SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hodge Brean Coritong Ambassador from the Bey of Tripoli"/1) | (@(roleclean,performerclean) "Hodge Brean Coritong Ambassador from the Bey of Tripoli")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 149 matches on Performance Comments, 99 matches on Event Comments, 5 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [In mainpiece the playbill assigns Madge to Mrs Wells, but "We cannot quit this article without noticing the Margery [sic] of Mrs Davis, who gave all the innocent simplicity of the character without 'o'er stepping the modesty of nature'" (Thespian Magazine, Mar. 1793, p. 220. And see 28 Dec. 1792.] Receipts: #237 6s

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Johnstone; Hodge-Blanchard; Sir William Meadows-Powel; Eustace-Davies; Carter-Rees; Cook-Rock; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Powell; Madge-Mrs Davis; Lucinda-Miss Broadhurst; Maid-Miss Stuart; Rosetta-Mrs Clendining (1st appearance in that character).
Cast
Role: Hodge Actor: Blanchard

Afterpiece Title: Harlequin's Museum

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Johnstone; Hodge-Blanchard; Sir William Meadows-Powel; Eustace-Davies; Carter-Rees; Footman-Blurton; Justice Woodcock-Quick II Deborah-Mrs Webb; Madge-Mrs Martyr; Lucinda-Mrs Mountain; Cook-Mr Rock; Maid-Miss Stuart; Rosetta-Miss Poole (1st appearance in that character) .
Cast
Role: Hodge Actor: Blanchard

Afterpiece Title: THE MIDNIGHT HOUR

Dance: End of Act II of mainpiece Dermot and Kathlane, as17931022

Event Comment: By Desiire of the Cherokee Chiefs [see 12 Nov.]. Afterpiece: Not acted these 7 years. [European Magazine, Dec. 1790, p. 468, says that this was Mrs Ferguson's 1st appearance in London; she was from the Richmond theatre.] Receipts: #205 5s. (202.8.6; 2.16.6)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Johnstone; Hawthorn-Bannister; Hodge-Blanchard; Sir William Meadows-Powel; Eustace-Davies; Carter-Reeve; Cook-Rock; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Pitt; Madge-Mrs Wells; Lucinda-Mrs Mountain; Maid-Miss Stuart; Rosetta (1st time)-Mrs Ferguson.
Cast
Role: Hodge Actor: Blanchard

Afterpiece Title: The Author

Dance: End II: The Irish Lilt, as17931020

Event Comment: Mainpiece: In Act I a Statute Scene. [Miss Leak had 1st appeared at the oratorios at King's on 15 Feb. 1793.]

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Dignum; Hawthorn-Bannister; Sir William Meadows-Aiclcin; Hodge-Wewitzer; Eustace-Caulfield; Justice Woodcock-Suett//Lucinda-Mrs Follett (of the Theatre Royal, Covent Garden); Margery-Mrs Bland; Deborah Woodcock-Mrs Hopkins; Rosetta-Miss Leak (1st appearance on any stage) .
Cast
Role: Hodge Actor: Wewitzer

Afterpiece Title: HARLEQUIN PEASANT

Event Comment: 3rd piece [Ist time; MF 2, attributed to Mrs Rainsford, for whom see Morning Herald, 9 May; London Chronicle, 23 May, states that it was written by "A Lady," but gives no name. MS: Larpent 1025; not published]: The Music composed by Webbe. Receipts: #118 4s. (109/3; 9/1)

Performances

Mainpiece Title: Netley Abbey

Afterpiece Title: THE SIEGE OF MEAUX

Cast
Role: Catherine Actor: Mrs Martyr.

Afterpiece Title: THE SPEECHLESS WIFE

Performance Comment: Principal Characters by Quick, Incledon, Munden, Cubitt, Richardson, Rees, Campbell// Miss Poole, Miss Stuart, Mrs Martyr. [Cast from Songs (W. Woodfall, 1794): William-Quick; Colin-Incledon; Hodge-Munden; Moody-Cubitt; Parchment-Richardson; Dick-Recs; Mercury-Campbell//Susan-Miss Poole; Alice-Miss Stuart; Margaret-Mrs Martyr .
Cast
Role: Hodge Actor: Munden
Event Comment: Afterpiece: Not acted these 2 years. Receipts: #206 17s. 6d. (206.0.6; 0.17.0)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Johnstone; Hodge-Knight; Sir William Meadows-Powel; Eustace-Townsend; Carter-Follett; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Davenport; Madge-Mrs Martyr; Lucinda-Mrs Mountain; Cook-Mr Rees; Maid-Miss Stuart; Rosetta-Mrs Serres (1st appearance on any stage).
Cast
Role: Hodge Actor: Knight

Afterpiece Title: The Midnight Hour

Dance: In I: Dance- incident to the Piece

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Bowden; Hodge-Knight; Sir William Meadows-Powel; Eustace-Townsend; Carter-Follett; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Davenport; Madge-Mrs Martyr; Lucinda-Mrs Mountain; Cook-Mr Simmons; Maid-Mrs Lloyd; Rosetta-Mrs Addison (of the Private Theatre Royal in Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Hodge Actor: Knight

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Macready; Lord Edmond-Toms; Frill-Farley; Father Frank-Davenport; Tough-Haymes; Trap-Powel; Count Fripon-Wilde; Phelim-Ledger; Dowdle-Munden; Rachael-Miss Mansel; Mary-Mrs Fawcett; Adelaide-Miss Chapman.
Cast
Role: Father Frank Actor: Davenport

Dance: I: a Dance- incident to the Piece

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Johnstone; Hodge-Knight; Sir William Meadows-Powel; Eustace-Clarke; Carter-Follett; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Davenport; Madge-Mrs Martyr; Lucinda-Mrs Mountain; Cook-Mr Rees; Maid-Mrs Lloyd; Rosetta-Mme Mara (1st appearance in that character).
Cast
Role: Hodge Actor: Knight

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Hortensio-Claremont; Biondello-Davenport; Pedro-Abbot; Taylor-Simmons; Music@master-Rees; Grumio-Quick; Bianca-Miss Leserve; Curtis-Mrs Platt; Catherine-Mrs Mattocks.
Cast
Role: Catherine Actor: Mrs Mattocks.

Dance: End I: The Statute Dance- [performers not listed]

Event Comment: In I a Grand Masquerade. The Doors to be opened at 5:15. To begin at 6:15 [see 29 Apr. 1800]. Receipts: #180 11s. 6d. (175.8.0; 5.3.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17991007, but Romeo-C. J. Macartney (from the Theatre Royal, Edinburgh and Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Apothecary Actor: Simmons

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Incledon, Waddy, Townsend, Emery, Simmons, Claremont, Rees, Mrs Martyr, Mrs Mills. Cast adjusted from playbill of 16 Mar. 1799: Thicket-Incledon; Capt. Frederick-Waddy; Clueline-Townsend; Sir Fidget Fearful-Emery; Gregory-Simmons; Flambeau-Claremont; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Mills; Dialogue to introduce following favorite Songs: Peggy Perkins, Let Bards elate-Simmons; Irish Drinking Song, Of the Ancients its speaking-Waddy; Song, I went to Sea-Townsend; Taffy and Griddy, Abergavenny is fine-Mrs Martyr; Duetto, As Hodge got drubb'd-Emery, Rees; Hunting Song, The moment Aurora-Incledon; Song, Young William was a seaman true-Incledon; Song, Come Painter with thy happiest flight-Incledon; Rural Masquerade. Song, Dear Yanco say and true he say-Miss Wheatley; Sea Song, A sailor's life's a life of woe-Mrs Mills; Masquerade Song, Sure an't the World a Masquerade-Waddy, Chorus.

Dance: In afterpiece: Ballet-Blurton, Mrs Watts

Opera: Mainpiece: Solemn Dirge. As17991118

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Event Comment: Lady Anne Howe to the Countess of Rutland, [18 Dec. 1681]: I have seene but one play since I came, but I must goe to one to see [the Russian Ambassador] sure he cannot live long, for he makes noe thing of a pint of brandie at a draught with a spoonful of white pepper in it (HMC, Rutland MSS., Report XII, Appendix, Part V, p. 63)

Performances

Event Comment: Luttrell, A Brief Relation, I, 157. The 10th, the Moscovite ambassador had his audience of leave of his majestie, and during his stay here he has been severall times at the playhouses

Performances

Event Comment: The Duke's Company. CSPD, Charles II, 1682, p. 24: Jan. 12. By the Russian? ambassador's particular command a play called the Tempest was played yesterday, at which he was present

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. CSPD, Charles II, 1682, p. 24: 12 Jan. 1681@2: On Friday the second part of the Siege of Jerusalem is acted by his [Russian ambassador's] particular command and on Monday he goes home

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part Ii

Event Comment: [The King's Company. CSPD, Charles II, 1682, p. 28: 14 Jan. 1681@2. This evening the Morocco ambassador with all his attendants will be treated at the King's playhouse with a play that has relation to that country, viz., Caius Martius with dancing and volting

Performances

Mainpiece Title: The Ingratitude Of A Common-wealth

Event Comment: The King's Company. The date of the premiere is not certain. This performance is known from an entry in the Newdigate newsletters, which also states that Rollo was to be acted on the following Monday. If this statement is accurate, the performance of The Loyal Brother on 4 Feb. 1681@2 may be the third night rather than the opening performance. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treaty and in ye afternoon goes to see Rollo D. of Normandy at ye Ks playhouse wre ye K was this afternoon to see ye new play calld ye Loyall brothr (Wilson, More Theater Notes from the Newdigate Newsletters, p. 59). The Prologue and Epilogue were printed separately and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 70-72. Luttrell acquired his copies (Huntington Library) on 7 Feb. 1681@2. In The Life of John Dryden (Chapel Hill, 1961), Charles E. Ward believes (pp. 166, 355) that The Loyal Brother was first acted in the autumn of 1681; but the entry in the Newdigate newsletters seems to make February 1682 the more probable time

Performances

Mainpiece Title: The Loyal Brother; Or, The Persian Prince

Performance Comment: Edition of 1682: The Prologue [Written by John Dryden]-; Seliman-Goodman; Tachmas-Clark; Ismael-Major Moon; Arbanes-Griffin; Osman-Saunders; Begona-Mrs Corey; Semanthe-Mrs Cook; Sunamire-Mrs Guin [Quin]; The Epilogue [Written by John Dryden]-Semanthe [Mrs Cook].Mrs Cook].
Cast
Role: Semanthe Actor: Mrs Cook
Role: Written by John Dryden] Actor: Semanthe
Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne
Event Comment: The King's Company. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treapy & in ye Afternoon goes to see Rollo D. of Normandy at ye Ks playhouse (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Event Comment: The Duke's Company. True Protestant Mercury, 17-20 May 1682: On Thursday the Ambassador from the King of Bantam was entertained with a play called the Libertine Destroyed at the Duke's Theatre. [See also Luttrell, A Brief Relation, I, 187, and Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59

Performances

Mainpiece Title: The Libertine Destroyed

Event Comment: BM Egerton 1628, Diary of Edward Southwell: Saw the Morocco Ambassador at the Play

Performances

Mainpiece Title: Omment

Event Comment: Newsletter, 24 Nov. 1691: This afternoon the Morocco ambassador was present at the acting of a play called The Emperor of the Moon (HMC, Hastings MSS. [1930], II, 332)

Performances

Mainpiece Title: The Emperor Of The Moon

Event Comment: Rich's Company. Post Man, 28-30 April 1696: The Venetian Ambassadors went yesterday to see a Play called the Indian Queen, accompanied by about 30 persons in 6 coaches

Performances

Mainpiece Title: The Indian Queen

Event Comment: Post Boy, 14-17 May 1698: On Friday night last there was fine Dancing at Kensington, where his Majesty was present, as also His Excellency the French Ambassador: The Frenchman [l'Abbe], who is lately come over and Dances now at the Play-house, was sent for to dance there, and performed his part very dexterously

Performances

Mainpiece Title: Entertainments

Event Comment: Rich's Company. Post Boy, No 496, 7-9 July 1698: This day is acted Oroonoko, at the King's Playhouse, for the particular Entertainment of some Persons of the highest Quality, with the Italian Shades, as they were perform'd with great Applause, before their Excellencies the Russian and Morocco Ambassadors, in the Reign of King Charles II. And an Entertainment after the manner of the Carnaval at Rome. With several Grotesque Dances

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne
Event Comment: Rich's Company. This play was apparently never published, and the performance is known only by an advance announcement: Post Boy, 30 May-1 June 1700: The History of Hengist, the Saxon King of Kent, which before was designed to be Acted this day [1 June 1700], for the benefit of Mr Johnson, is therefore deferr'd till Monday. London Post, 7-10 June 1700: This Week the Morocco Ambassador diverted himself thrice at the Play-house

Performances

Mainpiece Title: The History Of Hengist, The Saxon King Of Kent

Event Comment: By Command. For the Entertainment of his Excellency Hamet Ben Hamet Cardenas, Ambassador from the Emperor of Fez and Morocco

Performances

Mainpiece Title: The British Enchanters