SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2115 matches on Event Comments, 1466 matches on Performance Comments, 1017 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Pope; Roderigo-Knight; Cassio-Betterton; Brabantio-Hull; Lodovico-Whitfield; Duke-Waddy; Gratiano-Gardner; Montano-Claremont; Senators-Davenport, Rees; Iago-Murray; Emilia-Mrs Litchfield; Desdemona-Mrs Pope.
Cast
Role: Othello Actor: Pope
Role: Duke Actor: Waddy

Afterpiece Title: The Maid of the Mill

Performance Comment: Sir Harry Sycamore-Munden; Lord Aimworth-Hill; Ralph-Knight; Farmer Giles-Townsend; Fairfield-Davenport; Mervin-Claremont; Fanny-Miss Sims; Lady Sycamore-Mrs Davenport; Theodosia-Mrs Follett; Patty-Mrs Atkins.
Cast
Role: Theodosia Actor: Mrs Follett

Performances

Mainpiece Title: Measure For Measure

Performance Comment: The Duke-Kemble; Angelo-Barrymore; Escalus-Aickin; Claudio-C. Kemble; Lucio-Palmer; Gentlemen-Surmont, Trueman; Provost-Caulfield; Friar Peter-Packer; Elbow-Wewitzer; Froth-Fisher; Clown-Suett; Abhorson-Wentworth; Barnardine-Hollingsworth; Thomas-Maddocks; Isabella-Mrs Siddons; Mariana-Mrs Powell; Francisca-Miss Tidswell; Mrs Overdone-Mrs Maddocks.
Cast
Role: The Duke Actor: Kemble

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: As You Like It

Performance Comment: As17991015, but Duke-Powell.
Cast
Role: Duke Actor: Powell.

Afterpiece Title: Of Age To-morrow

Song: As17991001

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17991125, but Duke of Gloster (1st time)-Raymond.
Cast
Role: Duke of Gloster Actor: Raymond.
Event Comment: Account-Book: Tickets delivered by Ledger, Thompson, Klanert, Claremont, Simmons, Wilde, Miss Mills, Miss Sims, Mrs Lloyd, Mrs Masters, Lee, Goostree, Street, Mrs Mills, Mrs Sydney, Abbot, Mrs Egan will be admitted. 3rd piece: Representation of the Battle, as 9 Nov. 1799. Receipts: #424 9s. 6d. (40.13.6; 5.3.0; tickets: 378.13.0)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Alberto-Murray; Count Valentia-Betterton; Marquis Almanza-Whitfield; Duke Mercia-Davenport; Seville-Whitmore; Granada-Atkins; Marchioness Merida-Mrs Maddocks; Amanthis-Miss Murray.
Cast
Role: Duke Mercia Actor: Davenport
Role: Amanthis Actor: Miss Murray.

Afterpiece Title: The Dramatist

Related Works
Related Work: The Female Dramatist Author(s): George Colman, the younger

Afterpiece Title: The Mouth of the Nile

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

Performance Comment: See16601011 Othello-Burt?; Iago-Clun?; A Prologue to introduce the first Woman that came to act on the Stage, in the tragedy called The Moor of Venice-.
Event Comment: These pamphlets were printed in 1661. For further details of the affairs of the day, see Rugg's Diurnal, ed. Sachse, p. 175. See also Pepys

Performances

Mainpiece Title: The Cities Loyalty Display'd; Or The Four Famous And Renowned Fabricks

Performance Comment: in the City of London Exactly described in their several Representations, what they are, with their private meanings and perfect Actions at the day of publick View, which is not yet discovered. Together with a true Relation of that high and stately Cedar erected in the Strand bearing five Crowns, a Royal Streamer, three Lanthorns, and a rich Garland.
Event Comment: The Prologue, with the date of performance given as 28 May 1661, is in Thomas Jordan's A Royal Arbour of Loyal Poesie, 1664. See also Wiley, Rare Prologues and Epilogues, p. 326. This is possibly George Jolly's company. See also 23 March 1660@1

Performances

Mainpiece Title: The Poor Man's Comfort

Event Comment: Pepys, Diary: To the New Theatre [Vere St], which, since the King's players are gone to the Royal one [Bridges St], is this day begun to be employed by the fencers to play prizes at

Performances

Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Performance Comment: [The Changes] Thump-Lacy. See also 17 May 1662.
Event Comment: The King's Company. See 3 March 1668@9 for another play acted(on a Wednesday in Lent by the young players. Langbaine, (English Dramatick Poets, p. 208): Coxcomb, a Comedy, which was reviv'd at the Theatre-Royal, the Prologue being spoken by Jo. Haines. Pepys, Diary: To the King's playhouse, and there saw The Coxcomb, the first time acted, but an old play, and a silly one, being acted only by the young people

Performances

Mainpiece Title: The Coxcomb

Event Comment: In the Term Catalogues a new edition of John Wilson's The Cheats was announced as licensed on 30 May 1671. This play had previously been given in March 1663. The edition of 1671 states that it has been given by the King's Company at the Theatre Royal, and it may have been revived at this time

Performances

Event Comment: This play was reprinted in 1672, being entered in the Term Catalogues, 20 Nov. 1671. It probably was acted in the late summer of 1671. The title page states that it was acted at the Theatre Royal, Bridges Street

Performances

Mainpiece Title: Vittoria Corombona; Or, The White Devil

Event Comment: Journal of the Earl of Anglesey, 25 Jan. 1671@2: At eight of the clock The King's playhouse took fire, and most of that side of Russell Street and many other houses thereabout were burnt down, and we in Drury Lane and all about in great danger; but the Lord had mercy, and by great industry and blowing up houses the fire was overcome: I had no rest, but sat up almost all night, even till six in the morning. The Lord pardon sin, which brings judgements (HMC, 13th Report, Part VI [London, 1893], p. 270. The Bulstrode Papers (I, 217): About 8 hapened a sad and violent fire, which begun in the King's Theater, and in a few howers burnt down that...severall were hurt and killed, amongst which was Mr Bell, one of the actors in that house. For a poem, On the Unhappy Conflagration of the Theatre Royal, January 25th, 1672, see Fitzgerald, A New History of the English Stage, I, 137

Performances

Event Comment: A playbill [PRO, State Papers 29, Vol. 317, No. 187): At the Booth at Charing-Cross, every day in the Week will be presented variety of Farces Drolls, and Comical Entertainments by Mr Anthony Devo, His Majesties Servant. And this present Monday being the Eleventh of November, will be presented the Dutch cruelties at Amboyna, with the humours of the Valiant Welch-Man. Acted by Men and Women. Beginning exactly at Two of the Clock in the Afternoon, and at Four. Vivat Rex. [This playbill is reproduced in Theatre Notebook, VI (1952), opposite page 36.] L. C. 5@140, p. 129 (Nicoll, Restoration Drama, p. 250): That Antonio diVoto Doe sett forth Exercise & Play all Drolls and Interludes, He not receiuing into his Company any person belonging to his Mates or Royal Highnesse Theatres Nor Act any Play usually acted at any of ye said Theatres Nor takes peeces or Sceenes out of ye Playes Acted at ye said Theatres

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna; With The Humours Of The Valiant Welch-man

Event Comment: The Lord Mayor's Show

Performances

Mainpiece Title: London In Its Splendor

Performance Comment: Consisting of Triumphant Pageants, whereon are Represented many Persons Richly Arrayed, Properly Habited, and significant to the Design. With several Speeches, and a Song, Suitable to the Solemnity. All prepared for the Honour of the Prudent Magistrate, Sir William Hooker Kt. Lord Mayor of the City of London. As also, a Description of His Majesties Royal Entertainment at Guildhall, by the City, in a plentiful Feast, and a glorious Banquet. At the Peculiar Expences of the Worshipful Company of Grocers.
Event Comment: The King's Company. The date of the premiere is not known, but John Harold Wilson, Six Restoration Play-Dates, Notes and Queries, June 1962, p. 221, has argued, primarily on references in the Epilogue, that the play was probably produced before the opening of the new Theatre Royal in Drury Lane and following two unsuccessful plays: The Mall and The Amorous Old Woman. The Prologue is in New Songs and Poems a la Mode, 1677. Preface to the edition of 1675: This play was left in Mr Dryden's hands many years since. The Author of it was unknown to him, and return'd not to claim it

Performances

Mainpiece Title: The Mistaken Husband

Performance Comment: The author is not known, but the Preface suggests that one scene was written by John Dryden. Edition of 1675: The Prologue-; The Epilogue-.
Cast
Role: The Prologue Actor:
Role: The Epilogue Actor: .
Event Comment: The King's Company. This performance, which marks the opening of the new Theatre Royal in Drury Lane, is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The Prologue and Epilogue were printed in Miscellany Poems, 1684. That the Prologue was spoken by Mohun is indicated in BM Sloane MSS. 4445

Performances

Mainpiece Title: The Beggar's Bush

Performance Comment: Prologue at the Opening of the New House by John Dryden-Mohun; Epilogue at the Opening of the New House by John Dryden-.
Event Comment: The King's Company. This performance (entitled The French Opera) is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The edition of 1674 (appearing in both an English and a French version) states: An Opera, or, a Vocal Representation. First Compos'd by Monsieur P. P. Now put into Musick by Monsieur Grabut, Master of His Majesties Musick. And Acted by the Royall Academy of Musick, At the Theatre-Royal in Covent-Garden. The names of the singers for this production are not known, but it is possible that some of the French singers who appeared in Calisto in the following season, 1674-75, were in London for this production. See Boswell, Restoration Court Stage, pp. 201, 222, and W. J. Lawrence, Early French Players in England, The Elizabethan Playhouse and Other Studies, p. 145. French dancers in the opera were Pecurr [Preux], LeTemps, Shenan, D'muraile. See L. C. 5@140, p. 472, in Nicoll, Restoration Drama, p. 355

Performances

Mainpiece Title: Ariadne; Or, The Marriage Of Bacchus

Event Comment: It is possible that The Tempest had been acted regularly to this date and that it continued to be presented frequently in the following week. In L. C. 5@15, p. 3 (Nicoll, Restoration Drama, p. 356) there is an order directing Turner and Hart (and any other members of the His Majesty's Chapel Royal) who sing in The Tempest to remain in London during the week, going to Windsor (when the King was absent from Whitehall) on Saturdays and returning on Mondays

Performances

Event Comment: The King's Company. The date of the first production is not known, but as the play was entered in the Term Catalogues in November 1680, it was probably first acted in September or October 1680. The Dedication refers to the ineffectiveness of the company at this time. Dedication, Edition of 1680: A Play so worthless, and so Unfortunate. Nay, to sum up all its Misfortunes, it does not only owe so little to the Composers Hand, but breath'd too in a Season, when Poetry even with its softest and more Curious Aires, to the Ears of this untunable Age, sounds but harsh and unpleasant: nay, and what's yet worst of all, perform'd by the feeble Fragment of a Company.--'Tis true, the Theatre Royal was once all Harmony....But when this hapless Play came forth, its sweetest Pipes were stopt; [Praise of Hart]. But, Alas, the very best of Plays now find but a cold Reception

Performances

Mainpiece Title: Fatal Love; Or, The Forc'd Inconstancy

Performance Comment: Edition of 1680: Prologue by a Friend-; Epilogue-Lysandra (in the Habit of a Nun).
Event Comment: The King's Company. The date of the premiere is not certain, but the Dedication speaks of its being acted two days and an order, L. C. 5@144, p. 29 (Nicoll, Restoration Drama, p.1 on), dated 14 Dec. 1680, banning it suggest that it was performed on 11 and 13 Dec. 1680. It is possible, however, that Tate's statements may refer to performances on 18 and 19 Jan. 1680@1. Dedication, Edition of 1681: For the two Days in which it was Acted, the Change of the Scene, Names of Persons, &c. was a great Disadvantage: many things were by this means render'd obscure and incoherent that in their native Dress had appear'd not only proper but gracefull. I call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines. Henry Purcell composed the music for a song, "Retir'd from any mortal's sight." See Purcell, Works, The Purcell Society, XX (1916), ix-x

Performances

Mainpiece Title: The Sicilian Usurper

Performance Comment: [The History of King Richard the Second, by Nahum Tate.] Edition of 1681: The History of King Richard the Second Acted at the Theatre Royal under the Name of the Sicilian Usurper. Prologue-; Epilogue-Mrs Cook.
Event Comment: Nahum Tate published a poem The Battle of the B@@d's in the Theatre Royal Dec. 3, 1680, in Poems Written on Several Occasions, 2d edition, 1684, pp. 153-54

Performances

Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.