SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2263 matches on Event Comments, 1567 matches on Performance Comments, 1035 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Duenna

Performance Comment: As17820202, but Jerome-Mills (from the Theatre-Royal, Edinburgh; 1st appearance on this stage) . 1st appearance on this stage) .
Cast
Role: from the Theatre Actor: Royal, Edinburgh
Role: Father Paul Actor: Booth
Role: The Duenna Actor: Mrs Webb

Afterpiece Title: The Deserter

Dance: As17820409

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Ward (from the Theatre-Royal, Edinburgh; 1st appearance on that stage); Mr Strictland-Bensley; Frankly-Palmer; Bellamy-Farren; Jack Meggot-Dodd; Tester-Burton; Buckle-Wright; Ranger's Servant-Phillimore; Jacintha-Mrs Wells; Mrs Strictland-Mrs Brereton; Lucetta-Mrs Hopkins; Clarinda-Miss Farren .
Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: The Gentle Shepherd

Dance: End of Act II of mainpiece a New Dance by Second and Miss M. Stageldoir

Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Performance Comment: Figaro-Benson; Count Almaviva-Thome (2nd appearance on this stage); Don Bartolo-Wright; Don Guzman (the stuttering Counsellor)-Wellman; Basil-Payne; Bounce-Banister; Doublefee-Kerridge; Courier-Meadow; Oyer-Stuart; Servant-Mast. Payne; Anthonio (the drunken Gardener)-Waldron; Page (with the elegant and favorite song, Ah well-a-day, my poor heart)-Miss Cranford; Countess-Miss Bird; Marcelina-Mrs Monk; Agnes-Mrs Benson; Susan-Mrs Wellman .

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick (the Soldier)-A Young Lady (1st appearance [unidentified]); Dermot-Thome; Captain Fitzroy-Kerridge; Monsieur Bagatelle-Benson; Father Luke (the Irish Priest)-Wellman; Darby-Waldron; Kathleen-Mrs Benson; Norah-Miss Cranford .
Cast
Role: Father Luke Actor: Wellman

Afterpiece Title: Harlequin Skeleton

Performance Comment: Harlequin-Wright; Pantaloon-Wellman; Scaramouch-Kerridge; Punch-Banister; Clown-Benson; Colombine-Mrs Wellman. IMITATIONS. End of Act II of 1st piece a Variety of Theatrical Imitations by the Gentleman [unidentified] who delivered them on Miss Cranford's Night. vaudeville. 1st piece: To conclude with the admired Finale to The Duenna, and Dancing by Wright .unidentified] who delivered them on Miss Cranford's Night. vaudeville. 1st piece: To conclude with the admired Finale to The Duenna, and Dancing by Wright .
Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:15. To begin at 6:30. Tickets to be had of Griffiths, No. 3, Southampton-buildings, Holborn; at the Royalty Coffee-house, Well Close Square; King's Arms, Leadenhall-street; Band Coffee-house; Sun-tavern, Foster-lane; Grotto, Southampton-buildings; Angel, St. Giles's; Cock and Bottle, Upper Brook-street; Nag's Head, Carnaby-market; One Tun, St. James's Market; Fox's Coffee-house, Bow-street; the Go, the Jump, and the Finish; and of Rice, at the Theatre

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Baker; Stockwell-Simpson; Young Dudley-A Young Gentleman (1st appearance on that stage); Captain Dudley-Lloyd; Fulmer-Jackson; Varland-Cooper; Stukeley-Smith; Major O'Flaherty-Griffiths; Louisa Dudley-Mrs Fox; Lady Rusport-Mrs Crisp; Mrs Fulmer-Mrs Waldron; Lucy-Miss Clerk; Charlotte Rusport-Miss Powell (from the Theatre-Royal, Richmond).
Cast
Role: Theatre Actor: Royal, Richmond.

Afterpiece Title: The Author

Song: End: This is the life of a frolicksome fellow-the Gentleman who performs Young Dudley; Four@and@twenty fidlers-Simpson

Entertainment: After Singing: Theatrical Imitations, vocal and rhetorical,-Weston (1st appearance on any stage)

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: From the censer-Chorus as17900224; Come thou Goddess-Saville; +Hush ye pretty warbling choir-Miss Mahon; Kings shall be thy nursing fathers-Grand Chorus; Softly rise-Harrison; Ye southern breezes-Chorus; What though I trace-Miss Poole all as17900317 Venus laughing from the skies-Chorus (Theodora); Let the bright Seraphim-Miss Cantelo; Let their celestial Concerts all unite-Chorus.

Afterpiece Title: Grand Selection 2

Performance Comment: First Grand Concerto-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; With ravish'd ears-Miss Mahon; Bacchus ever young and fair-Griffiths; Baccahus' blessings are a treasure-Chorus (Alexander's Feast); Consider fond shepherd-Miss Dall (Acis and Galatea); Disdainful of danger-Saville, Harrison, Sale; Pious Orgies-Miss Cantelo (Judas Maccabaeus); No more to Ammon's God-Chorus as17900317 The Prince unable-Miss Poole as17900319 The Horse and his Rider-Double Chorus as17900224.

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Performance Comment: Overture-; Comfort ye my people, Every valley-Harrison; And the glory of the Lord-Chorus; Behold a virgin shall conceive-Saville; O thou that tellest good tidings-Saville, Chorus; For behold! darkness shall cover the earth, The people that walked-Sale; He was cut off, But thou didst not leave his soul-Miss Dall; Life up your heads O ye gates-Chorus; I know that my Redeemer liveth-Miss Cantelo; Hallelujah! for the Lord God omnipotent reigneth-Grand Chorus.

Music: As17900219

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Cast
Role: Leader of the Band Actor: G. Ashley
Role: The Organ Actor: Knyvett.

Afterpiece Title: Alexander's Feast 1

Performance Comment: PART I. Overture-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; The song began from Jove-Miss Poole; The Listening croud-Chorus; With ravished ears-Miss Poole; The praise of Bacchus-Harrison; Bacchus ever fair and young-Sale, Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse-Mrs Billington; He sung Darius-Chorus; Softly sweet in Lydian measures-Mrs Billington; War he sung is toil and trouble-Incledon; The many rend the skies-Chorus; The Prince unable to conceal his pain-Mrs Billington; The many rend the skies repeated-Chorus.

Afterpiece Title: Alexander's Feast 2

Performance Comment: PART II. Now strike the golden lyre again-Harrison; Revenge! Timotheus cries, Behold a ghastly band-Griffith; Give the vengeance due-Incledon; The Princes applaud-Incledon, Chorus; Thais led the way-Mrs Billington, Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Let's imitate their notes above-Mrs Billington, Harrison; Let old Timotheus yield the prize-Chorus.

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. ; Overture and Dead March (Saul)-; Balmy sweetness-Harrison (Boyce); Thou shalt bring them in-Mrs Piele (Israel in Egypt); Disdainful of danger-Harrison, Incledon, Sale (Judas Maccabaeus); The Soldier tir'd of war's alarms-Mrs Billington (Dr Arne); Bless the true Church and save the King-Incledon, Chorus (Athalia); There in myrtle shades-Miss Poole (Hercules); But bright Cecilia, As from the power of sacred lays-Mrs Billington; The dead shall live-Chorus (Dryden's Ode).

Performances

Mainpiece Title: Alexander's Feast 0; Redemption 0; L'allegro Ed Il Pensieroso 0

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Alexander's Feast 1

Performance Comment: 'Twas at the royal feast-Harrison; Happy happy pair-Harrison, Chorus; Timotheus placed on high-Harrison; The song began from Jove-Mrs Second; The list'ning croud-Chorus; With ravish'd ears-Mrs Second; The praise of Bacchus-Harrison; Bacchus ever fair and young-Bartleman; Bacchus' blessings-Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse, He sung Darius-Mrs Billington; With downcast looks the joyless victor sat, Behold Darius great and good-Chorus; The mighty master, Softly sweet in Lydian measure-Mrs Billington; War he sung-Mrs Second; The many rend the skies-Chorus; The prince unable-Mrs Billington; The many rend the skies [repeated]-Chorus.

Afterpiece Title: Alexander's Feast 2

Performance Comment: Now strike the golden lyre-Harrison; Break his bands of sleep asunder-Chorus; Hark hark the horrid sound-Harrison; Revenge revenge Timotheus cries, Behold a ghastly band-Bartleman; Give the vengeance due, The princes applaud-; Thais led the way-Mrs Billington; The princes applaud [repeated]-Chorus; Thus long ago-Harrison; At last divine Cecilia came-Chorus; Your voices tune-Mrs Billington; Let's imitate her notes above-Harrison, Bartleman; Let old Timotheus-Chorus.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Berenice, Handel); The Mansion of Peace-Harrison (Webbe); Mad Bess-Mrs Billington (Purcell); The mighty power-Chorus (Athalia, Handel); Se constanta per timore-Mrs Second (Caruso); Together let us range-Mrs Billington, Harrison (Boyce); Shall I in Mamre's-Bartleman (Joshua, Handel); Bravura song-Mrs Billington (Sacchini); Gloria Patri-Chorus.
Event Comment: The King's Theatre having been rented to the Proprietors of Drury-Lane House, with a reserve of the Nights for the Italian Opera to be carried on there for the Opera Trust, the Drury-Land Patent will in future be moved on Tuesdays and Saturdays to the Theatre Royal, Hay-Market, where all old and new Renters, claiming under the Drury-Lane Patent, will be entitled to Free Admission, and to their Rights for each Night of Performance. Half Price not being taken at this Theatre, the Performances will be reduced to the old established Prices. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes in the Theatre Royal, Hay-Market, to be taken at Fosbrook's Office at the King's Theatre as usual. [Mainpiece in place of Cymon; afterpiece of The Patron, both advertised on playbill of 25 Jan.] Receipts: #140 11s. (139.0; 1.11)

Performances

Mainpiece Title: At Hay Jane Shore

Cast
Role: Duke of Gloster Actor: Aickin

Afterpiece Title: The Cheats of Scapin

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: Afterpiece: 54th time [i.e. in continuation of the reckoning for the previous season, when it had been acted 52 times]. Account-Book; Paid Music #8 17s. 4d.; Properties 5s.; Chorus Singers #1 10s. [apiece]; Wardrobe #6 1s. 9d.; Supernumeraries #5 1s.; Sloper for Scenemen #28 11s. 6d.; Hodgins and apprentice #6 5s.; Walmsley #5 5s.; Phillips #2 12s. 6d.; Dick for making Clothes to 19th Inst. #7 1s. Receipts: #312 7s. (304.14; 7.13)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: I. A Representation of Tartarusv exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas (design'd and executed by Richards; music by Shield) Lucifer-Holland; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Dr Faustusv (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. A Landscape and Water Millv (painted by Walmsley). Harlequin-Bayzand; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mme Rossi; Philidel-Miss Hopkins; IV. A View of a Country Inn: The Bull and Dogv (The Machinery by Hodgins). Dancing@Master (with a song in character)-Fawcett; V. A Representation of the Scaffoldingv prepared for erecting the New Theatre-Royal Drury Lane, as it appeared in July (1793). Irishman (with a song in character)-Rock; Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne)-Bernard, Davies, Linton, Street, Spofforth; VI. A View of Smithfield on a Market@Dayv (painted by Hodgins and Phillips). Ballad Singer (with a song in character)-Fawcett; VII. The Garden of Faustusv (painted by Pugh). Zephyrus-Holland; Flora-Mlle St.Amand; VIII. A Streetv in which is introduced two Trick Sedan Chairs (designed by Hodgins). IX. A Farm Yardv, which changes to a Chinese Bridgev, in which will be introduced the celebrated piece of machinery, The Peacockv. X. A Tobacco Warehousev which changes to an Equestrian Figure by Roubiliac. XI. The Infernal Regionsv and a Shower of Fire. XII. The Temple of Gloryv (designed and executed by Hodgins). VIII. A Streetv in which is introduced two Trick Sedan Chairs (designed by Hodgins). IX. A Farm Yardv, which changes to a Chinese Bridgev, in which will be introduced the celebrated piece of machinery, The Peacockv. X. A Tobacco Warehousev which changes to an Equestrian Figure by Roubiliac. XI. The Infernal Regionsv and a Shower of Fire. XII. The Temple of Gloryv (designed and executed by Hodgins).

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Rock, Linton, Blurton, Abbot, Street, Miss Poole, Mrs Mountain, Mrs Clendining, Miss Hopkins, Mrs Henley, Miss Stuart, Mrs Arnold, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand, Mrs Blurton, Mrs Masters, Mrs Martyr

Event Comment: Under the license of the Lord Chamberlain. Leader of the band-Mountain. Grand Piano Forte-Reeve. Among the other Instrumental Performers are W. Ware, Haigh, Leffler Sen., Leffler Jun., Nicks, Alexander, Price, Francis, Cornish, English, Eley, Forster, &c. The Doors to be opened at 6:30. To begin at 7:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [For names of speakers and singers see Morning Post, 5 Mar.; Oracle, 12 Mar.

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.
Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .

Afterpiece Title: The Triumph of Hymen

Performance Comment: Hymen-Master DeCamp; Cupid-Master Welsh; Mercury-Fialon; Apollo-Aumer; Hercules-G. D'Egville; Castor-Fairbrother; Pollux-Boimaison; Psyche-Miss Granger; Diana-Miss Collins; Zephyrus-Mrs Fialon; Flora-Miss F. D'Egville; Britannia-Mrs Cuyler; Plenty-Mrs Butler; Commerce-Mrs Hedges; Loves, Graces, Chorus-Miss Menage, Miss Wheatley, Miss S. D'Egville, Mrs Beaufort, Mrs Brooker, Mrs Brigg, Miss Bourk, Mrs Bramwell, Miss Redhead, Miss Gawdry, Miss Stageldoir, Miss Chatterley, Cooke, Danby, Evans, Lyons, Maddocks, Welsh, Trueman.
Cast
Role: Castor Actor: Fairbrother

Afterpiece Title: Tit for Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder
Event Comment: [As Miss P. Farren Mrs Knight had 1st appaared in London on 15 May 1777 at the hay.] "[Knight's] simplicity is the type of nature, untainted With buffoonery; and what we very rarely meet with, his attention was so wholly engrossed by the business of the scene as to make him appear unconscious of being before an audience" (Morning Chronicle, 26 Sept.). Receipts: #248 3s. 6d. (240.2.6; 8.1.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Performance Comment: Woodville-Holman; Lord Glenmore-Harley; Governor Harcourt-Munden; Captain Harcourt-Macready; Grey-Hull; Vane-Bernard; Jacob-Knight (from the Theatre Royal, Bath; 1st appearance [in London]); Miss Mortimer-Miss Chapman; Bridget-Mrs Knight (from the Theatre Royal, Bath; 1st appearance [at this theatre]); Warner-Mrs Platt; Cecilia-Miss Wallis.

Afterpiece Title: The Deserter

Event Comment: 2nd piece [1st time; M. INT 1, by John Rose. Larpent MS 1167; not published]: A Mask, in honour of the approaching Royal Nuptials [the Marriage of Charlotte Augusta, Princess Royal of Great@Britain to Frederick William, Prince of Wurttemberg, on 18 May]. The Musick entirely new by Attwood. The Scenes, Dresses, and Decorations entirely new. Books of the Interlude to be had in the Theatre. Receipts: #254 15s. (166.15.0; 84.6.6; 3.13.6)

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Performance Comment: Oberon (King of the Fairies)-Miss Granger; Puck-Miss Wheatley; Beamlet-Master Welsh; Titania (Queen of the Fairies)-Miss Wentworth; Dewlip-Mrs Bland; Redstar-Miss Leak; Groups of Fairies, Sylphs-.

Afterpiece Title: Lodoiska

Performance Comment: As17970216, but Captives-_; Tamuri-_; Camazin-_; The Horde-_.
Cast
Role: Japhis Actor: Bannister
Role: The Horde Actor: Wentworth, Maddocks, Welsh, Evans, Annereau.

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: Rosina

Performance Comment: As17970715 but Rosina-Mrs Atkins (from the Theatre-Royal Bath; 1st appearance on this stage); with The Nightingale-Mrs Atkins; accompanied on the hautboy-Foster; Rustic-_; Irishmen-_.

Song: 1st piece: General Chorus, as17970815, but _Dibble, _Kenrick, _Caulfield Jun., Mrs _Gaudry, Mrs _Brown

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Performance Comment: Thoroughgood-Aickin; Barnwell-Maddocks; George Barnwell-C. Kemble; Trueman-Holland; Blunt-Trueman; Maria-Miss Miller; Lucy-Miss Pope; Millwood (for this night only)-Mrs Siddons.

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Virgin Unmask'd

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

Event Comment: 2nd piece: Not acted these 6 years. [Miss Griffiths is identified in European Magazine, June 1798, p. 397, and in playbill of 19 June.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Beggar's Opera

Performance Comment: Macheath-Kelly (By Permission of the Proprietors of the Theatre-Royal Drury-Lane); Peachum-Davenport; Lockit-R. Palmer; Mat o'th' Mint-Trueman; Wat Dreary-Chippendale; Harry Paddington-Lyons; Ben Budge-Abbot; Jailor-Ledger; Drawer-Waldron Jun.; Filch-Suett; Mrs Peachum-Mrs Davenport; Lucy-Miss DeCamp; Jenny Diver-Mrs Edward; Mrs Coaxer-Mrs Jones; Mrs Vixen-Mrs Benson; Mrs Slammekin-Mrs Cuyler; Sukey Tawdry-Mrs Hale; Molly Brazen-Mrs Haskey; Polly-A Young Gentlewoman (1st appearance on any stage [Miss Griffiths]).Miss Griffiths]).

Afterpiece Title: Blue Devils

Related Works
Related Work: Blue Devils Author(s): George Colman, the younger
Event Comment: [Afterpiece in place of The Jew and the Doctor, advertised on playbill of 9 Sept.

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: As17990726 but Ribbemont-Barrymore; Carpenters-_Davenport, Chippendale; Julia-Miss Campbell (from the $Theatre-Royal, Newcastle; 1st appearance in London); Citizens-_Chippendale.
Cast
Role: Theatre Actor: Royal, Newcastle
Related Works
Related Work: The Surrender of Calais Author(s): George Colman, the younger

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): George Colman, the younger
Event Comment: Benefit for Fawcett. 1st piece: By Permission of the Proprietor of the Theatre Royal, Hay-Market. 2nd piece [1st time; M. INT 1]. 3rd piece: Never acted here; by Permission of the Proprietor of the Theatre Royal, Hay-Market. With appropriate Scenes, Dresses & Decorations. The Music composed & selected by Attwood. Morning Chronicle, 15 Apr.: Tickets to be had of Fawcett, No. 3, Tanfield-court, Temple. Receipts: #535 6s. (233.2; 7.3; tickets: 295.1)

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Emery; Dick Dowlas-Knight; Doctor Pangloss-Fawcett; Zekiel Homespun-Munden; Henry Morland-H. Johnston; Stedfast-Murray; Kenrick-Johnstone; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer (1st time)-Miss Murray; Cicely Homespun-Mrs Gibbs (1st appearance this season); With the original Epilogue-the Dramatis Personae.
Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Social Songsters

Performance Comment: Naval History (1st time)-Fawcett; My Dolly was the fairest Thing-Incledon; A Bundle of Proverbs-Munden; The Red Cross Knight-Incledon, Linton, Denman; This Life is like a Country Dance-Fawcett; The Death of Admiral Benbow-Incledon; Sing Old Rose and burn the Bellows-Incledon, Fawcett, Hill, Linton.

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): George Colman, the younger
Event Comment: The Duke's Company. See also 15 and 23 Dec. 1662. Pepys, Diary: There being the famous new play acted the first time to-day, which is called The Adventures of Five Hours, at the Duke's house, being, they say, made or translated by Colonel Tuke, I did long to see it; and so made my wife to get her ready, though we were forced to send for a smith, to break open her trunk...and though early, were forced to sit almost out of sight, at the end of one of the lower forms, so full was the house. And the play, in one word, is the best, for the variety and the most excellent continuance of the plot to the very end, that ever I saw, or think ever shall, and all possible, not only to be done in the time, but in most other respects very admittable, and without one word of ribaldry; and the house, by its frequent plaudits, did show their sufficient approbation. Evelyn, Diary: I went to see Sir S: Tuke (my kinsmans) Comedy acted at the Dukes Theater, which so universaly tooke as it was acted for some weekes every day, & was belived would be worth the Comedians 4 or 5000 pounds: Indeede the plot was incomparable but the language stiffe & formall. Downes (pp 22-23): Wrote by the Earl of Bristol, and Sir Samuel Tuke: This Play being Cloath'd so Excellently Fine in proper Habits, and Acted so justly well....It took Successively 13 Days together, no other Play Intervening. Lady Anglesey to her husband, 10 Jan. 1663: Lord Bristol has made a play which is much commended (CSPD 1663-64, p. 8)

Performances

Mainpiece Title: The Adventures Of Five Hours

Performance Comment: Downes (Roscius Anglicanus, pp. 22-23): Don Henriq-Betterton; Antonio-Harris; Octavio-Young; Diego-Underhill; Ernesto-Sandford; Corrigidor-Smith; Silvio-Price; Camilla-Mrs Davenport; Portia-Mrs Betterton; Flora-Mrs Long; Edition of 1663: No actors' names. The Prologue-; The Prologue at Court-; The Epilogue-; The Epilogue at Court-.
Cast
Role: The Prologue Actor:
Role: The Prologue at Court Actor:
Role: The Epilogue Actor:
Role: The Epilogue at Court Actor: .
Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: After dinner my wife and I to the Duke's playhouse, where we saw the new play acted yesterday, The Feign Innocence, or Sir Martin Marr-all; a play made by my Lord Duke of Newcastle, but, as every body says, corrected by Dryden. It is the most entire piece of mirth, a complete farce from one end to the other, that certainly was ever writ. I never laughed so in all my life. I laughed till my head [ached] all the evening and night with the laughing; and at very good wit therein, not fooling. The house full, and in all things of mighty content to me

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall