SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2115 matches on Event Comments, 1466 matches on Performance Comments, 1017 matches on Performance Title, 403 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mr and Mrs Brown. Mainpiece: With a Grand Processionv, as 21 Sept. 1787. [The Cottagers, a comic opera written by Mrs Brown's daughter, was published in 1788, and 1st acted at the Crow Street Theatre, Dublin, 19 May 1789.] Receipts: #167 7s. (58.2; 7.9; tickets: 101.16)

Performances

Mainpiece Title: Cymon

Performance Comment: As17870921, but Cymon (for that night)-Brown; 2nd Shepherd-Evatt; Sylvia-Miss Ross (Author of The Cottagers; 1st appearance). 1st appearance).

Afterpiece Title: The Royal Chace

Song: In afterpiece: a Hunting Song-Darley

Entertainment: Monologue. End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown

Performance Comment: End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown.
Event Comment: Benefit for Palmer. Afterpiece: For that Night only [it had 1st been acted at the Royalty, 1 Jan. 1788]. The Airs and Chorusses composed by Reeve. End of Act I a Grand Representation of Mount Vesuvius at the time of an Eruptionv. [Mrs Gibbs was from the Royalty.] Receipts: #275 10s. (138.15; 26.19; 5.8; tickets: 104.8) (charge: #115 14s. 6d.)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward
Role: The Country Girl Actor: Mrs Jordan.

Afterpiece Title: The Deserter of Naples or Royal Clemency

Performance Comment: The Deserter-Palmer; The other Characters-Bannister Jun., Suett, Burton, Williames, Fawcett, Wilson, Phillimore, Chaplin, Benson, Alfred, Miss Collett, Mrs Love, Mrs Gibbs (1st appearance on that stage). [Other characters adjusted from playbill of 24 Mar. 1791. Skirmish-Bannister Jun.; +Simkin-Suett; +Flint-Burton; +Russet-Williames; +Jenny-Miss Collett; +Margaret-Mrs Love; +Louisa-Mrs Gibbs. Fawcett, Wilson, Phillimore, Chaplin, Benson, Alfred are unassigned.]

Dance: In afterpiece: Hamoir, Miss J. Stageldoir

Event Comment: Mainpiece: Not acted these 5 years. [Keating is identified in Kemble Mem.] Receipts: #120 1s. 6d. (95.4.0; 23.6.0; 1.11.6)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Whos the Dupe

Afterpiece Title: The Deserter of Naples or Royal Clemency

Event Comment: Benefit for Cubitt, Macready, Thompson & Cox. Mainpiece: Not acted these 5 years [acted 24 Mar. 1788]. Receipts: #326 6s. (85.7.6; 5.2.6; tickets: 235.16.0) (charge: #105)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Irishman in London

Dance: II: a Negro Dance-

Song: In afterpiece: As17920421; End: The Group of Lovers; or, Beauty at her Levee-Munden

Entertainment: Monologue End IV: Jeu D'Esprit, as17920516; Little Pig lays without any Straw-Fawcett

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: HARLEQUIN PEASANT

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.
Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17990316but Catherine (for that night only)-Mrs Johnson.

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords">George C. D. Odell
, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: Benefit for Farley, Waddy & Mrs Chapman. Afterpiece: To conclude with the Ceremony Usual at the Death of a Deserter. Receipts: #412 18s. (78.5; 4.4; tickets: 330.9)

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

Event Comment: [Extra night] Benefit for The General Lying-In-Hospital, Bayswater. Under the Patronage of Her Majesty. N.B. 51765 Women have been Delivered since the first Institution of this Charity in 1752, & the humane Purposes are now extended to the Infant Poor, the two first Years after Birth, & to the Distressed Wives of Sailors & Soldiers in their Country's cause. "The house exhibited a deplorable appearance of empty seats" (Dramatic Censor, II, 281). Mainpiece: Not acted these 4 years [acted 21 Apr. 1798]. Afterpiece: Taken from Solyman the Magnificent of Marmontel. [Mrs Baster is identified in Thespian Dictionary, 1805. This was the second successive evening on which Mrs Jordan appeared at both dl and cg.] Receipts: none listed

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac Mendoza-Quick; Ferdinand-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Don Jerome-Baynes (1st appearance on this stage); Antonio-Hill; Father Paul-Thompson; Lopez-Wilde; Don Carlos-A Lady (1st appearance [Mrs Baster]); The Duenna-Mrs Whitmore; Louisa-Mrs Martyr; Clara-Mrs Atkins (1st appearance in that character).
Cast
Role: Father Paul Actor: Thompson
Role: The Duenna Actor: Mrs Whitmore

Afterpiece Title: The Sultan

Performance Comment: Solyman-Barrymore; Osman-Clarke (by Permission of the Proprietors of the Theatre Royal, Drury-Lane); Ismene-Miss Wheatley; (with a) song-Miss Wheatley; accompanied on the Harp-Weippert; Elmira-Mrs Follett; Roxalana (with The Blue Bell of Scotland)-Mrs Jordan [of dl].of dl].

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Andrew Newport to Sir Richard Leveson, 6 Dec. 1660: Plays at court every week (HMC, 5th Report, Part I, 1876, p. 158)

Performances

Mainpiece Title: Rollo Duke Of Normandy

Performance Comment: Downes (Roscius Anglicanus, pp. 5-6) lists a cast which pertains to this period: Rollo-Hart; Otto-Kynaston; Aubrey-Major Mohun; La Torch-Burt.
Event Comment: The King's Company. Pepys, Diary: Sir W. Pen and I to the Theatre, and there saw The Country Captain, a dull play

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the Theatre to The French Dancing Master, and there with much pleasure gazed upon her (Lady Castlemaine); but it troubles us to see her look dejectedly and slighted by People already. The play pleased us [Pepys and Mrs Pepys] very well; but Lacy's part, the Dancing Master, the best in the world

Performances

Mainpiece Title: The French Dancing Master

Related Works
Related Work: The French Dancing Master Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. This performance is on L. C. lists 5@139, p. 129, and 5@12, p. 17, adds: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Country Captain, which is a very ordinary play. Methinks I had no pleasure therein at all

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: I carried [Mercer and Mrs Gayet] to the King's house...and there saw The Country Captain, a very dull play, that did give us no content, and besides, little company there, which made it very unpleasing

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: the King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: one of my Lord of Newcastle's for whch printed apoligies are scattered in the assembly by Briden's order, either for himself who had some hand in it, or for the author most; I think both had right to them (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14)

Performances

Mainpiece Title: The Heiress

Performance Comment: The play was not published.
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive
Event Comment: The King's Company. Although the play was not licensed until 16 Oct. 1676 and not published until 1678, the Epilogue refers in detail to the burning of the King's Theatre in Bridges Street, Drury Lane, suggesting that the premiere came not long after that event

Performances

Mainpiece Title: Henry The Third Of France Stabbd By A Fryer With The Fall Of The Duke Of Guise

Performance Comment: Edition of 1678: The Prologue-Mr Hart; Epilogue Intended-a Woman.
Cast
Role: The Prologue Actor: Mr Hart
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 73: A box for ye Queene. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. This play was reprinted in 1675, as the third edition: With Amendments and large Additions by the Author

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: The King's Company. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treapy & in ye Afternoon goes to see Rollo D. of Normandy at ye Ks playhouse (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: Rollo Duke Of Normandy