SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Potter"/1) | (@(roleclean,performerclean) "Henry Potter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3375 matches on Author, 1213 matches on Performance Title, 660 matches on Performance Comments, 419 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Condell, Potter (box-keepers) and Eddis. Tickets sold at the door will not be admitted. Tickets deliver'd for the Conscious Lovers will be taken. Charges #83 11s. 6d. Deficit to beneficiaries #27 10s., covered by income from tickets: Condell #84 7s. (Box 225; Pit 140; Gallery 71); Potter #60 7s. (Box 142; Pit 93; Gallery 109); Eddis #52 9s. (Box 118; Pit 153) (Account Book). Paid Miss Morris in Full for her performance this season #50 (Account Book). [But see note 1 May.] Receipts; #56 1s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Citizen

Dance: III: A Pantomime Dance-Fishar, Miss Capon

Event Comment: Benefit for Condell, Potter, Hussey. Tickets sold at the Doors will not be admitted. Charges #81 10s. Deficit to the beneficiaries #18 1s. 10d. apiece. Covered by income from Tickets: Condell #71 12s. (Box 186; Pit 122; Gallery 68); Potter #48 14s. (Box 116; Pit 74; Gallery 86); Hussey #64 4s. (Box 118; Pit 152; Gallery 119); Walters, Dixon, Reed, and Wooley paid up half values of tickets (Account Book). Receipts: #24 4s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: I: A Hornpipe-Dyer (Scholar to Fishar); III: The Irish Lilt, as17700402 End: A Minuet-Hussey, Miss Twist

Event Comment: Benefit for Condell, Potter and Evans (box-keepers). Charges #81 5s. Deficit to the Box Keepers #14 7s. 6d. apiece, cover'd by income from tickets: Condell #67 3s. (Box 169; Pit 116; Gallery 75); Potter #56 (Box 116; Pit 102; Gallery 117); Evans #83 13s. (Box 151; Pit 228; Gallery 117). Paid Cooper (printer) #33 10s. 6d.; Paid Richards (painter) as per bill #6 16s. 6d.; Paid Dr Arne for composing two songs one in Comus, the other in Twelfth Night #6 6s. (Account Book). Receipts: #38 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Clown's Stratagem; or, A New Way to get a Wife Author(s): Henry Carey

Afterpiece Title: The Upholsterer

Dance: IV: The Lilt, as17720326

Event Comment: Benefit for Condell, Evans and Potter (Box-keepers). Doors open at 5 o'clock. To begin exactly at 6 o'clock. Charges #81 5s. Deficit to each #12 2s., cover'd by income from tickets: Condell, #76 10s. (Box 210; Pit 124; Gallery 54); Potter, #39 7s. (Box 66; Pit 75; Gallery 116); Evans, #88 5s. (Box 180; Pit 215; Gallery 110). Paid Partridge (hosier) #16 1s. Receipts: #44 19s. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Upholsterer

Dance: End: A Comic Dance-Aldridge, Mrs Stephens

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Event Comment: Christopher Jeaffreson to Colonel Hill, 29 Oct. 1684: Sir James Hackett, lieutenant-colonell to the Lord Dunbarton's regiment, was wounded in the thigh by one Mr Potter in the Playhouse; of which woud he has since died. He is much lamented by his Majesty, and all that knew him (J. C. Jeaffreson, A Young Squire of the Seventeenth Century [London, 1878], II, 143-44)

Performances

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: Letter from John Potter, Proprietor of the New Theatre in the Haymarket, to the author of the General Advertiser: As the resentment of the Town for the disappointment of the performance advertised to be exhibited at my theatre on Monday last, shall fall entirely upon me, I hope I may be allowed to acquaint the public with the nature of my case. [Suggests he should not be to blame for misbehavior of any person who hired his house, that he had some apprehensions in this case, but that the Bottle Conjurer paid the rent in advance and agreed to have a House officer in the box office to return the money if the audience was displeased.] All the caution above mentioned was taken, and the money locked up in the office, guarded by persons of reputation, who would have returned it, and publicly on the stage told them, that if the person did not appear, their money should be return'd. But instead of complying with that offer, my House was pulled down, the Office broken open, the money taken out, and the servants oblig'd to fly to save their lives. I hope therefore this may be deem'd a sufficient justification in my behalf, and all that could be reasonably expected from me; and that those gentlemen who are conscious of having injured me, will be so generous as to make me a reasonable Satisfaction, considering the damage I have suffer'd, which in a moderate computation will amount to upwards of four thousand pounds. This day is Publish'd, at 1s. Lethe, a Dramatic Satire, by David Garrick as it is perform'd at Drury Lane. By Paul Vaillant, facing Southampton Street in the Strand. [A letter from Samuel Foote to the Author of the General Advertiser clears himself from any imputation of confederacy in the Bottle Conjuror fraud. See also my Introduction, note 103.] Receipts: #100 (Cross); #119 2s. 6d. (Powel)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Lethe

Music: I: A Piece of Music-the Child

Dance: II: New Scotch Dance-Cooke, Ann Auretti

Event Comment: By Particular Desire. For Mr Garrick's Benefit (Tho not in the Bills) (Cross). Paid Potter (Hatter) #7 3s.; Powney (Stationer) #3 8s.; Cross for Licenser #2 2s. (Treasurer's Book). Receipts: #220 (Cross); #199 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: King Henry Actor: Berry

Afterpiece Title: A Duke and no Duke

Dance: AAcis and Galatea, as17491130, but MacNeale, Pelling, Shawford, Mlle Mariet, Mlle Memi omitted

Event Comment: Benefit for Vaughan, Green, Potter (Boxkeepers). No Building on Stage. Tickets sold at the Doors will not be admitted

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Dance: As17581016

Event Comment: Last time of Company's performing this season. Receipts: #83 18s. Paid Kemp 7 nights #11 4s.; Paid Sarjant on acct of his salary; Paid Martin in full for salary #10; Whitfield for 3 months #7 10s. Advanced to Poitier Jr #5 5s. Paid for 7 doz. wax candles #10 17s. Paid Potter for his attendance this season 181 nights at 2s. per night, #18 2s. Paid Mr Tarriot for his daughter's dancing this season #21. Advanc'd to Mrs Viviez #3 3s. Paid Pattinson 2 bills #31 12s. 6d. Paid Woodfall in full #83 10s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit for Evans, Ansell , Potter (box-keepers)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Knights

Dance: IV: The French Gardeners, as17630407

Event Comment: Afterpiece: A New Pantomime, the Overture and Comic Tunes compos'd by Potter, the Airs and Chorusses by Batishall. Nothing under Full Prices will be taken. The Words of the Airs and Chorusses in the Entertainment will be given away at the theatre (playbill). At the end of the Play a great Noise & many cry'd out, the whole! the whole, &c. Mr Holland told 'em there never was any more play'd, which a little appeas'd em; but some noise continued till the Curtain was drawn up for the Pantomime & then all was quiet. The Pantomime got great applause; the Tunes were very bad, & a great want of Business & Incidents thro' the whole. The Scenery is very Pretty & well Executed. The Elephant is excellent & has a Fine Effect (Hopkins). Machinery Pleas'd. Business so, so (Cross Diary). [Wording in comment from Hopkins Diary-MacMillan, differs only slightly.] Receipts: #269 13s

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Rites of Hecate; or, Harlequin from the Moon

Event Comment: Benefit for Vaughan, Potter and Ansell (box-keepers)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Miss in Her Teens

Dance: III: Hornpipe-Miss Pitt; End: The Calabrian Peasants, as17631222

Event Comment: Benefit for an Ancient Widow Gentlewoman and her Daughter (in great distress); Rawlins, Potter, Waylin. None admitted behind scenes. Tickets delivered by Mas. Besford, and Mrs Naylor, &c. will be taken

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: Lethe

Dance: End: Rural Love, as17641212

Event Comment: Benefit for Vaughan, Condell and Potter (box-keepers)

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: Cephalus and Procris: With The Mistakes Author(s): Henry Carey

Afterpiece Title: The Devil to Pay

Dance: II: Hornpipe-Miss Twist; End: The Village Romps, as17651019

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Event Comment: Benefit for Green and Ansell (box-keepers). Tickets sold at the Doors will not be admitted. Charges #83 1s. 6d. Deficit #53 13s., covered by income from tickets: Ansell #112 7s. (Box 341; Pit 162; Gallery 28); Green #135 4s. (Box 470; Pit 106; Gallery 18). Rec'd of Condell his deficiency and #20 in full for Fruit Rent this season: also deficiencies from Mrs Naylor and Potter. Paid Mr Scovell for copying Music in Maid of the Mill--#3 9s. (Account Book). Receipts: #53 13s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: King Henry Actor: Gibson

Afterpiece Title: The Upholsterer

Dance: End: The Merry Sailors, as17680920

Event Comment: Benefit for Ansell and Green (Box-keepers). Tickets sold at Doors will not be admitted. Charges #82 17s. Deficit to each #29 5s. 9d., covered by income from tickets: Ansell #117 12s. (Box 355; Pit 173; Gallery 29); Green #132 12s. (Box 436; Pit 128; Gallery 44); Deficiencies and half value paid up by Wild, Potter, Mrs Lampe & Mrs Jones, Mrs Paddick and Sharratt (Account Book). Receipts: #24 5s. 6d

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Clown's Stratagem; or, A New Way to get a Wife Author(s): Henry Carey

Afterpiece Title: The Spanish Lady

Dance: IV: The Whim, as17691123

Event Comment: Benefit for Coldell [sic. Query: Condell?], Potter and Evans (Box-keepers). Tickets deliver'd for The Jovial Crew will be taken

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Related Works
Related Work: The Authors Farce; and, The Pleasures of the Town Author(s): Henry Fielding

Dance: II: Comic Dance, as17701017

Music: End of Opera: Concerto on the Harpsichord-Mas. Condell, his first performance in public

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Mayor of Garratt

Dance: III: A Comic Dance, as17710921

Event Comment: Reddish spoiled last scene by being imperfect (Potter, Theatrical Review). Paid three days salary at #81 8s. 11d. per diem--#244 6s.; Paid Mrs W. Barry's half salary 17s. 6d.; Paid Messrs. Reddish, J. Palmer, and Waldron short paid last week #1 (Treasurer's Book). Receipts: #229 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Harlequin's Invasion

Event Comment: Mr Moody Dr Cantwell 1st time--very bad (Hopkins Diary). Theatrical Review, 27 Nov.: Dr Cantwell was, this evening, played by Mr Moody on account of Mr King's illness, and, as we apprehend, it was undertaken on a short notice, we think he executed it with great propriety and justness. [Potter interprets the moral impact of the play considering it an improvement over Cibber's Non-Juror, its source.] Receipts: #108 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Institution of the Garter

Event Comment: Benefit for Condell, Potter and Evans (Box-Keepers). Tickets sold at the doors will not be admitted. Charges #81 5s. Deficit to each beneficiary #13 8s. 6d., cover'd by income from tickets. Receipts: #40 19s. 6d. (Account Book). @Tickets Box Pit Gallery Value@Condell 186 145 57 #73 19s.@Potter 130 80 99 #54 8s.@Evans 174 233 93 #87 15s.

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Commissary

Dance: III: A Hornpipe-Miller, scholar to Fishar; IV: A New Dance-Langrish, Miss Besford, as17730426

Music: End: Concerto on Harpsichord-Master Condell