SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness Edward Augustus Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness Edward Augustus Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2432 matches on Event Comments, 1993 matches on Performance Comments, 1350 matches on Author, 1112 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Dance: End: Hornpipe-a Lady [from the Theatre Royal, Covent Garden unidentified]

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Mayor of Garratt

Dance: End: Hornpipe-Lady from the Theatre Royal, Drury Lane [unidentified]

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Performance Comment: Jaffier-West; Priuli-Watts; Renault-Newton; Duke-Bailey; Bedamar-Cooke; Spinosa-Massey; Elliot-Everard; Officer-Fildew; Pierre-Burnett; Belvidera-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Duke Actor: Bailey

Afterpiece Title: Comical Courtship; or, The Battle Royal

Dance: As17780601

Song: As17780529

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Comus

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Lyar

Dance: End IV: The Devonshire Minuet (1st time)-the Miss Stageldoirs (scholars of LeMercier); End: The Butterfly, as17800921

Song: End I: As17810424

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Dance: End of Act II of mainpiece a New Comic Ballet by Mr and Miss Hamoir (from the Theatre-Royal, Brussels; their 1st appearance on that stage)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-The Young Gentleman whose performances on the German Flute have been so much admired this season (1st appearance on any stage [unidentified]); Sir Harry Sycamore-Waldron; Farmer Giles-Wellman; Fairfield-Harrison; Mervin-Payne; Ralph-Wright (1st appearance in that character); Fanny-Mrs Benson; Theodosia-Mrs Wellman; Lady Sycamore-Mrs Monk; Patty-Miss Cranford .

Afterpiece Title: The Ghost; or, The Dead Man Alive

Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

Dance: End of mainpiece a Double Hornpipe by Wright and a Young Lady (from the Theatre Royal, Covent Garden; 1st appearance on this stage [unidentified]). imitations. After the Dancing Theatrical Imitations by Payne

Performances

Mainpiece Title: The Amorous Prince

Performance Comment: The Principal Characters are Frederick, the Amorous Prince, Son to the Duke; Curtius, his Friend; Salvator, Father to Aura; Lorenzo, a rich, extravagant Lord, favourite of Frederick; Antonio, a Nobleman of Florence, Alberto, his Friend, a Nobleman also; Piertro, Man to Curtius; A Valet to Antonio; A Page to Ismenia; Galliard, Servant to the Prince; Guilliam, Man to Cloris, a Country Fellow; Clarina, Wife to Antonio; Ismenia, Sister to Antonio, in love with Alberto; Laura, Sister to Lorenzo, in love with Curtius; Isabella, Woman to Clarina; Cloris, Sister to Curtius, disguised like a Country Maid, in love with Frederick. The Principal Parts by independent Ladies and Gentlemen. With a Prologue and Epilogue .

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

Event Comment: Mainpiece: Not acted these 3 years [acted in place of Love Makes a Man, advertised on playbill of 15 Mar.]. Afterpiece: Loutherbourg's celebrated Pantomimev. Not acted these 3 years [acted 4 Dec. 1786]. With new Decorations, and the Scenery new painted. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. [This was included in all subsequent performances.] Receipts: #256 17s. 6d. (250.5.6; 6.12.0)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Omai; or, A Trip round the World

Performance Comment: Towha (the Guardian Genius of Omai's Ancestors)-Helme; Otoo (Father of Omai)-Darley; Omai-Blurton; Harlequin (Servant to Omai)-Brown; Oediddee (Pretender to the Throne)-Mrs Kennedy; Oberea (an Enchantress)-Mrs Martyr; Don Struttolando (Rival to Omai)-Macready; Clown (his Servant)-Wewitzer; Britannia-Mrs Platt; Londina (the Consort destined to Omai)-Mrs Watts; Colombine (Maid to Londina)-Mrs Rock; An English Sailor (with a song)-Edwin.

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Royal Chace

Related Works
Related Work: The Royal Chace; or, Harlequin Skeleton Author(s): Edward Phillips
Related Work: The Royal Chace; or, Merlin's Cave Author(s): Edward Phillips

Song: In afterpiece: a Hunting Song-Darley

Entertainment: Monologue. End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown

Event Comment: Benefit for Palmer. Afterpiece: For that Night only [it had 1st been acted at the Royalty, 1 Jan. 1788]. The Airs and Chorusses composed by Reeve. End of Act I a Grand Representation of Mount Vesuvius at the time of an Eruptionv. [Mrs Gibbs was from the Royalty.] Receipts: #275 10s. (138.15; 26.19; 5.8; tickets: 104.8) (charge: #115 14s. 6d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

Dance: In afterpiece: Hamoir, Miss J. Stageldoir

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Humourist

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Irishman in London

Cast
Role: Edward Actor: Fawcett

Dance: II: a Negro Dance-

Song: In afterpiece: As17920421; End: The Group of Lovers; or, Beauty at her Levee-Munden

Entertainment: Monologue End IV: Jeu D'Esprit, as17920516; Little Pig lays without any Straw-Fawcett