SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry James Pye"/1) | (@(roleclean,performerclean) "Henry James Pye")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part I

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

Performance Comment: Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli .Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli .

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: The Maid In The Mill

Performance Comment: . Downes (Roscius Anglicanus, p. 19) implies a partial cast: Amintas-James Nokes. $Gildon">William Betterton; Maid-$James Nokes. $Gildon (Life of Betterton, 1710, p. 174) states that ThomasBetterton also had a considerable role in it.
Cast
Role: Maid Actor: James Nokes. Gildon

Performances

Mainpiece Title: Ignoramus; Or, The Academical Lawyer

Performance Comment: MS in Library of Duke of Westminster: Theodorus-Lilliston?; Antonius-Smyth; Ignoramus-Underhill; Dulman-Williams; Pecus-Will Peer?; Musaeus-R. Nokes; Torcal-Norris; Rosabella-Mrs? Jennings; Surda-Mrs Margaret Rutter?; Trico-Medbourne?; Banacar-Crosby; Cupes-Sandford; Polla-Mrs Norris; Cola-R. James? Nokes; Pyropus-Angell; Dorothea-Mrs Brown; Vince-Boy; Nell-Pegg; Richardus?-Revet; Prologue to the King-Alexander Read. Translated from George Ruggle's Ignoramus.
Cast
Role: Cola Actor: R. James? Nokes

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Achmat Actor: James Noke

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.
Cast
Role: Horace Actor: James Hamilton

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Cast
Role: adds Damilcar Actor: Mrs James

Performances

Mainpiece Title: The Generous Enemies; Or, The Ridiculous Lovers

Performance Comment: Edition of 1671: The Prologue-; The Epilogue-; Signior Robatzy-Wintersall; Signior Cassidoro-Lyddall; Don Alvarez-Major Mohune; Signior Flaminio-Keniston; Don Bertran-Carthwright; Sanco-Bell; Pedro-Shurley; Addibar-Rich. Hart; Jaccinta-Mrs Marshall; Alleria-Mrs James; Lysander-Mrs Bowtell; Sophia-Mrs Pratt; Julia-Mrs Cory; Livia-Mrs Susanna Uphill.
Cast
Role: Alleria Actor: Mrs James

Performances

Mainpiece Title: The Gentleman Dancing Master

Performance Comment: Edition of 1672: Prologue to the City-; Newly after the Removal of the Duke's Company from Lincoln Inn Fields to their new Theatre, near Salisbury-Court. Epilogue-Flirt; allusions in the play imply: Don Diego-Angel?; Monsieur de Paris-James Nokes?.

Performances

Mainpiece Title: Marriage A La Mode

Performance Comment: Edition of 1673: Prologue-Hart; Polydamas-Wintershall; Leonidas-Kynaston; Argaleon-Lydall; Hermogenes-Cartwright; Eubulus-Watson; Rhodophil-Mohun; Palamede-Hart; Palmyra-Mrs Coxe; Amalthea-Mrs James; Doralice-Mrs Marshall; Melantha-Mrs Bowtell; Philotis-Mrs Reeve; Belisa-Mrs Slade; Artemis-Mrs Uphill; Epilogue-Mohun.
Cast
Role: Amalthea Actor: Mrs James
Related Works
Related Work: The Frenchified Lady Never in Paris Author(s): Henry Dell

Performances

Mainpiece Title: The Assignation; Or, Love In A Nunnery

Performance Comment: Edition of 1673: Prologue-; Duke of Mantona-Major Mohun; Prince Frederick-Kynaston; Aurelian-Hart; Camillo-Burt; Mario-Cartwright; Ascanio-Mrs Reeve; Benito-Haynes; Sophronia-Mrs James; Lucretia-Mrs Marshall; Hippolita-Mrs Knep; Laura-Mrs Bowtel; Violetta-Mrs Cox; Epilogue-.
Cast
Role: Sophronia Actor: Mrs James

Performances

Mainpiece Title: Amboyna

Performance Comment: Edition of 1673: Prologue-; Captain Gabriel Towerson-Hart; Mr Beaumont-Mohun; Mr Collins-Lydal; Captain Middleton-Watson; Perez-Burt; Harman-Cartwright; The Fiscal-Wintershal; Harman Jr-Kynaston; Van Herring-Beeston; Isabinda-Mrs Marshal; Julia-Mrs James; English Woman-Mrs Cory; Epilogue-.
Cast
Role: Julia Actor: Mrs James

Performances

Mainpiece Title: The Amorous Old Woman; Or, 'tis Well If It Take

Performance Comment: [The author is not known, but the play has been attributed to ThomasDuffett.] Edition of 1764: Prologue-Major Mohun; [A second Prologue intended but not spoken Honorio-Lydal; Amante-Beeston; Garbato-Eastland; Cicco-Perin; Riccamare-Coysh; Buggio-Chapman; Furfante-Powel; Sanco@panco-Shirly; Constantia-Mrs Cox; Arabella-Mrs James; Clara-Mrs Boutel; Strega-Mrs Corey; Epilogue-.
Cast
Role: Arabella Actor: Mrs James

Performances

Mainpiece Title: The Country Wife

Performance Comment: Edition of 1675: Prologue-Mr Hart; Horner-Hart; Harcourt-Kenaston; Dorilant-Lydal; Pinchwife-Mohun; Sparkish-Haynes; Sir Jasper Fidget-Cartwright; Mrs Margarey Pinchwife-Mrs Bowtel; Mrs Alithea-Mrs James; Lady Fidget-Mrs Knep; Mrs Dainty Fidget-Mrs Corbet; Mrs Squeamish-Mrs Wyatt; Old Lady Squeamish-Mrs Rutter; Quack-Schotterel; Lucy-Mrs Cory. [Edition of 1668: Epilogue spoken by Mrs Knep.]Edition of 1668: Epilogue spoken by Mrs Knep.]
Cast
Role: Mrs Alithea Actor: Mrs James

Performances

Mainpiece Title: Love In The Dark; Or, The Man Of Bus'ness

Performance Comment: Edition of 1675: Prologue-; Loredano-Lydal; Cardinal Colonna-Burt; Hircanio-Cartwright; Grimani-Griffin; Cornanti-Wintershul; Intrigo-Lacy; Count Sforza-Kynaston; Tribultio-Major Mohun; Visconti-Hayns; Jacomo-Charlton; Circumstantio-Shotterell; Satana-Harris; Proveditor-Powel; Parhelia-Mrs Uphill; Bellinganna-Mrs Bowtel; Aurana-Mrs James; Melina-Mrs Slade; Epilogue-Mr Haines.
Cast
Role: Aurana Actor: Mrs James

Performances

Mainpiece Title: Gloriana; Or, The Court Of Augustus Caesar

Performance Comment: Prologue to the Court of Augustus Caesar-Mrs Roch; Epilogue to the Court of Augustus Caesar-Mr Haynes; Augustus Caesar-Mohun; Caesario-Hart; Marcellus-Kenaston; Tiberius-Lydall; Agrippa-Cartwrite; Mecaenas-Griffin; Ovid-Clarke; Leander-Powell; Araspes-Harris; Gloriana-Mrs Marshall; Julia-Mrs James; Narcissa-Mrs Corbet.
Cast
Role: Julia Actor: Mrs James

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Performance Comment: Edition of 1677: Prologue-Mr Smith; Epilogue-; Lord Bellamore-Betterton; Manley-Smith; Sir Arthur Oldlove-Sandford; Captain Tilbury-Medbourn; Zechiel-Anthony Leigh; Toby-James Nokes; Old Jollyman-Underhill; Harry-Jevan; Flaile-Richards; Dorrel-Norrice; Madam Fickle-Mrs Mary Lee; Constantia-Mrs Barrer [Barry]; Arbella-Mrs Gibbs; Silvia-Mrs Napper.
Cast
Role: Toby Actor: James Nokes

Performances

Mainpiece Title: A Fond Husband; Or, The Plotting Sisters

Performance Comment: Edition of 1677: Rashley-Smith; Ranger-Harris; Peregrine Bubble-James Nokes; Old Fumble-Anth. Leigh; Sir Roger Petulant-Sandford; Sneak-Jevan; Spatterdash-Richards; Apothecary-Percival; Emillia-Mrs Barrer; Maria-Mrs Marshal; Cordelia-Mrs Hughes; Betty-Mrs Napper; Governess-Mrs Norrice; Prologue-; Epilogue-Fumble; Edition of 1678 adds: Jeremy-Richards.
Cast
Role: Peregrine Bubble Actor: James Nokes
Event Comment: From 16 Jan. 1696@7 to 18 May 1702 James Brydges, afterwards first Duke of Chandos, kept a diary in which he recorded, among other events, his attendance at the theatre. Unfortunately, his first entry dealing with the playhouses, like many other similar entries, does not name the play he saw; on 22 Jan. 1696@7 he wrote: my Uncle Warwick Lake? carried me to ye Playhouse. [For an account of his theatrical entries, see Lucyle Hook, James Brydges Drops in at the Theatre, Huntington Library Bulletin, VIII (1945), 306-11.

Performances

Performances

Mainpiece Title: Queen Catharine; Or, The Ruines Of Love

Performance Comment: Edition of 1698: Prologue-Mr Batterton; Epilogue by Mrs Trotter-Miss Porter; Edward the Fourth-Scudamore; Duke of Clarence-Verbruggen; Duke of Gloucester-Arnold; Earl of Warwick-Kynnaston; Mallavill-Bayly; Owen Tudor-Batterton; Lord Dacres-Freeman; Sir James Thyrrold-Thurmond; Queen Catharine-Mrs Barry; Isabella-Mrs Bracegirdle; Esperanza-Mrs Martin.
Cast
Role: Sir James Thyrrold Actor: Thurmond

Performances

Mainpiece Title: The Different Widows; Or, Intrigue A La Mode

Performance Comment: Edition of 1703 lists: Sir James Bellmont-Powell; Lord Courtall-Lloyd; Careless-Corey; Sir Anthony Loveman-Pack; Dandle-Leigh; Valentine-Booth; Gaylove-Wellar; Draul-Knap; Hearty-Trout; Widow Bellmont-Mrs Leigh; Lady Gaylove-Mrs Lawton; Angelica-Mrs Prince; Lady Courtall-Mrs Willis; Mrs Draul-Mrs Allison; Lady Loveman-Mrs Porter; Mariana-Mrs Bradshaw; Lucy-Mrs Parsons; Harriet-Mrs Fieldhouse; Prologue-Booth; Epilogue-Mrs Porter.
Cast
Role: Sir James Bellmont Actor: Powell

Performances

Mainpiece Title: The Basset Table

Performance Comment: Edition of 1706 lists: Lord Worthy-Mills; Sir James Courtly-Wilks; Lovely-Biggerstaff; Sir Rich. Plainman-Bullock; Captain Hearty-Estcourt; Sago-Johnson; Buckle-Penkethman; Lady Reveller-Mrs Oldfield; Lady Lucy-Mrs Rogers; Valeria-Mrs Mountford; Mrs Sago-Mrs Cross; Alpiew-Mrs Lucas; Prologue-Penkethman; Epilogue-Estcourt.
Cast
Role: Sir James Courtly Actor: Wilks

Performances

Mainpiece Title: Timoleon

Afterpiece Title: The Stage Coach Opera

Performance Comment: Jolt-James Excel, his first appearance on any stage; Nicodemus-Miller; Basil-Roberts; Macahone-Williams; Micher-Norris; Fetch-Oates; Landlord-Harper; Isabella-Miss Raftor; Dolly-Mrs Heron; Also a new Epilogue-Girl five Years old.

Dance: End II: Dutch Man and Woman-Roger, Rainton; III: Sultana-Miss Robinson; IV: Grand Dance of Moors-

Music: End Act V: (by Desire) Handel's Water Music-; with a preamble on the Kettle Drums-Benjamin Baker