Event Comment: Benefit for Lee, at the Particular Desire of His Excellency Chevalier Morosini, the Venetian Ambassador. Tickets deliver'd for Oroonoko will be taken. Mainpiece for the last time this season. Afterpiece: By Desire, not acted these 3 years. [See 23 Nov. 1761.

Event Comment: MMr Lee play'd Majr Belford. Mr Packer being ill (very bad) (Hopkins). Very bad indeed (Hopkins Diary-MacMillan). Mainpiece: Not acted in two years. [See 5 May 1762.] The Mistake oblig'd to be deferr'd on account of the indisposition of a Principal Performer. Receipts: #123 10s. (MacMillan)

Event Comment: Benefit for Miss Pope. Mr Lee-Young Belmont (Hopkins). No Building on Stage; The Deuce is in Him oblig'd to be deferr'd. The Foundling not in 16 years. [See 26 March 1750.

Event Comment: Benefit for Mrs Lee and Phillips. Charges: #64 4s. (MacMillan)

Event Comment: Benefit for Mr Lee & Mr Evans [sub-treasurer]. Tickets sold at doors will not be taken. Charges: #64 4s. (MacMillan)

Event Comment: Benefit for Bowers, Veal, and Broad. Mr Lee read Lord Trinket (Hopkins Diary-MacMillan)

Event Comment: Benefit for Philips and Mrs Lee. Tickets deliver'd by Miss Williams and Miss Berkeley will be admitted. Mainpiece: By Particular Desire, and Dress'd in the Habits of the Times

Event Comment: Mainpiece: By Desire. Afterpiece: A reviv'd Farce of two acts. [See 9 Jan. 1764.] [Hereafter Lewes' name appears as Lee Lewes in the bills, apparently so he would not be confused with Lewis. Earlier (1769) his name appears in the Account Books as Le-Lewes seemingly to avoid confusion with another Lewis in the company at the time.

Event Comment: Benefit for Lee. Last Performance but two before the Holidays. Afterpiece: Never acted there. In the comic scenes will be introduced (as they were sung in Masqued and other Characters) the favorite songs, Ye Warwickshire Lads and Lasses, Sweet Willy O, The Mulberry Tree, and the Roundelay of Sisters of the Tuneful Strain. In the second act, a Statue of Shakespeare will be erected, and the ode on Dedicating a Temple to that great poet recited, with proper Airs and Chorusses-Particularly Sweetest Bard that Ever Sung, Tho' Crimes from Death and Torture Fly, the Characteristic Song on Falstaff, More Gentle than the Southern Gale, and Thou Soft-Flowing Avon. Part of Pit laid into boxes

Event Comment: The Two Misers is unavoidably oblig'd to be deferr'd. Books of the Entertainment [The Two Misers?] to be had at the theatre. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No persons admitted behind the scenes, nor any money returned after the curtain is up. Places for the Boxes to be taken, of Mr Sarjant (only) at the Stage Door. The Doors to be opened at Half after Five o'clock. To Begin exactly at Half after Six. Vivant Rex and Regina. (Customary footnote for succeeding Playbills. It will not be repeated here. The Westminster Magazine, September, p. 459, indicates a Prelude was also given this opening night, consisting of several of the actors comparing notes on their various successes, casts of parts, droll accidents, which they had experienced during their different summer excursions. Mattocks, Dunstall, Lee Lewes, Miss Barsanti, and Hull participated. The reviewer reported the content of their reminiscences, but disliked the jumbled nature of the Prelude. Another account in the Morning Post, 21 September.] Note: For performance at hay 20 September, see Season of 1774-1775, p. 1905

Event Comment: Benefit for Lee. Mainpiece: With the characters for the time in old English Dresses, By Desire

Event Comment: Afterpiece: In 2 acts, taken from Wycherley [by John Lee (Public Advertiser, 14 Dec.)]. Paid Pattinson, Tallow Chandler, #41 19s. Receipts: #167 18s. (166.9.6; 1.8.6)

Event Comment: Benefit for Quick. Afterpiece 1st time; F 2, by Ursula Agnes Booth, based on the same, by John Fletcher and Philip Massinger. The playbill lists Death in place of Lee Lewes, but he 'Was not to be found...Hull begged permission for Lee Lewes to read Death's part in his own undress, which [was] granted" (London Chronicle, 28 Apr.).]. Books of the Entertainment to be had at the Theatre. Public Advertiser, 30 Mar.: Tickets to be had of Quick, No. 15, Drury-lane. Receipts: #262 2s. (157.2; tickets: 105.0) (charge: #64 10s.)

Event Comment: [In mainpiece the playbill assigns Lord Lumbcrcourt to Wilson, but "Lee Lewes was the substitute for Wilson, and far indeed better than the man he appeared for" (Public Advertiser, 31 Jan.).] Afterpiece [1st time; P 2, by John O'KeerFe]: The Music composed by Shield. The Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. The 1st Part of this Pantomime is an Alteration of the Last New One [Friar Bacon (see 23 Dec. 1783)], and the 2nd Part entirely new and never before exhibited. Nothing under Full Price will be taken. "If Macklin once loses the Catch Word he is gone irretrievably." At the end of the 3rd act, at half price, some apprentices coming into the pit talked so loudly that "Macklin stopped; he lost himself. ... He came to the Side of the Stage, and stooping down to the Talkers, said, 'Gentlemen, I must beg you to be silent; my Hearing and Recollection are not so perfect as they were; I cannot proceed for your Talking'" (Public Advertiser, 5 Feb.). Receipts: #286 14s. (282/15; 3/19)

Event Comment: Account-Book, 21 Oct.: Paid Lee Lewes on cancelling his engagement #21. [Lee Lewes acted on the night of his benefit, 9 May 1785, but not again this season.] Receipts: #104 0s. 6d. (78/7/0; 25/12/0; 0/1/6)

Event Comment: Benefit for [Lee] Lewes. Receipts: #144 6s. (25/9/0; 14/15/6; 0/7/6; tickets: 103/14/0)(charge: #105 19s. 4d.)

Event Comment: [In afterpiece the playbill retains Incledon as Paris. but "An apology was made for Incledon, and his part was sustained by Mrs Lee" (Morning Herald, 11 Nov.).] Receipts: #211 9s. 6d. (202.10.6; 8.19.0)

Event Comment: Places for the Boxes to be taken of Fosbrook at the stage-door. The Doors will be opened at 5:30. To begin at 6:30 [see 13 Oct.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Lee Lewes was from CG.] Receipts: #190 (153/7/0; 36/1/6; 0/11/6)

Event Comment: Rich's Company. The date of the premiere is not knwon, but the Dedication is dated February 1699@1700, the play was entered in the Term Catalogues in February 1699@1700, and advertised in the Flying Post, 16 March 1699@1700. The latest likely date for the first production is January 1700, but the play may have appeared in late December as a rival to lif's production of I Henry IV early in January 1700. Cibber, Apology, I, 275: But the Master of the Revels, who then licens'd all Plays for the Stage, assisted this Reformation [of the morality of the stage] with a more zealous Severity than ever. He would strike out whole Scenes of a vicious or immoral Character, tho' it were visibly shewn to be reform'd or punish'd; a severe Instance of this kind falling upon my self may be an Excuse for my relating it: When Richard the Third (as I alter'd it from Shakespear) came from his Hands to the Stage, he expung'd the whole first Act without sparing a Line of it. This extraordinary Stroke of a Sic volo occasion'd my applying to him for the small Indulgence of a Speech or two, that the other four Acts might limp on with a little less Absurdity! no! he had no leisure to consider what might be separately inoffensive. [Cibber continues with an explanation of the censor's argument for cutting the act.] Preface to Cibber's Ximena, 1719: Richard the Third, which I alter'd from Shakespear, did not raise me Five Pounds on Third Day

Event Comment: Benefit for Mrs Henry. [As afterpiece the playbill announces Arthur and Emmeline, but it was not acted. Kemble Mem. lists the substitute play.] Diary, 24 May: Tickets to be had of Mrs Henry, Bruton-street, Berkeley-square. Receipts: #153 12s. (38.6; 21.2; 0.19; tickets: 93.5) (charge: #111 13s. 9d.)

Event Comment: Luttrell, A Brief Relation, II, 437: This being the queen s birth day, a new ode was sung before her upon the occasion: the nobility and gentry, with the lord mayor and aldermen of this citty, attended to compliment thereon. Gentleman's Journal, May 1692: The 30th of April, being Her Majesties Birth-day, was observ'd with all the usual Solemnity. I design'd to have sent you an Attempt of mine in Verse, on that noble Subject: But having happily obtain'd a Copy of those writ by Sir Charles Sidley, it would have been an unpardonable Crime, to have joyn'd my weak Essay to a Piece by so great a Master. [The Ode, Love's Goddess Sure, the music by Henry Purcell, is in Purcell's Works, Purcell Society, XXIV (1926), i.

Event Comment: With the Ceremonial of her Coronation in the same Manner as it was Perform'd in the Play of King Henry the Eighth

Event Comment: Mainpiece: Not acted these Six years [8 April 1735]. Containing the Distresses and Death of King Henry VIv. The artful acquisition of the Crown by King Richardv. The Murder of Young King Edward Vv and his Brother, in the Tower. The Landing of the Earl of Richmondv, and the Death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [This customary description appears in all subsequent notices.

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VI; the Artful acquisition of the Crown by King Richardv; the Murder of young King Edward V, and his brother in the Tower; The landing of the Earl of Richmond, and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. With many other Historical passages. [This descriptive passage accompanies all notices of the play this season and will not be recorded here further.