SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2263 matches on Event Comments, 1567 matches on Performance Comments, 1035 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [W+Winston MS 8 lists Harlequin Skeleton; or, The Royal Chace.] Receipts: #42 6s. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Merlin's Cave; or, The Royal Chase

Performance Comment: Chasseur Royal-Lowe; Aerial Spirits-Granier, Mrs Granier; Jupiter (in the character of Harlequin)-Miles; Doctor-Arthur; Anatomist-Stoppelaer; Colombine-Mrs Dyer; Merlin-Howard; Mercury-Baker; Pierrot-Lalauze.
Cast
Role: Chasseur Royal Actor: Lowe
Event Comment: The Duke's Company. The date of the first production is not known, but the date 31 May 1681 on a copy in the Ohio State University Library, representing Luttrell's purchase of a copy, argues for a performance initially in April or early May 1681. See Wilson, Six Restoration Play-Dates, p. 222

Performances

Mainpiece Title: Henry The Sixth: The First Part; With The Murder Of Humphrey Duke Of Glocester

Performance Comment: Edition of 1681: Prologue-; King Henry the Sixth-Jos. Williams; Humphrey Duke of Glocester-Batterton; Cardinal-Harris; Richard Plantagenet-D. Williams; Duke of Suffolk-Smith; Queen Margaret-Lady Slingsby; Elianor-Mrs Batterton; Epilogue-.
Event Comment: The King's Company. Pepys, Diary: By one o'clock to the King's house: a new play, The Duke of Lerma, of Sir Robert Howard's: where the King and Court was; and Knepp and Nell spoke the prologue most excellently, especially Knepp, who spoke beyond any creature I ever heard. The play designed to reproach our King with his mistresses, that I was troubled for it, and expected it should be interrupted; but it ended all well, which salved all. The play a well-writ and good play, only its design I did not like of reproaching the King, but altogether a very good and most serious play

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Performance Comment: Edition of 1668: Prologue to the Duke of Lerma-Mrs Ellen Gwyn?, Mrs Nepp Knepp?; No actors' names; Epilogue-Mrs Ellen Gwyn?; Maria?-Mrs Gwyn?.
Event Comment: The United Company. The Prologue and Epilogue are printed in Miscellaneous Works, Written by His Grace, George, late Duke of Buckingham (London, 1704), pp. 9-13. There is no certainty that Buckingham wrote the adaptation itself, but, in view of his writing both the Prologue and Epilogue, it seems likely. The Epilogue alludes to Shaftesbury, who had taken refuge in Holland and who had died there on 21 Jan. 1682@3, suggesting that the play, if acted, was probably presented in February 1682@3 or soon thereafter. The adaptation was apparently never printed

Performances

Mainpiece Title: The Restoration; Or, Right Will Take Place

Performance Comment: Prologue to Philaster by the Duke of Buckingham-; The Epilogue-the Governor in Philaster by the Duke of Buckingham.
Related Works
Related Work: The Restoration; or, Right Will Take Place Author(s): George Villiers, Duke of Buckingham
Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Murray (1st appearance in that character); Harcourt-Barrymore (of dl); Belville-Toms; Countryman-Wilde; Sparkish-Knight; Alithea-Miss Chapman; Lucy-Mrs Fawcett; The Country Girl-Mrs Jordan (of dl).
Cast
Role: Alithea Actor: Miss Chapman
Role: The Country Girl Actor: Mrs Jordan

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performance Comment: Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years).recte 7] years).
Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Performance Comment: Aircourt-Lewis; Alibi-Quick (1st appearance on this stage these 3 years); Metheglin-Fawcett; Larry Kavanagh-Knight; Sir Carrol O'Donnovan-Waddy; Young O'Donnovan-Claremont; Lady Arable-Miss Chapman; Katty Kavanagh-Mrs Davenport; Fib-Mrs Watts; Sophia-A Young Lady (2nd appearance [see18000517]).see18000517]).
Cast
Role: Metheglin Actor: Fawcett

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Cast
Role: Theodore Actor: Simmons
Role: Father Ansellum Actor: Whitmore
Role: mother of Agnes Actor: Mrs Watts
Role: Step Actor:

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Event Comment: The Lord Mayor's Pageant. For an account of the dinner, see Spectator, No. 462, 30 Aug. 1712

Performances

Mainpiece Title: The Goldsmiths Jubilee; Or, London's Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.
Event Comment: Benefit Mills. By Command of His Royal Highness. To which (By Command) will be added, The Coronation of Anna Bullen, with the Military Ceremony of the Champion in Westminster-Hall, for the Entertainment of . . .the Prince of Orange, who accompanies his Royal Highness to the Play. [Prince of Wales, Prince of Orange, Princess Caroline present.]

Performances

Mainpiece Title: Henry Iv, Part Ii

Performance Comment: King-Mills; Prince-W. Mills; Shallow-Johnson; Silence-Miller; Feeble-Griffin; Falstaff-Harper; Pistol-Cibber; Lancaster-A. Hallam; Gloster-Cross; York-Mil ward; Justice-Boman; Poins-Oates; Bardolph-Shepard; Hostess-Mrs Shireburn; Doll-Miss Mann. A new Prologue upon the Company's Return to the Theatre Royal, spoken by Mills .

Song:

Dance:

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Harcourt-Palmer; Sparkish-Dodd; Belville-C. Kemble//Alithea-Mrs Kemble; Miss Peggy-Mrs Jordan; Lucy-Miss Heard. Occasional Prologue spoken by Kemble. Original Epilogue to THE RIVALS spoken by Mrs Jordan .

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Performance Comment: Cast not listed. [Cast from text (C. Lowndes [1794]): Commodore Broadside-Palmer; Endless-Suctt; Old Cottager-Maddocks; Robin-Barrymore; William-C. Kemble; Tom Oakum-Bannister; Ben-Sedgwick; Splicem-Kelly; Boy-Master Welsh; Dick-Hollingsworth; Busy-Benson//Cottager's Wife-Mrs Booth; Mary-Miss De Camp; Susan-Miss Leak; Girl-Miss Menage; Cicely-Miss Chatterley; Margaretta-Sga Storace.] In which the Principal Performers will assist in the M usical Parts . In which the Principal Performers will assist in the M usical Parts .

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Benefit Mrs Clive. Mainpiece: Never acted there Before. Amphitheatre on stage [see 12 March]. Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets and places of Mrs Clive at her house in Great Queen St., Lincoln's Inn Fields; or of Page at the stage door of the theatre. Last Night their Royal Highnesses the Prince and Princess of Wales were at the Theatre Royal in Covent Garden to see the Merchant of Venice; when the Song of Britons strike home was commanded to be sung, which was accordingly done, with the Chorus's, accompanied by Trumpets, Kettle-Drums, etc. and met with the Greatest Applause.--General Advertiser, 14 March. [The notice about Miss Edwards' first attempt means in an acting role; she was a singer.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Merchant-Quin; Bassanio-Hale; Gratiano-Ryan; Shylock-Rosco; Launcelot-Chapman; Gobbo-James; Lorenzo (with songs in character)-Beard; Solarino-Ridout; Salanio-Gibson; Duke-Marten; Tubal-Stoppelaer; Nerissa-Mrs Pritchard; Jessica-Miss Edwards (her 1st attempt on any stage); Portia-Mrs Clive.
Cast
Role: Duke Actor: Marten

Afterpiece Title: The Lottery

Song: MMy Faith and Truth (Favourite Duette from Samson)-Miss Edwards, Mrs Clive; Britons Strike Home-

Dance: SScotch Dance, as17431124

Event Comment: By Command of His Royal Highness the Duke, and Their Highnesses the Princesses. Mainpiece: Written by Beaumont and Fletcher. [Duke and three Princesses present.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Duke Actor: Berry

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: I: Revellers by Essex, Mrs Walter, &c. III: Tambourine by Mlle Roland. V: Venetian Gondolier and Courtezan by Denoyer, Mlle Anne Roland, &c

Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger
Event Comment: At Reynolds' Booth. The Beggar's Wedding acted until 8 p.m.; Damon and Phillida, 8 p.m. to 11 p.m.; The Humours of Harlequin added to each one. Daily Post, 25 Aug.: This Day his Royal Highness the Duke and their Royal Highnesses the Princesses Mary and Louisa intend to honour Mr Reynolds with their Presence at his Great Theatrical Booth

Performances

Mainpiece Title: The Beggar's Wedding

Afterpiece Title: Damon and Phillida

Afterpiece Title: The Humours of Harlequin

Music: With the Original Band of Musick

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia and Caroline

Performances

Mainpiece Title: La Double Inconstance

Afterpiece Title: Arlequin Sauvage

Dance:

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: Tartuffe

Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne

Afterpiece Title: Attendez Moy Sous l'Orme

Dance:

Event Comment: By Command of His Royal Highness the Duke, their Royal Highnesses the Princesses Carolina, Amelia, Louisa, and Maria

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: Harlequin and Scaramouch Deserteurs

Dance:

Event Comment: By Command of his Royal Highness the Duke, and their Royal Highnesses the Princesses Caroline, Mary, and Louisa [who were present]

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Cast
Role: Longbib the Vintner Actor: Salway

Music: In II: Solo on Violin by Charke

Dance: II: New Serious Dance by Denoyer, Mlle Anne Roland, &c. III: Revellers by Essex, Mrs Walter, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger
Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Event Comment: By Command of His Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa [who were present]. London Daily Post and General Advertiser, 28 Feb.: The Author perceiving from the Behaviour of some Persons, a determin'd Resolution, notwithstanding the Presence of part of the Royal Family, to breed a Disturbance, to the Prejudice of the Play, occasion'd, as 'tis supposed, from an invidious Letter inserted in Thursday's Grubstreet Journal, has chose to withdraw his Play, rather than give them an Opportunity of gratifying their Malice, by a Repetition of such Disturbances as must necessarily prevent the Audience from hearing the Performance in Peace. Receipts: #112 14s

Performances

Mainpiece Title: The Double Deceit

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: By Command of His Royal Highness The Duke and Their Royal Highnesses the Princesses Caroline, Mary, and Louisa

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson-Shepard, the first time of his appearing on the stage these two years; Valentine-Milward; Ben-Macklin; Foresight-Johnson; Scandal-Mills; Tattle-Cross; Trapland-Griffin; Jeremy-Woodward; Angelica-Mrs Mills; Mrs Foresight-Mrs Pritchard; Mrs Frail-Mrs Butler; Prue-Mrs Clive; Nurse-Mrs Marshall.

Afterpiece Title: Robin Goodfellow

Cast
Role: Father to Colombines Actor: Pelling
Event Comment: By Command of His Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Taken from Plautus and Moliere

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Grand Volgi

Event Comment: By Command of his Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Robin Goodfellow

Cast
Role: Father to Colombines Actor: Pelling

Dance: III: Dance of Moors-Muilment, Mrs Walter

Event Comment: By command of His Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Restor'd

Dance: II: Grand Ballet-Muilment, Mrs Walter

Ballet: IV: Double Jealousy. As17381108

Event Comment: By Authority of the Lord Chamberlain. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. Benefit for the Unfortunate Sufferers in the Glorious Action between Sir John Jervis, and the Spanish Fleet, off Cape St. Vincent [on 14 Feb. 1797]

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: The Romance of an Hour

Song: Mainpiece: Vocal Parts, as17970123, but Master _Willoughby, Master Paul, A Young _Lady, Miss +Jones; End: +Ye Gentleman of England-; and the Companion, To all you Ladies now at Land-; A Sea Song, The Muffin Man-Master Sincock

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.
Event Comment: Both pieces by Command of their Royal Highnesses the Prince and Princess of Wales

Performances

Mainpiece Title: King Henry Iv, Part Ii, With The Humours Of Falstaff

Performance Comment: Falstaff-Quin; King Henry-Gibson; Wales-Ryan; Achbp York-Bridgwater; Mowbray-Redman; Hastings-Anderson; Westmorland-Usher; Prince John-Ridout; Gloster-Baker; Clarence-Miss Hippisley; Poins-Bransby; Coleville-Elrington; Chief Justice-Sparks; Silence-Stoppelaer; Bardolph-Marten; Doll-Miss Haughton; Peto-Atkins; Shallow-Arthur; Bullcalf-Dunstall; Feeble-Collins; Mouldy-Bencraft; Shadow-Hacket; Pistol-Cushing; Hostess-Mrs Macklin.
Cast
Role: Achbp York Actor: Bridgwater

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald