Event Comment: BBritish Chronicle, 25 Sept.: Last Wednesday the King, Queen and Royal Family went to Covent Garden to see The Beggar's Opera with a [directive?] of the fitting up of the Box (Winston MS 9)

Event Comment: Full Prices. [N.B. Winston MS 9, indicates from Rich's Register that Henry V was played this night by Royal Command. Playbill for 4 Dec. lends credence to this as it states Not Acted this season." For cast of Henry V see 18 Nov. TheAccount Book clinches the matter by listing Henry V with Dancing, and an indication that the Boxes this night held #70 5s., or some 281 people.] Present His Majesty and Attendance. House gave Yeomen of the Guards the usual gratuity of #1 1s. [Rich also paid that night #1 1s. for an Occasional Prologue for Henry V for 18 Nov. last, and #2 2s. for an occasional prologue to Thomas and Sally for 28 Nov. (Account Book).] Receipts: #210 (Account Book)

Event Comment: This day Publish'd Price 1s. Samson an Oratorio, as it is performed at the Theatre Royal in Covent Garden. Altered and adapted to the stage from the Samson Agonistes of Milton. @171 tickets at 10s. 6d. #89 15s. 6d.@232 tickets at 5s. #58@320 tickets at 3s. 6d. #56@723 present.@Receipts: #203 15s. 6d.@ Paid renters #10. Paid Younger a Bill for writing parts #2 12s. 11d. (Account Book). Charges: #35 (Account Book)

Event Comment: Benefit for Decayed Actors formerly belonging to the theatres royal. Last Night. Original articles between Garrick and Lacy expired (Winston MS 9)

Event Comment: Mainpiece: (The Hope of the Earth) performed last June in Honour of the King's Birth Day, but now with some alterations. Afterpiece: (The Promises of Heaven) an entirely new Serenata writ in order to celebrate, as far as lies in Sga Mattei's power, the late Royal Nuptials, and approaching Coronation. The Nobility and Gentry will please to dispense with their servants not being admitted this night

Event Comment: JJohn Rich Esq, Master and Patentee of the TRCG, died Thursday 26 Nov. 1761, about six o'clock in the evening, at his house adjoining to the Theatre Royal in Covent Garden, in the seventieth year of his age. Mrs Priscilla Rich sole executrix of the Will of John Rich Esq, deceas'd. Mr John Rich was buried in Hillingdon Churchyard. (See his Epitaph, Lysons's Middlesex Parishes, p. 162) Dec. 4, 1761. ibid p. 173 (Hopkins MS Notes). Income from Boxes #85 5s. Rec'd of John Condill on acct of Fruit #20. Expenses #46 3s. 8d. [The balance brought forward to this date for this season was #2007 9s. 1d. From this was subtracted the #1291 19s. 4d. necessary for starting the season (see 9 Sept.), which left Beard a favorable balance of #715 9s. 9d. with which to carry on. The Winston Theatrical Record ceases on this date.

Event Comment: Afterpiece: Written on the late Royal Nuptials

Event Comment: By Command of Their Majesties. This day publish'd Price 1s. Alexander's Feast; or, The Power of Music; written by Dryden. To which is added the Coronation Anthem as performed this evening at Covent Garden. Set by Mr Handel. This Day publish'd Price 5s. sewed. A Treatise on the Art of Dancing, by Giovanni Andrea Gallini, Director of the Dances at the Royal Theatre in the Haymarket

Event Comment: Mainpiece: Reduc'd to two acts. After which (being particularly desired) will be performed the New Serenata, composed by Dr Arne in honour of the late Royal Nuptials

Event Comment: This day publish'd Semele set to Music by Mr Handel. Price 1s. As it is performed this evening at the Theatre Royal in Covent Garden. Printed for J & R. Tonson in the Strand

Event Comment: The Characters New Dressed. Play never acted before. [See Three Original Letters to a Friend in the Country on the Cause and Manner of the late Riot at the Theatre Royal in Drury Lane. See also two letters in The Theatrical Review; or, Annals of the Drama, 1 March 1763. This number includes (pp. 117-25) a critique on the Discovery. Critic found it a piece of much merit particularly in the perusal," but on stage frequently tedious and heavy owing to a scarcity of incident and an uncommon lengthening of the acts."

Event Comment: Mainpiece: Not acted this season. Characters in Afterpiece New Dress'd. Receipts: #148 5s. (MacMillan)

Event Comment: Tickets for the Royal Convert, which could not be admitted last night, will be taken this night

Event Comment: [See vocal parts in Solemn Dirge accompanying Royal Convert (3 Oct.). Query: was the same dirge used for both plays?]

Event Comment: Benefit towards the Increase of a Fund, established by the Performers of the Theatre Royal Covent Garden for the Support of Decayed Actors and their Families. This Fund having been begun by voluntary contributions among the performers, improved by a proportionable Weekly Deduction on their salaries, and intended as a reciprocal Provision for them their widows and children, in sickness and infirmity, it is humbly hoped and appeal to the Generosity of the Public will not be taken amiss. Such of the Nobility, Gentry, &c. who are pleas'd to favour this Undertaking, are desired to send for places, Box or Pit tickets, to Mr Sarjant, at the Stage Door. Mainpiece [by John Banks]: Not acted these 20 years. Occasional Prologue, written by Hull [printed in the Jester's Magazine, May 1766, p. 241]

Event Comment: The Third Night. At the Theatre-Royal in the Haymarket this Day, will be performed..

Event Comment: The Fourth Night. [Theatre-Royal now repeated in each bill.

Event Comment: This Week a Patent passed the Great Seal for the Establishment of a new Theatre, to Samuel Foote, Esq. only (Public Advertiser, London notes, p. 2, col. 3). Mr Barry and Mrs Dancer from Dublin are said to be engaged for this summer at the Theatre Royal in the Haymarket (Gazetteer and New Daily Advertiser, London notes, p. 2, col. 2, which corroborates the Foote patent)

Event Comment: Mainpiece: Not acted this season. Benefit for the Increase of a Fund Establish'd by the Performers at the Theatre Royal Covent Garden, for the support of such actors, and their families, who from age or infirmities shall be incapable of their business. Such of the Nobility, Gentry, &c., who are pleased to favour this undertaking, are desir'd to send for places, Box or Pit tickets to Mr Sarjant at the Stage-Door. Charges #65. Profits to the Fund #13617s., plus #22 6s. from tickets (Box 82, Pit 12). Paid Mr Weller as per bills for property and machinery in Faustus #14 13s. (Account Book). Receipts: #201 17s. (Account Book)

Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Event Comment: A Tragedy for Warm Weather. Written after the manner of the Worst, as well as the Best of the English Poets, containing amongst a Variety of Particulars, curious, entertaining, and pathetic, the Rebellion of the Journeymen Taylors on the Score of Wages, etc. Neville MS Diary: Half past Six went to ye Haymarket Theatre but could not get into ye Pit or first Gallery, so stood on ye last row of the shilling Gallery, tho' I could see little, to see how ye Taylors, a new tragedy for warm weather, would go off, being the first night of its performance. 3rd Act hiss'd-ye Gods in ye shilling Gallery called for ye Builder's Prologue-hissed off ye part of ye Old Maid twice and Davies who came to make an excuse. The Gentlemen, many of whom were there, cried No Prologue" but to no purpose. At last Foote said if he knew their demands he would be ready to comply with them. The noise ceasing, after some time he was told the Builder's Prologue was desired. He said he had done all in his power to get the performers, having seen them. After some time he came and informed them he had got the performers together, and if the House would be pleased to accept of ye Prologue in our dresses as we are you shall have it." This was followed by great clapping which shows the Genius of our English mobility ever generous after victory. Left ye House after ye Farce began. [Flints were journeymen tailors who refused to comply with the masters' terms and the regulations of the magistrate, in contradistinction to those who submitted and were in derision stiled Dungs. The term dates from 1764-OED. An extract from the Occasional Prologue (the Builder's Prologue) in prose on the opening of the Theatre Royal in the Haymarket, by Foote published in the London Magazine July 1767, p. 351. Foote, Scaffold, and Prompter are the three participants. Foote tells Scaffold he will be paid by the audience. Scaffold notes that the audience must in that case be pleased at all times. Foote promises no long processions [will] crowd my narrow scenes." He assumes that any of the reforms he plans will but echo the public voice. The Prompter then calls the actors on.

Event Comment: Benefit for Mr Sarjant and Son (book and box-keeper). Tickets deliver'd for the 16th will be taken. Charges #81 15s. 6d. Deficit to Sarjant #57 4s. covered by #167 2s. from tickets (Box 450; Pit 272; Gallery 138) (Account Book). Rec'd the 1!2 value of tickets for 28th inst. from Doe, Reed, Robson, Rose, Pilfold, Roberts, Dixon, and Wooley (Account Book). Receipts: #57 4s. (Account Book)

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y