SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Henry Fox"/1) | (@(roleclean,performerclean) "Henry Fox")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3489 matches on Author, 1295 matches on Performance Title, 993 matches on Performance Comments, 416 matches on Event Comments, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Performance Comment: Comus-Wroughton; Bacchanals-Kelly, Dignum, Sedgwick; Spirit-Lamash; Brothers-Benson, Banks; The Lady-Mrs Ward; Pastoral Nymph (1st time)-Miss Hagley; Sabrina-Miss Romanzini; Principal Bacchant-Mrs Edwards; Bacchants-Mrs Fox, Miss Barnes, Mrs Shaw; Euphrosyne-Mrs Crouch; Sweet Echo-Mrs Crouch; accompanied-Forster.

Song: II: song in character-Mrs Crouch

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Island of St

Performance Comment: Marguerite. As17891114, but Mob-_Maddocks, _Lyons; Mrs_ Fox; Nuns-Miss _Stageldoir, Miss _Barnes; unassigned-_Fawcett, _Wilson, _Alfred, Mrs _Edwin.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequins Frolicks or The Power of Witchcraft

Performance Comment: Harlequin-Banks; Pantaloon-Burton; Macaroni-Lamash; Valet-Fairbrother; Farmer-Hollingsworth; Butcher-Alfred; Pedlar-Jones; Clown-Dubois (1st appearance on that stage); Colombine-Miss Stageldoir; The other Characters-Maddocks, Webb, Lyons, Bourk, Keen, Bidotti, Whittow, Kirk, the 3 young Grimaldis, Master Gregson, Master Chatterley; Vocal Parts-Dignum, Sedgwick, Phillimore, Fawcett, Haymes, Danby, Reynoldson, Mrs Fox, Miss Barnes, Mrs Butler, Mrs Edwin, Mrs Shaw, Mrs Davies, Mrs Edwards, Miss Hagley.

Dance: In II: As17891209; Afterpiece conclude: Grand Ballet-the young D'Egvilles, Miss Blanchet, Miss DeCamp [which was included, as here assigned, in all subsequent performances]

Song: As17891209

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Island of St

Performance Comment: Marguerite. As17891207, but Principal Characters-Mrs Edwards in place of Miss _Romanzini, Miss Tidswell of $Mrs Edwards, Mrs _Fox.

Dance: As17891209

Song: As17891209

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Island of St

Performance Comment: Marguerite. As17891207, but Principal Characters-_Sedgwick, Mrs _Fox.

Song: As17900115

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Island of St

Performance Comment: Marguerite. As17900113, but Sedgwick_; Mrs_ Fox; Nuns-Miss _Stageldoir, Miss _Barnes; unassigned-Mrs _Edwin; Miss _Palmer. Miss _Palmer.

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Performance Comment: Prospero-Bensley; Alonzo-Packer; Antonio-Phillimore; Ferdinand-Kelly; Gonzalez-Fox; Stephano-Moody; Trincalo-Baddeley; Caliban-Williames; Ariel-Miss Romanzini; Hyppolito-Mrs Williames; Miranda-Mrs Crouch; Dorinda-Miss Farren.
Cast
Role: Gonzalez Actor: Fox

Afterpiece Title: The Island of St

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Edwards, Miss Hagley, Mrs Crouch; III: a Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite Mrs Edwards

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke-Aickin; Frederick-Fox; Amiens (with songs)-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Bois-Benson; Orlando-Kemble; Adam-Moody; Touchstone-King; Rosalind (with the Cuckoo Song)-Mrs Jordan; Celia-Mrs Kemble; Phebe-Miss Collins; Audrey-Mrs Williames.
Cast
Role: Frederick Actor: Fox

Afterpiece Title: The Critic or A Tragedy Rehearsed

Song: In V: a song-Miss Hagley

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Count Baldwin-Packer; Biron-Kemble; Carlos-Barrymore; Villeroy-Palmer; Sampson-Phillimore; Child-Master Daglish; Bellford-R. Palmer; Pedro-Alfred; Gentlemen-Fawcett, Fox; Servant-Webb; Officer-Maddocks; Isabella-Mrs Siddons (1st appearance these 2 years); Nurse-Mrs Booth.
Cast
Role: Gentlemen Actor: Fawcett, Fox

Afterpiece Title: The Deuce is in Him

Song: In III: Epithalamium-; Vocal Parts-Mrs Bland, Miss Hagley

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Bensley; Philotas-Whitfield; Melanthon-Packer; Phocion-Barrymore; Dionysius-Palmer; Arcas-Williames; Greek Herald-Benson; Calippus-Fox; Greek Soldier-Phillimore; Euphrasia-Mrs Siddons; Erixene-Miss Tidswell.
Cast
Role: Calippus Actor: Fox

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: No Song No Supper

Performance Comment: As17901209, but William-Fox.
Cast
Role: William Actor: Fox.

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17901120, but Lord William-Dignum; Robert-Hollingsworth; Charles-Fox.
Cast
Role: Charles Actor: Fox.

Afterpiece Title: The Romp

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Don Juan

Performance Comment: As17901026, but Scaramouch (with a song)-Fairbrother (1st appearance in that character); Boatswain (with a song)-Fox; Lopez-_; Gomez-_; Vasquez-_; Host-_; Masaniello-_; Alguaziles-_; Sailors-_; Isabella-_; Inis-_; Vocal Parts-_.
Cast
Role: Boatswain Actor: Fox

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: As17910118, but Ismael-Haymes in place of Fox.

Afterpiece Title: The Liar

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Count Baldwin-Packer; Biron-Kemble; Carlos-Barrymore; Villeroy-Palmer; Sampson-Phillimore; Child-Master Daglish; Bellford-R. Palmer; Pedro-Alfred; Gentlemen-Fawcett, Fox; Servant-Webb; Officer-Maddocks; Isabella-Mrs Siddons (1st appearance these 2 years); Nurse-Mrs Booth.
Cast
Role: Gentlemen Actor: Fawcett, Fox

Afterpiece Title: The Deuce is in Him

Song: In III: Epithalamium-; Vocal Parts-Mrs Bland, Miss Hagley

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Bensley; Philotas-Whitfield; Melanthon-Packer; Phocion-Barrymore; Dionysius-Palmer; Arcas-Williames; Greek Herald-Benson; Calippus-Fox; Greek Soldier-Phillimore; Euphrasia-Mrs Siddons; Erixene-Miss Tidswell.
Cast
Role: Calippus Actor: Fox

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.
Cast
Role: King Henry Actor: Bensley
Role: King Henry Actor: Usher.

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: King Henry Actor: R. Palmer
Role: King Henry Actor: Aickin

Afterpiece Title: The Hodge Podge or A Receipt to make a Benefit

Afterpiece Title: The Son in Law

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fools Preferment Or The Three Dukes Of Dunstable

Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Performances

Mainpiece Title: The Comical History Of Don Quixote Part I

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: All the Parts to be perform'd by Lilliputians, but edition of 1728 lists: Peachum-Mary Shaftoe; Lockit-James Bencraft; Nimming Ned-James Bencraft; Macheath-Elizabeth Binks; Filch-Henry Woodward; Ben Budge-Henry Woodward; Beggar-Henry Woodward; Crookfinger'd Jack-James Weeks; Wat Dreary-James Weeks; Robin-John Wilson; Harry Paddington-Fisher Tench Charke; Player-Fisher Tench Charke; Mat-John Verhuyck; Mrs Peachum-Esther Wherrit; Diana Trapes-Esther Wherrit; Mrs Slammekin-Esther Wherrit; Polly-Elizabeth Rogers; Lucy-Susanna Rogers; Mrs Coaxer-Margaret Lowe; Dolly Trull-Sarah Foxwell; Mrs Vixen-Mary Vincent; Betty Doxy-Mary Weyman; Jenny Diver-Margaret Gold; Sukey Tawdry-Beatrice Boitar; Molly-Susanna Caun.
Cast
Role: Filch Actor: Henry Woodward
Role: Ben Budge Actor: Henry Woodward
Role: Beggar Actor: Henry Woodward
Role: Dolly Trull Actor: Sarah Foxwell
Event Comment: Full Prices. [N.B. Winston MS 9, indicates from Rich's Register that Henry V was played this night by Royal Command. Playbill for 4 Dec. lends credence to this as it states Not Acted this season." For cast of Henry V see 18 Nov. TheAccount Book clinches the matter by listing Henry V with Dancing, and an indication that the Boxes this night held #70 5s., or some 281 people.] Present His Majesty and Attendance. House gave Yeomen of the Guards the usual gratuity of #1 1s. [Rich also paid that night #1 1s. for an Occasional Prologue for Henry V for 18 Nov. last, and #2 2s. for an occasional prologue to Thomas and Sally for 28 Nov. (Account Book).] Receipts: #210 (Account Book)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

Performance Comment: Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli .Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli .

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc or The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .