SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hopkins Diary "/1) | (@(roleclean,performerclean) "Hopkins Diary ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1475 matches on Event Comments, 908 matches on Performance Comments, 10 matches on Performance Title, 3 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: Not acted these 5 years [not acted since 4 May 1782. Miss Raymond is identified by MS annotation on Kemble playbill; Diary, 6 Apr., states she had acted two or three nights at Bath]. Receipts: #244 11s. (227.10; 16.6; 0.15)

Performances

Mainpiece Title: Mary Queen Of Scots

Afterpiece Title: Miss in her Teens

Event Comment: Mainpiece [C 5, by the Hon. Henry Seymour Conway, adapted from Les Dehors Trompeurs; ou, L'Homme du Jour, by Louis de Boissy; incidental music by Michael Kelly. Prologue by the author. Epilogue by John Burgoyne (see text)]: 1st time at a public theatre. With new Scenes and Dresses. [This was 1st acted on 31 May 1788 at the private theatre in the town house of the Duke of Richmond, which was situated on what is now Richmond Terrace, Whitehall. It was demolished in 1819.] Diary, 16 June 1789: This Day is published False Appearances (1s. 6d.). Receipts: #138 3s. (114.15.0; 22.5.6; 1.2.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Event Comment: [In afterpiece the assignment of Captain Cook is from Diary, 27 Apr., which does not state who performed Koah.] Receipts: #234 3s. (222.14; 11.9)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Death of Captain Cook

Dance: As17890101

Event Comment: [In mainpiece the playbill retains Fearon as Peachum, but "In consequence of Fearon's illness, Ryder was yesterday obliged to undertake the part of Peachum" (Diary, 30 Apr.).] Receipts: #248 8s. 6d. (240.3.6; 8.5.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Maid of the Oaks

Dance: As17890328

Event Comment: Benefit for Miss Fontenelle. Public Advertiser, 14 Apr.: Tickets to be had of Miss Fontenelle at her house, No. 271, Holbourn. 2nd piece: Compressed into 3 short Acts. "Miss Fontenelle...is the best Romp we ever saw, Mrs Jordan alone excepted...We were sorry to see [her] fall over the groove of the scene; but as practice is more forcible than precept, we hope it will teach her the truth of Friar Lawrence's caution, 'they stumble who run fast'" (Diary, 4 May). Receipts: #219 19s. (133.14.6; 6.8.6; tickets: 79.16.0)

Performances

Mainpiece Title: The Sultan

Afterpiece Title: The Highland Reel

Afterpiece Title: The Romp

Dance: End 2nd piece: The Piping Pedlar-Byrne, Mrs Goodwin

Event Comment: 1st piece: In 3 acts; never performed here. 3rd piece [1st time; INT I, by "A Lady"]. Diary, 27 June 1789: This Day is published Half an Hour after Supper (1s.)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Ut Pictura Poesis

Afterpiece Title: Half an Hour after Supper

Dance: End 2nd piece: The Graces-the Miss Simonets

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Farm House

Event Comment: [In mainpiece the playbill retains Baddeley as Medium, but "Barrett [undertook], at a short notice, the part of Medium for Baddeley, who was suddenly indisposed" (Diary, 9 July).

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Mogul Tale

Event Comment: Benefit for Mr and Mrs Iliff. Afterpiece: Not acted these 10 years [not acted since 30 July 1778]. Diary, 28 July: Tickets to be had of Iliff, No. 20, Charles-street, Westminster

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff

Event Comment: Benefit for Mrs Kemble. 1st piece [1st time; M. PREL 1; at its 2nd performance, 10 Aug., acted under its 2nd title, and published as such]: Written by Thomas? Bellamy. [The Address by--Codrington, of Exeter (European Magazine, Sept. 1789, p. 218).] World, 1 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-Buildings. Diary, 1 Sept. 1789: This Day is published The Benevolent Planters (1s.)

Performances

Mainpiece Title: The Friends; Or, The Benevolent Planters

Afterpiece Title: The Prisoner at Large

Afterpiece Title: The Devil to Pay

Dance: In: a new dance, Liberty or We Slaves Rejoice-

Entertainment: Monologues End 2nd piece: As17890617 Preceding: An Address to the Humane Society on the Abolition of the Slave Trade in the character of a Negro , by-Kemble; End 3rd piece: Belles have at Ye All-Mrs Kemble

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Touchstone

Performance Comment: Partial cast from Diary, 1 Dec.: Harlequin-Boyce; Pierrot-Reeve; Kit Keel-Ryder; Colombine-Mrs Mountain. [And see17891203] .And see17891203] .
Event Comment: "Harley's youth and vigour so repeatedly got the better of his endeavours to conceal them under the veil of assumed debility that it was rather the grandson of Lear, who was rehearsing the part of that injured Prince and parent, than the good old King himself" (Diary, 5 Jan.). Receipts: #269 8s. 6d. (266.13.0; 2.15.6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin's Chaplet

Dance: As17891231

Event Comment: [In afterpiece the playbill assigns Hurry to Edwin, but "Powell as a substitute for Edwin (suddenly called upon) acquitted himself very creditably" (Diary, 5 Feb.).] Receipts: #257 5s. (238.10.0; 18.15.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Maid of the Oaks

Dance: End: The Deserter, as17891113; In I afterpiece: Dance-Byrne, Mrs Ratchford, Mrs Goodwin

Event Comment: [In mainpiece the playbill retains Mrs Ward, but "An apology was made for Mrs Wilson's reading the part of Angelica, vice Mrs Ward, who was suddenly taken ill" (Diary, 22 Mar.). Afterpiece in place of The Pannel, advertised on playbill of 18 Mar.] Receipts: #234 3s. 6d. (188.12.0; 44.1.6. 1.10.0)

Performances

Mainpiece Title: Love In Many Masks

Afterpiece Title: The Adventurers

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Spoil'd Child

Cast
Role: Miss Pickle Actor: Mrs Hopkins
Event Comment: Benefit for Dignum. Diary, 17 May: Tickets to be had of Dignum, the corner of Leigh-street, Red Lyon-square. Receipts: #323 19s. (31.14.0; 8.2.6; 0.12.6; tickets: 283.10.0) (charge: #105 16s.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Piety in Pattens

Afterpiece Title: The Quaker

Song: End II: The Lass of Richmond Hill (composed by Hook)-Dignum; End IV: The Greenwich Pensioner-Dignum; End: Poor Jack-Dignum

Event Comment: Benefit for Burton, Haymes & Miss Hagley. Diary, 17 May: Tickets to be had of Haymes, No. 2, Broadway, Blackfriars [others not listed]. Receipts: #222 (32.5; 14.1; 1.19; tickets: 173.15) (charge: #106 7s. 6d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: True Blue

Cast
Role: Marcelina Actor: Mrs Hopkins

Afterpiece Title: The Quaker

Song: End IV: The Lass of Richmond Hill-Dignum

Event Comment: Benefit for Phillimore, Miss Tidswell & Miss Barnes. Diary, 24 May: Tickets to be had of Phillimore, Little Russel-street; of Miss Tidswell, No. 8, Martlet-court, Bow-street; of Miss Barnes, No. 23, Clare-street, Clare Market. Receipts: #217 18s. (32.13; 21.14; 0.10; tickets: 163.1) (charge: #105 17s. 1d.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Piety in Pattens

Afterpiece Title: Miss in her Teens

Song: In course: a song-Miss Barnes; The Greenwich Pensioner-Dignum

Entertainment: Vaudeville. End: an Epilogue in the character of Harlequin-Banks

Event Comment: Benefit for Duffey and Cox. Diary, 3 June: Tickets to be had of Duffey, No. 115, St. Martin's Lane [Cox not listed]. Receipts: #315 10s. 6d. (94.12.0; 6.3.6; tickets: 214.15.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Follies of a Day

Song: End I afterpiece: Tho' Bacchus may boast (composed by Shield)-Duffey; End II: Mad Tom (composed by Purcell)-Duffey

Event Comment: [Extra night] Benefit for Lee Lewes. [Mrs Saunders is identified in Diary, 19 Nov. 1790.] Receipts: none listed

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: A Merry Sketch of Folly and Fashion

Event Comment: 2nd piece [1st time; CO 3, by John Scawen]: The Music, with a new Overture, by Dr Arnold. The Scenery designed and painted by Rooker. The Dances by Byrn. Books of the Songs [T. Cadell, 1790] to be had at the Theatre. Diary, 27 Aug. 1790: This Day is published New Spain (1s. 6d.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: New Spain; or, Love in Mexico

Dance: III 2nd piece: A Grand Indian War Dance-

Event Comment: "Yesterday evening Palmer performed the part of Inkle for the first time to a very full house. He went through the two first acts with much credit, and had he been less imperfect in the last scene it would have proved more interesting" (Diary, 24 Aug.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Deuce is in Him

Dance: As17900701

Event Comment: Mainpiece: Not acted these 4 years [acted 28 Dec. 1787. Toms is identified in Morning Herald, 22 Sept. 1795: A Mr Toms made a probationary essay last night in the character of Romeo. The bills erroneously announced it as his first appearance on this stage [cg]; for his unsuccessful attempt in Young Norval [i.e. Douglas], about five years ago, on the same boards, is perfectly within our recollection. London Chronicle, 22 Sept. 1795, also refers to Toms as Douglas. European Magazine, Oct. 1790, p. 305, gives the name as Turner, but in Oct. 1795, p. 273, states that Toms performed on one night only "a few years since."]. Afterpiece [1st time; BALL. P 2 (?), by James Byrne, based partly on his Nootka Sound, and in May 1793 agin altered as The Shipwreck; or, French Ingratitude. Not in Larpent MS; not published; synopsis of action in Diary, 5 Oct.]: A Ballet Pantomime, with new Scenes, Dresses, and Decorations. The Overture and Music compiled by Byrne, from Haydn, Rochefort, Pleyel, Gyrowetz, Reeve, Pieltain, Dibdin. The new Music by Shield. On account of some Scenes which are introduced from the Entertainment of Nootka Sound (performed last Season [on 4 June 1790]) Half Price will be taken. [This alludes to the custom of not llowing half-price during the run of entirely new pantomimes.] Paid Brodie, for Stoves for the Theatre, #19 8s. Receipts: #207 8s. 6d. (201.16.0; 5.12.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

Event Comment: [As afterpiece the playbill announces The Follies of a Day, but "In consequence of an accident to Miss Farren The Follies of a Day was unavoidably postponed, in lieu was represented The Liar [which is also listed in the Account-Book]. Mrs Kemble being indisposed, Miss Collins personated Miss Grantham in a manner which greatly added to Miss Collins's reputation" (Diary, 11 Oct.). And see 10 May 1791.] Receipts: #289 7s. 6d. (239.15.0; 48.7.6; 1.5.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Liar

Event Comment: "Although [Mrs Esten] is rather under-hung, her face may fairly be pronounced pretty, and her figure engaging. Her voice, in the pathetic tones, resembles that of Mrs Siddons, but is more clear and articulate' (Diary, 21 Oct.). Receipts: #182 14s. 6d. (180.12.0; 2.2.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Provocation

Dance: End I: The Irish Lilt-Mr Ratchford, Mrs Ratchford; In V: Dance of Forresters-