SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Bate"/1) | (@(roleclean,performerclean) "Henry Bate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3567 matches on Author, 1215 matches on Performance Title, 1065 matches on Performance Comments, 433 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Barrymore; Lewson-Bensley; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Phillimore; Waiter-Banks//Mrs Beverley-Mrs Siddons; Charlotte-Mrs Kemble; Lucy-Mrs Heard .
Cast
Role: Bates Actor: Packer

Afterpiece Title: MY GRANDMOTHER

Performances

Mainpiece Title: Lodoiska

Afterpiece Title: THE IRISH WIDOW

Performance Comment: As17940505, but Bates-Packer; omitted: Footman, Blackboy . omitted: Footman, Blackboy .
Cast
Role: Bates Actor: Packer

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE GAMESTER

Performance Comment: Beverley-Barrymore; Lewson-Bensley; Jarvis-Aiclcin; Bates-Pindar; Dawson-Palmer Jun.; Stukely-Palmer//Charlotte-Mrs Kemble; Lucy-Mrs Heard; Mrs Beverley (for that night only)-Mrs Siddons .
Cast
Role: Bates Actor: Pindar

Afterpiece Title: BRITAIN'S GLORY; or, A Trip to Portsmouth

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Kemble; Lewson-Bensley; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Phillimore; Waiter-Banks; Mrs Beverley-Mrs Siddons; Charlotte-Mrs Kemble; Lucy-Mrs Heard.
Cast
Role: Bates Actor: Packer

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Performance Comment: Thomas-Munden (1st appearance in that character); Nephew-Macready; Whittle-Powel; Sir Patrick O'Neal-Rock; Bates-Davenport; Servants-Abbot, Blurton, Simmons; Kecksey-Bernard; Widow Brady (for that night only; with Garrick's original Epilogue Song)-Mrs Greville (late of the Theatre Royal, Drury Lane).
Cast
Role: Bates Actor: Davenport

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Related Works
Related Work: An Impromptu Revel Masque; On the Joyous Occasion of the Royal Nuptials Author(s): Henry Carey
Related Work: Love in Several Masques Author(s): Henry Fielding
Related Work: Harlequin Doctor Faustus Author(s): Henry Carey

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Kemble; Lewson-C. Kemble; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Benson; Waiter-Evans; Mrs Beverley-Mrs Siddons; Charlotte-Mrs Kemble; Lucy-Mrs Heard.
Cast
Role: Bates Actor: Packer

Afterpiece Title: The Adopted Child

Performances

Mainpiece Title: Katharine And Petruchio

Afterpiece Title: The Prize

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Moody; Whittle-Hollingsworth; Nephew-Caulfield; Bates-Maddocks; Kecksey-Dodd; Thomas-Burton; Widow Brady-Miss DeCamp.
Cast
Role: Bates Actor: Maddocks

Entertainment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Kemble; Lewson-Barrymore; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Caulfield; Waiter-Banks; Mrs Beverley-Mrs Siddons; Charlotte-Mrs Powell; Lucy-Mrs Heard.
Cast
Role: Bates Actor: Packer

Afterpiece Title: The Smugglers

Ballet: The Triumph of Love. As17961001

Performances

Mainpiece Title: The Gamester

Performance Comment: As17961006, but Jarvis-Packer; Bates-Trueman; Waiter-Webb.
Cast
Role: Bates Actor: Trueman

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverly-Pope; Lewson-Middleton; Jarvis-Hull; Bates-Powel; Dawson-Thompson; Stukely-Murray (1st appearance in that character); Charlotte-Miss Chapman; Lucy-Mrs Platt; Mrs Beverly (for that night only)-Mrs Siddons (of dl, [she] having in a manner the most obliging and liberal consented to perform for Pope's Benefit).she] having in a manner the most obliging and liberal consented to perform for Pope's Benefit).
Cast
Role: Bates Actor: Powel

Afterpiece Title: The Ghost

Afterpiece Title: Hartford Bridge

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: The Romance of an Hour

Performance Comment: Sir Hector Strangeways-Baker; Orson-Meredith; Bussoro-Biggs; Pillage-Thompson; Colonel Ormsby-Harley; James-Bates; Brownlow-Conwy; Lady Di Strangeways-Mrs Sincock; Zelida-Mrs Berry.
Cast
Role: James Actor: Bates

Song: Mainpiece: Vocal Parts, as17970123, but Master _Willoughby, Master Paul, A Young _Lady, Miss +Jones; End: +Ye Gentleman of England-; and the Companion, To all you Ladies now at Land-; A Sea Song, The Muffin Man-Master Sincock

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Caulfield; Whittle-Dowton; Nephew-Holland; Bates-Maddocks; Kecksey-Suett; Thomas-Hollingsworth; Widow Brady-Miss Biggs (from the Theatre Royal Bath; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Bates Actor: Maddocks

Song: As17970919

Entertainment: Entertainment.As17971016

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Kemble; Lewson-C. Kemble; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Caulfield; Waiter-Webb; Mrs Beverley-Mrs Siddons; Charlotte-Mrs Powell; Lucy-Miss Tidswell.
Cast
Role: Bates Actor: Packer

Afterpiece Title: A Trip to the Nore

Afterpiece Title: All the World's Stage

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Kemble; Lewson-C. Kemble; Stukely-Barrymore; Jarvis-Aickin; Bates-Packer; Dawson-Caulfield; Waiter-Webb; Mrs Beverley-Mrs Siddons; Charlotte-Mrs Powell; Lucy-Miss Tidswell.
Cast
Role: Bates Actor: Packer

Afterpiece Title: The Prize

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-R. Palmer; Whittle-Dowton; Nephew-Holland; Bates-Maddocks; Kecksey-Suett; Thomas-Hollingsworth; Widow Brady-Miss Biggs; (with the) Epilogue Song-Miss Biggs.
Cast
Role: Bates Actor: Maddocks

Song: As17990529

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Palmer; Whittle-Dowton; Nephew-Holland; Bates-Maddocks; Kecksey-Suett; Thomas-Hollingsworth; Widow Brady (with the Epilogue Song)-Miss Biggs.
Cast
Role: Bates Actor: Maddocks

Music: Incidental: Vocal Parts-Mrs Bland, Miss Leak; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Kemble; Lewson-C. Kemble; Stukely-Barrymore; Jarvis-Aickin; Bates-Packer; Dawson-Caulfield; Waiter-Webb; Mrs Beverley-Mrs Siddons; Charlotte-Mrs Powell; Lucy-Miss Tidswell.
Cast
Role: Bates Actor: Packer

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Gamester

Performance Comment: As17991209, but Jarvis-Packer; Bates-Trueman.
Cast
Role: Bates Actor: Trueman.

Afterpiece Title: Of Age To-morrow

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.
Cast
Role: King Henry Actor: Bensley
Role: King Henry Actor: Usher.

Afterpiece Title: The Waterman; or, The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: King Henry Actor: R. Palmer
Role: King Henry Actor: Aickin

Afterpiece Title: The Hodge Podge; or, A Receipt to make a Benefit

Afterpiece Title: The Son-in-Law

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fool's Preferment; Or, The Three Dukes Of Dunstable

Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part I

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: All the Parts to be perform'd by Lilliputians, but edition of 1728 lists: Peachum-Mary Shaftoe; Lockit-James Bencraft; Nimming Ned-James Bencraft; Macheath-Elizabeth Binks; Filch-Henry Woodward; Ben Budge-Henry Woodward; Beggar-Henry Woodward; Crookfinger'd Jack-James Weeks; Wat Dreary-James Weeks; Robin-John Wilson; Harry Paddington-Fisher Tench Charke; Player-Fisher Tench Charke; Mat-John Verhuyck; Mrs Peachum-Esther Wherrit; Diana Trapes-Esther Wherrit; Mrs Slammekin-Esther Wherrit; Polly-Elizabeth Rogers; Lucy-Susanna Rogers; Mrs Coaxer-Margaret Lowe; Dolly Trull-Sarah Foxwell; Mrs Vixen-Mary Vincent; Betty Doxy-Mary Weyman; Jenny Diver-Margaret Gold; Sukey Tawdry-Beatrice Boitar; Molly-Susanna Caun.
Cast
Role: Filch Actor: Henry Woodward
Role: Ben Budge Actor: Henry Woodward
Role: Beggar Actor: Henry Woodward
Event Comment: Full Prices. [N.B. Winston MS 9, indicates from Rich's Register that Henry V was played this night by Royal Command. Playbill for 4 Dec. lends credence to this as it states Not Acted this season." For cast of Henry V see 18 Nov. TheAccount Book clinches the matter by listing Henry V with Dancing, and an indication that the Boxes this night held #70 5s., or some 281 people.] Present His Majesty and Attendance. House gave Yeomen of the Guards the usual gratuity of #1 1s. [Rich also paid that night #1 1s. for an Occasional Prologue for Henry V for 18 Nov. last, and #2 2s. for an occasional prologue to Thomas and Sally for 28 Nov. (Account Book).] Receipts: #210 (Account Book)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Thomasand Sally