SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hopkins Diary "/1) | (@(roleclean,performerclean) "Hopkins Diary ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1475 matches on Event Comments, 908 matches on Performance Comments, 10 matches on Performance Title, 3 matches on Author, and 0 matches on Roles/Actors.
Event Comment: On 22 July 1667 Pepys implies that the theatres had been closed in June and early July, possibly because of the naval encounters with the Dutch. On 6 June, however, he records in his Diary: After dinner my father and wife to a play [Pepys, Diary]

Performances

Event Comment: The Duke's Company. See Pepys, Diary:, 9 April, for an account of Davenant's funeral on 9 April. Pepys, Diary: With Lord Brouncker to the Duke of York's playhouse, where we saw The Unfortunate Lovers, no extraordinary play, methinks

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: The King's Company. Pepys, Diary: By and by comes my wife and Deb. home, have been at the King's playhouse to-day, thinking to spy me there; and saw the new play, Evening Love, of Dryden's, which, though the world commends, she likes not. Evelyn, Diary: To a new play, with severeall of my Relations, the Evening Lover, a foolish plot, & very Prophane, so as it afflicted me to see how the stage was. degenerated & poluted by the licentious times

Performances

Mainpiece Title: An Evening's Love

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Diary of Richard Boyle, Earl of Burlington: Heer dined with mee my lord of Canterbury my ld Sandwich and my brother and sister Orrery, and in the afternoone wee all went but his Grace to see my brothers new play cald Tryphon which was much applauded (Volume IV, in the Library at Chatsworth. This excerpt supplied by Kathleen Lynch). Pepys, Diary: My wife tells me of my Lord Orrery's new play "Tryphon," at the Duke of York's house...and [we] went thither, where, with much ado, at half-past one, we got into a blind hole in the 18d. place, above stairs, where we could not hear well, but the house infinite full, but the prologue most silly, and the play, though admirable, yet no pleasure almost in it, because just the very same design, and words, and sense, and plot, as every one of his plays have, any one of which alone would be held admirable, whereas so many of the same design and fancy do but dull one another; and this, I preceive, is the sense of every body else, as well as myself, who therefore showed but little pleasure in it

Performances

Mainpiece Title: Tryphon

Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: King here. See also Nicoll, Restoration Drama, p. 344. See Noyes, Ben Jonson on the English Stage, p. 307, for a letter to Lady Sunderland on this performance, and, p. 308, for an anecdote from The Life of the Late Famous Comedian, Jo. Haynes, concerning Haynes and Hart in a scene. For another allusion to the action, see Henri Ferneron, Louise de Keroualle, Duchess of Portsmouth (London, 1807), p. 179n. Pepys, Diary: 15 Jan. 1668@9: It is about my Lady Harvy's being offended at Doll Common's [Mrs Corey's] acting of Sempronia, to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: There has not been any new lately revived and reformed, as Catiline, well set out with clothes and scenes (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14). See also 7 and 11 Dec. 1667

Performances

Mainpiece Title: Catiline's Conspiracy

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there, the pit being full, sat in a box above, and saw Catiline's Conspiracy, yesterday being the first day: a play of much good sense and words to read, but that do appear the worst upon the stage, I mean, the least diverting, that ever I saw any, though most fine in clothes; and a fine scene of the Senate, and of a fight, that ever I saw in my life. But the play is only to be read, and therefore home, with no pleasure at all, but only in sitting next to Betty Hall, that did belong to this house, and was Sir Philip Howard's mistress, a mighty pretty wench. Evelyn, Diary: I went to see the old play Cataline acted, having ben now forgotten 40 years almost

Performances

Mainpiece Title: Catiline

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Performances

Mainpiece Title: Catiline

Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Performances

Event Comment: The Duke's Company. The source of this performance is the diary of Jeffrey Boys. See G. J. Gray, "The Diary of Jeffrey Boys of Gray's Inn, 1671," Notes and Queries, 27 Dec. 1930, p. 455

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Event Comment: The Duke's Company. This play may well have been performed regularly since 25 May. The Diary of Robert Hooke, 2 June 1676: with Godfrey and Tompion at Play. Met Oliver there. Damned Doggs. Vindica me Deus. People almost pointed. [Several entries in Hooke's Diary concern The Virtuoso. See his entries for 1 June, 3 June, 1 July.

Performances

Mainpiece Title: The Virtuoso

Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Performances

Mainpiece Title: The Cure Of Saul

Performance Comment: Singers-Vernon, Reinhold, Mrs Barthelemon, Mrs Mattocks--Diary of Isaac Reed.

Music: CConcerto on German Flute-Florio; Violin Solo-Barthelemon

Event Comment: By Command of their Majesties. K. & Q. Richard-Mr Garrick (Cross Diary). Neville MS Diary: Garrick played Richard III. In attempting to get into the Pit was forced into the 2 shilling gallery Passage & after being squeezed abominably for an hour got into the street. Should not have received much pleasure if I had got in, as that calf headed son of a whore, George etc. was there

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Queen Actor: Mrs Hopkins.

Afterpiece Title: The Padlock

Event Comment: [In mainpiece the playbill retains Miss Farren, "but on account of the sudden indisposition of Miss Farren her part in the play was read by Mrs Ward, who gave it with great effect, and having studied Miss Farren's manner, was a very tolerable substitute" (Diary, 2 May).] Afterpiece [1st time; C 3, by John Philip Kemble]: Taken from [The Country Lasses; or] The Custom of the Manor [by Charles Johnson]. Diary, 6 May 1789: This Day is published The Farm House (1s.). And see 6 May. Receipts: #165 3s. (125.12.0; 34.18.6; 4.12.6)

Performances

Mainpiece Title: False Appearances

Afterpiece Title: The Farm House

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Touchstone

Performance Comment: As17891130, but Harlequin-Milburne; Street@singer-Blanchard; Darley, Mrs Martyr [who probably acted Watchman and Feridon] (Diary, 4 Dec.). Darley, Mrs Martyr [who probably acted Watchman and Feridon] (Diary, 4 Dec.).

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Fugitive

Performance Comment: Principal Characters-Ryder, Blanchard, Wilson, Marshall, Powel, Rock, Farley, Cross, Johnstone, Miss Williams, Mrs Webb, Mrs Harlowe (1st appearance on this stage). [Larpent MS lists the parts: Baron Allstoff (acted by Wilson) (Diary, 5 Nov.), Gentleman, Theodore, Ralpho, Justice Yacobs, Count, Fritz, Slip, Turnkeys, Ballybough, Mme Yacobs, Julia, Ellen.]Larpent MS lists the parts: Baron Allstoff (acted by Wilson) (Diary, 5 Nov.), Gentleman, Theodore, Ralpho, Justice Yacobs, Count, Fritz, Slip, Turnkeys, Ballybough, Mme Yacobs, Julia, Ellen.]

Performances

Mainpiece Title: Better Late Than Never

Performance Comment: Characters by Kemble, Dodd, Palmer, Baddeley, Bannister Jun., R. Palmer, Maddocks, Lyons, Webb, Mrs Jordan, Mrs Goodall, Miss Pope. [Cast from text (J. Ridgway, 1790): Saville-Kemble; Flurry-Dodd; Sir Charles Chouse-Palmer; Grump-Baddeley; Litigamus-Bannister Jun.; Pallet-R. Palmer; Lawyer's Clerk-Maddocks; Servant to Saville-Lyons; Servant to Flurry-Webb; Augusta-Mrs Jordan; Mrs Flurry-Mrs Goodall; Diary-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Diary Actor: Miss Pope

Afterpiece Title: Don Juan

Dance: As17901026

Performances

Mainpiece Title: Penelope

Performance Comment: Edition of 1728 lists: Minerva-Gorsuch; Ulysses-Phoenix; Telemachus-Longbottom; Cleaver-Smith; Thimble-Brassey; Hopkins-Edwards; Penelope-Mrs Clarke; Doll-Mrs Holland; Prologue-Phoenix; Epilogue-.
Cast
Role: Hopkins Actor: Edwards

Song:

Dance:

Performances

Mainpiece Title: Penelope

Performance Comment: As17340705 but Ulysses-Este; Minerva-Mrs Egerton; Tom Thimble omitted; Cleavar-Turbutt; Hopkins-Hallam .
Cast
Role: Hopkins Actor: Hallam

Afterpiece Title: The Contrivances

Afterpiece Title: The Beggar's Wedding

Dance: The Black and White Joak by Davenport and Miss Brett. Pierot by Davenport

Performances

Mainpiece Title: Barbarossa

Performance Comment: Achmet-Holland; Barbarossa-Bransby; Zaphira-Mrs Cibber; Irene-Mrs Hopkins, second appearance on this stage; Othman-Havard; Sadi-Davies; Aladin-Ackman; Slave-Scrase; Officer-Fox; Slave-Mrs Hippisley.

Afterpiece Title: Harlequin's Invasion

Afterpiece Title: The Coronation

Performances

Mainpiece Title: The Double Gallant

Performance Comment: As17611027, but Sylvia-Mrs Hopkins, first time.
Cast
Role: Sylvia Actor: Mrs Hopkins, first time.

Afterpiece Title: The Genii

Song: IV: Hearts of Oak, as17620115

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17611222, but Harriet-Mrs Hopkins.
Cast
Role: Harriet Actor: Mrs Hopkins.

Afterpiece Title: The Genii

Performances

Mainpiece Title: All In The Wrong

Performance Comment: As17611110, but Clarissa-Mrs Hopkins.
Cast
Role: Clarissa Actor: Mrs Hopkins.

Afterpiece Title: The Genii

Song: HHearts of Oak, as17620115, but _Fox, Miss E. _Young

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Minor

Performance Comment: As17611109, but reduc'd to two acts: Shift, Smirk, Mrs Cole, Epilogue-King; Minor-Holland; Lucy-Mrs Hopkins.
Cast
Role: Lucy Actor: Mrs Hopkins.

Entertainment: I: King (for this night only) will present the Public with a Serio-Comic, Satiric, Prophetic, Poetic Oration, call'd The Brass Prophecy or News Ten Years Hence-King; End Farce, By Particular Desire: The Picture of the Playhouse or Bucks Have at ye All-King

Dance: IV: A New Hornpipe-Miss Baker. *uö?dl After: The Farmer's Return from London. As17620329

Event Comment: Tickets deliver'd for the Benefit of Mr and Mrs Hopkins will be taken

Performances

Mainpiece Title: All In The Wrong

Cast
Role: Clarissa Actor: Mrs Hopkins.

Afterpiece Title: The Genii