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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Horn"/1) | (@(roleclean,performerclean) "Horn")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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421 results for: Keyword - Horn
We found 400 matches on Roles/Actors, 158 matches on Performance Title, 105 matches on Performance Comments, 31 matches on Event Comments, and 0 matches on Author.

401
25 April 1769 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Devil to Pay

Performance Comment: As17690408 but Sir John Loverule (with The Early Horn)-Mattocks; Nell-a Young Gentlewoman, 1st time.

Dance: III: The Merry Sailors, as17680920

402
22 May 1769 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson-Arthur; Sir John Loverule (with the Early Horn)-Du Bellamy; Butler-Summers; Cook-Jacobs; Coachman-Farrell; Conjurer-Strange; Lady Loverule-Mrs Reade; Lucy-Mrs Tisdale; Lettice-Mrs White; Nell-Mrs Arthur.

Dance: As17690515

403
21 February 1772 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: By the Opera singers and orchestra and other celebrated performers. Part I: Overture to Le Pazzie di Orlando (Guglielmi)-; Songs-Savoi, Sga Boschett; Concerto on the Bassoon-Baumgarten; Song-Morigi (composed by Giordani); Part II: Concerto on German Flute-Tacet; Songs-Savoi, Sga Guglielmi; Solo on Violincello-Duport; Concerto on French Horn-Ponta; Part III: Concerto on Hautboy-Fischer; Songs-Sga Boschetti, Sga Guglielmi; accompanied by German Flute-; Concerto on Violin-Sga Sirmen; Favourite Overture for two Orchestras by Bach-.
Cast
Role: Concerto on French Horn Actor: Ponta

404
27 March 1772 @ Covent Garden

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

405
10 April 1772 @ Covent Garden

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. Addison's Hymn-(music by Handel); with a solo on the Violincello-Duport; Part II. Milton#s Morning Hymn, with a Duetto on the Hautboy and French Horn-Fisher, Ponta; Part III. Dixit Dominus, with concerto on Violin-Sga Sirmen; Her last time of performing in England. Part IV. Anthem-Negri (Theatrical Review, p. 223).

406
27 April 1772 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Part I.Overture-Abel; Duo Violincello, Violin-Vachon, Duport; Concerto on German Flute-Wendling; Solo on Viol di Gamba-Abel; Concerto on French Horn-Ponta; Part II.Concerto Hautboy-Fischer; Concerto on Harpsichord-Hulmandel; Solo on Violincello-Duport; Concerto on Violin-Vachon; Full piece-Vachon

Performance Comment: Overture-Abel; Duo Violincello, Violin-Vachon, Duport; Concerto on German Flute-Wendling; Solo on Viol di Gamba-Abel; Concerto on French Horn-Ponta; Part II.Concerto Hautboy-Fischer; Concerto on Harpsichord-Hulmandel; Solo on Violincello-Duport; Concerto on Violin-Vachon; Full piece-Vachon.
Cast
Role: Concerto on French Horn Actor: Ponta

407
05 February 1773 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I, Overture in Artaserse-(Giordani); Songs-Savoi, Sga Carara, Ristorini; Concerto on the Basson-Richter, first time of performing publicly in England; Part II, Songs-Savoi, Sga Girelli, Ristorini, Millico; Concerto on the German Flute-Tacet; Concerto on the Violincello-Crosdill; Concerto on the French Horn-Spandau; Part III, Songs-Sga Carara, Sga Girelli, Millico; Concerto on the Hautboy-Fischar; Solo on the Violin-Hay; a favourite overture for two orchestras composed by Bach. a favourite overture for two orchestras composed by Bach.
Cast
Role: Concerto on the French Horn Actor: Spandau

408
25 October 1773 @ Drury Lane Theatre

Event Comment: Paid 1 extra trumpet 7 nights in Alfred (18th inst. incl.) #2 12s. 6d.; Two extra clarinets, 2 horns, & 1 bassoon in Ditto #18 7s. 6d.; Properties 16s. 9d.; Housekeeper's Bill #5 3s.; Chorus 2 nights #4 1s. Receipts: #156 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Albumazar

Afterpiece Title: Harlequin's Invasion

409
22 April 1777 @ Covent Garden

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule (with The Early Horn)-Mattocks; Jobson-Dunstall; Lady Loverule-Mrs Pitt; Nell-Mrs Hunt (1st appearance in that character).

Dance: End: As17761109

410
27 June 1777 @ China Hall, Lower Road, Rotherhithe

Event Comment: Concert, &c., as 18 June, but Dancing-Herbert, and added: The Early Horn by Barnshaw

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

411
05 April 1780 @ Crown Inn, Lower Street (now Essex Road), Islington

Event Comment: Benefit for Gardner. In order to render the Entertainment perfectly agreeable the Performance will be accompanied with a Band of Horns and Clarinets

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Irish Widow

Dance: A Hornpipe-Gentleman [unidentified]

Song: End IV: Tally O-Mrs Kingham

Entertainment: Monologue. End: Snip's Humorous Description of the Camp-Gardner

412
01 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Mistake

Afterpiece Title: True Blue

Afterpiece Title: The Flitch of Bacon

Dance: End I 1st piece: a new Hibernian Dance, The Rakes of Mallow-Jackson, Miss Francis (1st appearance), others; End II: a new Dance, The Sports of the Green or The Rivals Reconcil'd-Aldridge, Langrish, Jackson, Miss Francis, Miss Besford; 2nd Piece: the original Sailor's Dance, as17810402

Song: 2nd piece to conclude: with a Grand Antigallican Procession[in Honour of St. George's Day [23 Apr.], in which-; Rule Britannia-Reinhold; [the Procession to close with Britannia brought in a Triumphal Car, attended by Europe, Asia, Africa, and America, drawn by six boys representing the Young Gentlemen of the Maritime School, and attended by Mars and Neptune; after which will be display'd the famous Transparency of St. George and the Dragonv, executed by Cipriani; to conclude with: Britons Strike Home-Mrs Kennedy, [with the original chorus

Ballet: End IV: a Grand Pantomimical Pastoral Welch Dance St. David's Day; or, The Village Revels. Squire of the Village-Aldridge; Farmer-Whittow (1st appearance); Farmer's Wife-Mr Jackson; Farmer's Daughter-Miss Rowson (1st appearance); Landlord of the Horns--Savoy; Landlady of the Harp-Mr Besford; In which a Double Hornpipe-Aldridge, Miss Besford; , to the air of Mellionen; or the late Sir W. W. Wynn?'s Delight, accompanied by the ancient British instrument the Welch Harp-; To conclud : with a Country Dance-the Characters

Performance Comment: David's Day; or, The Village Revels. Squire of the Village-Aldridge; Farmer-Whittow (1st appearance); Farmer's Wife-Mr Jackson; Farmer's Daughter-Miss Rowson (1st appearance); Landlord of the Horns--Savoy; Landlady of the Harp-Mr Besford; In which a Double Hornpipe-Aldridge, Miss Besford; , to the air of Mellionen; or the late Sir W. W. Wynn?'s Delight, accompanied by the ancient British instrument the Welch Harp-; To conclud : with a Country Dance-the Characters.
Cast
Role: In which a Double Hornpipe Actor: Aldridge, Miss Besford

413
15 February 1782 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. [Public Advertiser, 18 Feb., refers to the Overture to Rodelinda, which opened the performance, and to Street Bird, sung by Miss Linley, accompanied on the organ by Stanley; Oft on a plat of rising ground by Miss Prudom; Hide me from day's garish eye by Miss Linley; Horn and Morn by Reinhold.] 2nd piece: Set to Music by Handel. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2ndGallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: L'allegro Ii Penseroso

Afterpiece Title: The Choice of Hercules

Music: End of Part I of oratorio concerto on the violoncello by Crosdill; End of Part II concerto on the hautboy by Parke

414
22 April 1783 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Performance Comment: Chasseur Royal (with The early Horn)-Mrs Kennedy; Harlequin Jupiter-W. Bates; Punch-Rayner; Mars-Cranfield; Hercules-Dumay; Leander-Ratchford; Pantaloon-Thompson; Mercury-Davies; Anatomist-Jones; Pierrot-Stevens; Old Woman-Mr Wewitzer; Columbine-Miss Matthews .

Dance: In Act III of mainpiece a Hornpipe by Miss Besford

415
23 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Performance Comment: Jupiter (in the character of Harlequin)-[W.] Bates; Chasseur Royal (with The Early Horn)-Brett; Mercury-Darley; Doctor-Thompson; Punch-Jackson; Hercules-Dumay; Apollo-Byrne; Scaramouch-Ratchford; Mars-Cranfield; Anatomist-Jones; Pierrot-Stevens; Highland Lad and Lassie (with a new Character Duet)-Mahon and Miss Satchell; Old Woman-Mr Wewitzer; Columbine-Miss Matthews .

Song: End of Act iv of mainpiece Tally Ho!, as17830516

416
01 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Performance Comment: A favourite Overture by Haydn, scene I. A Forest. The Death of the Stag. Sportsmen, Horses and Dogs returned from the Chace. No Sport to the Chace can compare (the Music by Dr Arnold) by Brett, scene II. The Cave of Echo. They say there is an Echo here (composed by Herschel) by Brett, Wood, Gaudrey and others, scene III. A Wood. The Triumph of Diana. With Horns and with Rounds (the Music by Boyce) by Miss George. SCENE IV. A Sea Shore and Cottage. The celebrated Sequel to Auld Robin Gray, taken from the Movement of Haydn's Overture, by Brett and Miss Morris. Scene V. A Cobler's Cottage. The Loves of John and Jane (the Music by Dibdin) by Wilson. Scene VI. Description of a Battle. Stand to your Guns, my Hearts of Oak (the Music by Carter) by Bannister, scene VII. A Palace and Banquet. Come, honest Friends (singers not listed'). The Dances by Mr and Miss Byrne. Principal Attendant Genius-Miss Painter .

Afterpiece Title: The Dead Alive

417
14 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.
Cast
Role: Champaign Country The Early Horn Actor: Miss George

418
21 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Dr Last's Examination

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country. The Village Delight-Mrs Bannister, Mrs Forster; Hunting Song-Chapman; The Early Horn-Miss George; Noon. Skirts of a Wood. Prithee Susan-Meadows, Mrs Forster; dance, Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Afternoon. How merrily we live-Davies, Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Mrs Forster, Mrs Bannister; Night. A Country Church-yard. Sweet Echo-Mrs Bannister; dance, Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Poor Thomas Day-Edwin, Davies, Chapman; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards.
Cast
Role: The Early Horn Actor: Miss George

Entertainment: Imitations End 2nd piece: As17870807

419
30 September 1788 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

420
17 November 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

421
06 June 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Robin Hood

Afterpiece Title: The Devil to Pay

Performance Comment: As17961130, but Sir John Loverule (1st time; with The Early Horn)-Sedgwick; Butler-Caulfield; Doctor-_.

Song: In the course of the evening: The Storm-Incledon