SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Horace Mann"/1) | (@(roleclean,performerclean) "Horace Mann")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 240 matches on Performance Comments, 66 matches on Performance Title, 41 matches on Event Comments, 28 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Nature Will Prevail

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: Nature Will Prevail

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Afterpiece Title: THE AGREEABLE SURPRISE

Afterpiece Title: Harlequin Teague

Dance: As17820826

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Nature Will Prevail A Dramatic Proverb

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Nature Will Prevail

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: The Genius of Nonsense

Performances

Mainpiece Title: Nature Will Prevail

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Afterpiece Title: Comus

Afterpiece Title: Harlequin Teague

Performances

Mainpiece Title: Two To One

Afterpiece Title: Nature Will Prevail A Dramatic Proverb

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Nature Will Prevail A Dramatic Proverb

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Dance: End of Act I of mainpiece, as17850601

Performances

Mainpiece Title: Turk And No Turk

Afterpiece Title: Nature Will Prevail

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Performances

Mainpiece Title: Nature Will Prevail

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Afterpiece Title: Rosina

Afterpiece Title: Gretna Green

Song: End of 1st piece The Soldier tir'd of War's Alarms; End of Act I of 2nd piece Colin cur'd of roving, both by Miss George. duologue. End of 2nd piece A New Lecture on Heads by the two Miss Vernells (their 1st appearance on any stage)

Performances

Mainpiece Title: The Siege Of Curzola

Afterpiece Title: Nature Will Prevail A Dramatic Proverb

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Dance: In mainpiece, by Byrn, the two Miss Simonets, Giorgi's Scholars, Master Degville, Miss De Camp. [Included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Nature Will Prevail

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Afterpiece Title: Tit for Tat

Afterpiece Title: Harlequin Teague

Dance: As17860904

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Tit for Tat

Afterpiece Title: Nature Will Prevail

Related Works
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

Afterpiece Title: The Lyar

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

Event Comment: WWalpole to Horace Mann, 14 Aug.: We were thirty subscribers, at two hundred pounds each, which was to last four years, and no other demands ever to be made. Instead of that we have been made to pay 56 pounds over and above the subscription in one winter.--Horace Walpole's Correspondence with Sir Horace Mann, II, 293-94

Performances

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Performances

Mainpiece Title: Othello

Dance: The German Camp, as17461204; The Vintage, as17461204

Event Comment: WWalpole to H. Mann 5 Nov.: Vanneschi and Rolli allowes 300 guineas...Montevolli and Visconti to have a thousand guineas apiece; Amorevoli 850; the Muscovite 600.-Horace Walpole's Correspondence with Sir Horace Mann, I, 191

Performances

Mainpiece Title: Alexander In Persia

Event Comment: Mainpiece: By Particular desire. Afterpiece: Never Acted Before. [The Farce by Fielding is a sequel to The Virgin Unmasked.] Forbidden soon by the Lord Chamberlain. It being supposed that a particular man of quality was pointed at in one of the characters. The prohibition short of duration (Genest, III, 652). See A Letter to a Noble Lord to whom it alone belongs, occasioned by a representation at Drury Lane of a Farce call'd Miss Lucy in Town (1742), [a 20 page pamphlet criticizing the Lord Chamberlain for allowing this farce. Author gives a scene by scene account emphasizing the bawdry and discounting the pious conclusion. He concludes with remarks on theatrical dancing]: As to Dances, I think your province of prohibition does not extend; so the Public cannot owe their gratitude to you for several. I appeal to those who have been on the coast of Malabar and the banks of the Ganges whether we have not had some that have exceeded on posture, or anything of that kind so common amongst the polite Indians of Indostan. Afterpiece: Mrs Clive mimics the Muscovita admirably, and Beard Amorevoli intolerably (H. Walpole to H. Mann, 26 May).-Horace Walpole Correspondence with Sir Horace Mann, I, 435. Receipts: #70

Performances

Mainpiece Title: Othello

Afterpiece Title: Miss Lucy in Town

Event Comment: WWalpole to H. Mann 14 April: To be performed by three good voices and forty bad ones, from Oxford, Canterbury, and the farces.-Horace Walpole's Correspondence with Sir Horace Mann, II, 231. An Entertainment of Vocal and Instrumental Musick, consisting of various Motetts, Chorus's, Concerto's & to be divided into three parts, after the manner of an Oratorio. The whole to conclude with the celebrated Piece of Vocal Musick from Rome. [Usual prices.

Performances

Mainpiece Title: Concert

Event Comment: HHorace Walpole to Sir Horace Mann, 29 March: The Town flocks to a new play of Thomson's call'd Tancred and Sigismunda: it is very dull: I have read it. I cannot bear modern poetry; these refiners of the purity of the stage, and of the incorrectness of English verse, are most woefully insipid. -Toynbee, Letters of Horace Walpole, II, 82

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: CCross: Benefit for ye Author. Mr Garrick order'd ye foundling to be given out for Sat: & as you like it for Mon: But ye Pit rose, & insisted ye Foundling shou'd be given out again for Monday, wch was done, tho; ye Lords who oppos'd it were in ye House. [Horace Walpole's account of the affair Foundling to Sir Horace Mann, in a letter of 11 March 1748 (ed. Cunningham, II, 106) runs as follows: "There has been a new comedy call'd The Foundling; far from good, but it took. Lord Hobart and some young men made a party to damn it, merely for the love of damnation. The Templars espoused the play, and went aamed with syringes charg'd with stinking oil, and with sticking plaisters for Bubby's fair hair; but it did not come to action. Garrick was impertinent, and the pretty men gave over their plot the moment they grew to be in the right."] Receipts: #170 (Cross); house charges #63 (Powel); cash #168 10s. 6d.; tickets #18 5s. (Clay MS)

Performances

Mainpiece Title: The Foundling

Event Comment: HH. Walpole to H. Mann, 24 Dec.: House full on Saturdays, never on Tuesday.-From Walpole's Correspondence with Sir Horace Mann, I, 282

Performances

Mainpiece Title: Penelope

Dance: Bettina

Event Comment: (great snow [show?] for ye Agreat snow [show?] for ye Author) (Cross). Benefit for the Author (General Advertiser). There was a new comedy last Saturday, which suceeds, call'd The Foundling. I like the old Conscious Lovers better, and that not much. The story is the same, only the Bevil of the New piece is in more hurry, and consequently more natural. It is extremely well acted by Garrick and Barry, Mrs Cibber and Mrs Woffington [Walpole to Sir Horace Mann, Walpole Letters (ed Cunningham, II, 105).] Receipts: #160 (Cross); house charges #63 (Powel); cash #119 5s. 6d.; tickets #32 (Clay MS)

Performances

Mainpiece Title: The Foundling

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: Horace

Performances

Mainpiece Title: Horace