Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Cavendish"/1) | (@(roleclean,performerclean) "Henry Cavendish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
5398 results for: Keyword - Henry Cavendish
We found 3595 matches on Author, 1213 matches on Performance Title, 663 matches on Performance Comments, 400 matches on Event Comments, and 0 matches on Roles/Actors.

4801
11 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: True Blue Or A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

4802
03 January 1791 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Picture of Paris

4803
24 November 1791 @ Covent Garden

Performances

Mainpiece Title: The Prussian Festival

Afterpiece Title: The First Part of King Henry the Fourth

Afterpiece Title: Oscar and Malvina

Music: As17911122

4804
28 November 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: King Henry the Fifth

Afterpiece Title: Comus

4805
10 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fourth part I

Afterpiece Title: The Village Lawyer

4806
30 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fourth part I

Afterpiece Title: Peeping Tom

4807
12 September 1792 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fourth part I

Afterpiece Title: Peeping Tom

4808
12 June 1799 @ Covent Garden

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

4809
02 March 1779 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet by Genii as17790223-Sg Zuchelli, Sga Zuchelli, young Miss Simonet; also Pedal Harp, as17790223; End II: Ballet by Fairies, as17790223, but _LeDet, _Henry, young Miss _Simonet, Slingsby; End Opera: +Le Couronnement de Zemire, as17790223

4810
19 February 1780 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Pastoral Ballet, as17791127; End II: Masquerade Dance, as17791221, but _Henry; Minuet, as17791221; End Opera: Serious Ballet, as17800122 Grand Chaconne, as17800122

4811
01 March 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: As17880226, but Les Offrandes a l'Amour-_; End Opera: Les Fetes de Tempe, as17880228, but _Henry

4812
18 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Miss Kemble; Lady Russel-Miss Woollery. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Cavendish Actor: Bannister Jun.

Afterpiece Title: The Agreeable Surprise

4813
02 June 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Mrs Inchbald; Lady Russel-Miss Woollery .
Cast
Role: Cavendish Actor: Bannister Jun.

Afterpiece Title: The Son in Law

4814
22 June 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Lord Russel

Performance Comment: Russel-Palmer; Cavendish-Bannister Jun.; Charles the Second-Aickin; Duke of York-Williamson; Spencer-Davies; Lieutenant-Usher; Bedford-Bensley; Lady Margaret Russel-Mrs Inchbald; Lady Russel-Miss Woollery .
Cast
Role: Cavendish Actor: Bannister Jun.

Afterpiece Title: The Widows Vow

Dance: End of mainpiece How sweet's the Love that meets Return by Byrn, Mrs Goodwin, the two Miss Simonets

4815
18 January 1678 @ Whitehall or St. James's

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

4816
31 January 1702 @ Stationer's Hall

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

4817
21 May 1702 @ Chelsea College

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

4818
01 November 1729 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness. [The Prince, accompanied by the Duke of Manchester, Lord Charles Cavendish, and Colonel Schutz, present.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Perseus and Andromeda

4819
27 December 1729 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [The Prince, attended by Lord Charles Cavendish and Colonel Townshend, and Princess Caroline, attended by the Countess of Suffolk, present.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Beggars Wedding

4820
10 March 1746 @ Hickford's Room

Event Comment: HHickford's Great Room, Brewer St. Benefit Brown. Tickets 5s. Tickets at Walsh, in Catherine St., Strand; Mrs Wamsley's/Musick/shop the Corner of Picadilly; Simpson's Musick shop in Swithin's Alley, Cornhill; Johnson's Musick shop, Cheapside; Brown's in Margaret St., near Cavendish Square; and at the place of performance

Performances

Mainpiece Title: A Concert

4821
08 May 1779 @ Covent Garden

Event Comment: Benefit for Dumay, Harris & Holloway. [For Wright see 13 May. Mrs Sutton was from dl.] Public Advertiser, 7 May: Tickets to be had of Dumay, Sand-hill, behind the Foundling Hospital; of Harris, No. 42, Wells-street, Cavendish-square; of Holloway, Newington Butts

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Liverpool Prize

Dance: End II: Minuet-Dumay, Miss Dagueville; and the Minuet de la Cour-Holloway, Miss Besford; End I afterpiece: New Dance-Harris, Mrs Sutton (1st appearance on that stage); with a New Allemande-

Ballet: End: The Humours of Newmarket. As17790503, but Jockeys-Holloway; Ladies-Miss +Besford

4822
07 March 1782 @ King's Theatre

Event Comment: Benefit for Pacchierotti. A Serious Opera; the Music by Bertoni. Tickets to be had of Pacchierotti, No. 8, Great Marybone-street, Cavendish-square

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

4823
09 May 1782 @ King's Theatre

Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: Leroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

4824
23 May 1782 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish-square. Opera: Reduced to 2 acts

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17820411 throughout

Song: In Act II Sento ch' in Seno by Sga Sestini, and composed for her by Giordani

4825
14 February 1783 @ Covent Garden

Event Comment: Benefit for Sga Sestini. Public Advertiser, 13 Feb.: Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish Square. Afterpiece [1st time; burl 2, by John O'Keeffe. MS: Larpent 616; not published]: Taken from the Italian of La Serva Padrona [by Gennaro Antonio Federico]. The Music chiefly the Original of Parosasi [i.e. Pergolesi, and so spelled on playbill of 17 Feb.]. The new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #256 5s. 6d. (198/12/0; 7/3/6; tickets: 50/10/0) (charge: none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maids the Mistress