SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Norris"/1) | (@(roleclean,performerclean) "Henry Norris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3375 matches on Author, 1968 matches on Performance Comments, 1234 matches on Performance Title, 458 matches on Event Comments, and 1 matches on Roles/Actors.
Event Comment: MMrs Cibber to Garrick, late Jan.: It is surprising that dl goes on acting; one night with another, to be sure, they have not received above 40 pounds; the actors are paid only three nights a week; though they play every night. But the top stroke of all was Macklin's play! It was entirely new-dressed, and no expense saved in the clothes. I shall say nothing of the piece, because you may read it; but be as vain as you will about your playing Bayes, you never made an audience laugh more than Henry VII has done. There for the first time I saw your rival, Mr Goodfellow; I should have said the rival Mr Lacy wants to make you; do not be quite dispirited about it, for Perkin Warbeck is much below anything I ever yet saw. Here I must ask Mr Stevens's pardon, to whom I have done injustice, for I think he may dispute the pass downstairs with Perkin, and as his head seems to be the heaviest of the two, I think he has the best right to it.--Boaden, Private Correspondence of Garrick, I, 49

Performances

Mainpiece Title: Henry Vii

Event Comment: Benefit for Wood, Sub-Treasurer. Tickets deliver'd out for The Mistake will be taken (playbill). For ye Morocco Embassador, who, tho' unlearn'd in out Language, behav'd as if he understood nature -Mr Wood, the Subtreasurer had Tickets (Cross). [Mrs Frances Brooke, in The Old Maid, for 8 May 1756, gives the following eye-witness account of the evening: "I determined to watch the artless working of [the Ambassador's] surprise, and to catch, as well as I could his sentiments of the theatre, the Audience, the Play, and the performers. And shall give them to my readers, just as they appeared to me. On his first coming to the front of the Box, he was complimented with the Applause of the whole House, which seemed to give him great pleasure, and which he returned by two bows in the English, and afterwards by a reverence in the Moorish manner, which last I thought very graceful...tho' he is rather low of stature, yet his loose flowing robes, and his manner altogether gave him such an air of superiority, that I thought the Audience looked only like his attendants. "The House and Spectators attracted his notice so much for some time, that he seem'd very well entertained before the drawing up of the curtain. At the first scene between the Lords, I thought he looked disappointed, and after a transient view of the stage, directed his eyes again to the company; at the entrance of King Henry his attention was a little recover'd to the performance, but his majesty had not proceeded half way thru the scene, before he burst into a most immoderate fit, of apparently contemptuous laughter, which he repeated very often thro' the whole playing of the part. The manner in which this stranger was affected by it, amongst other considerations, fully convinces me that this character is most ridiculously burlesqued in the representation, and that both Shakespeare and the Monarch are very inhumanly sacrificed, to the polite taste, and elegant distinction of the upper gallery....I could point out many abuses of the like nature, which have increased upon us so much of late, that 'tis almost impossible to attend the theatres, with the expectation of receiving pleasure from some parts of the perfbrmance, without the certainty of suffering equal disgust from others; it was the case of many besides myself, at this of Henry, upon the absurdity of Winchester's brandishing his cane at Canterbury, upon the close of the Council Scene; and yet to give opportunity for this notable stage foolery, the Archbishop and Bishop are both made to walk out of their proper order, tho' in attendance upon the King....His character is drawn by Shakespeare very nearly as it stands in history, and in colours far different from the farcical ones, in which it is the present fashion to represent it. He is described indeed as imperious, but at the same time a great Monarch, and not withstanding his short interjections of anger, he is in my judgment upon every occasion a King. I wish this consideration may prevail with Mr Berry, when he plays this character for the future, to remember that tho' Harry as well as Jobson may be something rough and boistrous, yet the turbulency of a haughty prince, is a very different quality, and must therefore appear in avery different fashion, from the sawciness of an impudent cobbler. "Whatever neglect his Moorish Excellency might discover of this part, he paid great attention to that of Queen Catherine; but nothing seem'd to affect him so stronglyas Miss Young's singing, at which he appeared quite collected, and listened to her with all marks of rapturous admiration; his whole soul appeared touched, and at the end of the song, he joined the house in clapping, a mark of applause I did not observe him give at any other time. "I thought upon the King's kissing Anna Bullen, that he appeared surprized and offended, and looked about, to observe whether others were not affected in the same manner. "The procession was less marked by him than I had expected, but upon the Champion's entry on horseback, he burst into such an Immoderate fit of laughter, as to fall quite back in his seat. "At the end of the play he rose, as if to leave the House, but looked very well pleased upon being informed there was more entertainment to come; in the Pantomime he seem'd surprized and disgusted at the appearance of Harlequin, to whom he did not appear reconciled to the last; his wonder was still greater at the flying of the Genii cross the stage, and other parts of the machinery, which I thought he studied byt was puzzled to account for. He laughed heartily at the Clown, and admired Colombine not a little.... "I am jealous of the honour of my country in all respects. I would have this stranger leave it with as high opinion of our publick entertainments as possible, and could wish that at the Old House, he might see Mr Garrick in Richard or some equally striking part, and at the New, he may be present at plays, where rich dresses, magnificent show and graceful action, and uncommon personal perfections in the principal performers might contribute to give him a more elevated idea of our stage, than he can have receiv'd from King Harry."] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Henry Viii

Cast
Role: King Henry Actor: Berry

Afterpiece Title: The Genii

Related Works
Related Work: The Genii, Arabian Night's Entertainment Author(s): Henry Woodward
Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Flitch of Bacon

Related Works
Related Work: The Flitch of Bacon Author(s): Henry Bate
Event Comment: The date of this amateur performance is not known, but the date generally accepted is December 1689. See Alfred Loewenberg, The Annals of Opera, Second Edition, Columns 85-86; and R. E. Moore, Henry Purcell and the Restoration Theatre (Cambridge, Mass., 1961), pp. 38-69. The Epilogue is in New Poems (1690)

Performances

Mainpiece Title: Dido And Aeneas

Related Works
Related Work: Dido and Aeneas Author(s): Henry Purcell

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Performance Comment: The music by Henry Purcell. Edition of 1690: Prologue-Mrs Bracegirdle; Jupiter-Betterton; Mercury-Lee; Phoebus-Bowman; Amphitryon-Williams; Sosia-Nokes; Gripus-Sandford; Polidas-Bright; Tranio-Bowen; Alcmena-Mrs Barry; Phaedra-Mrs Montfort; Bromia-Mrs Cory; Night-Mrs Butler; Epilogue-Phaedra.
Related Works
Related Work: Amphitryon; or, The Two Sosias Author(s): Henry Purcell
Event Comment: The United Company. The date of the first performance is stated in Luttrell, A Brief Relation, II, 435, 28 April 1692: On Monday will be acted a new opera, call the Fairy Queen: exceeds former playes: the clothes, scenes, and musick cost 3000#. [According to Some Select Songs As they are Sung in the Fairy Queen (1692) tne singers were Mrs Ayliff, Mrs Dyer, Freeman, Mrs Butler, and Pate. See Purcell's Works, Purcell Society, XII (1903), ii; E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59 ), 45; and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter IV.] Downes, Roscius Anglicanus, pp. 42-43: The Fairy Queen, made into an Opera, from a Comedy of Mr Shakespeare s: This in Ornaments was Superior to the other Two [King Arthur and The Prophetess]; especially in Cloaths, for all the Singers and Dancers, Scenes, Machines and Decorations, all most profusely set off; and excellently perform'd, chiedly the Instrumental and Vocal part Compos'd by the said Mr Purcel, and Dances by Mr Priest. The Court and Town were wonderfully satisfy'd with it; but the Expences in setting it out being so great, the Company got very little by it. Gentleman's Journal, May 1692: The Opera of which I have spoke to you in my former hath at last appear'd, and continues to be represented daily: it is call'd, The Fairy Queen. The Drama is originally Shakespears, the Music and Decorations are extraordinary. I have heard the Dances commended, and without doubt the whole is very entertaining. [As the May issue of the Gentleman's Journal was licensed on 14 May, the statement that The Fairy Queen continued to be acted daily may indicate consecutive performances from 2 May to at le ast 14 May 1692.

Performances

Mainpiece Title: The Fairy Queen

Related Works
Related Work: The Fairy Queen Author(s): Henry Purcell
Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Related Works
Related Work: The Wary Widow; or, Sir Noisy Parrat Author(s): Henry Higden
Event Comment: Aeneas and Dido compos'd by the late Mr Henry Purcell. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Anatomist; Or, The Sham-doctor

Afterpiece Title: Mars and Venus

Afterpiece Title: Aeneas and Dido

Related Works
Related Work: Dido and Aeneas Author(s): Henry Purcell
Event Comment: At the Desire of several Persons of Quality. Afterpiece: several Musical Entertainments composed by Henry Purcell. [Monday 10--Saturday 15: PASSION WEEK]

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: Aeneas and Dido

Related Works
Related Work: Dido and Aeneas Author(s): Henry Purcell

Dance: New Scotch dances-

Event Comment: [By Henry Fielding.] Never Acted before

Performances

Mainpiece Title: Love In Several Masques

Related Works
Related Work: Love in Several Masques Author(s): Henry Fielding
Event Comment: [By Henry Fielding.

Performances

Mainpiece Title: The Temple Beau

Related Works
Related Work: The Temple Beau; or, The Intriguing Sisters Author(s): Henry Fielding
Related Work: The Temple Beau Author(s): Henry Fielding
Event Comment: Afterpiece: [By Henry Fielding.] For a comment on the performance, see Egmont, Diary, I, 97

Performances

Mainpiece Title: The Author's Farce

Related Works
Related Work: The Authors Farce; and, The Pleasures of the Town Author(s): Henry Fielding

Afterpiece Title: Tom Thumb

Related Works
Related Work: Tom Thumb Author(s): Henry Fielding
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding
Event Comment: Never Acted before. Written by the Author of Tom Thumb [Henry Fielding]. With New Scenes and other Decorations

Performances

Mainpiece Title: Rape Upon Rape; Or, The Justice Caught In His Own Trap

Related Works
Related Work: Rape Upon Rape; or, The Justice Caught in his own Trap Author(s): Henry Fielding
Event Comment: Third piece: an entire New Act [introduced into Tom Thumb, By T. Cooke]. Daily Journal, 30 Nov.: Whereas it hath been advertised, that an entire New Act, called, The Battle of the Poets, is introduced into the Tragedy of Tom Thumb; This is to assure the Town, that I have never seen this additional Act, nor in any ways concerned therein. Henry Fielding

Performances

Mainpiece Title: The Coffee-house Politician; Or, The Justice Caught In His Own Trap

Related Works
Related Work: Rape Upon Rape; or, The Justice Caught in his own Trap Author(s): Henry Fielding
Related Work: The Coffee House Politician Author(s): Henry Fielding

Afterpiece Title: Tom Thumb

Related Works
Related Work: Tom Thumb Author(s): Henry Fielding
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Afterpiece Title: The Battle of the Poets; or, The Contention for the Laureat

Event Comment: Benefit the Author. Afterpiece: Never perform'd before. [By Henry Fielding.

Performances

Mainpiece Title: The Tragedy Of Tragedies

Related Works
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Afterpiece Title: The Welch Opera

Related Works
Related Work: The Welch Opera Author(s): Henry Fielding
Event Comment: Never Acted before. [By Henry Fielding.]5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Modern Husband

Related Works
Related Work: The Modern Husband Author(s): Henry Fielding
Event Comment: Never Acted before. [Both plays by Henry Fielding. For a discussion of recent plays, see The Comedian, No. 3, June 1731.

Performances

Mainpiece Title: The Old Debauchees

Related Works
Related Work: The Old Debauchees Author(s): Henry Fielding

Afterpiece Title: The Covent Garden Tragedy

Related Works
Related Work: The Covent Garden Tragedy Author(s): Henry Fielding
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Henry Fielding
Related Work: The Covent Garden Tragedy Author(s): Henry Fielding

Dance:

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: A New Farce. [By Henry Fielding.] Alter'd from the French of Moliere

Performances

Mainpiece Title: The Old Debauchees

Related Works
Related Work: The Old Debauchees Author(s): Henry Fielding

Afterpiece Title: The Mock Doctor; or, The Dumb Lady Cur'd

Related Works
Related Work: The Mock Doctor; or, The Dumb Lady Cur'd Author(s): Henry Fielding

Dance: I: The Pieraite-Holt, Mrs Walter; II: Harlequin-Miss Brett; III: English Maggot-Lally Jr, Mrs Walter; End Afterpiece: Midsummer Whim, as17320606

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta

Related Works
Related Work: Teraminta Author(s): Henry Carey
Event Comment: Afterpiece: [By Henry Carey. Not printed.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Betty; or, The Country Bumpkins

Related Works
Related Work: Betty; or, The Country Bumpkins Author(s): Henry Carey
Event Comment: Benefit Miss Raftor. At the desire of several Persons of Quality. Afterpiece: A Farce of one Act. [By Henry Fielding. Apparently not published.

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Henry Fielding
Related Work: The Miser Author(s): Henry Fielding

Afterpiece Title: Deborah; or, A Wife For You All

Related Works
Related Work: Deborah; or, A Wife For You All Author(s): Henry Fielding
Event Comment: At the particular Desire of several eminent Merchants and Persons of Distinction. Afterpiece: a new Pastoral Epithalamium. [Edition of 1733 lists no cast, states that it was written by a Gentleman, and prints the Prologue, which was written by Havard. A song, The Wedding Day, written by Henry Carcy, was sung in it by Master Osborne.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Happy Nuptials: With The Amorous Sportsman

Related Works
Related Work: The Happy Nuptials: With The Amorous Sportsman Author(s): Henry Carey
Event Comment: A New Comedy. Written by the Author of The Miser [Henry Fielding]. Tickets for the Author's Night at DL will be taken here every Night of the Performance. Boxes 4s. Pit is. Gallery 1s. 6d

Performances

Mainpiece Title: Don Quixote In England

Related Works
Related Work: Don Quixote in England Author(s): Henry Fielding
Related Work: Don Quixote in England Author(s): Henry Fielding
Related Work: Squire Badger Author(s): Henry Fielding
Event Comment: Benefit John Roberts, in lieu of one last Season at DL. Afterpiece: Written by Henry Fielding, Esq. 6:30 P.M. N.B. The Play and Entertainment will be conducted with the utmost Decorum: And whereas several Irregularities have been committed, as to Hours of beginning, &c. this is to assure all Gentlemen and Ladies that please to favour us with their Presence, that the Play will certainly begin at the time propos'd; and particular Care is taken that the whole Performance will endeavour at universal Satisfaction. Tickets for Sir Walter Raleigh taken at this Play

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Don Quixote in England

Related Works
Related Work: Don Quixote in England Author(s): Henry Fielding
Related Work: Don Quixote in England Author(s): Henry Fielding
Related Work: Squire Badger Author(s): Henry Fielding

Dance: I: Prince of Wales's Saraband and Minuet by Davenport and Miss Brett. III: Les Bergers Heureux by Davenport and Miss Brett. V: The Black Joke by Davenport and Miss Brett

Song: In II: Lempio Rigor del Fato by Miss Jones. IV: Was ever Nymph like Rosamond by Miss Jones. End Afterpiece: A Dialogue by Master Arne and Miss Jones

Event Comment: Mainpiece: Written by Mr Otway. Afterpiece: A new Farce of one Act [by Henry Fielding]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: An Old Man Taught Wisdom; or, The Virgin Unmask'd

Related Works
Related Work: An Old Man Taught Wisdom; or, The Virgin Unmask'd Author(s): Henry Fielding