SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2263 matches on Event Comments, 1567 matches on Performance Comments, 1035 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 2nd piece: Compressed for First Time into two acts, with several new Airs, &c. [Miss Sims was from the Theatre, Sadler's Wells.] Receipts: #259 17s. (253.15; 6.2)

Performances

Mainpiece Title: The Orphan

Performance Comment: As17971013. but Castalio-Betterton (from the Theatre Royal, Bath; 1st appearance on this stage); Acasto-Murray.

Afterpiece Title: The Maid of the Mill

Performance Comment: Lord Aimworth-Johnstone; Sir Harry Sycamore-Munden; Ralph-Knight; Farmer Giles-Townsend; Fairfield-Davenport; Mervin-Claremont; Fanny-Miss Sims (1st appearance at this theatre); Theodosia-Mrs Follett; Lady Sycamore-Mrs Davenport; Patty-Mrs Mountain.
Cast
Role: Theodosia Actor: Mrs Follett

Afterpiece Title: England's Glory

Performance Comment: As17971018, but in Scene I: Hearts of Oak-Townsend; in Scene IV: We've bade the restless Seas adieu-Townsend, _Incledon; in Scene V: +Rule Britannia-Townsend, Gray; from Scene IV: With pride we steer'd for England's Coast-_.

Dance: As17971018

Event Comment: "It was with extreme regret that we perceived the ravages of time in the person of [Mrs Crawford, who had not acted in London since 12 Apr. 1785], tho' we were much consoled in observing that his influence is not equally apparent in her abilities...The blaze is gone, but there is a richness in the setting lustre...Kemble is evidently [Johnston's] model, and he followed him so closely, as even to the crossing of the legs in dying; so that where he was best, his efforts seemed to be the effect of imitation" (True Briton, 24 Oct.). "Mrs Crawford has had her day; but the sun of her genius has long sunk beneath the horizon...Many parts of her performance, we were sorry to observe, evinced the most evident decline of powers, and her tremulous accents, the debility of which was rendered the more striking from the want of several teeth, proclaimed that her days of play and action were nearly brought to a close...She was received with reiterated plaudits throughout...Nature has been very bountiful in supplying [Johnston] with a voice of much compass and melody, but he does not appear to have paid much attention to the cultivation of her favours. His transitions are often abrupt, and sometimes discordant; and the management of his tones is of so strange a nature that it appears more like two distinct voices than a judicious modulation of his natural accents" (Morning Herald, 24 Oct.). Receipts: #260 9s. (253.4.6; 7.4.6)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Johnston (from the Theatre Royal Edinburgh; 1st appearance on this stage); Lord Randolph-Clarke; Glenalvon-Whitfield; Officer-Thompson; Old Norval-Murray; Anna-Miss Mansel; Lady Randolph-Mrs Crawford.

Afterpiece Title: The Maid of the Mill

Afterpiece Title: England's Glory

Dance: As17971018

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Old Maid

Performance Comment: Clermont-C. Kemble; Captain Cape-King; Mr Harlow-Holland; Mrs Harlow-Mrs Goodall; Miss Harlow-Mrs Sparks (from the Theatre Royal Edinburgh; 1st appearance on this stage); Trifle-Mrs Roffey.
Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.
Event Comment: By Permission of the Proprietor of the Theatre Royal Haymarket. [Epilogue by George Colman, ynger.] Receipts: #138 0s. 6d. (134.10.6; 3.10.0)

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas-Quick; Dick Dowlas-Knight; Doctor Pangloss-Fawcett; Henry Morland-Toms; Stedfast-Murray; Zekiel Homespun-Munden; Kenricke-Johnstone; John-Abbot; Waiters-Simmons, Wilde; Lady Duberly-Mrs Davenport; Caroline Dormer-Miss Mansel; Cicely Homespun (with the original Epilogue)-Mrs Gibbs.
Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Round Tower

Event Comment: [Afterpiece in place of The Deserter, advertised on playbill of 12 Dec.] Receipts: #134 15s. (78.6.0; 53.8.6; 3.0.6)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17971202, but Gratiano-R. Palmer; Shylock-Archer (from the Theatre Royal Edinburgh; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Duke of Venice Actor: Packer

Afterpiece Title: The Citizen

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #179 (168.11.6; 10.8.6)

Performances

Mainpiece Title: He's Much To Blame

Cast
Role: Master of the Hotel Actor: Thompson

Afterpiece Title: Peeping Tom

Performance Comment: Peeping Tom of Coventry (with The Little Farthing Rushlight)-Fawcett; Harold-Clarke; Crazy-Simmons; Mayor of Coventry-Waddy; Count Louis-Claremont; Earl Mercia-Thompson; Emma-Mrs Mountain; Mayoress of Coventry-Mrs Davenport; Lady Godiva-Mrs Gilbert; Maud-Mrs Martyr.
Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Johnston (1st appearance in that character on this stage); Ghost-Murray; Polonius-Munden; King-Waddy; Horatio-Egerton (2nd appearance on this stage); Laertes-Whitfield; Ostrick-Farley; Rosencraus-Clarke; Grave@diggers-Quick, Rees; Ophelia-Mrs Mountain; Queen-Miss Chapman.

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Performance Comment: Donald-Gray; Jockey-Clarke; Kate-Miss Wheatley; Old Woman-Mr Graham (from the Theatre Royal Edinburgh, 1st appearance on this stage).

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Performance Comment: Walmsley-Bannister Jun; Captain Wattle and Miss Roe-Bannister Jun; The Country Club-Bannister Jun; The Advantage of Toping-Bannister Jun.; Captain Higgins-Dignum; The Sailor's Journal-Dignum; Lovely Nan-Dignum; Buntline-Suett; Toll de Roll-Suett; Cudgo-Wathen; Kickaraboo-Wathen; Binns-Trueman; Hewit-Holland; Hannah Hewit-Miss DeCamp; The Complaint-Miss DeCamp; Virtue-Miss DeCamp; Anna-Miss Leak; True Glory-Miss Leak; Mrs Binns-Miss Heard.

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Performance Comment: Irishman-Johnstone; Englishman-Murray; Mail Coach Guard-Townsend; Ostler-Powel; Serjeant-Farley; Old Soldier-Thompson; Son-Simmons; Scotchman-Wilde; Welchman-Rees; Hawker-Gray; 2nd Irishman-Dyke; 2nd Sailor-Abbot; 1st Sailor-Farley [i.e. doubled Serjeant]; Old Woman-Mrs Henley; Persons represented in the Allegorical Action: Genius of the Isle; Demon of Discord; Children of Britain; Peace, with her Attributes; Britannia-Miss Chapman.

Afterpiece Title: Curiosity

Related Works
Related Work: Fatal Curiosity Author(s): George Colman, the elder
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Afterpiece Title: Florizel and Perdita; or, The Sheep Shearing

Performance Comment: Florizel-Holman; Polixenes-Murray; Antigonus-Hull; Camillo-Powel; Clown-Simmons; Autolicus (the Pedlar)-Munden; Dorcas (with the Sheep Shearing Song)-Mrs Mountain; Mopsa-Mrs Castelle; Perdita-Miss Murray (1st appearance on this, and 4th on any stage).
Related Works
Related Work: The Sheep-Shearing Author(s): George Colman, the elder

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1, acted on 30 May as The Sailor's Carousal]. 3rd piece: The Scenery and Machinery by Richards, Hodgins, Walmsley, Phillips, Lupino, and assistants. Times, 25 May: Tickets to be had of Wild, No. 28, Drury-lane. Receipts: #288 18s. (123.9.6; 11.9.6; tickets: 153.19.0)

Performances

Mainpiece Title: Such Things Are

Performance Comment: Twineall-Lewis; Sir Luke Tremor-Munden (1st appearance in that character); Sultan-Murray (1st appearance in that character); Elvirus-Holman; Lord Flint-Davenport; Meanright-Clarke; Zadan-Powel; Haswell-Pope; Lady Tremor-Mrs Mattocks; Aurelia-Mrs Mountain; Arabella (the Female Prisoner)-Mrs Pope (1st appearance in that character); Original Epilogue-Mrs Mattocks.

Afterpiece Title: Starboard Watch

Performance Comment: Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton, Gray; Jack at the Windlass-Fawcett; Young William was a seaman true-Incledon; Brave Betty was a maiden Queen-Johnstone; Saturday Night at Sea-Townsend; Farewell to Old England dear Mary adieu-Incledon; Great Britain still her Charter boasts-Incledon, full Chorus.
Cast
Role: Jack at the Windlass Actor: Fawcett

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Machinery and Decorations: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Flagetus (designed and executed by Richards; music by Shield), in which scene is introduced The Serpentv (invented by Rich). Pillardoc-Clarke; Asmodous-Gray; Lucifer-Dyke; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. Landscape and Water-Mill (painted by Walmsley). Harlequin-Simpson; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mlle St.Amand; Philidel (the Celestial Spirit)-Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus (painted by Pugh). Festoons of Flowers ascend. A Dance of Statues. VII. A Street. Two Trick Sedan Chairs (invented by Hodgins). VIII. A Farm Yard, which changes to a Chinese Bridge, in which will be introduced the celebrated Piece of Machinery, The Peacockv (conducted by Sloper). IX. A Tobacco Warehouse, which changes to a Golden Equestrian Figure (by Roubiliac). X. The Infernal Regions, and a Shower of Fire. XI. The Temple of Glory.

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

Performance Comment: In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith.

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: British Fortitude

Afterpiece Title: The Round Tower

Performance Comment: As17971124, but Moriat (by permission of the Proprietors of the Royal Circus [see17980528])-Mrs Wybrow; in Vocal Characters: Sara-Miss Wheatley [in place of Mrs Clendining.in place of Mrs Clendining.

Song: In course: Old Towler-Incledon; Fat Dolly the Cook-Munden; an admired Ballad-Incledon

Event Comment: 3rd piece: By permission of the Proprietor of the Theatre-Royal Covent-Garden

Performances

Mainpiece Title: The Spanish Barber

Cast
Role: Lazarillo Actor: Wathen
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: The Children in the Wood

Afterpiece Title: Lock and Key

Event Comment: Afterpiece: By permission of the Proprietors of the Theatre-Royal Drury-Lane

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: No Song No Supper

Event Comment: Benefit for Mrs Gibbs. 3rd piece: By permission of the Proprietor of the Theatre-Royal Covent-Garden

Performances

Mainpiece Title: The Heir At Law

Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: Sylvester Daggerwood

Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger

Afterpiece Title: The Farmer

Event Comment: Benefit for Miss DeCamp. Afterpiece: By permission of the Proprietor of the Theatre-Royal Covent-Garden. Times, 17 Aug.: Tickets to be had of Miss DeCamp, No. 14, Tottenham-court-road, near Bedford-square

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Barrymore; Claudio-C. Kemble (Their 1st appearance in those characters); Don Pedro-Davies; Leonato-Aickin; Antonio-Usher; Don John-Caulfield; Borachio-Trueman; Conrade-Waldron Jun.; Friar-Davenport; Balthazar-D'Arcy; Dogberry-Suett; Verges-Waldron; Sexton-Abbot; Oatcake-Chippendale; Seacoal-Ledger; Beatrice (for that night only)-Mrs Jordan; Margaret-Miss Leserve; Ursula-Miss Heard; Hero-Miss DeCamp.

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick (for that night only)-Miss DeCamp; Dermot-Trueman; Fitzroy-Davies; Father Luke-Caulfield; Bagatelle-Wewitzer (of dl); Darby-Munden; Kathlane-Mrs Bland; Norah-Miss Griffiths (1st appearance in that character).
Cast
Role: Father Luke Actor: Caulfield

Song: In II: Stevens's glee, Sigh no more Ladies-D'Arcy, Linton, Miss Griffiths, Mrs Edward

Event Comment: [Afterpiece in place of The Honest Thieves, advertised on playbill of 17 Sept.] "The shameful neglect of Whitfield in the etiquette of dress in the character of Hastings must not pass unnoticed. He came on arranged in every point for the drawing-room, although he is supposed to be on his journey, and is informed by his companion Young Marlow that they must change their travelling dresses...An audience must naturally look to the Manager for due observance of stage decorum...and we trust that on future occasions the actor will not be allowed to sport with propriety by any fantastical display of his own, which is in direct oppostion to the character he ought to represent, and to the text with which he must be acquainted" (Times, 20 Sept.). Receipts: #197 1s. 6d. (186.0.6; 11.1.0)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Hardcastle-Munden; Young Marlow-Mansel (from the Theatre Royal Dublin; 1st appearance on this stage); Hastings-Whitfield; Sir Charles Marlow-Powel; Diggory-Simmons; Slang-Rees; Landlord-Thompson; Jeremy-Farley; Roger-Abbot; Tony Lumpkin-Knight (1st appearance in that character); Mrs Hardcastle-Mrs Davenport; Miss Neville-Miss Mansel; Maid-Miss Leserve; Miss Hardcastle-Mrs Gibbs.

Afterpiece Title: The Farmer

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry (1st time)-Munden; Campley-Townsend; Mate-Clarke; Medium-Powel; Planters-Davenport, Thompson, Abbot; Sailors-Linton, Street, Whitmore; Trudge-Fawcett; Wowski-Mrs Martyr; Narcissa-Mrs Iliff; Patty-Mrs Gibbs; Yarico-Miss Mitchell (from the Theatre Royal Bath; 1st appearance on this stage). 1st appearance on this stage).
Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Lovers' Quarrels

Event Comment: Mainpiece: The Musick composed by Kelly. Afterpiece: By permission of the Proprietor of the Theatre Royal Hay-Market. Receipts: #428 5s. (330.17; 95.18; 1.10)

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: Osmond-Barrymore; Reginald-Aickin; Percy-C. Kemble; Father Philip-R. Palmer; Motley-Russell; Kenrick-Holland; Hassan-Dowton; Saib-Trueman; Muley-Caulfield; Alaric-Wentworth; Harold-Webb; Allan-Packer; Edric-Wathen; Angela-Mrs Jordan; Alice-Mrs Walcot; [Evelina's Ghost-Mrs Powell]..
Cast
Role: Father Philip Actor: R. Palmer
Role: Edric Actor: Wathen
Related Works
Related Work: The Castle-Spectre Author(s): Matthew Gregory Lewis

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Capulet-Powel; Benvolio-Whitfield; Friar Lawrence-Hull; Prince-Clarke; Paris-Klanert; Tibalt-Claremont; Montague-Davenport; Balthazar-Abbot; Peter-Farley; Apothecary-Simmons; Friar John-Thompson; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Davenport; Juliet-Mrs Pope.
Cast
Role: Apothecary Actor: Simmons

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood-Townsend; Little John-Munden; Ruttekin-Fawcett; Allen o'Dale-Gray; Bowman-Street; Fitzherbert- Powel; Scarlet-Farley; Edwin-Hill (from the Theatre Royal, Bath; 1st appearacne on this stage); Clorinda-Mrs Martyr; Annette-Miss Sims; Angelina-Miss Mitchell.

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Aimwell-Middleton (late of the Theatre Royal Covent Garden; 1st appearance on this stage); Archer-Barrymore; Sullen-Wathen; Sir Charles Freeman-Trueman; Foigard-Caulfield; Gibbet-R. Palmer; Hounslow-Maddocks; Bagshot-Webb; Bonniface-Aickin; Scrub-Biggs; Lady Bountiful-Mrs Sparks; Dorinda-Miss DeCamp; Mrs Sullen-Miss Biggs; Gipsey-Miss Tidswell; Cherry-Miss Mellon.
Cast
Role: Sullen Actor: Wathen

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Lopez-Aickin; Don Felix-Powell (from the Theatre Royal Norwich; 1st appearance on this stage); Frederick-Caulfield; Don Pedro-Suett; Col. Briton-Barrymore; Gibby-Sparks; Lissardo-King; Alguazile-Maddocks; Vasques-Trueman; Soldier-Wentworth; Servant-Webb; Donna Violante-Miss Biggs; Donna Isabella-Miss DeCamp; Inis-Miss Mellon; Flora-Miss Pope.

Afterpiece Title: The Liar

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Verdun the Butler Actor: Munden

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Emery (1st appearance in that character); Shelty-Munden; Sandy-Incledon; Charley-Townsend; Croudy-Davenport; Serjeant Jack-Clarke; Capt. Dash-Claremont; Laird of Col-Whitmore; Laird of Raasay-Thompson; Benin-Simmons; Jenny-Miss Walcup; Moggy-Mrs Chapman (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Event Comment: Mainpiece: Never [previously] performed at this Theatre; By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #115 17s. 6d. (65.2.0; 47.17.0; 2.18.6)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #168 13s. (97.0.6; 69.9.6; 2.3.0)

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Middleton; Harcourt-Wentworth; Sir Walter Manny-Sparks; John de Vienne-Aickin; Ribbomont-Barrymore; Eustache de St. Pierre-Cory; Officer-Surmont; John d'Aire-Trueman; Citizens-Wewitzer, Russell, Webb, Chippendale; O'Carrol-Caulfield; La Gloire-Bannister Jun.; Crier-Hollingsworth; Old Man-Packer; Carpenters-Suett, Maddocks; Serjeant-Wathen; Queen-Miss Heard; Julia-Miss DeCamp; Madelon-Mrs Bland.
Cast
Role: Serjeant Actor: Wathen
Related Works
Related Work: The Surrender of Calais Author(s): George Colman, the younger

Afterpiece Title: The Apprentice

Song: Vocal Parts-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates