SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Henry the th"/1) | (@(roleclean,performerclean) "Henry the th")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3489 matches on Author, 1215 matches on Performance Title, 713 matches on Performance Comments, 409 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: With Accompaniments to the Airs, composed by Linley? Sen. Receipts: #117 10s. (83.17.0; 32.16.6; 0.16.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Junior

Dance: III: a Hornpipe-Mills

Event Comment: [Miss Collett was from dl. Burton is listed in the afterpieces at both dl and the hay.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Bannister (1st appearance on this stage these 3 years); Lockit-Phillimore; Filch-Wewitzer; Mat o' th' Mint-Chapman; Ben Budge-Burton; Peachum-Moss; Lucy-Miss Collett (1st appearance on this stage); Mrs Peachum-Mrs Webb; Jenny Diver-Miss Cranford; Polly-Mrs Bannister.

Afterpiece Title: The Mayor of Garratt

Dance: In III: Hornpipe-Byrn

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley? Sen Receipts: #162 7s. (115.17.0; 45.10.2; 0.19.6)

Performances

Mainpiece Title: The Beggars Opera

Dance: In III: Hornpipe-Keen. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Mrs Iliff; Lockit-Mathews; Mat o' th' Mint-Chapman; Filch-J. Edwin; Ben Budge-Abbott; Peachum-Moss; Lucy-Miss George; Mrs Peachum-Mrs Lefevre; Diana Trapes-Mrs Powell; Polly-Mrs Bannister.
Cast
Role: Lockit Actor: Mathews

Afterpiece Title: As It Should Be

Dance: End: As17890525; III: Hornpipe-Menage

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley? Sen.. Receipts: #165 9s. (113.13; 51.7; 0.9)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Dance: III: Hornpipe-Keen

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Captain Macheath-Waterhouse (from the Theatre Royal Crow Street, Dublin; 1st appearance on this stage); Lockit-Cubitt; Filch-R. Palmer; Mat o' th' Mint-Chapman; Ben Budge-Abbott; Peachum-Moss; Lucy-Mrs Edwards; Mrs Peachum-Mrs Webb; Diana Trapes-Mrs Powell; Polly-Mrs Bannister.

Afterpiece Title: Try Again

Dance: III: Hornpipe (in Character)-Byrn

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Peachum-Wilson; Lockit-Cubitt; Macheath (for that night only)-Mrs Edwards; Filch (for that night only)-Miss Fontenelle; Mat o' th' Mint-Chapman; Polly-Mr Bannister; Lucy-Mr Johnstone; Diana Trapes-Mr Parsons; Mrs Vixen-Mr Wewitzer; Mrs Slammekin-Mr Bannister Jun. (The only time of their appearing in those characters); Mrs Peachum-Mrs Webb.

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Whos the Dupe

Song: In course of Entertainment: his favourite Planxty [descriptive of Ireland-Johnstone (in the character of Murtough Delany) [see The Irishman in London, cg, 21 Apr.]

Event Comment: Afterpiece: Not acted these 7 years. [Bannister Jun.'s 1st appearance as Jobson was at dl, 21 May 1796.

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Davies; Harcourt-Abbot; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribbemont-C. Kemble; Eustache de St. Pierre-Palmer (1st appearance in that character); Officer-Palmer Jun.; John d'Aire-Trueman; Old Man-Waldron; Crier-Ledger; Citizens-Caulfield, Waldron Jun., Lyons; O'Carrol-Johnstone; Serjeant-Wathen (1st appearance in th-that character); La Gloire-Bannister Jun.; Carpenters-Suett, Burton; Queen-Mrs Harlowe; Julia-Mrs Kemble; Madelon-Mrs Bland.
Cast
Role: Serjeant Actor: Wathen
Related Works
Related Work: The Surrender of Calais Author(s): George Colman, the younger

Afterpiece Title: The Devil to Pay or The Wives Metamorphosed

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: Mainpiece: Vocal Parts-Aylmer, Boyce, Brown, Dibble, Kenrick, Linton, Little, Walker, Willoughby, Miss Leak, Miss DeCamp, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Masters, Mrs Norton, Miss Menage, Miss Granger

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Beggars Opera

Afterpiece Title: Blue Devils

Related Works
Related Work: Blue Devils Author(s): George Colman, the younger
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. BM Add. Mss. 34217, in Hotson, p. 246: @O' th' contrary Salendina for witt@Most say did come far short of it@And though I confesse there was some fault there@Yett this I'll say in defense of the Author@A good Plott though ill writt lookes more like a Play@Then all your fine lines when the plott is away.

Performances

Mainpiece Title: Zelindra

Event Comment: The Duke's Company. Pepys, Diary: My wife and I by coach to The Duke's house, where we say The Unfortunate Lovers; but I know not whether I am grown more curious than I was or no, but I was not much pleased with it, though I know not where to lay the fault, unless it was that the house was very empty, by reason of a new play at the other house. Yet here was my Lady Castlemaine in a box. In An Elegy on the Death of Edward Angel, 1673, two lines suggest that Angel acted Friskin: @Adieu, dear Friskin: Unfort'nate Lover weep,@Your mirth is fled, and now i' th' Grave must sleep.

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Performances

Mainpiece Title: The Tempest

Event Comment: Mainpiece: Alter'd from Shakespear. [For a letter by Catherine Clive on th role of Polly in The Beggar's Opera, see London Daily Post and General Advertiser, 19 Nov.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Fall of Phaeton

Dance: In II: Muilment

Music: Select Pieces-

Event Comment: The Play of Othello, which was performed last night at Drury Lane theatre, by some gentlemen and ladies to the most numerous and polite Audience that could be assembled, went off throughout with great approbation and applause (General Advertiser). [See A Satirical Dialogue between a Sea Captain and his friend in Town: Humble submitted to the Gentlemen who deformed the Play of Othello on Th-rs-y M- the 7th....To which is added a Prologue and Epilogue much more suitable to the occasion than their own. (London [n.d.], BM 11,795, K 31, 8pp): @'Good manners oblig'd them sometimes to applaud@Tho' they little deserv'd it...'@ The author laments the fact that the expenditure (#1,500) was not put out to charitable purposes, rather than for such entertainment.] This day is publish'd at 1s. 6d., beautifully printed, Alfred, a Masque, acting at the Theatre Royal in Drury Lane, by Mr Mallet. Printed for A. Miller, opposite Catherine St in the Strand, where may be had Alfred, a Masque, represented before their Royal Highnesses the Prince and Princess of Wales at Cliefden, on the first of August 1740. Written by Mr Thomson and Mr Mallet

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Mossop; Hippolitus-Dexter; Lycon-Lee; Phaedra-Mrs Pritchard; Ismena-Miss Bellamy; Cratander-Burton; Attendant-Miss Minors.
Cast
Role: Theseus Actor: Mossop

Ballet: SSavoyard Travellers. As17511105

Event Comment: Benefit At the particular desire of several persons of quality for Mr Cibber. Mainpiece: Not acted these 8 years [see 15 Feb. 1746]. N.B. The Boxes not being equal to the demand for places, Servants will be allow'd to keep places on the stage, which for the better accommodation of the Ladies, and to preserve the Decorum of the Play, will be enclosed in the manner of an amphitheatre. Ladies are desired to send servants by 3 o'clock. Tickets to be had at White's Chocolate House, St James's, and at the stage door (playbill). For Th: Cibber a prisoner in ye King's Bench--he did Wolf and ye Epilogue of Nobody. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Non juror

Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne

Afterpiece Title: The Double Disappointment

Dance: II: A Hornpipe-the Little Swiss; V: L'Entree de Flore, as17521122

Event Comment: [No Performance to 6 Jan.] Th. 5th Jan., The Princess Buried (Cross)

Performances

Mainpiece Title: None

Event Comment: A New Opera. Ths Musick newly composed by Sig Cocchi. New Clothes, Decorations, and Dances. [On Monday 13 March Sga Frasi published in the Public Advertiser thanks for those who supported her benefit (6 March) and apologized for deficiencies in the performances. Some of the principals were engaged in the run of the new tragedy [The Prophetess? Mariamne?] whose run she could not anticipate.

Performances

Mainpiece Title: Issipile

Event Comment: To begin each Day (for the short time of the Fair) at One o'clock, and end at Eleven. At Yates's Great Theatrical Concert Hall, in the Greyhound Inn, West Smithfield. Performed by a company of Comedians from both Theatres. Prices for this droll: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. There is a commodious way to the Boxes and Pit at the upper end of Cow Lane (Public Advertiser). [This may be an advance notice. It appears again on Th., F., S., and Mon. (Sept. 3, 4, 5, 7).

Performances

Mainpiece Title: The Fair Bride Or The Unexpected Event

Afterpiece Title: The British Tars Triumph over M Soup Maigre

Performance Comment: Cast:The performance will be highly enlivened with several entertaining Scenes between England, France, Ireland, and Scotland, in the diverting personges of Ben Bowling, an Dnglish Sailor; M Soup-Maigre, a French Captain; O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets. O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets.

Entertainment: of singing and dancing.of singing and dancing

Event Comment: Books of the Opera to be sold at the Theatre. Nothing under FULL PRICE can be taken. Opera not perform'd this season. [A riot this night in which the benches were torn up. Led by Fitzpatrick against the abolishment of the custom of admitting at half-price after the third act. See previous disturbance at Drury Lane. No more plays at cg until 3 March 1763 while repairs were being made to theatre. See Gentleman's Magazine, Feb. 1763, Historical Chronicle, Th. 24: A riot happened at Covent Garden theatre occasioned by a demand being made for full prices at the opera Artaxerxes. The mischief done was the greatest ever known on any occasion of the like kind; all the benches of the boxes and Pit being entirely tore up, the glasses and chandeliers broken, and the linings of the Boxes cut to pieces. The rashness of the rioters was so great, that they cut aWay the wooden pillars between the Boxes, so that if the inside of them had not been iron, they would have brought down the Galleries upon their heads. The damages done amount to at least #2000. Four persons concern'd in the riot have been committed to the gatehouse. The Beauties of All Magazines Selected, for March 1763 (p. 142) reprinted from the Ledger a humorous account of this riot as told by a sailor in fabricated seaman's language: As soon as the foresheet was clewed up...As to my 5s., why the owners are welcome to it towards repair, for you stripp'd plank, timbers, and scantlings,-you gutted her; she look'd like a French prize, after a yard-arm engagement."

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance-Granier, Miss Valois; II: La Provenciale-Sga Manesiere

Event Comment: By Command of their Majesties. Theatrical Register, 1769: We cannot rank this among th most capital of Mr Handel's oratorios; and yet it has great merit in one particular, viz. the attempt to characterize the idea of the plagues of Egypt by the power of music, in which, perhaps, the composer has carried the force of imitation to its utmost extent. Charges: #35 (Account Book)

Performances

Mainpiece Title: Israel In Egypt

Music: Concerto on Violin-Paganini

Performances

Mainpiece Title: The Resurrection

Music: As17700330

Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Related Work: Harlequin's Jubilee Author(s): Henry Woodward

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Mayor of Garratt

Dance: End IV: As17900619