SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Howard"/1) | (@(roleclean,performerclean) "Howard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 425 matches on Author, 407 matches on Roles/Actors, 86 matches on Performance Comments, 54 matches on Event Comments, and 5 matches on Performance Title.

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: Macbeth

Afterpiece Title: A Duke and no Duke

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Knights

Performances

Afterpiece Title: Miss in Her Teens

Dance: I: The Medley, as17730517; End: A Double Hornpipe-Giorgi's Scholars

Performances

Afterpiece Title: The Virgin Unmask'd

Dance: As17730517

Performances

Afterpiece Title: The Mock Doctor

Dance: As17730614

Performances

Afterpiece Title: The Tobacconist

Dance: End: A Tambourine Dance-Giorgi's Scholars

Performances

Afterpiece Title: The Virgin Unmask'd

Dance: As17730804

Performances

Mainpiece Title: Lord Russel

Performances

Mainpiece Title: Lord Russel

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Spanish Barber

Cast
Role: Ned Howard Actor: Iliff

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: Liberal Opinions

Cast
Role: Mrs Howard Actor: Miss Chapman

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Liberal Opinions

Cast
Role: Mrs Howard Actor: Miss Chapman

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Event Comment: Pepys, Diary: With my wife to the King's house, but there found the bill torn down and no play acted.... Here [at lif; see below] met with Mr Rolt, who tells me the reason of no play to-day at the King's house. That Lacy had been committed to the porter's lodge for his acting his part in the late new play [see 15 April], and that being thence released he come to the King's house, there met with Ned Howard, the poet of the play, who congratulated his release; upon which Lacy cursed him as that it was the fault of his nonsensical play that was the cause of his ill usage. Mr Howard did give him some reply, to which Lacy [answered] him, that he was more a fool than a poet; upon which Howard did give him a blow on the face with his glove; on which Lacy, having a cane in his hand, did give him a blow over the pate. Here Rolt and others that discoursed of it in the pit this afternoon did wonder that Howard did not run him through, he being too mean a fellow to fight with. But Howard did not do any thing but complain to the King of it; so the whole house is silenced, and the gentry seem to rejoice much at it, the house being become too insolent

Performances

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: The Vestal-Virgin; or, The Roman Ladies (by Sir Robert Howard) was probably acted by February 1664@5. It was entered in the Stationers' Register on 7 March 1664@5 and published in 1665 in Four New plays. Downes (Roscius Anglicanus p. 15) lists it by title only. The King's Company

Performances

Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Performances

Mainpiece Title: Mustapha