SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "His Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 418 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of Her Royal Highness the Princess Caroline. Receipts: #128 14s. [Princesses Caroline, Mary, Louisa, and the Duke present.]

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Royal Chace

Event Comment: By Command of His Royal Highness [who was present]. Receipts: #167 1s. 6d

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Royal Chace

Event Comment: Written by Shakespear. [Prince of Wales and the Princesses Amelia and Caroline expected to attend.

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Event Comment: Mainpiece: By Particular Desire. Afterpiece: With an Additional Scene painted by Cipriani, Representing the taking of the Bohemian Standard at the Battle of Cressyv. In memory of which, the Princes of Wales have ever since borne three Ostrich Feathers (the Bohemian Standard) as their crest, with the original motto Ich Dien. This scene is pleasingly executed and has a very good effect, and is the work of that celebrated artist Cipriani (Theatrical Review, II, p. 36). Paid Whitefield a Bill for making cloaths #30 8s. 7d. (Account Book). Receipts: #184 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Fairy Prince

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder

Dance: IV: Comic Dance, as17711031

Event Comment: [The Afterpiece had been advertised on two previous days to be the Royal Chace; or, Merlin's Cave.

Performances

Mainpiece Title: The Country Lasses

Performance Comment: As17471219, but the part of Aura to contain the Original Sheep Shearing Song-.

Afterpiece Title: The Royal Chace or Harlequin Skeleton

Performance Comment: Chasseur Royal-Beard; Merlin-Leveridge; Jupiter, in the character of Harlequin-Lun; Pluto (Punch)-Granier; Neptune (Pantaloon)-Dupre; Pan (Scaramouche)-Vandersluys; Hercules (Brighella)-Delagarde; Apollo (Mezzetin)-Villeneuve; Mars (Leander)-Desse; Doctor-Bencraft; Colombine-Mrs Dunstall; Pierot-LaLauze.
Event Comment: [W+Winston MS 8 lists Harlequin Skeleton; or, The Royal Chace.] Receipts: #42 6s. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Merlins Cave or The Royal Chase

Performance Comment: Chasseur Royal-Lowe; Aerial Spirits-Granier, Mrs Granier; Jupiter (in the character of Harlequin)-Miles; Doctor-Arthur; Anatomist-Stoppelaer; Colombine-Mrs Dyer; Merlin-Howard; Mercury-Baker; Pierrot-Lalauze.
Cast
Role: Chasseur Royal Actor: Lowe
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prologue Actor: the Genius of England
Role: Prince Actor: Kenniston
Role: Epilogue to the King Actor: .
Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

Performance Comment: Characters by Bannister Jun., Suett, Wewitzer, Waldron, Sedgwick, Bland, Lyons// Mrs Bland, Sga Storace. [Cast from text (No pub., 1794): Vapour-Bannister Jun.; Gossip-Suett; Souffrance-Wewitzer; Sir Matthew Medley-Waldron; Woodly-Sedgwick; Tom-Bland; Servant-Lyons// Charlotte-Mrs Bland; Florella-Sga Storace.] hathi. hathi.
Cast
Role: Sir Matthew Medley Actor: Waldron
Related Works
Related Work: My Grandmother Author(s): Prince Hoare
Event Comment: Benefit for Mrs Kemble. Afterpiece: The [first] and only time of performing it [this season] at this theatre. Morning Herald, 31 July: Tickets to be had of Mrs Kemble, No. 24, corner of Panton-street, Haymarket

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Performance Comment: Richard (for that night only)-Kemble; King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Barrymore; Duke of Norfolk-Usher; Ratcliffe-Evatt; Tressel-Bland; Sir William Catesby-Davies; Lord Stanley-Aickin; Sir R. Brackenbury-Palmer Jun.; Sir James Blount-Lyons; Sir James Tyrrel-Abbott; Lord Mayor-Burton; Elizabeth-Mrs Whitfield; Lady Anne-Mrs Kemble; Duchess of York-Mrs Powell.

Afterpiece Title: No Song No Supper

Performance Comment: Crop (for that night only)-Huttley (from the Theatre Royal, Bath; 1st appearance on this stage); Frederick-Bland; Endless-Suett; Robin-Bannister Jun.; William-Sedgwick (of dl); Dorothy-Miss DeCamp; Louisa-Miss Dall; Nelly-Mrs Hatton; Margaretta-Mrs Kemble (1st appearance in that character).
Related Works
Related Work: No Song No Supper Author(s): Prince Hoare
Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Characters by Kemble, Bensley, Palmer, Barrymore, C. Kemble, Caulfield, Whitfield, Maddocks, Benson, Packer, Trueman, Mrs Hopkins, Mrs Powell, Miss Miller, Mrs Siddons. Cast from text (C. Lowndes, 1795): Alexander-Kemble; Clytus-Bensley; Cassander-Palmer; Lysimachus-Barrymore; Hephestion-C. Kemble; Polyperchon-Caulfield; Perdiccas-Whitfield; Thessalus-Maddocks; Eumenes-Benson; Aristander-Packer; Slave-Trueman; Sysigambis-Mrs Hopkins; Statira-Mrs Powell; Parisatis-Miss Miller; Roxana-Mrs Siddons.
Cast
Role: Thessalus Actor: Maddocks

Afterpiece Title: My Grandmother

Performance Comment: As17950922, but Sir Matthew Medley-_; Woodly-_; Soufrance-_; Charlotte-_.
Cast
Role: Sir Matthew Medley Actor: Maddocks
Related Works
Related Work: My Grandmother Author(s): Prince Hoare

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

Event Comment: 2nd piece: By permission of the proprietor of the Theatre Royal, Hay Market. Receipts: #198 7s. (126.17.6; 67.8.0; 4.1.6)

Performances

Mainpiece Title: The Purse Or Benevolent Tar

Performance Comment: The Baron-Packer; Edmund-Dignum; Theodore-Trueman; Will Steady-Bannister Jun.; Page-Miss Menage; Sally-Mrs Bland.
Cast
Role: The Baron Actor: Packer
Role: Theodore Actor: Trueman

Afterpiece Title: The Suicide

Performance Comment: Tobine-Palmer; Tabby-Aickin; Dr Truby-Wewitzer; Bolus-Maddocks; Wingrave-Suett; Catchpenny-Wathen; Ranter-Bannister; Squib-R. Palmer; Bounce-Russell; Juggins-Burton; Mrs Grogram-Mrs Hopkins; Nancy Lovell-Mrs Goodall; Peggy-Miss Mellon.
Cast
Role: Catchpenny Actor: Wathen
Related Works
Related Work: The Suicide Author(s): George Colman, the elder

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks
Related Works
Related Work: My Grandmother Author(s): Prince Hoare
Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Performance Comment: Consisting of the following Songs: Master Thedy Shemus O'Shaughnessey O'Finnegin Delany's History of Himself-Johnstone; Black@Ey'd Susan-Incledon; The Quarrel of the Alphabet-; or, A Jig by A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z Fawcett. or, A Jig by A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z Fawcett.

Afterpiece Title: Lock and Key

Related Works
Related Work: Lock and Key Author(s): Prince Hoare

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Event Comment: 2nd piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane

Performances

Mainpiece Title: All The Worlds A Stage

Afterpiece Title: No Song No Supper

Performance Comment: Robin-Bannister Jun.; (with an additional song) Billy Taylor-Bannister Jun.; William-Caulfield; Frederick-Trueman; Cro -Wathen; Endless-Suett; Dorothy-Mrs Bland; Louisa-Miss DeCamp; Nelly-Miss Granger; Margaretta-Miss Leak.
Cast
Role: Cro Actor: Wathen
Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Afterpiece Title: The Son in Law

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre-Royal, Covent-Garden. [Philipps was from cg.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Captain Plume-C. Kemble; Captain Brazen-Palmer; Ballance-Aickin; Worthy-Caulfield; Serjeant Kite-R. Palmer; Welch Collier-Waldron Jun.; Constable-Ledger; Scale-Abbot; Scruple-Usher; Steward-Lyons; Servant-Chippendale; Bullock-Fawcett; Recruits-Suett, Wathen; Rose-Mrs Gibbs; Lucy-Mrs Harlowe; Melinda-Miss Heard; Mob Women-Mrs Booth, Mrs Gaudry; Sylvia-Miss DeCamp.
Cast
Role: Recruits Actor: Suett, Wathen

Afterpiece Title: Lock and Key

Performance Comment: Cheerly-Philipps (1st appearance on this stage); Brummagem-Munden; Ralph-Fawcett; Capt. Vain-R. Palmer; Sailors and Servants-Linton, Walker, Abbot, Lyons; Laura-Miss DeCamp; Selina-Mrs Edward; Dolly-Mrs Norton; Fanny-Mrs Bland.
Related Works
Related Work: Lock and Key Author(s): Prince Hoare
Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Elliston (1st appearance in that character [in London]); Iago-Palmer; Cassio-C. Kemble; Roderigo-R. Palmer; Brabantio-Aickin; Lodovico-Caulfield; Montano-Palmer Jun.; Gratiano-Abbot; Duke-Usher; Emilia-Mrs Harlowe; Desdemona-Miss DeCamp (Their 1st appearance in those characters).
Cast
Role: Othello Actor: Elliston

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Song: End: Sweet Echo, the song-Mrs Bland, the echoMrs Atkins

Event Comment: 3rd piece: By permission of the Proprietor of the Theatre-Royal Covent-Garden

Performances

Mainpiece Title: The Spanish Barber

Cast
Role: Lazarillo Actor: Wathen
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: The Children in the Wood

Afterpiece Title: Lock and Key

Related Works
Related Work: Lock and Key Author(s): Prince Hoare
Event Comment: Afterpiece: By permission of the Proprietors of the Theatre-Royal Drury-Lane

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare
Event Comment: Mainpiece: Never [previously] performed at this Theatre; By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #115 17s. 6d. (65.2.0; 47.17.0; 2.18.6)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: The Captive of Spilburg Author(s): Prince Hoare

Dance: As17981114

Event Comment: Benefit for Miss Waters. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury Lane. Morning Chronicle, 3 May: Tickets to be had of Miss Waters, No. 43, Conduit-street, Hanover-square. Receipts: #461 0s. 6d. (172.11.0; 5.1.0; tickets: 283.8.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Song: End II: a song [Rosalie (Monthly Mirror, Aug. 1799, p. 109)]-Miss Waters; End III: The Death of Admiral Benbow-Incledon; End IV: a favorite duet-Incledon, Miss Waters; End: Old Towler-Incledon

Performance Comment: 1799, p. 109)]-Miss Waters; End III: The Death of Admiral Benbow-Incledon; End IV: a favorite duet-Incledon, Miss Waters; End: Old Towler-Incledon.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: No Song No Supper

Performance Comment: As17981002, but Crop-Trueman; Frederick-Caulfield; Robin-Wathen; Margaretta-Miss Griffiths (By permission of the Proprietor of the Theatre Royal, Hay-Market; 1st appearance on this stage); Nelly-_.
Cast
Role: Robin Actor: Wathen
Related Works
Related Work: No Song No Supper Author(s): Prince Hoare
Event Comment: Benefit for Kelly. Afterpiece [1st time, MF 2, by Prince Hoare]: The Music chiefly composed by Storace; the Rest selected from Pleyel, Harington, Giordani, Gluck, &c. [text adds Gretry]. Account-Book, 16 Dec. 1790: Paid P. Hoare for the Copyright of No Song No Supper #63. Gazetteer, 2 Apr.: Tickets to be had of Kelly, No. 27, James-street, Covent-garden. Receipts: #273 5s. (125.19; 38.18, 2.2; tickets: 106.6) (charge: #109 19s. 4d.)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17890924, with the playbill here including the assignments as listed in the edition of 1791, but Robin of Bagshot-Reynoldson; Nimming Ned-Danby; Mrs Vixen-Miss Palmer.

Afterpiece Title: No Song No Supper

Related Works
Related Work: No Song No Supper Author(s): Prince Hoare

Dance: III: Hornpipe-Bourk

Event Comment: Benefit for Mrs Crouch. Afterpiece [1st time; CO 2, by Prince Hoare, based on La Grotta di Trofonio, by Giovanni Battista Casti. Not in Larpent MS; not published]; Written by the Author of No Song No Supper. The Music composed principally by Storace [partly adapted from Salieri, composer of Casti's opera; one song each by Anna Storace, Thomas Attwood, Giovanni Paisiello, Richard Suett]. Oracle, 28 Apr.: Tickets to be had of Mrs Crouch, No. 26, Bridges-street. Receipts: #280 2s. (100.12.0; 33.13.6; 4.13.6; tickets: 141.3.0) (charge: #119 9s. 8d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare
Event Comment: Afterpiece: Written by the Author of No Song No Supper [Prince Hoare]; performed but once [on 3 May 1791]. The Music composed principally by Storace. Receipts: #464 15s. (377.4; 85.15; 1.16)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare
Event Comment: Mainpiece [1st time; DO 3, by Prince Hoare, based on Didone Abbandonata, by Pietro Metastasio]: The Musick is chiefly new, and composed by Storace. The Selections are made from the most celebrated works of Salieri, Paer, Rampini, Sacchini, Sarti, Giordani, Cimarosa, Schuster, Andreozzi. The Scenery and Machinery designed by Greenwood and executed by himself and his Pupils. The Dresses of the Tyrians, Trojans and Africans entirely new, and taken from the most accurate descriptions of the Habits of their respective Nations. [Both Miss Barclay and Master Welsh had 1st appeared at the king's oratorios, 24 Feb.]. "A procession was introduced in which an Ostrich, a Dromedary and an Elephant marched to slow music. The Masque, which concluded the opera, was some insipid stuff about Neptune and Nereids, with a representation of the Temple of Neptune. Young Welsh sang prettily in this said Masque" (Morning Herald, 24 May). "[Mara] retained only one song of her Didone [see king's, 14 Feb. 1786]; the brilliant bravura, Son Regina, of Sacchini" (Mount-Edgcumbe, 80). Morning Herald, 28 May 1792: This Day is published Dido (price not listed). Receipts: #244 8s. 6d(213.14.5; 28.15.0; 1.19.0)

Performances

Mainpiece Title: Dido Queen Of Carthage

Performance Comment: AEneas-Mrs Crouch; Iarbas-Kelly; Almidah-Sedgwick; Abdallah-Dignum; Dido-Mme Mara; Anna-Miss Barclay (1st appearance on any stage [see17920224]); Chorus-Alfred, Aylmer, Boyce, Brown, Cooke, Danby, Denman, Dorion, Dorion Jun., Fawcett, Hobler, Horsfall, Lyons, Maddocks, Phillimore, Reynoldson, Shaw, Tett, Wilkin, Willoughby, Mrs Bramwell, Mrs Butler, Mrs Gawdry, Miss Gawdry, Mrs Shaw, Mrs Davis, Miss Edwin, Miss Kirton, with the Assistance of additional Voices.

Monologue: To Conclude Masque, Neptune's Prophecy. Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard

Performance Comment: Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard.

Afterpiece Title: The Miller of Mansfield

Event Comment: Afterpiece: Written by the Author of No Song No Supper [Prince Hoare]; the Music composed principally by Storace. Receipts: #145 14s. 6d. (94.1.6; 49.17.0; 1.16.0)

Performances

Mainpiece Title: At Kings Love Makes A Man

Afterpiece Title: The Cave of Trophonius

Related Works
Related Work: The Cave of Trophonius Author(s): Prince Hoare