SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Henry the th"/1) | (@(roleclean,performerclean) "Henry the th")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3489 matches on Author, 1215 matches on Performance Title, 713 matches on Performance Comments, 409 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Acted there but once. By Authority. Tickets deliver'd out by Miss Barton which could not get in on Thursday last, will be admitted this Night. [An Epistle from Mr Theophilus Cibber, to David Garrick, Esq. London: 1755, dated Nov. 20, 1755: When Th. Cibber returned from Guilford last July, he found a discharge from Covent Garden (p.5) He got a license from the Duke of Grafton to open Little Haymarket (p. 6). He began and acted ten nights in three weeks, with some success, but when Drury Lane opened, Th. Cibber was ordered to stop (p. 7). He then petitioned the Duke of Grafton to have The Haymarket for two or three times weekly for the rest of the season. He hoped that the Little Haymarket might be a nursery for young performers, as well as for new pieces (p. 24). See dl 24 Nov.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Parker; Smith-Metteer; Kings of Brentford-Pleaseaway, Turner; Volscius-Mrs Charke; Prettyman-Miss Barton; Drawcansir-Carr; Cordelio-Venables; Tom-Pittard; Fisherman-Pinner; Usher-Quelch; Physician-Blakey; Thunder-Pinner; Lightening-Miss Carey; Armarillis-Miss Cowslade; Clovis-Mrs Quelch; Parthenope-Mrs Chetwood; Pallas-Mrs Midnight; Sun-Mrs Price; Moon-Miss Davies; World-Davies.
Cast
Role: Parthenope Actor: Mrs Chetwood
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: Lethe

Performance Comment: Aesop-Pinner; Mercury-Miss Davies; Charon-Carr; Gentleman-Parker; Tatoo-Turner; Drunken Man-Quelch; Old Man-Pittard; Frenchman-Blakey; Taylor-Paget; Servant-May; Mrs Tattoo-Miss Barton; Mrs Rist-Miss Carey; Lord Mayor, Cardinals, Judges, Players, Soldiers (horse and foot)-the rest of the Comedians.

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

Performances

Mainpiece Title: Cure Of The Spleen Or Shuters Warehouse

Performance Comment: ["For the certain cure of the Spleen; Essence of Comicality prepared by Dr Shuter. There is no question but laughing will cure the most inveterate dulness: the ancients affirmed it, and the Cures Dr Shuter has lately performed in Ireland experience this truth. For the benefit of his own countrymen he once more has opened his Warehouse in the George Inn Yard, West Smithfield, where his friends may find a safe, easy and pleasant operation. For, as splenetic persons are apt to have bad distempers, and be miserably low-spirited at times, he, at once removes all obstructions, restores the muscles of the face to their usual tone of risbility, and gradually clears the countenance. The afflicted may depend on these effects. It is to be had as above, with printed directions, at the following prices, viz.: 2s. 6d.; 2s.; 18d.; 1s.; and 6d." This may be an advance notice. It is repeated on W., Th., F., S., and M., 2, 3, 4, 5, 7 Sept. in the Public Advertiser. The format parodies the advertisement, appearing frequently before, For the certain Cure of the Scurvy, Essence of Water Dock, Prepared by the Directions of Dr Hill. There is no question but this plant will cure the most inveterate Scurvy. The ancients will affirm it...It not only cures the skin of eruptions, but mends the whole constitution...The Afflicted may depend on these effects."] . 2s.; 18d.; 1s.; and 6d." This may be an advance notice. It is repeated on W., Th., F., S., and M., 2, 3, 4, 5, 7 Sept. in the Public Advertiser. The format parodies the advertisement, appearing frequently before, For the certain Cure of the Scurvy, Essence of Water Dock, Prepared by the Directions of Dr Hill. There is no question but this plant will cure the most inveterate Scurvy. The ancients will affirm it...It not only cures the skin of eruptions, but mends the whole constitution...The Afflicted may depend on these effects."] .
Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Shuter; Smith-Clarke; Johnson-Dyer; Others-Dunstall, Gibson, Perry, Davis, Dibdin, DuBellamy, Gardner, Bennet, Morgan, Barrington, R. Smith, Holtom, Cushing, Legg, Redman, Wignell, Baker, Mrs DuBellamy, Miss Pearce, Miss Mills, Miss Ford; With additional Reinforcements of Mr Bayes's New Rais'd Troops-; a New Occasional Prologue-.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Mock Doctor

Related Works
Related Work: The Mock Doctor; or, The Dumb Lady Cur'd Author(s): Henry Fielding
Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Jewell. The Out-standing Tickets of Mr Jewell [from his benefit on 3 Sept.], and those issued for King Richard III will be admitted

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Bannister; Sir Jacob Jollup-Jackson [Public Advertiser: Massey]; Bruin-Griffiths; Heel@tap-T. Davis; Jerry Sneak-Parsons; Mrs Bruin-Miss Platt; Mrs Sneak-Mrs Burden (1st appearance in London these 8 years).

Dance: III: a Hornpipe-

Entertainment: ImitationsEnd: New Imitations Vocal and Rhetorical-Hutton

Event Comment: Mainpiece: Not acted these 3 years [acted 6 May 1776]. With Accompaniments to the Airs composed by Thomas? Linley Sen?.. Public Advertiser, 10 Nov.: "Jenny Diver forgot her song...and continued inflexibly silent till a Wag behind the Scenes assumed her Voice, and sung the Song for her"; ibid, 15 Nov., identifies this wag as Bannister, who sang "in a feigned voice." [Webster was from the Crow Street Theatre, Dublin.] Receipts: #192 6s. 6d. (167.2.0; 24.16.0; 0.8.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: All the Worlds a Stage

Dance: III: a Hornpipe-Blurton. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Bannister; Peachum-Aickin; Lockit-Massey; Mat o' th' Mint-Baker; Beggar-Blissett; Player-Davis; Filch-Parsons; Lucy-Mrs Hitchcock; Mrs Peachum-Mrs Love; Jenny Diver-Mrs Poussin; Mrs Slammekin-Miss Platt; Polly (1st time)-Miss Harper (who performed the part of Rosetta [on 22 May]).on 22 May]).

Afterpiece Title: The Tailors

Performance Comment: As17780521, but Warm@Weather Tragedians-_Walker, Egan.
Cast
Role: Warm@Weather Tragedians Actor: _Walker, Egan.
Role: Timotheus Actor: Stevens
Role: Dorothea Actor: Mrs Jewell

Dance: In III: Hornpipe-Master Byrn. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Thomas Linley? Sen.. Receipts: #191 10s. (190.1; 1.9)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Wonders of Derbyshire

Dance: End II: Minuet de la Cour, as17780919; Allemande, as17780919; III: a Hornpipe-Blurton

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Son in Law

Dance: End II: The Country Wake, as17790609 In III: a Hornpipe-Master Byrn

Performances

Mainpiece Title: The Manager In Distress

Related Works
Related Work: The Manager in Distress Author(s): George Colman, the elder

Afterpiece Title: The Beggars Opera

Afterpiece Title: Miss in her Teens

Dance: End I 2nd piece: As17800530; III: a Hornpipe-Master Byrne. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. Receipts: #77 1s. (53.18; 22.11; 0.12)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-Vernon (1st appearance in that character these 6 years); Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Gaudry; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Miss Collett; Mrs Peachum-Mrs Hopkins; Jenny Diver-Miss Kirby; Diana Trapes-Mrs Love; Polly-Mrs Cargill (late Miss Brown; 1st appearance this season). 1st appearance this season).

Afterpiece Title: The Citizen

Dance: End II: The Butterfly-the Miss Stageldoirs; III: a Hornpipe-Walker; End: Country Dance-the Characters

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #147 13s. 6d. (107/15/0; 39/18/6; 0/0/0)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Captain Macheath-Mrs Cargill; Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Williams; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Hopkins; Jenny Diver-Miss Collett; Diana Trapes-Mrs Love; Polly-Miss Wheeler (from the Theatre Royal, Bath; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Robinson Crusoe

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe by Walker

Performances

Mainpiece Title: A Preludio

Related Works
Related Work: A Preludio Author(s): George Colman, the elder

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: A Preludio

Related Works
Related Work: A Preludio Author(s): George Colman, the elder

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Massey. Tickets delivered by Painter, Kenny, Mrs Lefevre will be admitted

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Teague

Performance Comment: As17820819, but Pierrot and Dr Caterpillar-Wewitzer; Dame Furrow-Mrs Morris; Sailor-Davis; in other Characters: Mrs Poussin in place of Mrs Love; Humane Scalper-J. Bates; omitted: Lieutenant of the Press Gang, Man with Two Heads; from other Characters: Kenny, Darley, J. Bates . omitted: Lieutenant of the Press Gang, Man with Two Heads; from other Characters: Kenny, Darley, J. Bates .
Related Works
Related Work: Harlequin Teague; or, The Giant's Causeway Author(s): George Colman, the elder

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley [Sen.]. Receipts: #67 17s. 6d. (41/19/0; 25/17/6; 0/1/0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lyar

Dance: In Act III of mainpiece a Hornpipe by Blurton; End of Act III, as17820917

Event Comment: In order to prevent Confusion among the Carriages, Ladies and Gentlemen are humbly requested to order their Servants to set down and take up with their Horses' Heads towards Pali-Mall. Servants are particularly desired not to croud the Doors, or to come up till called for. 1st piece: In three Scenes of Dialogue

Performances

Mainpiece Title: A Preludio

Related Works
Related Work: A Preludio Author(s): George Colman, the elder

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

Event Comment: Benefit for Miss Phillips. Gazetteer, 5 Apr.: Tickets to be had of Miss Phillips, at Swift's, bookseller, Charles-street, St. James's-square. Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #230 10s. (110/15/0; 30/11/6; 0/5/6; tickets: 88/18/0) (charge: #108 9s. 2d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Padlock

Dance: In Act III of mainpiece Hornpipe by Mills; End of mainpiece, as17840320athi

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Paid Properties #1 7s. 6d.; Lampmen #3 18s.; Billstickers #5 8s.; Supernumeraries #5 12s. 6d.; Tailor #7 18s. 7d. Receipts: #179 15s. 6d. (132/5/0; 47/3/6; 0/7/0)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Capt. Macheath-Bannister (1st appearance on that stage these 3 years); Peachum-Moody; Filch-Suett; Lockit-Baddeley; Mat o' th' Mint-Williames; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Hopkins; Diana Trapes-Mrs Love; Jenny Diver-Miss Hale; Polly-Miss Phillips. hathi.

Dance: End of Act II of mainpiece The Sportsmen's Return, as17840916; In Act III Hornpipe by Mills. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: By Permission of the Lord Chamberlain. [Author and speaker of Prologue unknown.] The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: King Charles I

Afterpiece Title: The Beggars Opera Last Act only

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Performance Comment: IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross .
Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for Mrs Pinto, formerly Miss Brett [recte Brent]. Afterpiece: With an additional scene, written by the author of the farce [Isaac Jackman], never performed in London. The Doors to be opened at 5:00. To begin precisely at 6:30. Tickets to be had of Mrs Pinto at Mrs Golden's, milliner, Blackmoor-street, Clare-market

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Captain Macheath-Dighton; Peachum-L'Estrange; Lockit-Connell; Filch-Dutton; Ben Budge-Owen; Waiter and Gaoler-Besford; Mat o' th' Mint-Gaudry (of CG); Lucy-Mrs Greville; Mrs Peachum-Mrs Henley; Diana Trapes-Mrs Connell; Mrs Vixen-Mrs Elcock; Jenny Diver-Mrs Waldron; Molly Brazen-Miss Barrymore; Mrs Coaxer-Mrs Robinson; Polly-Mrs Pinto (last appearance on the stage [but see CG 22 Apr.]). hathi.but see CG 22 Apr.]). hathi.

Afterpiece Title: All the Worlds a Stage

Performance Comment: Sir Gilbert Pumpkin-Connell; Harry Stukely-Cross; Charles Stanley-Benson; Waiter-Johnstone; Hostler-Stevens; William-Jones; Cymon-Owen; Diggory-Dutton; Jenny (the new character)-Mrs Waldron; Miss Sprightly-Mrs Benson; Miss Bridget Pumpkin-Mrs Henley .

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

Event Comment: [Extra night] By Permission of the Lord Chamberlain

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Sons of Anacreon

Event Comment: The Carmelite [announced on playbill of 11 Oct.] is obliged to be deferred on Account of the Indisposition of Mrs Siddons. Mainpiece: With accompaniments to the airs composed by Linley [Sen.]. Receipts: #75 16s. (53/12; 21/4; 0/0; tickets not come in: 1/0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Too Civil by Half

Dance: End of Act II of mainpiece The Provencalle, as17850922; In Act III Hornpipe by Mills

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Widows Vow

Monologue: 1786 07 07 Before mainpiece an Occasional Address spoken by Bannister Jun

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley? Sen. Receipts: #157 10s. 6d. (119.2.0; 38.0.6; 0.8.0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Dance: End II: The Lucky Return-Mills, Miss Stageldoir; III: Hornpipe-Mills

Performances

Mainpiece Title: Acis And Galatea Redemption 0

Performance Comment: Vocal Parts, Violin As17870223, but Public Advertiser, 9 Mar., notes Hush ye pretty warbling choir, Love in her eyes sits playing, Must I my Acis still Bemoan?-Mme Mara; Love sound's th' alarm-Dignum; O ruddier than the cherry-Reinhold; As when the dove-Mrs Crouch; Consider fond shepherd-Miss George; Happy happy we-Dignum, Miss George; The flocks shall leave the mountains-Dignum, Reinhold, Mrs Crouch.

Afterpiece Title: A New Symphony

Performance Comment: In which Where the bee sucks-Miss George, Mrs Crouch, Dignum, Reinhold; Air-Mme Mara; Concerto violin-Shaw; Air-Mme Mara; My heart is inditing-.