SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Excellency Chevalier Morosini"/1) | (@(roleclean,performerclean) "His Excellency Chevalier Morosini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 86 matches on Event Comments, 31 matches on Author, 17 matches on Performance Title, 7 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Tempest

Performance Comment: As17911109, but Caliban-Bannister (1st appearance on this stage these 5 years).

Afterpiece Title: Don Juan

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Dance: As17911202

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Don Juan

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Dance: As17931026

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Don Juan

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Dance: As17931026

Event Comment: Afterpiece: To conclude with a Superb Prospect of the Infernal Regions, and a Rain of Fire. [This was included, as here described in all subsequent performances.] Account-Book, 27 Nov.: Paid 3 Showers of Fire in Don Juan #3 12s. Receipts: #189 3s. 6d. (145.12.0; 41.11.0; 2.0.6)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Don Juan

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Dance: As17931026

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Don Juan

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Dance: As17931026

Performances

Mainpiece Title: Better Late Than Never

Afterpiece Title: Don Juan

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Dance: As17931026

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June

Cast
Role: Spahis Actor: _Trueman, _Maddocks

Afterpiece Title: Don Juan

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough
Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Dance-; in which will be introduced a Pas de Bernois-Didelot, Mlle Coulon; Pas de Trois-Coulon, the two Miss Simonets; Pas de Deux-Henry, Miss Harvey; a Pas Seul-Chevalier; Pas Seul-Mlle Coulon; the favorite Pas de Russe (composed by Gardel)-Vestris, Mlle Hilligsberg; Hornpipe-Chevalier; Pas de Cinq-the principal Dancers; Pas de Sept-the principal Dancers; conclude with: General Dance-all the Performers

Song: II: a favorite song, Gli affetti mici , composed by Paisiello,-Sga Sestini; violin obligato accompaniment-Cramer

Ballet: End Opera: L'Amour et Psiche. As17880129

Cast
Role: Hymen Actor: Chevalier

Performances

Mainpiece Title: Le Legatoire Universal

Afterpiece Title: L'Arlequin Chevalier Errant; ou, La Baguette de Vulcan

Dance:

Performances

Mainpiece Title: Le Chevalier A La Mode

Afterpiece Title: Le Retour Impreuevu

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: The Tailors; A Tragedy for Warm Weather

Dance: As17780518

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: The Tailors

Dance: As17780518

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Dance: End II: The Merry Lasses, as17780529; End II afterpiece: Provencalle Dance, as17780518

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Dance: End I: The Merry Lasses, as17780529; End II: Provencalle Dance, as17780518

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Dance: End I: The Gardeners-Master and Miss Byrn; End II afterpiece: As17780529

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Dance: End I: As17780624 End II: Provencalle Dance, as17780518

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; Pas de Deux, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; Pas de Sept, as17880221; General Dance, as17880221; omitted: Pas Seul by Chevalier, Hornpipe

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Euthyme et Eucharis, as17880313End I: New Dance, as17880308Pas de Bernois, as17880308_Didelot, Coulon; +Pas de Trois, as17880308a Pas Seul-Chevalier; Pas de Deux, as17880308Pas Seul, as17880308Pas de Russe, as17880308Hornpipe, as17880308Pas de Cinq, as17880308Pas de Sept, as17880308General Dance, as17880308

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Ballet serious and demi-charactere (composed by Noverre)-Gardel, Mlle Coulon, Mlle Hilligsberg, Didelot, Chevalier, Henry, the two Miss Simonets, Miss Harvey, Vestris; End Opera: Euthyme et Eucharis-see17880313 conclude with: the celebrated Pas de Quatre of Panurge-Gardel, Mlle Hilligsberg, Mlle Coulon, Vestris

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: Les Offrandes a l'Amour, as17880417; End Opera: Adela de Ponthieu-Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, in the Opera of Dioclesian, with several Additions composed by the Immortal Henry Purcel, which, for the Beauty of Expression, Excellency of Harmony, and Grandeur of Contrivance, gives a first Place to no Musical Opera in Europe-; Several Entertainments on the Irish Harp-the famous Mr Morphy

Performances

Mainpiece Title: The Siege Of Curzola

Performance Comment: Principal Characters by Edwin, Booth, R. Palmer, Davies, Brett, Meadows, Gardner, Lyons, Gaudry, Painter, Bannister Jun.; Miss George, Sga Sestini, Mrs Webb, Mrs Cuyler, Mrs Bannister. [Cast from Songs (T. Cadell, 1786): Cricolo-Edwin; Podesto-Booth; Giacomo-R. Palmer; Weatherbang-Davies; Jollyboat-Brett; Junk-Meadows; Governor-Gardner; Morosini-Lyons; Dandolo-Gaudry; Messenger-Painter; Pompeio-Bannister Jun.; Frederick-Williamson (see17860814); Uluzales-Swords; Teresa-Miss George; Baba-Sga Sestini; Antonietta-Mrs Webb; Dora-Mrs Cuyler; Stella-Mrs Bannister.] hathi. hathi.
Cast
Role: Morosini Actor: Lyons

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Dance: In mainpiece, by Byrn, the two Miss Simonets, Giorgi's Scholars, Master Degville, Miss De Camp. [Included, as here assigned, in all subsequent performances.]