SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Arthur"/1) | (@(roleclean,performerclean) "Henry Arthur")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4641 matches on Author, 1354 matches on Performance Title, 1231 matches on Performance Comments, 463 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Heir At Law

Performance Comment: As18000620 but Henry Moreland-Trueman.
Cast
Role: Henry Moreland Actor: Trueman.

Afterpiece Title: The Poor Soldier

Song: In course evening: Sweet Echo-Mrs Mountain; accompanied on the Hautboy-Forster=; The Soldier Tir'd-Mrs Mountain

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Event Comment: It is not certain that this performance was given by the King's Company, but because it first produced the play, it has been assigned to Drury Lane. Pepys, Diary: Tuesday January the 27th...comeing home at night (after I had carryed my Cozen Winn Houblon home from a Play (shee would if she could). [Mornamont MS II, folio 1192, Cambridge University Library.] See also Arthur Bryant, Samuel Pepys: Years of Peril (New York, 1935), p. 314

Performances

Mainpiece Title: She Would If She Could

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 3-5 March 1697@8, suggests that the first performance occurred probably not later than early February 1697@8. The Preface is signed by George Powell, who refers to the author of the play as unknown. In addition, Powell mentions that his company has recently revived some of Dryden's plays: Don Sebastian, Secret Love; or, The Maiden Queen, Marriage a la Mode, King Arthur, and adds: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun...could not prop

Performances

Mainpiece Title: The Fatal Discovery; Or, Love In Ruines

Event Comment: Rich's Company. Lady Marow to Arthur Kay, 12 March 1699@1700: I have been at a play. The Island Princess which is mighty fine (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, 1896, p. 145)

Performances

Mainpiece Title: The Island Princess

Event Comment: Lady Marow to Arthur Kay, 12 March 1699@1700: The Way of the World, Congreve's new play doth not answer expectation, there being no plot in it but many witty things to ridicule the Chocolate House, and the fantastical part of the world (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, p. 145). John Dryden to Mrs Steward, 12 March: Congreves New Play has had but moderate success; though it deserves much better (Letters of John Dryden, p. 134)

Performances

Event Comment: Benefit Mr Arthur. For the Entertainment of the Grand Porpoise, and the rest of the Ancient and Honourable Society of Porponians. 6 P.M

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Cobler of Preston

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Afterpiece Title: The Lover His Own Rival

Dance: II: English Maggot by Haughton and Mrs Bullock. III: Last new Grand Ballet performed in King Arthur by Haughton and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c

Performance Comment: III: Last new Grand Ballet performed in King Arthur by Haughton and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c .

Song: IV: By Mrs Chambers

Event Comment: Benefit Arthur and Delagarde. Mainpiece: Written by Beaumont and Fletcher. [Tickets for E. Thomson, Boaman, Miss Dancey, and Widow Dupre also taken.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Country House

Dance: TTwo Pierots-Lalauze, Desse; Je ne scai quoi-Villeneuve, Richardson, Miss Oates; Comic Dance-Villeneuve, Delagarde, Miss Oates; Ballet-Desse, Delagarde, Miss Oates

Event Comment: Benefit Neale. Receipts: #120 (Rylands MS.). Tickets for Arthur, Dupre, Destrade, also taken

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Comic Dance-Richardson, Mlle Ozanne; In II: Pierots-Richardson, Delagarde

Performances

Mainpiece Title: The Rehearsal

Performance Comment: As17431206, but others-Arthur, +Neale, +Morgan, +Winstone, +Green, +Woodburn, +Ray, +Wright, _Gray.
Cast
Role: others Actor:
Event Comment: With proper Decorations. Afterpiece, Containing His Surprizing Victory over Glumdalca, Queen of the Giants; His Magnificent reception in King Arthur's Courtv; His Marriage with the Princess Huncamunca; With the fatal Jealousy of Queen Dollalolla, and many other Historical Passages. [This notice accompanies subsequent announcements of Tom Thumb this season and will not be further recorded.] General Advertiser: Yesterday it was falsely and injuriously inserted in the Daily Papers, that a great quantity of arms was secreted in Lincoln's Inn Fields Theatre, which seem'd calculated only to Prejudice the Proprietor of that House, having no other foundation than his having the said Theatre as a Guard Room for the Service of the Government

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Related Works
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Dance: III: Grand Dance-Muilment

Event Comment: Mainpiece: Comedie du Nouveau Theatre Italien. Received from Four Representations acted...#188 18s. 4d.; 56 Subscriptions at Five Guineas each #294; From a Subscription by Mr Arthur, Master of White's Coffee House #367 10s. (British Magazine, V (August, 1750), p. 322)

Performances

Mainpiece Title: Les Jeux De L'amour Et Du Hazard

Afterpiece Title: La Coquette sans la Savoir

Event Comment: Benefit for one Monett master of ye French Comedians (Cross). [174th and positively the last night.] Receipts: #120 (Cross). Account of Disbursements made by Mr Monnet for his Stage, as well in Ready Money as in Notes of Hand. @Names of Actors and Actresses Their Contracts with Mr Monnet Paid in Money Paid in Notes Whole sum of the Expence, as well in Money as in Notes@Desormes #227 7s. 6d. #65 17s. 9d. #131 5s. #197 2s. 9d.@Mauly & Hamond #301 8s. 9d. #175 #63 #238@Bureau #257 8s. 7d. #122 11s. 3d. #52 10s. #175 1s. 3d.@Toscano #289 7s. 10d. #123 16s. 7d. #66 1s. 3d. #189 7s. 10d.@Durancy and Wife #361 17s. 1d. #147 7s. #210 #357 7s.@Parant #218 15s. #108 10s. 10d. .... #108 10s. 10d.@Terodat #52 10s. #39 2s. .... #39 2s.@Kelly #30 18s. #30 18s. .... #30 18s.@Villiers #32 15s. #32 15s. .... #32 15s.@Chateauneuf #43 15s. #15 17s. .... #15 17s.@Dujoncel #36 15s. #24 13s. 6d. #12 1s. 6d. #36 15s.@Champville #87 10s. #52 10s. .... #52 10s.@StAmand #78 15s. #26 5s. #17 10s. #43 15s.@Totals #1,919 2s. 9d. #965 4s. 3d. #552 7s. 9d.@ @Other Expences@For the Play-House's Rent #110@For the Stage's Taylor #35 14s.@For the Expences of Four Representations acted #65 12s. 6d.@For the traveling Expences of Mr Monnet, and his Residence of twenty Months at London or Paris and the Expences for the Custom-House, Law, Prison #328 12s. 8d.@Whole Sum of the Expence #2,157 1s.@ @RECEIPTS@For Fifty-six Subscriptions, at Five Guineas each #294@Received from Four Representations acted at the Little Theatre in the Hay-Market #188 18s. 4d.@From a Subscription, by Mr Arthur, Master of White's Chocolate-House #367 10s.@Whole Sum of the Receipts #850 8s. 4d. @ Therefore the Expence exceeds the Money received by #1,306 12s. 8d. which Mr Monnet is entirely out of Pocket, besides two Years and a half of his Time spent for it. N.B. The Contracts are all made for Livres Turnois, and this Account is made upon a Calculation of 3 Livres Tournois for 31 1!2d. Sterling.--And the Contracts and Receipts are ready to be produced. [This account is by courtesy of Miss Sybil Rosenfeld from a photostat of the original (which is printed in both French and English) in the Bibliotheque National. See also British Magazine, August 1750, p. 322.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: III: Grand Scotch Dance, as17491031

Event Comment: Benefit for the Widow Jona and her Five Children. Tickets to be had at Arthur's Chocolate House, St James's St.; Prince of Orange's Coffee House, Haymarket; Forrest's Coffee House, Charing Cross; the Rainbow Coffee House in Cornhill; and Places for Boxes to be taken of Mrs Jona in Little Warwick St., Charing Cross, and of Mr Crudge at the stage Door

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: A Duke and no Duke

Dance: As17561023

Event Comment: Benefit for the General Lying-In Hospital for married and unmarried Women, in Duke's St., Grosvenor Square. Ladies desired to send servants by 3 o'clock. Tickets to be had at Arthur's, the Bedford, and the Temple Exchange Coffee Houses and also at the aforesaid Hospital. Tickets delivered for The Revenge will be taken. Next Week will be publish'd a Key to Lilliput in a letter to the Author of the Dramatic Entertainment. "Open Locks, whoever Knocks." Receipts: #266 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Virgin Unmask'd

Related Works
Related Work: An Old Man Taught Wisdom; or, The Virgin Unmask'd Author(s): Henry Fielding
Event Comment: The Profits of this Performance will be given to a Public Charity. Pit and Boxes 10s. 6d. First Gallery 5s. Upper Gallery 3s. 6d. The Ladies are desired for their own conveniency to come without Hoops, and to send servants by 3 o'clock to keep places. Tickets to be had at Arthur's Chocolate House and the St James Coffee House in St James's Street; The Mount Coffee-House in Grosvenor St.; the Cocoa-Tree in Pall Mall; George's facing the Haymarket; Tom's and the Bedford Coffee Houses in Covent Garden; and of Varney at the Stage Door, where Places may be taken

Performances

Mainpiece Title: Concerto Spirituale

Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

Event Comment: A Musical Entertainment, taken from the Memoirs of Geoffrey ap Arthur of Monmouth, that Monkish Historian. 5s., 3s., 2s. 6:30 p.m

Performances

Mainpiece Title: Galigantus

Event Comment: Mainpiece: By Particular Desire. N.B. The Jubilee, after this night, cannot be perform'd again for sometime on account of the Preparations for King Arthur

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): Henry Woodward
Event Comment: For twentieth night the New Masque in Three Parts call'd The Institution of the Garter, or Arthur's Round Table Restor'd, Paid six day's salary list at #83 10s. 7d. per diem #501 3s. 6d.; Paid Mrs Abington on Cloaths acct #2 2s.; Paid Mr Vernon per order on note #20; Rec'd Stopages #13 5s. (Treasurer's Book). Receipts: #142 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Institution of the Garter

Event Comment: Great Applause to Mr G. House (Hopkins Diary). N.B. King Arthur which was to be performed this evening for Mr Barry's Benefit, is oblig'd to be deferred till further notice, on account of his continuing ill. Receipts: #266 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mayor of Garratt

Dance: V: Comic Dance, as17720326

Event Comment: Benefit for Dickinson (1st Gallery office keeper). Paid Mr Cook's@6@boys in King Arthur 28th April #2 5s.; Mr Wrighten's note #21 (Treasurer's Book). Receipts: #269 3s. 6d. Charges: #84. Profits to Dickinson: #185 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Author

Related Works
Related Work: The Authors Farce; and, The Pleasures of the Town Author(s): Henry Fielding

Dance: III: Hornpipe-Walker; V: The Sailors Revels, as17720919

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Afterpiece Title: Harlequin Free-Mason

Event Comment: Mainpiece [1st time; T 5, by John Delap, based on the Suppliants, by Aeschylus, and the Haraclidae, by Euripides. Prologue by Hester Lynch Thrale (Thraliana, I, 484-85). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 57)]: With New Dresses and Decorations. Public Advertiser, 1 Mar. 1781: This Day is published The Royal Suppliants (1s. 6d.). Receipts: #181 10s. 6d. (158.0.0; 22.2.0; 1.8.6)

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: The Deuce is in Him