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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "His Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4052 results for: Keyword - His Royal Highness the Prince of Wales
We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.

2601
14 December 1721 @ Lincoln's Inn Fields

Event Comment: Benefit a Widow in Distress. By His Royal Highness's Command. Receipts: money #45 17s. 6d.; tickets #96 13s. The Prince present

Performances

Mainpiece Title: Measure For Measure

Performance Comment: As17211127, but Provost-_; Clown-_; Constable-_; With a new Prologue-; Epilogue-to the Town.
Cast
Role: Epilogue Actor: to the Town.

Dance: Lally, Pelling, Newhouse, Mrs Rogeir, Mrs Hutton, Mrs Bullock

2602
22 April 1723 @ Lincoln's Inn Fields

Event Comment: Benefit Legare. By His Royal Highness's Command. Mainpiece: Written by Abraham Cowley. Receipts: money #118 9s.; tickets #4 5s. The Prince and Princess present

Performances

Mainpiece Title: Cutter Of Coleman Street

Afterpiece Title: Jupiter and Europa

2603
13 December 1723 @ Drury Lane Theatre

Event Comment: By Their Royal Highnesses's command. [The Prince and Princess present.

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Harlequin Doctor Faustus

2604
17 January 1724 @ Drury Lane Theatre

Event Comment: Benefit the Author. By Their Royal Highnesses's command. [The Prince and Princess present.

Performances

Mainpiece Title: The Captives

Related Works
Related Work: The Happy Captive Author(s): Lewis Theobald
Related Work: The Captive of Spilburg Author(s): Prince Hoare
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald

2605
17 April 1724 @ Drury Lane Theatre

Event Comment: Beenfit Shaw. By Their Royal Highnesses's Command. Pit and Front Boxes put together at 5s. [The Prince present.

Performances

Mainpiece Title: The Rover

Song: As17240201

Dance: Shaw, Mrs Booth, Mrs Younger

2606
20 November 1728 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. [The King, Queen, Prince William, Princess Royal, Princess Amelia, and Princess Carolina present.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Perseus and Andromeda

Cast
Role: Sailors Actor: Burney, Oates, Wright, Wetherilt, Burnet, Grey
Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald

2607
12 December 1728 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. [The Prince, Princess Royal, Princess Amelia and Princess Carolina present.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Perseus and Andromeda

Cast
Role: Sailors Actor: Burney, Oates, Wright, Wetherilt, Burnet, Grey
Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald

2608
05 February 1729 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. [The King, Queen, Prince, Princess Royal, Princess Amelia, and Princess Caroline present.

Performances

Mainpiece Title: King Henry The Ivth, Part Ii

Afterpiece Title: The What D'ye Call It

2609
31 March 1730 @ King's Theatre

Event Comment: With an Addition of some New Songs. [Prince, Princess Royal, Duke, and five Princesses present.

Performances

Mainpiece Title: Julius Caesar

2610
14 May 1730 @ Haymarket Theatre

Event Comment: By His Royal Highness's Command. [The Prince present (his second at the main piece).

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Tom Thumb

Cast
Role: Princess Huncamunca Actor: Mrs Jones
Role: Mustacha Actor: Mrs Clarke. With a New Prologue and Epilogue to the Tragedy

2611
20 February 1731 @ King's Theatre

Event Comment: [T$Their Majesties, the Prince, Duke, Princesses Royal, Amelia, and Caroline present.

Performances

Mainpiece Title: Porus

2612
20 April 1731 @ King's Theatre

Event Comment: [K$King, Queen, Prince, Duke, Princesses Royal, Amelia, Caroline, Mary, Louisa present.

Performances

Mainpiece Title: Rinaldo

2613
08 May 1731 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, Princesses Royal, Amelia, and Caroline present.

Performances

Mainpiece Title: Rodelinda

2614
04 December 1731 @ King's Theatre

Event Comment: [K$King, Queen, Prince, and Princesses Royal and Caroline present.

Performances

Mainpiece Title: Porus

2615
09 February 1732 @ Drury Lane Theatre

Event Comment: Benefit the Author. [Prince and Princess Royal present.

Performances

Mainpiece Title: Injur'd Innocence

2616
02 May 1732 @ King's Theatre

Event Comment: An Oratorio in English. Formerly Compos'd by Mr Handel, and now revised by him, with several Additions, and to be performed by a great Number of the best Voices and Instruments. N.B. There will be no Action on the Stage. but the House will be fitted up in a decent Manner for the Audience. The Musick to be disposed after the maner of the Coronation Service. [Their Majesties, Prince, Princess Royal and Amelia present. See also Egmont, Diary, I, 266, and Dean, Handel's Dramatic Oratorios, pp. 205-97.

Performances

Mainpiece Title: Esther

Performance Comment: Edition of 1731 lists: Ahasuerus-Senesino; Haman-Montagnana; Habdonah-Lowe; Esther-Signora Strada; Mordecai-Signora Bertolli; Israelite Woman-Mrs Davis; Israelites-Mrs Turner Robinson, Signora Bertolli, Lowe.
Cast
Role: Esther Actor: Signora Strada

2617
24 December 1733 @ Pall Mall

Event Comment: Daily Post, 25 Dec: Last Night there was a Rehearsal of a new Opera at the Prince of Wales's House in the Royal Gardens in Pall-Mall, where was present a great Concourse of the Nobility and Quality of both Sexes: some of the choicest Voices and Hands assisted in the Performance

Performances

Mainpiece Title: Rehearsal Of A New Opera [ariadne

2618
05 March 1734 @ King's Theatre

Event Comment: [Their Majesties, Prince of Orange, and rest of Royal Family present.]

Performances

Mainpiece Title: Ariadne [in Creta]

2619
23 August 1735 @ Welch Fair

Event Comment: At the noted Yeates, Warner, and Hind's Booth in the London-Spaw Fields. Begins at Noon. The Fair runs 23, 25, 26, 28 Aug

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Mistake; or, The Lover's Quarrel

Performance Comment: By Men and Women. Concluding with the Grand Machine of the Royal Nuptials of the Prince of Orange in the Temple of Hymen .

2620
29 April 1736 @ Covent Garden

Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Performance Comment: The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson .

2621
02 January 1749 @ Drury Lane Theatre

Event Comment: This farce of Lethe was wrote some years ago and play'd with Success, & was reviv'd this Night with great Alterations, & was but indifferently receiv'd by the Audience (Cross). The Poet, Frenchman, & Sot Mr Garrick perform'd most inimitably (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 138). No After Money will be taken, and no Persons will be Admitted behind the Scenes (General Advertiser). Receipts: #180 (Cross); #186 7s. (Powel). N.B.: Mr G-k is the author of Lethe and did receive #36 8s. 6d. for this night which is the overplus after the charge of #63 for the House is paid, and which I must subtract from the rest (Powel). [A letter appeared in the General Advertiser this day giving advance notice and approval of a performance of Cato to be put on at Leicester House 7 Jan. by members of the Royal Family. The author noted that "proper Habits are absolutely in the making," and that the Princes would learn the principles of liberty from the lines of the play.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

2622
23 January 1764 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted this season. Characters in Afterpiece New Dress'd. Receipts: #148 5s. (MacMillan)

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Interlude Hymen

Performance Comment: [a New Occasional Interlude in honor of the marriage of the Princess Royal of England to the Prince of Brunswick (Biographia Dramatica).] As17640121, but New Garland Dance of Nymphs and Shepherds-Grimaldi, Aldridge, Lauchery, Miss Baker.
Cast
Role: The Dances Actor: Miss _Dawson, Miss _Hilliard.
Role: Other characters Actor: Mrs Bradshaw, Miss _Williams.
Role: The Dances Actor: Grimaldi, Aldridge, Lauchery, Miss Dawson, Miss Hilliard.

Afterpiece Title: The Rites of Hecate

Cast
Role: The Dances Actor: Miss _Dawson, Miss _Hilliard.
Role: Other characters Actor: Mrs Bradshaw, Miss _Williams.
Role: The Dances Actor: Grimaldi, Aldridge, Lauchery, Miss Dawson, Miss Hilliard.

2623
17 November 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: notes that the Principal parts Actor: Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

2624
24 April 1669 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's house, and there saw The General revived--a good play, that pleases me well. The Travels of Cosmo the Third [4 May 1669 NS; 24 April 1699 OS]: [On 4 May and the two subsequent days His Highness received callers] and many of them remained to dine with his highness, who continued on each of these days his visits to the ladies, appearing at Hyde Park, at the comedies, sometimes at the king's theatre, sometimes at that of the duke's theatre (p. 195)

Performances

Mainpiece Title: The General

2625
12 September 1683 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: Lord Preston (in Paris) to the Duke of York, 22 Sept. 1683, N.S.: I should not have presumed to give your Highness the trouble of this if something of charity had not induced me to it. I do it at the instance of a poor servant of his Majesty's who some time since was obliged by a misfortune to leave England. It is Mr Grahme [Grabut?], sir, whom perhaps your Highness may remember. Mr Betterton coming hither some weeks since by his Majesty's command, to endeavour to carry over the Opera, and finding that impracticable, did treat with Monsr Grahme to go over with him to endeavour to represent something at least like an Opera in England for his Majesty's diversion. He hath also assured him of a pension from the House, and finds him very willing and ready to go over. He only desireth his Majesty's protection when he is there, and what encouragement his Majesty shall be pleased to give him if he finds that he deserves it (HMC, 7th Report, Part I, p. 290). W. J. Lawrence (Early French Players in England, p. 149) argued that Grahme should be Grabut, who had once been Master of the King's Music (to 1674) and who had settled in Paris. Grabut was certainly back in London in the spring of 1684

Performances