SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2263 matches on Event Comments, 1567 matches on Performance Comments, 1035 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Boxes #84 12s. 6d. Macklin's fifth part of surplus came to #30 14s. 9d. Paid Pattinson, Tallow Chandler #52 2s. Paid Coal Merchant in Full as per bill #71 13s. Paid Mr Rich #5 5s. to give to Miss Fielding for her performance in the part of Bertha in the Royal Merchant of the 7th Inst. (Account Book). Receipts: #216 14s

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Sparks; Bassanio-Clarke; Duke-Anderson; Gratiano-Dyer; Lorenzo (with the songs in character)-Mattocks; Solarino-Davis; Salanio-Gibson; Gobbo-Collins; Tubal-Stoppelaer; Launcelot-Shuter; Jessica-Mrs Burden; Nerissa-Mrs Vincent; Portia-Miss Macklin, 1st time.
Cast
Role: Duke Actor: Anderson

Afterpiece Title: Love a-la-Mode

Cast
Role: Sir Theodore Actor: Dunstall

Dance: Sg Maranesi, Mlle Capdeville

Event Comment: Mainpiece: Not acted these 2 years. [See 25 Jan. 1772.] [Brown identified by Kemble note on playbill. Macklin no longer appears on the playlist. This day is published at 1s. 6d. The Duellist, a Comedy, as it was represented at the Theatre Royal in Covent Garden. To which is prefixed a concise Narrative of the very Extraordinary Circumstances attending its Reception. T. Evans Bookseller.] Receipts: #188 1s. (Account Book)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-a Gentleman, first appearance any stage [Brown]; Iago-Bensley; Cassio-Clarke; Brabantio-Gardner; Roderigo-Lewes[, first time; Lodovico-Owenson; Montano-Davis; Duke-Thompson; Gratiano-Redman; Emilia-Mrs Green; Desdemona-Miss Miller.

Afterpiece Title: Catherine and Petruchio

Cast
Role: Catherine Actor: Mrs Green.

Dance: End: The Highland Reel, as17731112

Event Comment: Afterpiece: Written by O'Keeffe, Author of The Poor Soldier, &c, and perform'd at the Theatre Royal, Hay-Market, with universal Applause

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Jaffier-The Young Gentleman who, with great applause, twice recited the Apologue of Parents and Children, &c. [Gibbons (see17860719]; Priuli-Smith; Renault-Sadler (1st appearance on that stage); Bedamer-Hill; Duke-Watts; Officer-Meadows; Elliot-Price; Spinosa-Johnston; Pierre-Yatesmore; Belvidera-A Young Lady (1st appearance [Miss Fenton(see17860719]) .Miss Fenton(see17860719]) .

Afterpiece Title: The Agreeable Surprise

Event Comment: [Extra night] Benefit for a Fund, established for the Relief of those Performers who through Infirmity shall be obliged to retire from the Stage. [Author of Prologue unknown. This was Mrs Pitt's last appearance on the stage.] Received for the King's box #50; for the Princess Royal's box #25; for Their Majesties' Servants' box #2 2s.; from Cadell for Books #30 0s. 6d. Receipts: none listed

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Mat o' the Mint Actor: Darley

Afterpiece Title: Barataria; or, Sancho Turned Governor

Performance Comment: Sancho Pancha-Quick; Duke-Cubitt; Manuel-Davies; Pedro-Thompson; Recorder-Powel; Don Quixotte-Marshall; Lady Tereza Pancha-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Mrs Platt; Mary the Buxom-Mrs Rock.
Cast
Role: Duke Actor: Cubitt
Role: Mary the Buxom Actor: Mrs Rock.

Dance: As17920509

Entertainment: As17920414; Imitations End I: several Imitations entirely New,-Mrs Wells; Monologue

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. [As afterpiece the playbill announces Oscar and Malvina, but "The Poor Sailor played" (MS annotation on BM playbill, cg, Vol. ix). "The audience were in a violent uproar, at the change from Oscar and Malvina to The Poor Sailor" (Monthly Mirror, Dec. 1795, pp. 122-23).] Receipts: #190 7s. (182.17; 7.10)

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Performance Comment: Gondibert-Holman; Fool-Knight; Gregory Gubbins-Fawcett; Robbers-Richardson, Haymes, Abbot, Williamson; Barton-Harley; La Varenne-Macready; Corporal-Farley; Drummer-Townsend; Fifer-Simmons; Marquis of Montague-Powel; Duke of Somerset-Claremont; Egbert-Davenport; Prince of Wales-Miss Standen; Villagers-Mr Rees, Mr Cross, Mrs Mountain, Mrs Clendining, Mrs Norton, Miss Walcup, Miss Kirton, Miss Logan, Mrs Martyr; Adeline-Miss Wallis; Queen Margaret-Mrs Pope.
Cast
Role: Duke of Somerset Actor: Claremont
Related Works
Related Work: The Battle of Hexham; or, Days of Old Author(s): George Colman, the younger

Afterpiece Title: The Poor Sailor

Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Elliston (1st appearance in that character [in London]); Iago-Palmer; Cassio-C. Kemble; Roderigo-R. Palmer; Brabantio-Aickin; Lodovico-Caulfield; Montano-Palmer Jun.; Gratiano-Abbot; Duke-Usher; Emilia-Mrs Harlowe; Desdemona-Miss DeCamp (Their 1st appearance in those characters).
Cast
Role: Othello Actor: Elliston
Role: Duke Actor: Usher

Afterpiece Title: No Song No Supper

Song: End: Sweet Echo, the song-Mrs Bland, the echoMrs Atkins

Event Comment: Post Man, No. 372, 16-18 Sept. 1692: On Monday next the 20th, at the new Wells in Richmond, will be performed an Entertainment of Musick, made for the Birth day of his Highness the Duke of Glocester: The Trumpet part to be performed by Mr John Shore. With variety of other new Musick, both Vocal and Instrumental, to begin at Five

Performances

Mainpiece Title: Concert

Event Comment: Post Man, 25 Sept. 1697: A Trumpet Song on the King, and a Song made for the Birth day of his Highness the Duke of Gloucester: with two Sonatas by Mr John Shore. And variety of other new Musick...being the last time of performance this Season

Performances

Mainpiece Title: Concert

Event Comment: Benefit Pietro Guaccini, Servant to his Highness the Duke of Brunswick and Lunenburg. At 6 p.m. Tickets half a guinea

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Several Solos, Concertos-Castrucci; Trumpet Piece-the famous Signior Mantelli; Solo on the Hautboy-Ketch

Event Comment: By Command of His Highness the Duke, and the Princesses Amelia, Caroline, and Louisa. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Receipts: #81 11s. (Account Book); #100 (Rylands MS.). Rylands MS.: Barbarini Sick

Performances

Mainpiece Title: The Double Gallant

Dance: SScots Dance-Glover, Mlle Roland; Miller and His Wife-Mechell, Mlle Mechell; Comic Ballet-Villeneuve, Miss Oates; Grand Ballet-Glover, Mlle Roland; The Swiss-Mechell, Mlle Mechell

Event Comment: By Command of their Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: As17430120

Event Comment: Mainpiece: Never aceted here. [Mrs Montague was from the York theatre.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Bensley; Major Oakly-Digges; Charles-Dimond [From the Theatre Royal, Bath]; Lord Trinket-Lamash; Captain O'Cutter-Egan; Tom-Stevens; Paris-Jackson; John-Kenny; Lady Freelove's Servant-Painter; Russet-Aickin; Sir Harry Beagle-Palmer; Lady Freelove-Miss Sherry; Harriot-Miss Harper; Toilet-Miss Hale; Chambermaid-Mrs Poussin; Mrs Oakly-Mrs Montague (1st appearance).
Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: The Flitch of Bacon

Dance: End: Tambourine Dance, as17790602

Event Comment: Pepys, Diary: So back to the Cockpitt [Whitehall], and there, by the favour of one Mr Bowman, he [Creed] and I got in, and there saw the King, and Duke of York and his Duchess (which is a plain woman, and like her mother, my Lady Chancellor). And so saw The Humersome Lieutenant acted before the King, but not very well done. But my pleasure was great to see the manner of it, and so many great beauties, but above all Mrs Palmer, with whom the King do discover a great deal of familiarity. Sometime before the Coronation of Charles II, on 23 April 1661, there may have been acted The Merry Conceited Humours of Bottom the Weaver. An edition of 1661 refers to its being "often publikely acted by some of his Majesties Comedians" and the Dedication suggests that it would make a good entertainment at the mirthful time of the Coronation. The edition lists no actors' names, no prologue, no epilogue

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The King's Company. Pepys, Diary: My wife and I...to the Theatre, where we seated ourselves close by the King, and Duke of York, and Madame Palmer, which was great content; and, indeed, I can never enough admire her beauty. And here was Bartholomew Fayre, with the puppet-show, acted to-day, which had not been these forty years (it being so satyricall against Puritanism, they durst not till now, which is strange they should already dare to do it, and the King to countenance it), but I do never a whit like it the better for the puppets, but rather the worse

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The King's Company. Pepys, Diary: After dinner, with my wife, to the King's house to see The Mayden Queene, a new play of Dryden's, mightily commended for the regularity of it, and the strain and wit; and, the truth is, there is a comical part done by Nell, which is Florimell, that I never can hope ever to see the like done again, by man or woman. The King and Duke of York were at the play. But so great performance of a comical part was never, I believe, in the world before as Nell do this, both as a mad girle, then most and best of all when she comes in like a young gallant; and hath the motions and carriage of a spark the most that ever I saw any man have. It makes me, I confess, admire her

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeth's Troubles; And The History Of Eighty Eight

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Performances

Event Comment: The Duke of York: I have been at a play this day (CSPD, Charles II, 1682, p. 497)

Performances

Event Comment: The Lord Mayor's Show. By Thomas Jordan. Luttrell (A Brief Relation, I, 285-86): The 29th, sir Henry Tulse...was sworn before the barons of the exchequer at Westminster, whither he went by water, accompanied by the late lord mayor, the new recorder, aldermen, and sheriffs, and attended by diverse of the companies in their barges; their majesties and the duke of York being upon the leads at Whitehall when they passed by: being come back, they passed from the place where they landed, with the usual solemnity, to Grocers Hall, where the lords of the councill, severall of the nobility, judges, and other persons of quality dined

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday, October XXIX 1683. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir Henry Tulse, Knight, Lord Mayor of the City of London. Containing A Description of the whole Solemnity. With Two new Songs set to Musick.
Event Comment: Benefit Miss Robinson, the Dancer. At the particular Desire of several Persons of Quality. Prologue: in The Poems of Henry Carey, p. 65. Epilogue: Written by Mr Welsted

Performances

Mainpiece Title: The Rover

Performance Comment: As17241113, but Pedro-Thurmond; With a new Prologue, Epilogue-Miss Robinson Jr , who acted the Part of Princess Elizabeth by Anna Bullen , and the Duke of York in Richard the Third.

Dance: End I: Polonese-Miss Robinson, Rainton; III: A new Passacaille-Miss Robinson; V: A New Comic Dance-Miss Robinson, Rainton

Music: II: 2d Concerto of Corelli-; IV: Select Piece with Hautboys and Flutes-

Event Comment: Benefit for ye Marine Society. Boxes & pit 10s. 6d.; Gal: 3s. up: Gall 2s.; Stage 5s. (Cross). Tickets to be had of Mr Brogden at Mr Fieldings; Mr Stephens, 1st Secretary to the Society, in Princes's St. near the Bank, and of Mr Box, 2nd Secretary to said Society, in Duke St., York Buildings; and places of Varney at Stage-Door. [Advertisements for this performance for "clothing Friendless Boys and Men for the Sea" appeared in the Public Advertiser from 26 April to this day. The long Notice for the day pointed out that benefactors who attended would enjoy the satisfaction of seeing about 100 men and boys, all volunteers, clothed by the Marine Society appear on stage to thank them. The next day they would march to Portsmouth to go on board the Fleet. "As Britannia herself is to make her appearance on the scene in behalf of her warlike offering, it is pleasing to reflect that so many of her lovely daughters will attend her. It is not doubted but there will be the most Brilliant House that has been seen for sometime."] Receipts: #280 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Britannia

Performance Comment: [See17550509, but without Miss Thomas.] With a Prologue-Garrick [in the character of a Sailor; Epilogue-[suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.
Event Comment: By Command of the Prince of Wales. Receipts: #115 18s. 6d. Present Prince of Wales at #5 5s., with Duke of York; Princess of Wales at #5 5s., with Lady Augusta, Lady Caroline, Lady Louisa. Paid Woodfall for printing #46 18s. 6d. and another printing bill #31 12s. 6d

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Knights

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): George Colman, the elder
Event Comment: Both pieces By Command. Ladies and Gentlemen who have taken places are desired to send their servants before 3 o'clock. No persons can possibly be admitted behind the scenes or into the Orchestra. Present their Majesties the Duke of York, Prince William Henry, Prince Henry Frederick, and Lady Augusta. [The Winston Theatrical Record lists the customary night's expenses as follows]: @Renters #12 1s.@Barber 5s. 4d.@Music #4 19s. 5d.@Tallow Candles #2 10s.@Wax Candles #1 6s.@Coals 10s.@Lamps #1 12s. 3d.@1 days Billstickers 11s. 6d.@1 days Bills #1 7s.@1 days Advertising 5s.@Wardrobe Bill (a day) #1 7s.@Property Bill (a day) #1 6d.@Extras (for Opera and Rape) #1 6s. 6d.@J. Rich #5 5s.@C. Rich #1@Guards (18) and a Serjeant #1@#36 6s. 5d.@ Extras that night: @Yeomen of His Majesties' guard #1 1s.@Yeomen of Her Majesties' guard #1 1s.@His Majesties' Footmen #1 1s.@Her Majesties' Footmen #1 1s.@Princess of Wales' Attendant #1 1s.@Their Majesties' Coachman 6s.@Total #5 11s.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

Dance: As17610907

Event Comment: New Scenes, Dresses, Machinery and other Decorations. Book of the Entertainment to be had at 1s. 6d. at Theatre. A Dramatic Romance by David Garrick, Music composed by Michael Arne. Gave King's Footmen and Chairmen #4 4s.; Queen's ditto; Dukes of York and Gloucester ditto (Treasurer's Book). [A memorandum dated 22 August 1766 (Folger Library, Garrick Album, 520 MS, Cage) explains that Michael Arne was to compose the Music for Cymon, and as compensation shall be intitled to and receive one third part of the profits of the three first nights which the author shall take for his own Benefits." Zachariah Stephens was witness. See 15 Jan. 1767.] Receipts: #196 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: Parts by King, Bensley, Parsons, Champness, Fawcett, Fox, Vernon, Mrs Abington, Mrs Baddeley, Miss Plym, Miss Reynolds, Mrs Bradshaw, Mrs Dorman, Mrs Arne. Prologue and Epilogue. The Dances-Grimaldi, Guidetti, Duquesney, Giorgi, Mrs King, Sga Giorgi, Miss Rogers, Miss Ford, Miss Collet; Cymon-Vernon; Linco-King; Merlin (Enchanter)-Bensley; Dorus-Parsons; Damon and Dorilas-Fawcett, Fox; Demon of Revenge-Champness; Sylvia-Mrs Arne; Urganda (Enchantress)-Mrs Baddeley; Fatima-Mrs Abington; Dorcas-Mrs Bradshaw; 1st shepherdess-Miss Reynolds; 2nd Shepherdess-Miss Plym; Cupid-Miss Rogers; Parts-Mrs Dorman; Prologue for New Year's Day-King; Epilogue (by George Keate)-Mrs Abington (Edition of 1767).