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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness Edward Augustus Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness Edward Augustus Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6225 results for: Keyword - His Royal Highness Edward Augustus, Duke of York
We found 2432 matches on Event Comments, 1993 matches on Performance Comments, 1350 matches on Author, 1112 matches on Performance Title, and 0 matches on Roles/Actors.

4901
14 March 1780 @ Covent Garden

Event Comment: Benefit for Henderson. Ode: With the Songs, Chorusses, &c. The Music by Dr Arne. "When I recited Mr Garrick's Ode in a private room, I felt what I said, and I believe gave it some effect. Very different was it upon the stage. My feelings were weakened and confounded by the band, my voice lost its scale, and was overpowered by the music in the orchestra" (Ireland, p. 47). Public Advertiser, 26 Feb.: Tickets to be had of Henderson at his house, Great Buckingham-street, York Buildings. [His 1st appearance as Sir John Brute was at Bath, 1 Jan. 1774.] Receipts: #234 13s. 6d. (charge:#105). Account-Book notes that Henderson sold 319 tickets for the boxes and 85 for the pit, together worth #92 10s., and that tickets sold at the doors were worth #142 3s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: An Ode by Garrick

Dance: As17790922

4902
18 March 1780 @ Covent Garden

Event Comment: Benefit for Lewis. Morning Chronicle, 15 Mar.: Tickets to be had of Lewis at his house, Broad-Court. Mainpiece: Not acted these 20 years [not acted since 2 May 1758]. 2nd piece [1st time in London; INT I: ascribed to John Philip Kemble, 1st acted at York, 27 Mar. 1779]. Receipts: #230 5s. (192.9; tickets: 37.16) (charge: #105)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady Cured

Afterpiece Title: The School For Scandal Scandaliz'd

Afterpiece Title: The Flitch of Bacon

4903
03 October 1780 @ Covent Garden

Event Comment: Mainpiece: Not acted here these 6 years. Afterpiece: Taken from [the same, by Henry? Fielding, and prepared for the stage by the Author of Midas, &c. [Kane O'Hara; 1st time; BURL 2. Text 1st published by J. Barker [1805]]. With a new Overture, Dresses, and Decorations. The Overture, Songs, Duets and Chorusses composed and compiled by J. Markordt. Books of the Burletta to be had at the Theatre (on playbill of 10 Nov.). Account-Book, 1 Feb. 1781: Paid Mackordt [sic] for music of Tom Thumb #20. [Mrs Inchbald was from the York theatre. Master Edwin had spoken a Prologue at cg on 22 Apr. 1780.] Receipts: #152 1s. 6d. (149.2.0; 2.19.6)

Performances

Mainpiece Title: Philaster

Related Works
Related Work: The Restoration; or, Right Will Take Place Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Tom Thumb

Performance Comment: [Principal Characters by Master Edwin (1st appearance on this stage i.e. in a play]), Edwin, Reinhold, Robson, Davies, Quick, Mrs Kennedy, Mrs Webb, Miss Catley. [Cast from playbill of 30 Oct. 1781: Tom Thumb-Master Edwin; Lord Grizzle-Edwin; Ghost-Reinhold; Noodle-Robson; Doodle-Davies; King-Quick; Huncamunca-Mrs Kennedy; Glumdalca-Mrs Webb; Queen Dollalolla-Miss Catley.

Dance: End II: The Shepherd's Wedding-Harris, Miss Matthews; End III: The Humours of Leixlip, as17800927

4904
31 March 1781 @ Covent Garden

Event Comment: Benefit for Henderson. Public Advertiser, 12 Mar.: Tickets to be had of Henderson, Buckingham Street, York Buildings. Receipts: #241 15s. (140.14; tickets: 101.1) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Poor Vulcan

Dance: As17801107

Entertainment: Monologue.After dance: Collins's Ode on the Passions-Henderson

4905
06 January 1783 @ Drury Lane Theatre

Event Comment: [Miss Kemble was from the York theatre.] Receipts: #277 11s. 6d. (271/4/0; 5/17/6; 0/10/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

4906
19 September 1783 @ Covent Garden

Event Comment: Mainpiece: Not acted these 5 years. [Bonnor and Miss Scrase were from the Bath theatre; Mrs Chalmers from the York theatre.] Receipts: #201 18s. (200/5; 1/13)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Capt. Plume-Lewis; Justice Balance-Hull; Worthy-Whitfield; Serjeant Kite-Fearon; Bullock-Edwin; Recruits-Quick, Jones; Welch Collier-Wewitzer; Capt. Brazen (with an Introductory Address)-Bonnor; Rose-Mrs Chalmers (Their 1st appearance on this stage); Melinda-Mrs Lewis; Lucy-Mrs Whitfield; Sylvia-Miss Scrase (1st appearance on this stage) .

Afterpiece Title: The Padlock

Dance: As17830917

4907
08 October 1783 @ Covent Garden

Event Comment: [Chalmers was from the York theatre.] Receipts: #217 16s. 6d. (214/18/0; 2/18/6)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Bevil-Lewis; Myrtle-Wroughton; Sealand-Kemble; Sir John Bevil-Fearon; Cimberton-Quick; Humphrey-Thompson; Daniel-Wewitzer; Tom-Chalmers (1st appearance on this stage); Phillis-Mrs Mattocks; Lucinda-Mrs Lewis; Mrs Sealand-Mrs Pitt; Isabella-Mrs Poussin; Indiana-Miss Satchell(1st appearance in that character) .

Afterpiece Title: Rosina

Song: In Act II of mainpiece song by Brett

4908
23 March 1784 @ Covent Garden

Event Comment: Benefit for Henderson. Public Advertiser, 16 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York Buildings. Receipts: #292 2s. 6d. (166/10/6; tickets: 125/12/0) (charge: #105)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: Comus

4909
16 April 1784 @ Covent Garden

Event Comment: Benefit for Aickin. Public Advertiser, 10 Apr.: Tickets to be had of Aickin at his house. No. 5, York-street, Covent Garden. Receipts: #255 0s. 6d. (161/16/6; tickets: 93/4/0) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Rival Knights

Afterpiece Title: The Maid of the Oaks

4910
30 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Wells [whose 1st appearance in tragedy was at this theatre, 30 Apr. 1783]. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Wells, No. 5, York-street, Covent-garden. Receipts: #143 17s. (33/4/0; 24/0/6; 0/10/6; tickets: 86/2/0) (charge: #114 8s. 6d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Camp

Dance: After the Singing, as17840311athi

Song: End of mainpiece a favourite song by Miss George

Monologue: 1784 04 30 Before the mainpiece an occasional Address spoken by Mrs Wells

4911
08 March 1785 @ Covent Garden

Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Performance Comment: Principal Characters by Henderson, Wroughton, Hull, Fearon, Thompson, Cubitt, Lewis; Mrs Bates, Miss Younge. [Partial cast suggested by Genest, VI, 360: Alcanor-Henderson; Barzilla-Wroughton; Halak-Hull; Sameas-Fearon [which Genest misprints "Farren"]; Herodian-Lewis; Augusta-Mrs Bates [so also Morning Post, 10 Mar.]; Glaphyra-Miss Younge. Text adds: Serapion, Affghar; Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi. Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi.

Afterpiece Title: Rosina

Dance: As17841116

4912
17 June 1785 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: [In mainpiece the playbill assigns Frederick to Murray, but on the playbill in the New York Public Library Theatre Collection his name is deleted and a MS annotation substitutes Francis's.] Boxes 3s. Pit 2s. Gallery 1s. To begin precisely at 7:00. The Public are respectfully informed that the Company will perform here but four or five Weeks longer, being engaged elsewhere. The Theatre is not only very commodious, but also remarkably cool. The Days of performing will be regularly Mondays, Wednesdays and Fridays

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

4913
18 October 1785 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 12 years [acted 16 Dec. 1774]. [Mrs Jordan was from the York theatre.] Receipts: #195 14s. (155/1; 39/13; 1/0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Caldron

Dance: End of Act II of mainpiece The Provencalle by Williamson and Miss Stageldoir; In afterpiece, by Hamoir, Mrs Sutton and others

4914
14 March 1786 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Afterpiece Title: Barataria

Cast
Role: Duke Actor: Cubitt

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

4915
25 September 1786 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years [acted 31 Dec. 1783. Pope had acted Beverley in Edinburgh in the summer of 1786 (Morning Post, 26 Sept.). The playbill assigns Stukeley to Aickin, but he "having had the misfortune to lose his wife, Stukeley was played by Inchbald" (Morning Chronicle, 26 Sept.), from the York theatre, 1st appearance on this stage (see 4 Oct.)]. Afterpiece: Never acted there. Paid Properties the 22nd Instant 6s. 8d.; Wardrobe #6 2s. 6d.; Guard [master carpenter] for Scenemen #10 18s. 6d.; Supernumeraries #4 7s. 6d. Receipts: #194 16s. (193.0.6; 1.15.6)

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Pope (1st appearance in that character [in London]); Lewson-Farren; Jarvis-Hull; Bates-Fearon; Dawson-Thompson; Stukeley-Inchbald [1st appearance on this stage]; Charlotte-Mrs Wells (1st appearance in that character); Lucy-Miss Platt; Mrs Beverley-Mrs Pope. [Edition of 1792 (John Bell) adds: Waiter-$Ledger.]
Related Works
Related Work: The Gamester Author(s): Edward Moore

Afterpiece Title: The Romp

4916
11 April 1787 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Afterpiece: Written by Garrick; Not acted these 12 years [acted 2 Mar. 1776]. Public Advertiser, 26 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #197 17s. 6d. (123.18.6; 5.16.0; tickets: 68.3.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Guardian

Dance: II: a Masquerade Dance-incident to the Play; End: The Indian's Ransom, as17870217

4917
07 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Alicia was at York, 26 Apr. 1777]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by half past Four o'Clock. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Siddons, Gower-street. [In the interim she changed the play. The Announcement of 27 Apr. advertises Romeo and Juliet, by Kemble and Mrs Siddons, in which play she did not appear until May 1789.] Receipts: #337 16s. 6d. (146.1.0; 8.7.6; 0.14.0; tickets: 182.14.0) (charge: #105 16s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Bon Ton

4918
29 September 1787 @ Drury Lane Theatre

Event Comment: [Wroughton was from cg. This was his 1st appearance as a regular member of the dl company; he had previously acted at this theatre on one occasion, 1 Apr. 1780. Mrs Taylor was from the York theatre.] "On every first appearance, it falls to a performer to chuse their own parts. They do that part once, and in all probability they never do it again. We fear this will happen to Mrs Taylor. In Elwina there was nothing to recommend [but see 4 Oct., 27 Nov.]" (World, 1 Oct.). Receipts: #189 0s. 6d. (134.4.0; 53.9.0; 1.7.6)

Performances

Mainpiece Title: Percy

Afterpiece Title: The Irish Widow

Dance: End: The Capricious Lovers, as17870920; End I afterpiece: The Irish Fair-Ferrere, Miss Stageldoir

4919
28 March 1788 @ Covent Garden

Event Comment: Benefit for Miss Brunton. Mainpiece: Written by Sheridan. Public Advertiser, 13 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #260 18s. 6d. (156.12.0; 7.1.6; tickets: 87.5.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Poor Soldier

Dance: End: The Irish Lilt-Mr and Mrs Ratchford

4920
02 July 1788 @ Haymarket Theatre

Event Comment: [Iliff was from the Edinburgh theatre; Mrs Farren from the York theatre.] Afterpiece [1st time; F 2, by John O'Keeffe]. Public Advertiser, 30 Aug. 1788: This Day is published The Prisoner at Large (1s. 6d.)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Iliff (1st appearance on this stage); Lord Randolph-Aickin; Glenalvon-Williamson; Officer-Phillimore; Old Norval-Bensley; Anna-Mrs Inchbald; Lady Randolph-Mrs Farren (1st appearance on this stage).

Afterpiece Title: The Prisoner at Large

4921
26 August 1788 @ Haymarket Theatre

Event Comment: Benefit for Mrs Kemble. "Kemble? Sen. performed the Miller...Here and there we could perceive the liberty of the country performer, by saying more than was set down by the author" (Public Advertiser, 27 Aug.). [Address by John Taylor (European Magazine, Sept. 1788, p. 217).] Public Advertiser, 21 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-buildings, Strand

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Patty Actor: Mrs Edwards.

Afterpiece Title: The Election

Afterpiece Title: The Miller of Mansfield

Entertainment: Monologue End 3rd piece: Address (written on the Occasion)-Mrs Kemble

4922
30 April 1790 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Goodall. Gazetteer, 28 Apr.: Tickets to be had of Mrs Goodall, No. 26, Villers-street, York Buildings. Receipts: #237 7s. (65.19; 35.11; 5.19; tickets: 129.18) (charge: #114 19s. 7d.)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Arthur and Emmeline

Afterpiece Title: The Follies of a Day

4923
05 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Goodall. [Epilogue by John Burgoyne.] Oracle, 15 Apr.: Tickets to be had of Mrs Goodall, No. 16, Villers-street, York-Buildings. Receipts: #262 15s. (102.18.0; 27.1.6; 3.7.6; tickets: 129.8.0) (charge: #112 0s. 3d.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Island of St

Cast
Role: Abbess Actor: Mrs Edwards

Song: As17901124, but Vocal Parts-Mrs Bland

Cast
Role: i>Neptune Actor: Sedgwick, Amphitrite Mrs Edwards.

4924
13 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Ward. Oracle, 22 Apr.: Tickets to be had of Mrs Ward, No. 6, York-street, Covent-Garden. Receipts: #82 19s. (56.7.0; 22.18.6; 3.13.6; tickets: none listed) (charge: #115 2s. 2d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Citizen

Related Works
Related Work: The Citizen Turned Gentleman Author(s): Edward Ravenscroft

Dance: End: As17910429

Song: End II: song-Sedgwick

4925
03 October 1791 @ Covent Garden

Event Comment: [Mrs Fawcett was from the York theatre.] Afterpiece: 1st Time as an After Piece. With Dresses, Scenes, Machinery, and Decorations. The Music partly selected from Cimarosa, Gluck, Martin, Reeve, and Dr Arne. The rest composed by Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Oct.: Paid Reynolds in full for The Crusade #60. Receipts: #187 13s. (181.16.6; 5.16.6)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Performance Comment: Essex-Holman; Burleigh-Harley; Raleigh-Macready; Lieutenant-Thompson; Officer-Evatt; Southampton-Farren; Rutland-Mrs Esten; Nottingham-Mrs Fawcett (1st appearance on this stage); Queen Elizabeth-Mrs Pope.

Afterpiece Title: The Crusade