SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2115 matches on Event Comments, 1466 matches on Performance Comments, 1017 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Storer, first appearance that stage but see17610722; Antonio-Sparks; Bassanio-Clarke; Duke-Anderson; Gratiano-Dyer; Lorenzo (with songs in character)-Mattocks; Solarino-Davis; Solanio-Gibson; Gobbo-Collins; Tubal-Stoppelaer; Launcelot-Shuter; Jessica-Mrs Abegg; Nerissa-Mrs Vincent; Portia-Mrs Ward.
Cast
Role: Duke Actor: Anderson

Afterpiece Title: A Duke and no Duke

Ballet: Grand Comic Ballet, call'd The Hungarian Gambols; or a Provincial Rendezvous. Crosaques-Sodi, Mlle Capdeville; Croats-Maranesi, Desse, Leoni; Hussars-Leppie, Granier, Gosley, Dumai, Mrs Granier, Mlle Marianne; Mrs Leppie, Mrs Jansolin; Pandours-Rochford, Dufour, Miles, Hussey, Mrs Viviez, Miss Twist, Miss Welsch, Miss Daw. With Proper Habits and Decorations

Event Comment: Tomorrow (acted but once these 5 years) King Henry IV, Part II. New Dress'd in the characters of the times, to which be added, not acted this season, The Genii

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Havard; Moneses-Jackson; Axalla-Packer; Bajazet-Holland; Dervise-Bransby; Omar-Burton; Prince-Ackman; Hali-Fox; Selima-Mrs Davies; Arpasia-Mrs Pritchard; Usual Prologue-Lee; In Act IV, The Original Song of O! Gentle Sleep-Miss Young.

Afterpiece Title: A Duke and no Duke

Dance: I: Hearts of Oak, as17620925; III: The Bavarian Shoemakers, as17621009

Event Comment: Afterpiece: Never performed there. Neville MS Diary: Shuter made ye house laugh by saying to the conjurer. Should be glad to see you at Court; there will a change in ye Ministry soon" and by desiring Jo to take care of his Toes

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Barry; Manley-Palmer; Sir Francis Wronghead-Shuter; Squire Richard-Weston; Basset-Gardner; Moody-Thompson; Poudage-Brownsmith; Lady Grace-Mrs Burden; Lady Wronghead-Mrs Gardner; Miss Jenny-Mrs Jefferies; Mrs Motherly-Mrs Denton; Myrtilla-Mrs Kirby; Lady Townly-Mrs Dancer.
Cast
Role: Mrs Motherly Actor: Mrs Denton

Afterpiece Title: A Duke and no Duke

Dance: III: A Serious Dance-; End: Hornpipe-Miss Froment

Performances

Mainpiece Title: Othello

Cast
Role: Othello Actor: Barry
Role: Duke Actor: Keen

Afterpiece Title: A Duke and no Duke

Dance: Serious Dance-; Hornpipe, as17670722

Event Comment: By Particular Desire. Neville MS Diary: Went into ye first row of ye Pit. Before ye play began and between ye acts read ye part of Lord and Lady Townly, Sir Francis, J. Moodie, and Sir Richard...The little girl who dances is more applauded than anyone who appears on that stage

Performances

Mainpiece Title: The Provoked Husband

Cast
Role: Mrs Motherly Actor: Mrs Denton

Afterpiece Title: A Duke and no Duke

Dance: Serious Dance-; Hornpipe, as17670722

Performances

Mainpiece Title: Alexander; Or, The Rival Queens

Performance Comment: Alexander-Barry; Hyphestion-Palmer; Cassander-Gardner; Polyperchon-Bannister; Lysimachus-Davis; Thessalus-Smith; Clytus-Sowdon; Aristander-Thompson; Eumenes-Keen; Perdiccas-Strange; Roxana-Mrs Burden; Sisigambis-Mrs Johnston; Parisatis-Mrs Jeffreys; Statira-Mrs Dancer.
Cast
Role: Thessalus Actor: Smith

Afterpiece Title: A Duke and no Duke

Dance: As17670729 but Italian Peasant-Dulm ($Neville)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: A Duke and no Duke

Dance: End: Miss Froment

Event Comment: Benefit for Mr and Mrs DuBellamy. Mainpiece: Not acted these 3 years. [See 2 May 1767.] Charges #64 5s. Deficit to the DuBellamy's #2 4s. covered by #142 7s. from tickets (Box 314; Pit 393; Gallery 49) (Account Book). Receipts: #62 1s

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: Oldrents-Gibson; Hearty-Reinhold, first time; Springlove-Hull; Clack-Shuter; Randal-Dunstall; Oliver-Dyer; Hilliard-DuBellamy; Vincent-Mattocks; Patrico-Morris; Amie-Miss Valois, first time; Meriel-Mrs Baker; Rachel-Mrs Pinto; In Act II: The Original Crutch Dance-.
Cast
Role: The Original Crutch Dance Actor: .

Afterpiece Title: A Duke and no Duke

Dance: End Opera: The Old Ground Young, as17700501; with an Allemande, as17700501

Event Comment: Afterpiece: Not acted these 7 years. [See 6 Dec. 1770.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Duke and no Duke

Dance: End Opera: A New Spanish Dance, as17751121

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Duke and no Duke

Dance: End Opera: A New Spanish Dance, as17751121

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Duke and no Duke

Dance: End Opera: A New Pantomimical Dance, call'd The Irish Wedding-Aldridge, Mas. Jackson, Miss Besford, others

Performance Comment: Jackson, Miss Besford, others.

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Duke and no Duke

Dance: End Opera: A New Comic Dance call'd Mirth and Jollity-Aldridge, Mas. Jackson, Mas. Langrish, Miss Besford

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Duke and no Duke

Dance: End Opera: Rural Merriment, as17751220

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Duke and no Duke

Dance: End Opera: The Italian Gardeners, as17751011

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Duke and no Duke

Dance: End of Opera: The Pilgrim, as17750927

Performances

Mainpiece Title: Edward And Eleonora

Cast
Role: Theald Actor: Clarke

Afterpiece Title: A Duke and no Duke

Dance: II: New Dance Call'd The Academy-; in which will be introduced the New Court Minuet, Rigadoon (never perform'd before)-Mas. Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-

Performance Comment: Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-.
Event Comment: By Permission. By Particular Desire of the Antient and Honorable Fraternity of Free and Accepted Masons. Benefit for L'Estrange, and Fearon

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Entertainment: End Opera: The Cries of London-Shuter

Event Comment: Benefit for Mrs Gibbs. 1st piece: The Musick composed by Storace

Performances

Mainpiece Title: The Iron Chest

Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger

Afterpiece Title: Sylvester Daggerwood

Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger

Afterpiece Title: A Duke and No Duke

Song: 1st piece: General Chorus-Philipps, Linton, Brown, Aylmer, Little, Walker, Willoughby, Dibble, Caulfield Jun., Ms Edward, Ms Benson, Ms Butler, Ms Gaudry, Ms Hale, Ms Masters, Ms Menage, Ms Norton, Ms Leserve

Performances

Mainpiece Title: The Royal Shepherdess

Performances

Mainpiece Title: The Royal Shepherdess

Performances

Mainpiece Title: The Royal Shepherdess

Performances

Mainpiece Title: The Royal Shepherdess

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Tyranick Loue or ye R Martir. See also Nicoll, Restoration Drama, p. 346. Boswell (Restoration Court Stage, p. 286) believes that this performance may have been given at court. This play was reprinted in 1677

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Event Comment: Evelyn, Diary: I carried my Lord Clarendon through the Citty amidst all the Squibbs & barbarous bacchanalia of the Lord-Majors shew

Performances

Mainpiece Title: London's Royal Triumph For The City's Loyal Magistrate In An Exact Description Of Several Scenes And Pageants, Adorned With Many Magnificent Representations

Performance Comment: Performed on Wednesday, October XXIX. 1684. At the instalment and Inauguration of the Right Honourable Sir James Smith, Knight, Lord Mayor of the City of London. Illustrated with divers Delightful Objects of Gallantry and Jollity, Speeches and Songs, Single and in Parts. Set forth at the Proper Costs and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.