018; Afterpiece to conclude with a Treble Hornpipe by Williamson, Mills, Miss Stageldoir

1367
06 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

1368
06 January 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17840103 throughout

1369
14 February 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

1370
25 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Deserter

Dance: As17840320athi

1371
03 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Pasticcio

Afterpiece Title: Duke and No Duke

1372
10 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

1373
21 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: A Fete

Afterpiece Title: The Rival Candidates

1374
18 December 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Chaplet

1375
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]