SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hopkins Diary "/1) | (@(roleclean,performerclean) "Hopkins Diary ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1475 matches on Event Comments, 908 matches on Performance Comments, 10 matches on Performance Title, 3 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid Mr Heath for point lace, 9s.; Mr Cropley (linen draper) 2 bills #93 12s. 6d.; 8 extra trumpets for 6 nights, #18; Wax Chandler's Bill #21 3s. 4d.; Mr Squire, Chorus, 15 nights #3 15s.; Printer's Bill #9 6s.; Mr Weston's Note & Bill to Mr Flaherty #5 6s. 6d. (Treasurer's Book). Mrs Robinson Angelica-very indifferent (+Hopkins MS Notes). Receipts: #133 11s. (Treasurer's Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Institution of the Garter

Event Comment: Afterpiece: By Desire. N.B. The Institution of the Garter will be laid aside after this night (playbill). Paid Mr Davies on note #5; Miss Hopkins 29 nights at 2s. 6d. per night, #3 12s. 6d.; Mr Thomas French 7 days #2 16s.; Master Brown 12 nights last season and 3 nights this season #5 12s. 6d.; (Treasurer's Book). Receipts: #221 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Institution of the Garter

Event Comment: For the Benefit of the British Lying In-Hospital for Married Women in Brownlow Street, Long Acre (Hopkins). Paid Salary list #501 13s. 6d.; Mrs Abington cloaths acct #2; Mrs S. French, 6 days #1 10s.; Mrs Weston 29 nights at 2s. 6d. per night #3 12s. 6d. Rec'd stopages #10 10s. (Treasurer's Book). Receipts: #180 10s. 6d. Charges #84. Profit to hospital #96 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Register Office

Event Comment: N.B. The eleventh night of The Fashionable Lover is deferr'd till tomorrow, on account of Mrs Hopkins' Illness. Receipts: #212 9s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Event Comment: Paid Mr Hopkins, Prompter's Bill, #32 15s. 4d.; Mr Reddish's Law bill #28 9s. 6d. Receipts: #144 9s. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Pigmy Revels

Event Comment: Benefit for Messrs Rooker, Messink and Giorgi. Paid salary list #520 7s. 6d.; Mr J. French on acct #20; Rec'd of Mr Hopkins in full #20; Stopages #18 6s. (Treasurer's Book). Receipts: #196 4s. Charges: #74 14s. Profits to beneficiaries: #121 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Elopement

Dance: III: The Medley-Giorgi's Scholars

Event Comment: Paid Tallow Chandler's 1st bill #42 11s. 6d; Mr Hopkins for last summer #20; Mr Arnick for Men's cloaths #14 14s. Receipts: #126 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Mayor of Garratt

Event Comment: Author's 1st Night. [For profits to Garrick see payments of 21 Jan. 1774.] Paid Mr Hopkins for Licences of Albumazar. Prologue & Epilogue, Deserter, Fair Quaker, School for Wives, & Xmas Tale #9 9s. Receipts: #223 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: The Citizen

Event Comment: Mainpiece: By Particular Desire. Payments: Mr D. Garrick's 3 Nights for the Christmas Tale, 30 Dec., 4 & 11 Jan., #84 charges deducted each night--#371 14s. (Treasurer's Book). At Isleworth, James Lacy, Esq.: one of the patentees of Drury Lane Theatre died (Gentleman's Magazine, 44, p. 47). [For full account of Lacy, see Covent Garden Magazine (229-34).] Rec'd of Mr Burges, 1 yrs. rent to Xmas last (#4 4s. King's Tax deducted) #16 16s.; Paid Mr Cropley (linen draper) 2 Bills #66 10s. 6d.; Mr Scott (laceman) #66 1s.; Messrs Lowe & Co. (glaziers) #18 6s.; Mr Burges (bricklayer) #65 8s.; Mr Waller (hosier) #24 5s.; Messrs Barrow & Co., oil, #53 7s. 6d.; Messrs Hopkins & Co. (ironmongers) #30 11s.; Mrs Vaughan (haberdasher) 2 bills, #14 10s. 6d.; Mr Hatsell (mercer) 3 bills, #120 11s.; Mr J. French's draft to Mr Wise #5 10s.; Mr J. Johnston's Music Bill #24 5s. (Treasurer's Book). Receipts: #246 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Event Comment: Mainpiece: Not acted these years. [See 17 March 1772. Gentlewoman identified by Hopkins Manuscript Notes and by Winston MS 10. The Westminster Magazine for March (p. 111) gives out that "she was very lately a boarder with the celebrated Charlotte Hayes; a circumstance which will inform our readers that her figure is pleasing and also that she is young and hadsome. It is but justice, however, to add that she possesses the internal as well as external requisites of a good actress; for she discovers great feeling and sensibility; and indeed promises to be an ornament to the theatre."] Receipts: #192 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Midas

Event Comment: Benefit for Bensley. Mainpiece: Written by Dryden not acted these 15 years.[See 23 April 1750.] Charges #68 2s. Profit to Bensley #37 19s. 6d., plus #38 5s. from tickets (Box 153). Paid Mr Hopkins for the hire of Horses in the Fair #6 16s. Paid Read (scalemaker) #3 13s.; Dobosch (furrier) #4 17s. Paid Dall on acct of his salary #42. Receipts: #106 1s. 6d. (Account Book)

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Afterpiece Title: The Upholsterer

Dance: End: The Old Ground Young, as17731208

Event Comment: Benefit for Mrs Barry, who humbly requests those ladies and gentlemen who have taken places in the Pit, will be pleased to come early to prevent confusion in getting to their seats. Tickets deliver'd for Thursday March 24, will be taken. Mainpiece: Not acted these 16 years. [See 8 Dec. 1757.] [Hopkins MS Notes identifies Ismena as Mrs I. Barry.] Pit and boxes laid together. Paid Properties #1 15s. 2d. Housekeeper's bill #6 10s. 6d.; 1 yrs Watch for St Martin's to 14 Feb. last #10 16s. 9d. Receipts: #273 13s. Charges: #65 2s. Profits to Mrs Barry: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Ladies Frolick

Dance: V: The Irish Fair, as17730918

Event Comment: [Young Gentleman identified by Hopkins MS Notes. See also 28 Oct.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman in Paris

Dance: II: The Provencale, as17740928

Event Comment: Mainpiece: not acted these two years. [See 23 May 1773.] [Young Lady identified by Hopkins MS Note.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Sylphs

Dance: III: A New Grand Ballet, call'd The Vintage Festival-Daguville, Sga Vidini, [first time on that stage, and Mr Helm[, first appearance in England. [See dl 11 Oct. 1766.

Event Comment: [The Gentleman in the mainpiece under the pseudonym of Melmoth was the voluminous writer Samuel Jackson Pratt. Identification by Hopkins MS Notes. He had acted first in Dublin, 1772-73.

Performances

Mainpiece Title: Philaster

Afterpiece Title: Daphne and Amintor

Dance: II: The Provencale, as17740928; III: The Vintage Festival, as17741007

Event Comment: [Lady who played Mrs Oakly identified as Mrs Hunter by Hopkins MS Notes.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

Dance: II: The Provencale, as17740928

Event Comment: Mainpiece: Acted but once these 14 years. [See 4 May 1772.] Paid Hewetson & Co. (lacemen) #13 6s.; Thomson (smith) #52 7s. 6d.; Stacy (colourman) #13 12s.; J. Johnston's Music Bill #26 15s.; Mr Hopkins (for author of Maid of Oak's) Bill #4 4s.; Mr Luppino for making dresses &c. #64 14s. 6d.; Cole (turner) #16 2s.; G. Garrick on Acct #100; Chorus 2 nights (Courtney excluded) #2 15s. Receipts: #123 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17740917

Event Comment: Great Applause to the Farce (Hopkins Diary).Benefit for Mrs Abington. Mainpiece: By Particular Desire. Tickets delivered for The Tender Husband will be taken. Send Servants by Four to prevent Confusion. [Sir Joshua Reynolds had procured forty places in the front boxes this night. Boswell and Dr Johnson were among his guests. Johnson could see and hear little, but sat out the performance, commenting on Garrick's excellence as a writer of Prologues. See Boswell's Life of Johnson, ed. G. B. Hill, II, 324ff.] Receipts: #287 9s. 6d. Charges: #64 4s. Profits to Mrs Abington: #223, 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Bon Ton

Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Man's The Master

Afterpiece Title: The Two Misers

Dance: End: The Pilgrim, as17750927

Event Comment: Afterpiece: Not acted these 6 years. [See 11 May 1772.] [Young gentleman identified by Hopkins MS Notes. Genest, V, 517, also calls attention to the fact that the text lists Douglas as Norval and Old Norval as Stranger (1757) or Prisoner (1768). Webster first named as Douglas on bill for 27 Feb. 1776. Review of Webster's acting appeared in the Westminster Magazine for Jan.: "His person is rather elegant; his voice is full and harmonious, his pronunciation distinct and correct, and his delivery graceful and unembarassed. Those are his excellencies, and considering it was his first performance, he seems to possess them in a degree far superior to the various candidates for theatrical fame which the managers of both houses have brought forward for some years past. On the other hand he is aukward, and in some parts unanimated. His arms are too long, or he flung them about in a very disgusting manner. He seemed to express the sense of his author much better than his own feelings. His voice though full, wants variety and modulation; not but on some occasions he managed it with infinite grace and judgement. But if this want of variety of tones and extent of voice, which is so indispensibly necessary to constitute a first rate actor, be not the effect of Nature, the Public may behold with less anxiety their decayed veterans giving nightly proofs of their increasing infirmities, and quick approaching theatrical dissolution."

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Cheats of Scapin

Dance: End Tragedy: Mirth and Jollity, as17760102

Event Comment: The New Comedy of The Runaway oblig'd to be deferr'd till Tuesday, on account of Mrs Hopkins' sudden illness. Paid Mr Machin, Chorus, 24 nights, #6; Tallow Chandler's Bill #49 6s. 8d.; additional flutes #1; Mr Landall for sashes #6 14s. Receipts: #195 18s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Jubilee

Dance: I: The Savage Hunters, as17760210

Event Comment: [Mainpiece in place of Merope, announced on playbill of 4 Jan. "We played last night Much Ado about Nothing, and had an apology to make for the change of three principal parts. About twelve o'clock Mr Henderson sent word he was not able to play. We got Mr Lewis from Covent Garden, who supplied the part of Benedick. Soon after Mr Parsons sent word he could not play. Mr Moody supplied the part of Dogberry; and about four in the afternoon Mr Vernon sent word he could not play. Mr Mattocks supplied his part of Balthazar...In the middle of the first act, a message was brought me that Mr Lamash (who was to play the part of Borachio) was not come to the House. I had nobody there that could go on for it, so I was obliged to cut his scenes in the first and second acts entirely out, and got Mr Wrighten to go on for the remainder of the part. At length we got the play over without the audience finding it out. We had a very bad house. Mr Parsons is not able to play in The School for Scandal to-morrow night; do not yet know how we shall be able to settle that" (Garrick, Private Correspondence, II, 328-29: Hopkins, prompter,in letter to Garrick, 6 Jan. 1779. He does not state who took Wrighten's place as the Sexton.).] On account of the sudden Illness of a Principal Performer, the new Pantomime [The Wonders of Derbyshire, announced on playbill of 4 Jan.] is obliged to be deferred till Friday. Receipts: #74 11s. (48.19; 25.10; 0.2)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians: Farren, Waldron, Burton, Packer, Lamash, Bannister Jun.; Miss Pope. [For assignment of parts see17811012].

Performances

Mainpiece Title: Love In A Veil

Afterpiece Title: Jewish Education

Afterpiece Title: The Quacks; or, The Credulous Man

Performance Comment: Principal Characters by Parsons, Farren, Bannister Jun., Waldron, R. Palmer, Burton, Phillimore, Baddeley; Mrs Booth, Mrs Love, Mrs Brereton. [Cast from Gazetteer, 20 Apr.: Sir Toby Meagrim-Parsons; Temple-Farren; Sharper-Bannister Jun.; John-Waldron; Christopher Camp-R. Palmer; Dr Humberg-Burton; Martel-Phillimore; Dr Seraglio-Baddeley; Lady Meagrim-Mrs Booth [Gazetteer: Mrs Hopkins]; Betty-Mrs Love; Miss Kitty-Mrs Brereton.] Prologue in the Character of an Undertaker spoken by Bannister Jun . Prologue in the Character of an Undertaker spoken by Bannister Jun .

Dance: End of mainpiece, as17840311athi