SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "His Grace the Duke of Hamilton"/1) | (@(roleclean,performerclean) "His Grace the Duke of Hamilton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2101 matches on Performance Comments, 1118 matches on Event Comments, 464 matches on Author, 364 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: Not acted these 6 years. [See 11 May 1772.] [Young gentleman identified by Hopkins MS Notes. Genest, V, 517, also calls attention to the fact that the text lists Douglas as Norval and Old Norval as Stranger (1757) or Prisoner (1768). Webster first named as Douglas on bill for 27 Feb. 1776. Review of Webster's acting appeared in the Westminster Magazine for Jan.: "His person is rather elegant; his voice is full and harmonious, his pronunciation distinct and correct, and his delivery graceful and unembarassed. Those are his excellencies, and considering it was his first performance, he seems to possess them in a degree far superior to the various candidates for theatrical fame which the managers of both houses have brought forward for some years past. On the other hand he is aukward, and in some parts unanimated. His arms are too long, or he flung them about in a very disgusting manner. He seemed to express the sense of his author much better than his own feelings. His voice though full, wants variety and modulation; not but on some occasions he managed it with infinite grace and judgement. But if this want of variety of tones and extent of voice, which is so indispensibly necessary to constitute a first rate actor, be not the effect of Nature, the Public may behold with less anxiety their decayed veterans giving nightly proofs of their increasing infirmities, and quick approaching theatrical dissolution."

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-A Young Gentleman, first appearance any stage (Webster); Lord Randolph-Wroughton; Officer-Thompson; Glenalvon-Aickin; Old Norval-Barry, being their first appearance in those characters; Anna-Miss Dayes; Lady Randolph-Mrs Barry.

Afterpiece Title: The Cheats of Scapin

Dance: End Tragedy: Mirth and Jollity, as17760102

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of Handel, particularly relating to his Oratorios. The Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in Acis and Galatea: "Miss Linley...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of 'Must I my Acis still bemoan?'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for English genius to take root and flourish"( (Quoted in Hampden, Journal).]

Performances

Mainpiece Title: Acis And Galatea With Drydens ode

Music: Concerto on Organ-Stanley

Event Comment: [Henderson's 1st appearance on the stage was as Hamlet, at Bath, 6 Oct. 1772. In I.iv "after the short ejaculation of 'Angels and ministers of grace, defend us!' he endeavoured to conquer that fear and terror into which he was naturally thrown by the first sight of the vision, and uttered the remainder of the address calmly, but respectfully, and with a firm tone of voice, as from one who had subdued his timidity and apprehension" (Davies, III, 30). "Palmer's Ghost would have been more in character had he given less into the rant of declamation and the bustle of stage action, which accord not with our ideas of a supernatural being; his crying, likewise, at the recital of his murder, was childish, and destroyed the solemnity of the scene' (Morning Post, 27 June).

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Event Comment: [Miss Walpole was from the Crow Street Theatre, Dublin.] Receipts: #178 19s. 6d. (146.17.0; 31.13.6; 0.9.0)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Vernon; Justice Woodcock-Parsons; Young Meadows-Dodd; Sir William Meadows-Aickin; Eustace (1st time)-Lamash; Hodge-Davies; Margery-Mrs Wrighten; Deborah Woodcock-Mrs Love; Lucinda (1st time)-Miss Collett; Rosetta-Miss Walpole (1st appearance on the English stage).

Afterpiece Title: Harlequins Invasion

Dance: I: Country Dance (incident to the [main]piece)-; This was danced in both performances.] End II: [New Ballet, Demi-Caractere (composed by Gallet), Rural Grace-Gallet, Henry, Miss Armstrong, Mlle Dupre

Performance Comment: ] End II: [New Ballet, Demi-Caractere (composed by Gallet), Rural Grace-Gallet, Henry, Miss Armstrong, Mlle Dupre.
Event Comment: Benefit for Aickin. Mainpiece: With the triumphal entry of Alexander into Babylonv. 2nd piece [1st time; M.INT I; compiler unknown]. Public Advertiser, 8 Apr.: Tickets to be had of Aickin, Bow Street, Covent Garden. Receipts: #300 12s. 6d. (235.10.6; tickets: 65.2.0) (charge: #73 14s.)

Performances

Mainpiece Title: Alexander The Great

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): Newburgh Hamilton

Afterpiece Title: A Fete The Fete Anticipated

Performance Comment: Consisting of the following compiled Entertainments: Scene I. A Forest. The Death of the Stag-; Overture by Dr Arne-; Hunting song, Give round the word dismount-Doyle; Foresters' Dance-; Scene II. The Cave of Echo. Echo rebuked in a duett, Idle Nymph-; the music by Dr Arne. Scene III; Mount Ida. Venus and the Graces, to whom she complains of the loss of her son She that will but now discover-; Venus-Miss Brown; Scene IV. A Landscape. Dance of Warriors-; Scene V. A. Moonlight. Witches. When shall we three meet again?-; Scene VI. The Cavern of Despair. Mad Tom-Reinhold; the music by Purcell. Scene VII. A Palace and Banquet. Come honest Friends and jovial Fellows-; Attendant Genius-Miss Morris.

Afterpiece Title: The Flitch Of Bacon

Event Comment: Benefit for Wroughton. 2nd piece: With Alterations. Books of the Fete to be had at the Theatre. Public Advertiser, 23 Mar.: Tickets to be had of Wroughton, No. 18, Broad-court, Bow-street. Receipts: #227 1s. 6d. (213.19.6; tickets: 63.2.0) (charge: #105)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: A Fete

Performance Comment: SCENE I. A Forest. The Death of the Stag-; Overture by Dr Arne-; Hunting song, Give round the word-Doyle; Foresters' Dance-; SCENE II. The Cave of Echo; The Vauxhall Echo Catch, They say there is an echo here-Davies, Robson, J. Wilson, Doyle; SCENE III. Mount Ida; Venus and the Graces, to whom she complains of the loss of her son She that will but now discover-; Venus-Mrs Morton; The music by Dr Fisher-; SCENE IV. A Camp Scene, and Dance of Warriors-; SCENE V. A Cottage. Auld Robin Grey-Mrs Kennedy; SCENE VI. The Cavern of Despair. Mad Tom-Reinhold; The music by Purcell-; SCENE VII. A Palace and Banquet. Come honest Friends and jovial Souls-; To conclude Chorus-; Dance-; Attendant Genius-Miss Langrish.

Afterpiece Title: Tom Thumb

Performance Comment: As17810226, but The soldier tired of war's alarms-_; Push about the Jorum-_.
Event Comment: An Historical Account of the Ballet to be sold at the Theatre. [Lynham, 166: Armida danced by Mlle Theodore. Scenario (Milan, 1775) lists the parts: Renaud, Le Chevalier Danois, Ubalde, Armide, Lucinde; Esprits: Plaisir, Nymphc, Nayades, L'Amour, Les Graces, La Haine, La Vengeance, La Fureur. Public Advertiser, 25 Feb.: The music by Le Brun. Ibid., 27 Feb.: The duration of [the ballet] is about 55 minutes; and during that whole period the performance appeared perfect in all its parts; nothing was too much, nothing was wanting.]

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a new Pantomime Ballet (composed by Noverre), Rinaldo and Armida, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli, Simonet, Leger, Sga Crespi, &c

Event Comment: Benefit for Wild. Morning Herald, 20 Apr.: Tickets to be had of Wild, No. 145, Drury-Lane. 2nd piece: With Alterations. 3rd piece: Written by Gay, Author of The Beggar's Opera. [Prologue by the author.] Receipts: #275 3s. 6d. (174/15/6; tickets: 100/8/0) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .

Afterpiece Title: The What dye Call It

Performance Comment: JonasDock (alias Timothy Peascod)-Lee Lewes; Sir Roger-Booth; Sir Humphrey-Fearon; Justice Statute-Jones; Steward-Thompson; Ghost of Jeffry Cackle-Baker; Mother's Ghost-Gushing; Ghost of a Child unborn-Master Langrish; Ghost of the Mother-Besford; Smut, the Farrier's Ghost (with a song)-Darley; Squire Thomas(alias ThomasFilbert)-Quick; Dorcas-Mrs Morton; Joyce-Miss Langrish; Kitty (alias Kitty Carrots)-Mrs Wilson; Susan (with 'Twas when the seas were roaring)-Mrs Kennedy. Prologue to the Tragedy spoken by Lee Lewes .
Event Comment: "Allegranti displayed unusual powers--a most brilliant shake, which she does not always favour us with, a sostenuto of prodigious extent, and above all, what she never fails to favour us with: exquisite grace, taste and feeling" {Public Advertiser, 4 Nov.)

Performances

Mainpiece Title: Il Convito

Dance: As17821102 throughout, but the New Divertisement is here entitled (but on no other occasion) La Bergire Constante

Event Comment: "[Mrs Siddons's] Impatience, her impassioned Gestures, during the Narrative of Old Norval--the Towering of her Transports after it--the Transports of Tenderness maternal... were given with an enthusiastic Grace of Truth" (Public Advertiser, 7 May). Receipts: #242 17s. (225/5; 16/13; 0/9; tickets not come in: 0/10)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Too Civil by Half

Dance: As17840311athi

Event Comment: Benefit for Mrs Martyr. 1st piece: Not acted these 20 years [never previously acted at this theatre]. Morning Herald, 4 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent Garden. Receipts: #349 16s. 6d

Performances

Mainpiece Title: May Day Or The Little Gipsey

Performance Comment: William-Incledon; Clod-Blanchard; Furrow-Powel; Cryer-Rees; Dozey-Munden; Dolly-Mrs Martyr; The Little Gipsey (with a new Gipsey Ballad [The Wandering Gipsey], the Words written and the melody composed by Peter Pindar, Esq. [pseud. for John Wolcot], the Accompaniments by Shield)-Mrs Clendining.

Afterpiece Title: Fashionable Levities

Performance Comment: As17930408, but Lady Flippant Savage-Mrs Mattocks; Mr Ordeal-_; Cheaterly-_; Col. Staff-_; Constance-_; Grace-_.

Afterpiece Title: The Soldiers Festival

Afterpiece Title: Hartford Bridge

Dance: As17921116

Event Comment: Mainpiece [1st time; CO 3, by James Hook Jun. Larpent MS 1065; not published; synopsis of plot in Pocket Magazine, May 1795, p. 334]: The Musick composed by Hook? Sen. The Scenes, Dresses, Decorations and Machinery are entirely new. The Scenery of the Opera designed and painted by Greenwood and Capon. The Masque and Decorations by Marinari. The Machinery by Cabanel and Jacobs.The Dresses by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. [Afterpiece in place of The Adopted Child, advertised on playbill of 5 May.] Receipts: #269 8s. (213.0.6; 53.16.0; 2.11.6)

Performances

Mainpiece Title: Jack Of Newbury

Performance Comment: Characters by Palmer, Kelly, Dignum, Suett, R. Palmer, Bannister Jun., Master Welsh, Phillimore, Mrs Crouch, Sga Storace, Miss Leak, Mrs Bland. [Cast from Songs (C. Lowndes, 1795), and Larpent MS: Jack of Newbury-Palmer; Sir Murdock O'Connel-Kelly; Edgar-Dignum; Flaw-Suett; Crafts-R. Palmer; Knap-Bannister Jun.; Page-Master Welsh; Rowland-Phillimore; Dame Eleanor-Mrs Crouch; Emma-Sga Storace; Blanche-Miss Leak; Kathlane-Mrs Bland. [To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .To conclude with an Emblematical Masque in Honour of the Royal Nuptials [see cg, 6 Apr.], called .

Afterpiece Title: The Triumph of Hymen

Performance Comment: Hymen-Master DeCamp; Cupid-Master Welsh; Mercury-Fialon; Apollo-Aumer; Hercules-G. D'Egville; Castor-Fairbrother; Pollux-Boimaison; Psyche-Miss Granger; Diana-Miss Collins; Zephyrus-Mrs Fialon; Flora-Miss F. D'Egville; Britannia-Mrs Cuyler; Plenty-Mrs Butler; Commerce-Mrs Hedges; Loves, Graces, Chorus-Miss Menage, Miss Wheatley, Miss S. D'Egville, Mrs Beaufort, Mrs Brooker, Mrs Brigg, Miss Bourk, Mrs Bramwell, Miss Redhead, Miss Gawdry, Miss Stageldoir, Miss Chatterley, Cooke, Danby, Evans, Lyons, Maddocks, Welsh, Trueman.
Cast
Role: Castor Actor: Fairbrother

Afterpiece Title: Tit for Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder
Event Comment: [This was Mrs Pope's last appearance on the stage. She dies on 15 Mar. 1797. "Her talents...were of the first order. She studied no model; she played from her own understanding and feeling. Perhaps her chief forte was comedy. Her elegance, her playfulness, her understanding had here fuller scope" (Monthly Mirror, Mar. 1797, p.200). "There is a certain peculiarity in her action which I never could reconcile to my notions of grace and propriety, viz. a constant outstretching of the arms at the close of a sentimental or a declamatory speech, accompanied with a lowly inclination of the head, like that of the oriental sage when he pays reverence to his prophet" (ibid, p. 170).] Receipts: #431 5s. 6d. (423.0.6; 8.5.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Harlequin and Oberon

Event Comment: Mainpiece: Not acted these 11 years. III the Procession and Ceremony at the Tomb of Cresphontes. "Since Mrs Crawford's meridian another species of acting has arisen, that adds the graces of demeanour to the ebullitions of passion" (True Briton, 30 Nov.). Receipts: #175 5s. (164.19; 10.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Round Tower

Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro britons

Afterpiece Title: The Shipwreck

Performance Comment: Selwyn-D'Arcy; Harry Hawser-Wathen; Michael Goto-R. Palmer; Stave-Suett; Dick-Mrs Edward; Angelica Goto-Miss Griffiths; Fanny-Miss DeCamp; Sally Shamrock-Mrs Bland; There stood Jonas- [from The Isle of St. Marguerite sic]-Mrs Bland.
Cast
Role: Harry Hawser Actor: Wathen
Role: There stood Jonas Actor:
Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Fatal Curiosity Author(s): George Colman, the elder

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performance Comment: B. Sheridan, Esq.=, the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland.
Event Comment: The death of the Duke of Gloucester on this day apparently closed the theatres for a short time. Andrew Newport, writing on 15 Sept. 1660 to Sir Richard Leveson, stated: The court is in deep mourning and will continue so for 6 weeks (Sutherland MSS., HMC, 5th Report, Appendix, 1876, p. 156), but it is not until 27 Sept. 1660 that Rugg reported: playes are for present forbiden because of the death of the Duke of Gloucester (BM Add. Mss. 10116, folio 90v). The theatres may have opened on Monday 8 Oct. 1660; certainly they were acting by 11 Oct. 1660

Performances

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes Part I

Performance Comment: . Downes (Roscius Anglicanus, pp. 20-21, 34): Solyman-Betterton; Alphonso-Harris; Villerius-Lilliston; Admiral-Blagden; Roxolana-Mrs Davenport; Ianthe-Mrs Sanderson; Haly-Downes.
Cast
Role: Ianthe Actor: Mrs Sanderson
Event Comment: The Duke's Company. Pepys, Diary: To the Opera, which begins again to-day with The Witts, never acted yet with scenes; and the King and Duke and Duchess were there...and indeed it is a most excellent play, and admirable scenes. Downes (p. 21): All the other Parts being exactly Perform'd; it continu'd 8 Days Acting Successively

Performances

Mainpiece Title: The Wits

Event Comment: The Duke's Company. This performance was attended by Jacques Thierry and Will Schellinks at the Duke's Theatre (Seaton, Literary Relationships, pp. 333, 335)

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The Duke's Company. Pepys, Diary, 20 Oct.: Young Killigrew did so commend The Villaine, a new play made by Tom Porter, and acted only on Saturday at the Duke's house, as if there never had been any such play come upon the stage. The same yesterday was told me by Captain Ferrers; and this morning afterwards by Dr Clerke, who saw it. Downes, p. 23: Written by Major Thomas Porter; this Play by its being well perform'd, had Success extremly beyond the Company's Expectation....It Succeeded 10 Days with a full House, to the last. [Downes especially praises Price. The edition of 1663 has a Prologue but no actors' names and no epilogue.

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and there was the house full of company. but whether it was in over-expecting or what, I know not, but I was never less pleased with a play in my life. Though there was good singing and dancing, yet no fancy in the play, but something that made it less contenting was my conscience that I ought not to have gone by my vow, and, besides, my business commanded me elsewhere

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Event Comment: The Duke's Company. Pepys, Diary: After dinner with my wife to the Duke's Theatre, and saw the second part of Rhodes, done with the new Roxalana; which do it rather better in all respects for person, voice, and judgment, than the first Roxalana [Mrs Davenport]. Home with great content with my wife, not so well pleased with the company at the house to-day, which was full of citizens, there hardly being a gentleman or woman in the house; a couple of pretty ladies by us that made sport in it, being jostled and crowded by prentices

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Event Comment: The Duke's Company. Pepys, Diary: To the Duke's House, where we saw The Villane again; and the more I see it, the more I am offended at my first undervaluing the play, it being very good and pleasant, and yet a true and allowable tragedy. The house was full of citizens, and so the less pleasant, but that I was willing to make an end of my gaddings, and to set to my business for all the year again to-morrow. Here we saw the old Roxalana [Mrs Davenport] in the chief box, in a velvet gown, as the fashion is, and very handsome, at which I was glad

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Event Comment: The King's Company. Pepys, Diary: Creed and I to my wife again, and...to the Cockpitt, where we saw Claracilla, a poor play, done by the King's house (but neither the King nor Queen were there, but only the Duke and Duchess, who did show some impertinent and, methought, unnaturall dalliances there, before the whole world, such as kissing, and leaning upon one another); but to my very little content, they not acting in any degree like the Duke's people

Performances

Mainpiece Title: Claracilla