SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Cromwell"/1) | (@(roleclean,performerclean) "Henry Cromwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3375 matches on Author, 1214 matches on Performance Title, 680 matches on Performance Comments, 388 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss Farren. 2nd piece: Altered [by Henry Bate] from Prior's Nut Brown Maid, with new Airs and Chorusses composed by Shield. Receipts: #226 5s. (105.1.0; 29.3.6; 1.2.6; tickets: 90.18.0) (charge: #108.14)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Henry and Emma

Performance Comment: Henry-Palmer; Eugenius-Packer; Venus-Miss Field; Emma-Miss Farren.
Cast
Role: Henry Actor: Palmer

Afterpiece Title: All the World's a Stage

Dance: As17810312

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Performance Comment: Edition of 1693: Prologue-; Epilogue by Mr Dryden-Mrs Bracegirdle; King Henry the Second-Betterton; Prince Henry-Mich. Lee; Sir Tho. Vaughan-Ant. Leigh; Abbot-Sandford; Verulam-Kynaston; Sussex-Hodgson; Aumerle-Bridges; Bertrard-Dogget; Queen Eleanor-Mrs Barry; Rosamond-Mrs Bracegirdle; Rosamond's Woman-Mrs Kent.
Event Comment: The Duke's Company. Pepys, Diary: Here comes Harris, and first told us how Betterton is come again upon the stage: whereupon my wife and company to the [Duke's] house to see Henry the Fifth.... Thence I to the playhouse, and saw a piece of the play, and glad to see Betterton

Performances

Mainpiece Title: Henry The Fifth

Performance Comment: Owen Tudor?-Betterton; Henry V-Harris?; Princess Katherine-Mrs Betterton?. See also 13 Aug. 1664.
Cast
Role: Henry V Actor: Harris?
Event Comment: By the Great Mogul's Company of English Comedians, Newly Imported. [By Henry Fielding.] N.B. Mr Pasquin intending to lay about him with great Impartiality, hopes the Town will all attend, and very civilly give their Neighbours what they find belong to 'em. N.B. The Cloaths are old, but the Jokes intirely new. N.B. All Ladies that intend to be present during the first Run, cannot take Places too early. To prevent any Interruption in the Movement of the Persons in the Drama (some of whom are Machines) no Person whatever can possibly be admitted behind the Scenes. Boxes 4s. Pit 2s. 6d. Gallery 1s

Performances

Mainpiece Title: Pasquin: A Satire On The Times

Performance Comment: Cast not listed, but edition of 1736 lists: Trapwit-Roberts; Fustian-Lacy; Sneerwell-Machen; Lord Place-Mrs Charke; Colonel Promise-Freeman; Sir Henry Fox Chase-Topham; Squire Tankard-Smith; Mayor-Jones; Mrs Mayoress-Mrs Egerton; Miss Mayoress-Miss J. Jones; Miss Stitch-Miss Burgess; Queen Common Sense-Mrs Egerton; Queen Ignorance-Strensham; Firebrand-Roberts; Law-Yates; Physic-Jones; Ghost of Tragedy-Pullen; Ghost of Comedy-Jones; Third Ghost-Wallis; Harlequin-Pullen; Officer-Pullen; Messenger-Wallis; Drummer-Lowder. Epilogue .
Cast
Role: Sir Henry Fox Chase Actor: Topham
Related Works
Related Work: Pasquin: A Satire on the Times Author(s): Henry Fielding
Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)

Performances

Mainpiece Title: Adelaide

Performance Comment: Characters by Aickin, Kemble, Barrymore, C. Kemble, Cory, Maddocks, Mrs Siddons, Miss Heard, Mrs Coates. Cast from text (John Stockdale, 1800): King Henry-Aickin; Prince Richard-Kemble; Prince John-Barrymore; Clifford-C. Kemble; Legate-Cory; Officer-Maddocks; Adelaide-Mrs Siddons; Emma-Miss Heard; Abbess-Mrs Coates; Prologue-C. Kemble; Epilogue-Miss Mellon.
Cast
Role: King Henry Actor: Aickin
Related Works
Related Work: Adelaide Author(s): Henry James Pye

Afterpiece Title: The First Floor

Event Comment: Mainpiece: Not acted these 20 years. [See 16 April 1751.] With the Decorations prescribed by Shakespeare. The Characters new Dressed in the Haibts of the Times. [The reviewer for Town and Country Magazine preferred Mrs Hartley's acting in Jane Shore to that in Henry VIII, where she frequently sunk into a whining monotony which from the length of some of the speeches became very disagreeable.' She did, however, he thought, do the last scene well.] Receipts: #223 13s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Clarke; Wolsey-Bensley; Surry-Dyer; Norfolk-Perry; Suffolk-Owenson; Capucius-DuBellamy; Butts-Stoppelaer; Surveyor-Thompson; Brandon-Fox; Old Lady-Mrs Pitt; Ld Chamberlain-Lewes; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Sands-Kniveton; Guilford-R. Smith; Lovell-Davis; Campeius-Morris; Gardiner-Shuter; Anne Bullen-Miss Ogilvie; Patience (with a Song)-Mrs Baker; Queen Catherine-Mrs Hartley; In Act I, The Banquet-; with Dancing-Fishar, Aldridge, Sga Manesiere, Miss Twist Act IV, The Procession in the Abbeyv at the Coronation of Anne Bullenv.
Cast
Role: Henry Actor: Clarke
Role: Cromwell Actor: Hull

Afterpiece Title: The Deuce Is in Him

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry-Berry; Wolsey-Mills; Buckingham-Winstone; Gardiner-Johnson; Cranmer-Turbutt; Norfolk-Havard; Suffolk-Ridout; Lord Chamberlain-Woodburn; Campeius-Shepard; Abergavenny-Raftor; Cromwell-Cross; Lord Sands-Neale; Surveyor-Taswell; Lovel-Ray; Old Lady-Mrs Egerton; Anna Bullen-Mrs Ridout; Queen Katherine-Mrs Roberts.
Cast
Role: Henry Actor: Berry
Role: Cromwell Actor: Cross

Afterpiece Title: The Virgin Unmasked

Dance: I: A Concerto, as17420105; II: The Drunken Peasant, as17411029; III: Le Boufon, as17420325

Song: IV: A Ballad-Lowe; V: Bumper Squire Jones-Beard

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry VIII-Quin; Wolsey-Ryan; Buckingham-Hale; Cranmer-Bridgwater; Norfolk-Cashell; Suffolk-Arthur; Surrey-Gibson; Gardiner-Hippisley; Lord Chamberlain-Ridout; Cromwell-Goodall; Campeius-Chapman; Lord Sands-Woodward; Surveyor-Rosco; Abergavenny-Anderson; Dr Butts-Stoppelaer; Anne Bullen-Mrs Stevens; Old Lady-Mrs Mullart; Queen Katherine-Mrs Pritchard A Representation of the Coronation of Anne Bullenv, the Military Ceremony of the Champion in Westminster Hallv; all other decorations to the play. all other decorations to the play.
Cast
Role: Henry VIII Actor: Quin
Role: Cromwell Actor: Goodall

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry-Quin; Wolsey-Ryan; Buckingham-Havard; Cranmer-Bridgwater; Norfolk-Cashell; Suffolk-Arthur; Surry-Gibson; Gardiner-Hippisley; Lord Chamberlain-Rosco; Cromwell-Ridout; Campeius-Chapman; Sands-Woodward; Surveyor-Marten; Abergavenny-Anderson; Butts-Stoppelaer; Ann Bullen-Mrs Horton; Old Lady-Mrs James; Queen Katherine-Mrs Pritchard; With the Representation of the Coronation of Anne Bullen-; Vocal parts-Leveridge, Beard, Roberts, Thompson, Mrs Dunstall, Mrs Lampe, Miss Young; Also the Military Ceremony of the Champion in Westminster Hall- and all other decorations proper to the play.-General Advertiser.
Cast
Role: Henry Actor: Quin
Role: Cromwell Actor: Ridout

Performances

Mainpiece Title: Henry V

Performance Comment: Henry-Hale; Exeter-Ridout; Canterbury-Chapman; Fluellen-Hippisley; Pistol-Cibber; English Soldier-Rosco; France-Cashell; Dauphin-Woodward; Constable-Bridgwater; French Soldier-Destrade; Queen of France-Mrs Bland; Princess Katherine-Mrs Hale; Hostess-Mrs James; With the Chorus (after the manner of the ancients)-Ryan.
Cast
Role: Henry Actor: Hale

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Touchstone Of Invention; Or, The Soldier's Fortune

Afterpiece Title: Henry And Emma

Performance Comment: Henry-Smith; Eugenius-Noble; Emma-Miss Dudley.
Cast
Role: Henry Actor: Smith

Afterpiece Title: The Busy Body

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Henry and Emma

Performance Comment: Henry-Palmer; Venus (with songs)-Miss Harper; Emma-Miss Farren.
Cast
Role: Henry Actor: Palmer

Afterpiece Title: The Son-in-law

Dance: End 1st piece: As17800615

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Henry and Emma

Performance Comment: Henry-Palmer; Eugenius-Packer; Venus-Miss Field; Emma-Miss Farren .
Cast
Role: Henry Actor: Palmer

Afterpiece Title: The Capricious Lovers

Dance: End of Act I of afterpiece The Irish Fair, as17820406

Event Comment: [K+King Henry VIII] Containing the Death of the Duke of Buckinghamv; the Tryal and Divorce of Queen Catherinev; the Death of Cardinal Wolseyv; the Christening of Queen Elizabethv; and many other Historical Passages. [A customary notice for all Henry VIII bills this season. It will not be repeated below.] Receipts: #140 (Cross)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Wolsey-Mossop; Brandon-Jefferson; Old Lady-Mrs Bradshaw; Cranmer-Havard; Sandys-Philips; Lovell-Ackman; Guildford-Marr; Capucius-Scrase; Gardiner-Taswell; Surveyor-Simson; King Henry-Berry; Buckingham-Ross; Norfolk-Palmer; Surrey-Davies; Lord Chamberlain-Bransby; Suffolk-Blakes; Cromwell-Mozeen; Doctor Butts-Vaughan; Campeius-Burton; Ann Bullen-Mrs Jefferson; Queen-Mrs Pritchard; Patience (with song)-Miss [I] Young; With a Representation of the Coronation-; Ceremony of the Champion in Westminster Hall-.
Cast
Role: King Henry Actor: Berry
Role: Cromwell Actor: Mozeen

Afterpiece Title: The Oracle

Event Comment: Mainpiece: In Act I The Cardinal's Banquet. In Act II The Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Paid Charles Smith on Acct. of Upholders Work at Drury Lane Theatre #400. Powell: Henry VIII rehearsed at 10 (for Packer, lame, and Mrs Siddons); Siege of Belgrade music at 12 (for Storace, Bannister Jun., Crouch, Davis, Danby). The Iron Curtain being finish'd was this Evening exhibited for the first Time with the Epilogue [and see 21 Apr.]. "On the 24th February, 1809, this theatre was burnt down . . . Every care had been taken to guard against such a calamity. Two large reservoirs for water, on the top of the house, happened, unfortunately, at this crisis to be empty; and an iron curtain, intended to separate the auditory from the stage, for the purpose of saving a part of the edifice in case of conflagration, was, with its machinery, so much out of order as to be useless; it was, in fact, utterly immoveable" (Brayley, p. 8). Receipts: #451 8s. 6d. (389/4/0; 56/5/0; 4/6/6; tickets not come in: 1/13/0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Palmer; Cardinal Wolsey-Bensley; Campeius-Packer; Capucius-Phillimore; Cranmer-Aickin; D. of Norfolk-Whitfield; D. of Buckingham-Wroughton; Duke of Suffolk-Caulfield; Earl of Surry-Barrymore; L. Chancellor-Maddocks; L. Chamberlain-Trueman; Gardiner-Suett; Lord Sands-Baddeley; Sir Henry Guilford-Bland; Sir ThomasLovell-Dignum; Cromwell-C. Kemble; Dr Butts-Waldron; Surveyor-Benson; Brandon-Banks; Serieant-Lyons; Cryer-Evans; Doorkeeper-Jones//Queen Katharine-Mrs Siddons; Anne Bullen-Mrs Powell; Gentlewoman-Mrs Booth; Patience (with a song)-Mrs Bland; Agatha-Miss Collins. Prologue, Epilogue as17940421.
Cast
Role: King Henry Actor: Palmer
Role: Sir Henry Guilford Actor: Bland
Role: Cromwell Actor: C. Kemble

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Benefit for Wood, Sub-Treasurer. Tickets deliver'd out for The Mistake will be taken (playbill). For ye Morocco Embassador, who, tho' unlearn'd in out Language, behav'd as if he understood nature -Mr Wood, the Subtreasurer had Tickets (Cross). [Mrs Frances Brooke, in The Old Maid, for 8 May 1756, gives the following eye-witness account of the evening: "I determined to watch the artless working of [the Ambassador's] surprise, and to catch, as well as I could his sentiments of the theatre, the Audience, the Play, and the performers. And shall give them to my readers, just as they appeared to me. On his first coming to the front of the Box, he was complimented with the Applause of the whole House, which seemed to give him great pleasure, and which he returned by two bows in the English, and afterwards by a reverence in the Moorish manner, which last I thought very graceful...tho' he is rather low of stature, yet his loose flowing robes, and his manner altogether gave him such an air of superiority, that I thought the Audience looked only like his attendants. "The House and Spectators attracted his notice so much for some time, that he seem'd very well entertained before the drawing up of the curtain. At the first scene between the Lords, I thought he looked disappointed, and after a transient view of the stage, directed his eyes again to the company; at the entrance of King Henry his attention was a little recover'd to the performance, but his majesty had not proceeded half way thru the scene, before he burst into a most immoderate fit, of apparently contemptuous laughter, which he repeated very often thro' the whole playing of the part. The manner in which this stranger was affected by it, amongst other considerations, fully convinces me that this character is most ridiculously burlesqued in the representation, and that both Shakespeare and the Monarch are very inhumanly sacrificed, to the polite taste, and elegant distinction of the upper gallery....I could point out many abuses of the like nature, which have increased upon us so much of late, that 'tis almost impossible to attend the theatres, with the expectation of receiving pleasure from some parts of the perfbrmance, without the certainty of suffering equal disgust from others; it was the case of many besides myself, at this of Henry, upon the absurdity of Winchester's brandishing his cane at Canterbury, upon the close of the Council Scene; and yet to give opportunity for this notable stage foolery, the Archbishop and Bishop are both made to walk out of their proper order, tho' in attendance upon the King....His character is drawn by Shakespeare very nearly as it stands in history, and in colours far different from the farcical ones, in which it is the present fashion to represent it. He is described indeed as imperious, but at the same time a great Monarch, and not withstanding his short interjections of anger, he is in my judgment upon every occasion a King. I wish this consideration may prevail with Mr Berry, when he plays this character for the future, to remember that tho' Harry as well as Jobson may be something rough and boistrous, yet the turbulency of a haughty prince, is a very different quality, and must therefore appear in avery different fashion, from the sawciness of an impudent cobbler. "Whatever neglect his Moorish Excellency might discover of this part, he paid great attention to that of Queen Catherine; but nothing seem'd to affect him so stronglyas Miss Young's singing, at which he appeared quite collected, and listened to her with all marks of rapturous admiration; his whole soul appeared touched, and at the end of the song, he joined the house in clapping, a mark of applause I did not observe him give at any other time. "I thought upon the King's kissing Anna Bullen, that he appeared surprized and offended, and looked about, to observe whether others were not affected in the same manner. "The procession was less marked by him than I had expected, but upon the Champion's entry on horseback, he burst into such an Immoderate fit of laughter, as to fall quite back in his seat. "At the end of the play he rose, as if to leave the House, but looked very well pleased upon being informed there was more entertainment to come; in the Pantomime he seem'd surprized and disgusted at the appearance of Harlequin, to whom he did not appear reconciled to the last; his wonder was still greater at the flying of the Genii cross the stage, and other parts of the machinery, which I thought he studied byt was puzzled to account for. He laughed heartily at the Clown, and admired Colombine not a little.... "I am jealous of the honour of my country in all respects. I would have this stranger leave it with as high opinion of our publick entertainments as possible, and could wish that at the Old House, he might see Mr Garrick in Richard or some equally striking part, and at the New, he may be present at plays, where rich dresses, magnificent show and graceful action, and uncommon personal perfections in the principal performers might contribute to give him a more elevated idea of our stage, than he can have receiv'd from King Harry."] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: As17551226, but Cromwell-_.
Cast
Role: Cromwell Actor: Mozeen.
Role: King Henry Actor: Berry

Afterpiece Title: The Genii

Related Works
Related Work: The Genii, Arabian Night's Entertainment Author(s): Henry Woodward
Event Comment: Benefit for Digges. Tickets to be had of Digges at Addinal's, painter, Whitehall. Tickets delivered out for Henry IV will be taken

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: Cardinal Wolsey-Digges; Buckingham-Palmer; Cranmer-Gardner; Surry-Aickin; Cromwell-R. Palmer; Gardiner-Parsons; Lord Sands-Massey; Lord Chamberlain-Egan; Chancellor-Blissett; Sir T. Lovell-Stevens; Norfolk-Davis; Suffolk-Lamash; Capucius-Kenny; Campeius-Painter; King Henry-Usher; Anne Bullen-Mrs Cuyler; Patience (with a song)-Miss Twist; Queen Catherine-Mrs Massey.
Cast
Role: Cromwell Actor: R. Palmer
Role: King Henry Actor: Usher

Afterpiece Title: The Flitch of Bacon

Related Works
Related Work: The Flitch of Bacon Author(s): Henry Bate

Dance: As17790610

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.
Cast
Role: King Henry Actor: Holman
Role: Cromwell Actor: Lewis

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Event Comment: [K+King Henry VIII] Containing the Death of the Duke of Buckingham ; the Tryal and Divorce of Queen Catherine ; the Death of Cardinal Wolsey ; the Christening of the Princess Elizabeth ; and many other Historical passages. Receipts: #140 (Cross)

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King-Berry; Surrey-Lacey; Surveyor-Simson; Wolsey-Mossop; Buckingham-Ross; Norfolk-Palmer; Lord Sands-Shuter; Queen-Mrs Pritchard; Patience-Miss Norris; Anna Bullen-Mrs Mills; Gardiner-Taswell; Lord Chamberlain-Winstone; Cranmer-Havard; Suffolk-Blakes; Cromwell-Mozeen. With an exact Representation of the Coronation, and the ceremony of the Champion in Westminster Hall.

Afterpiece Title: The Anatomist

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: King Henry the Fifth Actor: Harris
Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Performances

Mainpiece Title: An Historical Tragedy Of The Civil Wars Between The Houses Of York And Lancaster In The Reign Of King Henry The Vith

Performance Comment: Cast not listed in edition of 1723, but edition of 1724 lists: King Henry-Roberts; Prince Edward-Cibber Jr; Old Clifford-Boman; Young Clifford-Wilks Jr; York-Savage; Edward-Oates; George-Parlour; Richard-Wilson; Warwick-Bridgwater; Queen Margaret-Mrs Campbell; Lady Grey-Mrs Seal; Lady Elizabeth-Mrs Davison; Lady Anne-Mrs Brett; Prologue-Th. Cibber.
Cast
Role: King Henry Actor: Roberts
Event Comment: Benefit for Barrington and Mrs Lampe. No building on stage. Receipts: by income from tickets: Barrington #90 16s. (boxes 142; pit 286; gallery 12); Mrs Lampe, #53 2s. (boxes 52; pit 180; gallery 131) (Account Book). [The original title of afterpiece, a burlesque opera by Henry Carey, was Margery; or, A Worse Plague than the Dragon a sequel to the Dragon of Wantley. The music was advertised as by the late Mr Lampe.

Performances

Mainpiece Title: King Henry V

Performance Comment: As17571124, but Henry-Barry; Catherine-Mrs Dyer; Nym-Costollo.
Cast
Role: Henry Actor: Barry

Afterpiece Title: Lady Moore; or, The Dragoness

Ballet: JJudgment of Paris. As17580407 but only Paris-Gallinni; Venus-Mlle Capdeville

Dance: SSavoyards, as17580408 Tambourine, as17580330

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-Garrick; Prince John-Lee; Gloster-Master Cautherly; Clarence-Master Burton; Prince of Wales-Holland; Achpb of York-Havard; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Mozeen; Mowbray-Stevens; Gower-Castle; Justice Shallow-Yates; Justice Silence-Blakes; Colville-Fox; Poins-Packer; Bardolph-Clough; Feeble-Vaughan; Mouldy-Moody; Pistol-King; Shadow-Parsons; Bullcalf-Philips; Davy-Marr; Fang-Watkins; Falstaff's page-Miss Rogers; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Lee; Falstaff-Love.
Cast
Role: King Henry Actor: Garrick

Afterpiece Title: The Apprentice

Event Comment: By Desire. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for Boxes may be taken of Mr Sarjant(Only)Book-Keeper at the Stage Door. No Money to be received at the stage door, nor any money returned after the curtain is up. [Customary note at foot of each bill during season. Only significant variations will be noted.] Present the Duke of Gloucester, Prince Henry, the Princesses Brunswick, Louisa and Caroline (Account Book). Receipts: #224 3s. (Account Book)

Performances

Mainpiece Title: King Henry V

Performance Comment: As17660922, but King Henry-Hull; Exeter-Younger.
Cast
Role: King Henry Actor: Hull

Afterpiece Title: Coronation

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-A Gentleman, first appearance any stage; Prince of Wales (By Particular Desire)-Mrs Lessingham; Achbp York-Clarke; Prince John-Davis; Westmorland-Hull; Chief Justice-Younger; Shallow (that night only)-Woodward; Pistol-Hamilton; Poins-Wroughton; Bullcalf-Dunstall; Hostess-Mrs Pitt; Doll Tearsheet-Mrs Gardner; Falstaff-Shuter.

Afterpiece Title: The Man of Quality

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public