SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "His Grace the Duke of Hamilton"/1) | (@(roleclean,performerclean) "His Grace the Duke of Hamilton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2101 matches on Performance Comments, 1118 matches on Event Comments, 464 matches on Author, 364 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Smith. No building on stage. Tickets sold at the doors will not be admitted. Ladies send servants by Three. Tickets to be had and places to be taken of Smith in Duke St., York Buildings, and of Crudge at the Stage Door

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A Duke and no Duke

Dance: As17561217

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Performance Comment: Edition of 1683: Prologue by Mr Dryden-Mr Smith; King-Kynaston; Guise-Betterton; Mayenne-Jevon; Crillon-Smith; Cardinal-Wiltshire; Archbishop-Perrin; Corso-Montfort; Polin-Bowman; Aumale-Carlile; Bussy-Saunders; Curate-Underhill; Malicorne-Percival; Melanax-Gillo; Sheriffs-Bright, Samford; Queen Mother-Lady Slingsby; Marmoutier-Mrs Barry; Epilogue by Mr Dryden-Mrs Cook; Another Epilogue Intended to have been Spoken to the Play before it was forbidden last Summer-.
Event Comment: Not Acted these Eighteen Years. Written by Mr Nath. Lee

Performances

Mainpiece Title: The Duke Of Guise Or The Massacre Of Paris

Performance Comment: Admiral-Mills; King-Walker; Duke-Ryan; Cardinal-Quin; Marguerite-Mrs Horton.
Cast
Role: Duke Actor: Ryan

Song: Turner, Mrs Bowman; The Genius-Turner

Performances

Mainpiece Title: Frederick Duke Of Brunswick Lunenberg

Performance Comment: Principal Parts-Walker, Rayn, Quin Milward, Chapman, Mrs Buchanan, Mrs Berriman; but edition of 1729 lists: Frederick-Walker; Duke of Wirtemberg-Ryan; Anspach-Milward; Anhalt-Berryman; Count Waldec-Quin; Baden-Pitts; Ridolpho-Chapman; Anna-Mrs Buchanan; Adelaid-Mrs Berryman; Sophia-Mrs Morgan; Prologue-; Epilogue-.
Cast
Role: Duke of Wirtemberg Actor: Ryan

Performances

Mainpiece Title: Henry IV Part I

Afterpiece Title: The Toy Shop

Dance: Pierrots by Delagarde and Dukes. Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers

Performance Comment: Grecian Sailors (from orestes) by Glover, Le Sac, S. Lally, Delagarde, Dukes. Ball Dance and Minuet by Glover and Miss Rogers. Grand Ballet of The Faithful Shepherd (from Pastor Fido) by Glover, Le Sac, Dukes, Delagarde, Dupre, Miss Rogers, Mrs Ogden, Mrs Delorme, Miss Baston, Mrs Villepierre. Scot's Dance by Glover, Miss Rogers .
Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke Or The Conjurors Bastard With The Comical Humours Of Captain Tipple

Performance Comment: Conjuror's Bastard-Chapman; Duke Lavinio-Winstone; Mago-Cross; Prince Brunetto-Ware; Barberino-Bembridge; Alberto-Richards; Captain-Spackman; Clout-Gray; Flout-Clough; Isabella-Mrs Cross; Prudentia-Miss Ferguson; Flametta-Miss Dodson; 1st Widow-Mrs Taylor; 2d Widow-Mrs Powel; Miss Sol@Fa-Mrs Booth; Drunken Captain-Hippisley.
Cast
Role: Duke Lavinio Actor: Winstone

Afterpiece Title: The Matrimonial Squabble or A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

Event Comment: The Duke's Company. Pepys, Diary: Then with Mr Shepley to the Theatre and saw Rollo ill acted

Performances

Mainpiece Title: Rollo Duke Of Normandy

Performance Comment: [The Bloody Brother] .
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, 1s., and to the play of the Duke of Lerma, 2s. 6d., and oranges, 1s

Performances

Mainpiece Title: The Great Favourite Or The Duke Of Lerma

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and saw Rollo, Duke of Normandy, which, for old acquaintance, pleased me pretty well

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: The United Company. That the King saw a play on this evening is indicated by the Newdigate newsletters, but the reference to the play is not by title. The play which most closely fits the brief description is The Duke of Guise. Newdigate newsletters, 24 May 1684: [In] the Evening his Matye is Entertained with Mr Dryden s new play the subject of which is the last new Plott (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Duke Of Guise

Event Comment: Benefit Dukes and Mrs Freeman. Tickets for Mrs Freeman at the Rainbow Coffee House in Fuller's Rents. Tickets and places for the Boxes to be taken at the Stage Door of the Theater. Tickets that are bought out Side of the Door will not be admitted

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: II: The Welch Buffoons-two Masters Granier; IV: A Grand Ballet-Carney, Mrs Roland; V: A Minuet, a Louvre-Mr Dukes, Mrs Freeman

Event Comment: Benefit Mrs Hamilton and the two Masters Hamilton. Tickets at Hamilton's Lodgings, at Mr Strawberry's in Russel-Court

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: As17370915, but Belinda-Mrs Hamilton; Lucy-Mrs Grace.
Cast
Role: Belinda Actor: Mrs Hamilton
Role: Lucy Actor: Mrs Grace.

Afterpiece Title: The Dragon of Wantley

Performance Comment: Perform'd by the Lilliputians: More-Master W. Hamilton; Gubbins-Master J. Hamilton; Margerinia-Miss Edward, the first time of her appearance on any stage; Mauxalinda-Miss Cole; Dragon-Master Ferg.

Dance: I: Punch-Master Ferg; III: Polonese-Haughton, Mrs Walter

Song: IV: Beard

Event Comment: Benefit for Mrs Hamilton. Mainpiece: Not acted in 10 years. [See 16 Jan. 1753.] Afterpiece: By Desire of several Ladies of Quality. Ladies send servants by 3 o'clock. Receipts: #56 16s. plus #154 13s. from tickets (Box 203; Pit 514; Gallery 268) (Account 8ook). Charges: #64 5s. (Account Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Sparks; Copper Capt.-Smith, 1st time; Don Juan-Hull; Duke-Anderson; Cacafogo-Marten; Alonzo-Perry; Sanchio-Davies; Old Woman-Shuter; Maid-Weller; Lorenzo-Holtom; 1st Lady-Mrs Copin; 2nd Lady-Mrs Ferguson; 3rd Lady-Miss Davies; Altea-Mrs Pitt; Clara-Mrs Lee; Margaretta-Mrs Vincent; Estifania-Mrs Hamilton; New Epilogue in the character of Estifania-Mrs Hamilton.

Afterpiece Title: The Contrivances

Performance Comment: Arethusa-Mrs Storer, 1st appearance here in 8 years; Rovewell-Mattocks; after the Farce Mrs Storer will sing Ellen-a-Roon.

Dance: LLes Charboniers, as17601216

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calistos Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.
Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Event Comment: Not Acted these twelve Years. Alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Performance Comment: John-Giffard; Frederick-Wright; Petruchio-Berry; Duke-Havard; Antonio-Penkethman; Anthony-Woodward; Peter-Yates; Surgeon-Marten; Francisco-Taswell; 1st Constantia-Mrs Giffard; 2d Constantia-Mrs Clive; Landlady-Mrs Grace; Mother-Mrs Marshall; Kinswoman-Mrs Bennet.
Cast
Role: Duke Actor: Havard
Role: Landlady Actor: Mrs Grace
Role: Mother Actor: Mrs Marshall
Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Harlequin Grand Volgi

Dance: II: Grand Ballet-Denoyer, Mlle Chateauneuf; III: Ballet-Muilment; IV: Le Tambourine-Mlle Chateauneuf

Event Comment: Benefit Mr and Mrs Hamilton. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard III-Delane; Henry VI-Giffard; Edward Prince of Wales-Master Giffard; Duke of York-Miss Cole, who performed the young Princess in Anna Bullen; Richmond-Bardin; Buckingham-W. Giffard; Stanley-Rosco; Tressel-Huddy; Catesby-Havard; Ratcliff-Jenkins; Norfolk-Winstone; Blunt-James; Tirrel-Williams; Forest-Dove; Mayor-Penkethman; Lady Anne-Mrs Giffard; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Haughton; A New Epilogue to be spoken-Mrs Hamilton.

Afterpiece Title: The Mock Doctor

Afterpiece Title: The Amorous Sportsman

Event Comment: Benefit for Holtom, Bates and Hamilton; Tickets deliver'd by Thompson will be taken. Tickets sold at doors will not be admitted. Charges #64 10s. Deficit to each beneficiary #4 8s. 9d. covered by income from tickets. @Tickets Box Pit Gallery Value@Wild 16 111 255 #46 3s.@Holtom 7 99 76 #24 4s.@Baks 33 145 #33 17s.@Hamilton 45 53 93 #28 10s.@Total 101 327 569 #132 14s.@ Cash advanc'd to Miss Miller as per note #90 (Account Book). Receipts: #46 15s

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17730417 but Shylock (that night only)-Shuter; Gratiano-Dyer; Launcelot-Hamilton; Nerissa-Mrs Vincent; Duke-Morris; Salanio-Owenson; Salarino-Thompson; Tubal-Bates; Balthazar-Holtom; Old Gobbo-Saunders.
Cast
Role: Launcelot Actor: Hamilton
Role: Duke Actor: Morris

Afterpiece Title: The Country Madcap

Dance: III: A New Dance-Langrish, Miss Besford, as17730426 IV: Hornpipe-Miss Stede, as17730522

Event Comment: DDaily Post, 29 May: We are assur'd that there will be no more Plays acted this Season at [dl], and we hear that there was Yesterday no Play acted...as had been advertiz'd for that Day; the Occasion we are inform'd was, that at Midnight on Saturday last several persons arm'd took Possession of the same, by Direction from some of the Patentees, and lock'd up and barricado'd all the Doors and Entrances thereunto, against the whole Company of his Majesty's Comedians, as also against Mr Cibber, Jun. notwithstanding he had paid to one of the Patentees several hundred Pounds for one third Part of the Patent, Cloaths, Scenes, &c. and all Rights and Privileges thereunto annexed, for a certain Term not yet expired. Mr Cibber, Jun. and the rest of the Company of Comedians, and this Morning to wait upon his Grace the Duke of Grafton, Lord Chamberlain of his Majesty's Houshold, with their humble Petition, and the Representation of their Cast, and to beg his Grace's Favour and Protection

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Harlots Progress

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: By Command of His Royal Highness the Duke. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Old Batchelor-Quin; Fondlewife-Griffin; Bluff-Johnson; Sir Joseph-Cibber; Belmour-Mills; Vainlove-Havard; Sharper-Wright; Setter-Macklin; Laetitia-Mrs Clive; Belinda-Mrs Pritchard; Sylvia-Mrs Chetwood; Lucy-Mrs Grace.
Cast
Role: Lucy Actor: Mrs Grace.

Afterpiece Title: Colombine Courtezan

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Benefit Glover. [Tickets at Glover's, in Chandos Street.] Stage as 10 March. Receipts: money #45 4s.; seals #126 17s. [In the Account Book, the space for the nightly charge is blank.] #200 (Rylands MS.)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17410117, but Manly-Delane; Richard-Bencraft; Lady Grace-Mrs Stevens.
Cast
Role: Lady Grace Actor: Mrs Stevens.
Role: Mrs Motherly Actor: Mrs Martin

Dance: I: French Peasants-Mechel; II: English Peasants-Glover, Mlle Mechel, Delagarde, Oates, Mrs Villeneuve, Miss Horsington; III: Scots Dance-Glover, Mlle Roland, Villeneuve, Richardson, Oates, Mrs Villeneuve; IV: Serious Ballet-Glover, Mlle Mechel; V: Louvre, Minuet-Glover, Signora Barberini

Event Comment: Benefit for The Lying In Hospital, Duke St,, Grosvenor Square. Charges #84. Ready money, #58 4s. Tickets #132 6s. [Total #190 10s.] Bought 3 doz wax candles #4 4s. [Books balance with #1 9s. 9d. carried over as a profit, only to fall to #218 2s. 4d. in the red as a result of meeting Saturday's payroll.] (Account Book)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: As17571021, but Zara-Mrs Hamilton.
Cast
Role: Zara Actor: Mrs Hamilton.

Afterpiece Title: Lethe

Dance: JJovial Coopers, as17571107

Event Comment: Benefit for the General Lying-In Hospital, Duke Street. Receipts: #56, plus #142 6s. from tickets. Total #198 6s. Charges #84. Paid J. Rich on acct, #547 10s

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Essex-Ross; Rutland-Mrs Ward1st time; Burleigh-Sparks; Southampton-Dyer; Raleigh-Anderson; Nottingham-Mrs Vincent; Queen-Mrs Hamilton.
Cast
Role: Queen Actor: Mrs Hamilton.

Afterpiece Title: The Englishman Returned from Paris

Cast
Role: McRuthen Actor: Shuter

Dance: As17591218

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle Or The Witty False One