SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hull"/1) | (@(roleclean,performerclean) "Hull")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2879 matches on Roles/Actors, 1013 matches on Performance Comments, 267 matches on Author, 84 matches on Event Comments, and 2 matches on Performance Title.

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: Midas

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Isabella Actor: Mrs Hull

Afterpiece Title: Comus

Dance: III: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: No One's Enemy but His Own

Dance: II: The Reel-Aldridge, Miss Valois, Miss Besford. [See17711030.

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: No One's Enemy but His Own

Dance: II: The Provencale, as17740928; End: The Reel, as17741028

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: No One's Enemy but His Own

Dance: I: The Lamplighters-Aldridge, Miss Valois [see17731207]; End Comedy: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Isabella Actor: Mrs Hull

Afterpiece Title: Comus

Dance: III: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Isabella Actor: Mrs Hull

Afterpiece Title: The Druids

Dance: III: Double Hornpipe-Blurton, Miss Mathews; IV: The Humours of Blackwall, as17750429

Performances

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

Event Comment: The last Night of the Company's performing this Season. Receipts: #180 12s. (after-money not listed). Account-Book, 18 June: Paid Harris for his trouble in superintending the Business of the Theatre #500; Garton in full for salary this season #230; Hull for salary as acting manager #150; Mrs Yates in lieu of cloathes this season #200; Cooper, printer, #347 9s.; Carver, painter, #245 18s.; Hodgins, painter, #141 15s.; Received of Their Majesties this season #100; of the Prince of Wales #65. 27 June: Paid Hull in lieu of a benefit #100, Mrs Lessingham #70, Mrs Morton #21. 17 July: Paid one year's Land Tax #122 10s.; Macklin in full for season #217 10s.; Received Stage Forfeits #35 4s. 6d. 23 July: Paid Hawkes, coal merchant, #173 5s. 28 Aug.: Paid Hawkes, tallow chandler, #331 10s. 4 Sept.: Paid Barrett, wax chandler, #426 9s

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free-Mason

Event Comment: Benefit for a Fund for the Relief of those who, from their Infirmities, shall be obliged to retire from the Stage. [Prologue by Thomas Hull.] Gazetteer, 19 May: Tickets to be had of Hull, Treasurer to the Institution, No. 31, Bow-street, Covent-Garden. The Fund at Covent Garden Theatre was instituted in the Year 1765, and confirmed by Act of Parliament, 1776. It has been almost entirely supported by the weekly Contributions of the respective Members, and no Application has been made ot the Public towards its Increase for the space of 19 Years. Notwithstanding the utmost Oeconomy has been practised to promote the Advancement of this Fund, the whole capital Sum hitherto amassed is now become so inadequate to the unavoidable annual Disbursements that the Committee hold it incumbent on them to solicit the Patronage and Encouragement of the Public, at the within specified Performance. "The capital of this fund, invested in various stocks, amounted to #27,710 in the year 1824" (Brayley, 14). Receipts: #128 11s. (104.15; 15.16; tickets: 8.0)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Highland Reel

Dance: As17900417

Entertainment: Monologue. Original Prologue to the Institution [of the Theatrical Fund]-Holman

Event Comment: Benefit for Hull. Morning Herald, 14 May: Tickets to be had of Hull, No. 31, Bow-street, Covent Garden. Receipts: #235 11s. 6d. (143.1.6; 6.1.0; tickets: 86.9.0) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Intrigues of a Morning

Dance: As17920420

Song: End I afterpiece: Wine cannot cure the Pain I endure, as17920412

Event Comment: [Extra night] Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. The Theatrical Fund was established in 1765, under the auspices of the late Mr Beard and Mrs Rich; and received the sanction of Parliament in 1776. There are now, and have been for more than 20 years, several Annuitants supported by it, chiefly families and widows. Yet notwithstanding it has been so long set on foot, the interest arising from the Funded Capital has never been equal to defraying one half of the annual disbursements. The deficiencies have been continually supplied by progressive weekly contributions from the performers. When this is considered, it is respectfully presumed the generosity of a British Public will be exerted this night in favour of so liberal and beneficial an institution. Thomas Hull, Treasurer. Tickets to be had of Hull, Treasurer to the Institution, No. 7, Duke's-Court, near Dean's Yard, Westminster. Receipts: none listed

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Entertainment: MonologueEnd: The Barber's Petition, as17960506; with Wigs, as17960506

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Elder Wou'dbe-a Gentleman, 1st appearance on any stage [Hull]; Young Wou'dbe-Dyer; Balderdash-Marten; Clearaccount-Collins; Fairbank-Anderson; Comic-Perry; Trueman-Smith; Richmore-Ridout; Subtleman-Dunstall; Alderman-Bennet; Captain-Wignel; Frisure-Holtom; Teague-Barrington; Mrs Midnight-Mrs Copin; Mrs Clearaccount-Mrs Ferguson; Constance-Mrs Vincent; Aurelia-Mrs Hamilton.

Afterpiece Title: The Contrivances

Dance: Comic Dance,The Threshers-Leppie, Granier, Mlle Capdeville

Event Comment: Receipts: #115 1s. 6d. Sent Mrs Ward by order of Rich #10; Paid for a Pompadour Cloath Coat & Breeches, Waistcoat button holes & binding gold #10 10s.; for a suit embroider'd with silver #8 8s.; for a Blue coat for Hull #1 3s.; for a Coat and waistcoat loop'd and bound with gold #7 7s. Advanc'd to Beard #60

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: As17591017

Event Comment: Receipts: #118 16s. Paid Gum carpenter's bill #12. Paid Hull 16 nights from 24 Sept. at 6s. 8d. per night: #5 6s. 8d. Paid Mr Sanders 6 nights from the 13th inst. at 13s. 4d. per night: #4. [By this date Rich shows an income of #1,809 and an expenditure of #1, 541, holding a profitable balance of #268.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: As17591017

Event Comment: Mainpiece: Not acted these two years. [George II's death had closed the theatres on 4 Nov. the previous year.] Income from Boxes #14 15s. Paid Mr Powell for two years att[endin]g Office & pass [?] Ac[count]. #100. Advanced to Hull #20. Receipts: #64 16s. (Winston Theatrical Record)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Fair

Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Related Works
Related Work: Pharnaces Author(s): Thomas Hull

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

Event Comment: Paid from treasurer's funds #16 12s. for a Lottery Tickett No. 5,603. Paid for playing the Organ 9 nights in the Oxonian in Town #2 5s. (Account Book). [Colman seems to have been dissatisfied with Mrs Lessingham's performance, for the Harvard Extra Illustrated Vol. of Genest (opposite p. 185) contains a MS note dated Tuesday Morning: "Mrs Bulkley's compliments to Mr Hull, as she is ready in the part of Mrs Sullen he need not call any rehearsal on her account." Presumably this note was written to the prompter the following Tuesday (24 Nov.). The next performance this season of the Stratagem did not occur, however, until 22 April 1768, at which time Mrs Bulkley played Mrs Sullen, for the 1st time.] Receipts: #155 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Oxonian in Town

Dance: IV: A New Comic Dance, as17671021

Event Comment: Paid to Mr Hull the Balance of the Theatrical Fund, the 9th Instant...#98 9s. (Account Book). Receipts: #225 15s. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: A New Comic Dance, as17671126