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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Prince of Wales"/1) | (@(roleclean,performerclean) "His Royal Highness the Prince of Wales")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4052 results for: Keyword - His Royal Highness the Prince of Wales
We found 1695 matches on Event Comments, 1196 matches on Performance Title, 1009 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.

2526
10 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-West; Mercutio-Russell; Tibalt-Cooke; Capulet-Newton; Benvolio-Glassington; Prince-Massey; Peter-Bailey; Paris-Everard; Friar Laurence-Burnett (from the Theatre Royal, Edinburgh); Lady Capulet-Mrs Newby; Nurse-Mrs Russell; Juliet-Miss Glassington.
Cast
Role: Prince Actor: Massey

Afterpiece Title: The Lying Valet

Dance: As17780601

Song: Between Acts: Master Nelson; End IV: Solemn Dirge and the Funeral Procession of Juliet to the Monument of the Capulets. Vocal Parts-Master Nelson, Mrs Russell, Mrs Fowler

2527
01 July 1780 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Brunton (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Bensley; Catesby-Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Bannister Jun.; Stanley-Gardner; Norfolk-Wood; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Cuyler; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey.
Cast
Role: Prince Edward Actor: Miss Francis

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Lamash, Wood
Related Works
Related Work: Comus Author(s): George Colman, the elder

2528
17 September 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .
Cast
Role: Prince Edward Actor: Miss Painter

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue)-A Gentleman (1st appearance on any stage [unidentified]); Wingate-Barrett; Simon-Kippling; Charlotte-Mrs Swords .

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

2529
14 September 1789 @ Covent Garden

Event Comment: Mainpiece: In I a Masquerade Scene incident to the Play. [This was included in all subsequent performances.] No Money to be returned. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #255 6s. (253.11.6; 1.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman (1st appearance at this theatre these 2 years); Capulet-Powel; Benvolio-Davies; Friar Lawrence-Hull; Paris-Macready; Tibalt-Cubitt; Prince-Gardner; Peter-C. Powell; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Pitt; Juliet-Mrs Achmet (from the Theatre Royal Crow Street, Dublin]; 1st appearance on this stage).; 1st appearance on this stage).
Cast
Role: Prince Actor: Gardner

Afterpiece Title: The Farmer

Song: End IV: Juliet's Funeral Procession-; With Dirge-; Vocal Parts-Bannister, Johnstone, Cubitt, Darley, Rock, Letteney, Reeve, W. Thompson, Mrs Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Francis, Mrs Masters, Mrs Powell, Mrs Byrne, Mrs Martyr

2530
26 December 1791 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Patronage of several Persons of Distinction. Beneath the immediate Direction of a Venerable Veteran of the Stage. Afterpiece [1st time; C 2, author unknown. Not in Larpent MS; not published]: Reduced into Two Acts, from The Provok'd Wife

Performances

Mainpiece Title: King Henry Ii; Or, The Death Of Fair Rosamond

Performance Comment: King Henry-A Gentleman [unidentified]; The Abbot-Wilkinson; Prince Henry-Rundell; Leicester-Frodsham; Salisbury-Fielding; Verulam-Savigny; Clifford-Baker; Rosamond-Miss Dalton; Ethelinda-Mrs Taylor; Queen Eleanor-Mrs Jackson (from the Theatre Royal, York).
Cast
Role: The Abbot Actor: Wilkinson
Role: Prince Henry Actor: Rundell
Role: Ethelinda Actor: Mrs Taylor

Afterpiece Title: The Humours of Sir John Brute

Performance Comment: Sir John Brute (for that night only)-Wilkinson; Constant-Frodsham; Heartfree-Rundell; Taylor-Nicholls; Col. Bully (with songs)-Upton; Dermot O'Whiskey-Hopton; Lord Rake (with Hippisley's Drunken Man)-Doggett; Lady Brute-Mrs Hunter; Lovewell-Miss Barnes;Belinda-A Young Lady (1st appearance [unidentified]).unidentified]).
Cast
Role: Dermot O'Whiskey Actor: Hopton

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

2531
14 March 1794 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .
Cast
Role: Leader of the Band Actor: G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest
Role: Organ Actor: J. Ashley. PART I. Zadock the Priest
Role: He smote all the first Actor: born by Chorus

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

2532
21 September 1795 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Toms (from the Theatre Royal, Weymouth; 1st [recte 2nd] appearance on this stage); Capulet-Powel; Benvolio-Macready; Friar Lawrence-Hull; Prince-Richardson; Tibalt-Haymes; Paris-Claremont; Balthazar-Williamson; Montague-Davenport; Peter-Farley; Friar John-Thompson; Apothecary-Rees; Mercutio-Lewis; Lady Capulet-Miss Morris; Nurse-Mrs Davenport; Juliet-Miss Wallis.
Cast
Role: Prince Actor: Richardson
Role: Apothecary Actor: Rees

Afterpiece Title: Cymon

Dance: In I: a Grand Masquerade-; the Minuet de la Cour and Allemande-Byrn, Mlle St.Amand; afterpiece to conclude with: Dance-

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite Elegy-; (composed by Dr Arne) Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

2533
10 January 1694 @ Dorset Garden Theatre

Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

2534
23 October 1714 @ King's Theatre

Event Comment: The Pit and Boxes to be put together, and no Persons to be admitted without Tickets...at half a Guinea each. The Number not to exceed 400. Boxes upon the Stage 15s. Gallery 2s. 6d. And whereas by the frequent calling for the Songs again, the Operas have been too tedious; therefore the Singers are forbid to sing any Song but once; and 'tis hoped no body will call for 'em, or take it ill when not obeyed. The Book of the Opera at 1s. By Command, to begin exactly at 5. [Prince and Princess of Wales present.

Performances

Mainpiece Title: Arminius

2535
20 November 1714 @ King's Theatre

Event Comment: Admission as 26 Oct. Colman's Opera Register: ye Prince & Princess of Wales present, ye House not near full. Ye New Singers...meet with little applause as yet Mrs Robinson not singing

Performances

Mainpiece Title: Ernelinda

2536
22 November 1714 @ Drury Lane Theatre

Event Comment: As 19 Nov. Prince and Princess of Wales present

Performances

Mainpiece Title: The Emperor Of The Moon

2537
03 December 1714 @ Drury Lane Theatre

Event Comment: As 25 Nov. Prince and Princess of Wales present

Performances

Mainpiece Title: The Tempest

2538
23 April 1715 @ King's Theatre

Event Comment: Benefit Signora Galerati. With several Songs alter'd. Admission as 23 Oct. 1714. By Command. Weekly Journal, 30 April: His Majesty was incognito...at Lucius Verus...as were the Prince and Princess of Wales, who went publickly

Performances

Mainpiece Title: Lucius Verus

2539
11 January 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales present

Performances

Mainpiece Title: Rodelinda

2540
08 February 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales present. Universal Mercury, February 1726: Mr Handel had the Satisfaction of seeing an old Opera of his not only fill the House, which had not been done for a considerable time before, but People crowding so fast to it, that above 300 were turn'd away for want of room

Performances

Mainpiece Title: Otho

2541
08 March 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and the young Princesses present

Performances

Mainpiece Title: Otho

2542
15 March 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and the young Princesses present

Performances

Mainpiece Title: Scipio

2543
31 May 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and Princesses Anne, Carolona, and Amelia present

Performances

Mainpiece Title: Alexander

2544
24 October 1726 @ Lincoln's Inn Fields

Event Comment: Mainpiece: Not Acted these Ten Yeats. Written by the late Sir John Vanbrugh. Afterpiece: A Masque in Two Interludes. Receipts: #76 10s. Probable attendance: boxes, 74 paid and 17 by orders; balcony, 1 paid; pit, 218 paid and 20 by orders; slips, 11 paid and 14 by orders; first gallery, 161 paid and 7 by orders; second gallery, 101 paid. The Prince and Princess of Wales present

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Pan and Syrinx

Related Works
Related Work: Pan and Syrinx Author(s): Lewis Theobald

Dance: Dancing proper to the Masque-Nivelon, Salle, DuPre, Lally, Pelling, Newhouse, Lanyon, DuPre Jr, Mrs Laguerre, Mrs Bullock, Mrs Pelling, Mrs Ogden

2545
02 June 1736 @ Covent Garden

Event Comment: [The Queen, Prince and Princess of Wales, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Atalanta

2546
23 November 1736 @ King's Theatre

Event Comment: A New Opera. Compos'd by Signior Hasse. [Text by Metastasio.] Pit and Boxes at half a guineas. Gallery 5s. 6 p.m. [Prince and Princess of Wales present.

Performances

Mainpiece Title: Siroe

2547
12 January 1737 @ Covent Garden

Event Comment: A New Opera. [Text possibly by A. Salvi. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Arminius

2548
25 January 1737 @ King's Theatre

Event Comment: Afterpiece: A new Comic Interlude. [Music by Giuseppe Maria Orlandini. Prince and Princess of Wales present.

Performances

Mainpiece Title: Merope

Afterpiece Title: Pourceaugnac and Grilletta

2549
18 April 1737 @ Haymarket Theatre

Event Comment: EEgmont, Diary, II, 390: To the Haymarket Playhouse, where a farce was acted called Eurydice First Hiss'd?, an allegory on the loss of the Excise Bill. The whole was a satire on Sir Robert Walpole, and I observed that when any strong passages fell, the Prince, who was there, clapped, especially when in favour of liberty. [The Princess of Wales was also present.

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

2550
31 May 1737 @ King's Theatre

Event Comment: [T$Their Majesties, Prince and Princess of Wales, Duke, and two eldest Princesses present.

Performances

Mainpiece Title: Sabrina