Event Comment: Afterpiece: A New Farce of one Act. [By Robert Dodsley.] Prompter, 18 Feb.: This little Performance, without any Theatrical Merit whatsoever, received the loudest Applauses that I have heard this long while, only on Account of its General and Well-Adapted Satire on the Follies of Mankind

Event Comment: Benefit the Author of the Farce. Afterpiece: a Farce. [Author not known.] Preface to edition of 1737: The Misrepresentation of this little Piece upon the Stage, and the proper Indifference with which it was received by the Audience, made it necessary, for my Reputation sake, to publish it with all convenient Expedition. My Friends, who had read the Thing, did not know it again, it was in so disastrous a Plight; and they that had not read it (from a Prepossession in my Favour) imputed its Aukwardness to the Mismanagement, or Incapacity of the Players

Event Comment: The King's Opera House in the Haymarket. A new Opera...Dances and other Decorations entirely New. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day, at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, no Persons Whatever to be admitted behind the Scenes. The Gallery will be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. This Day Attendance will be given at the Opera-Office from Nine to One in order to deliver the Silver Tickets to the Subscribers. Each Subscriber is desir'd to send his printed Receipt, it being necessary for the Delivery of the Tickets [customary notice on the bills throughout the season]. BBurney, History of Music, IV, 445: A pasticcio, music mainly composed by Galuppi, now the resident composer for the Opera House. Edition lists libretto by Francesco Vanneschi