SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Haymarket"/1) | (@(roleclean,performerclean) "Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 211 matches on Event Comments, 11 matches on Performance Comments, 4 matches on Roles/Actors, 2 matches on Performance Title, and 0 matches on Author.
Event Comment: The Company may depend upon having an Additional Treat of Chocolate, but vastly different from that lately distributed by Harry the Smuggler [repeated 12, 15 April 1749]. As the Italian Cats would not do for the Haymarket, he has dispos'd of them to Drury Lane. The Fourth Day. [See 3 April.

Performances

Mainpiece Title: The Knights

Dance: A new Country Dance-

Event Comment: [M$Mrs Barrington, formerly Mrs Hale.] To the Author of the General Advertiser, &c. Sir: I am far from being of the opinion of too many of my countrymen, who exclaim against the performances of foreigners be they ever so extraordinary: on the contrary whenever I hear of a person who merits Encouragement from the Publick, I use all my interest in his favour; and will always continue so to do, though he should come from the extremity of the globe--Nor am I of the opinion of another class, who imagine no man can by a great performer unless he comes from a strange land. I am convinced we have an artist at present among us, as excellent in his way as ever was seen in Britain. He is an Englishman, and citizen of London; and without any instruction (as I am inform'd) performs all the surprizing Equilibres on the Slack Rope that were exhibited by the famous Turk. I have seem his performances once already and they gave me infinite pleasure. Tomorrow evening I intend to see them again, at the Theatre in the Haymarket, and heartily wish him the success he deserves, Yours, &c A. B. [See 23 Dec. 1749 note about Rich's engaging Caratha@the@Turk, and note, 28 Oct. 1749.] Receipts: #67 9s

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Phebe; or, The Beggar's Wedding

Event Comment: This is to acquaint the Publick that the Famous Turk Carata, who has already had the honour to entertain the town with his surprising Exercises on the SLACK ROPE, is arrived with a numerous company of Turks, Men and Women, and that he is to perform Tuesday the 31st Instant, at the New Theatre in the Haymarket. There will be dancing and music after the Turkish manner (General Advertiser). [His charges were: Box, 5s.; Pit, 3s.; Gallery, 2s. See notes for 29 Sept., and 23 Dec.] Receipts: #90 8s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Hob

Event Comment: FFrench Company--open'd at ye Haymarket Little House--several strove to pelt 'em off--but some Lords and officers drawing their Swords in their Defence, they went on & many people were wounded--a small opposition on Wed and Fry: following but without effect (Cross). Paid Blandford (Tallow Chandler) #19 2s. (Treasurer's Book). Receipts: #100 (Cross); #104 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchemist

Song: Master Mattocks

Ballet: SSavoyard Travellers. As17491110

Event Comment: Comedie du M de Moliere. There was a Riot again at the New Haymarket (Daily Advertiser, 17 Nov.)

Performances

Mainpiece Title: L'ecole Des Femmes

Afterpiece Title: Le Coq du Village

Event Comment: Mainpiece: Comedie in 5 Actes de Mr Baron. The alleged deposition of Wm Davison:...he on the 17th Day of November being the second Night of the French Strollers acting at the Theatre in the Haymarket, was at the Sign of the Globe, a Publick House about Nine of the Clock that Night, where this Deponent saw John Haines, one of the Waiters at the said Tavern, and several other Persons, to the Number of 16, dressed like Chairmen, each of which had a great Bludgeon in his Hand, which he put under his Coat, in order to hide the same, but in such a manner as this Deponent was capable of seeing said Bludgeons;...and was informed by several Persons of credit that they and others to the number of 30, were hired by Lord Trentham to protect the French Strollers from any Attempt that might be made to prevent their Acting [claims Haines had a list of their names and told them Lord Trentham would need them again on other nights] notarized before John Waple, 24 Nov. [Lord Trentham offered a fifty pound reward for the original copy of the above affidavit.] John Haynes...maketh Oath...that he...never had any Conversation directly or indirectly, with Lord Trentham, relating to the French Players, nor did the said Lord Trentham dine at the King's Arms on 17 Nov., nor did this Deponent see the said Lord Trentham on that Day, nor for several Days before, nor did the Deponent make use of the said Lord Trentham's name, in any conversation at the Globe Alehouse the said Lord Trentham was not in the least privy to this Deponent's going to the said little Theatre on the said 17th of Nov. with several Persons as mentioned in the affidavit or pretended affidavit of Wm Davison...Sworn the 26th Day of Nov., before me, H. Fielding. [This notice repeated in the General Advertiser for a week. The French players departed for France on 28 Dec.

Performances

Mainpiece Title: L'homme A Bonne Fortune

Afterpiece Title: La Chercheuse D'esprit

Event Comment: [The French Company advertised that it would not perform this day in honor of the birth of the Princesse de Galles, but would present on 24 Nov. Moliere's Tartuffe and Arlequin Nulla. The General Advertiser also carried the following long note from Lord Trentham on the following day]: To the worthy inhabitants of the City and Liberty of Westminster, Gentlemen: His Majesty having been graciously pleased to appoint me one of the Commissioners for executing the Office Lord High Admiral, by which my seat in Parliament is vacated; and the shortness of time not permitting me to apply personally to you, I take this method of entreating your votes and interest to be re-elected your representative in Parliament, which will ever be acknowledged by Gentlemen, your oblig'd and humble servant, Trentham. N.B. the Election comes on Tomorrow the 24th instant at Covent Garden at nine o'clock in the Morning. N.B.B. Whereas it has been maliciously reported, in order to impose on the worthy inhabitants of the City and Liberty of Westminster, and to prejudice me in their opinion at this time, that I was active in the disturbance at the French Playhouse last Tuesday night; I do declare upon my honour, that I was neither in the Pit nor Gallery where the Disturbance happened during the time of the performance, nor drew my sword, nor made use of any weapon, either to strike or terrify any of the spectators; nor was I even present at the first and chief disturbance at that playhouse; nor have I been at any Representation at that playhouse since the first Night of the Performance, as has been falsely suggested. Trentham" In a few days will be publish'd A Particular Account of the Disturbance in the Haymarket Theatre, on Tuesday and Wednesday the 14th and 15th Instant; in which the behaviour of a noble Lord will be fully vindicated. By one of the French Comedians

Performances

Event Comment: 'TTis said that the French Strollers will attempt again to play, in the Haymarket, after the violent Flame rais'd by them (London Evening Post)

Performances

Mainpiece Title: Il Negligente

Event Comment: [M$Mr Carata the Turk, 2nd Week's salary #26 5s. A Dancer on the slack rope. Met general approbation in London two years earlier. Engaged this season at the Haymarket, where he first perform'd "after the Turkish Manner with surprising execution on the slack wire" 31 Oct. 1749. Rich took him over in December and kept him on the payroll at #26 5s. weekly for thirteen weeks until 10 May 1750. His salary included pay for this equipment and apparently a small company of assistants, as the Account Book refers to him often as Carata the Turk & Co.] Receipts: #105 14s

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Perseus and Andromeda

Event Comment: Yesterday the celebrated Mr Punch [Edward Pinchbeck] and all his Family quitted his Theatre at the Tennis Court, in James St, near the Haymarket. The same to be sold with or without the Scenes and Properties belonging to it; it is sixty feet long and near forty feet wide (Daily Advertiser)

Performances

Event Comment: DDaily Advertiser [see Woodward's mimicry of Foote, 22 Jan.]: We hear from Drury Lane that on Monday night Harry the Smuggler, who was tried and convicted last summer in the Haymarket, was found hanging in one of the cells of that prison: It seems he has long had a Design to make way with himself and at several times procured poison from Foppington, Harry Wildair, Tom Thimble, &c. but the Quantity, though it made him exceeding sick, not being sufficient to dispatch him, he at last tuck'd himself up in his own Tit for Tat. When he was cut down he look'd very ghastly, and great groanings were heard in the prison before, at, and after his committing the Fact....It is very remarkable that he had on the very coat, which, in Conjunction with one Abel Drugger, not yet taken, he stole from Sammy the Auctioneer; but from the diligent search made after Drugger, it is believed he will soon be brought to Justice. Receipts: #60 (Cross); #67 8s. (Treasurer's Book)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: A Duke and no Duke

Dance: SSwedish Gardeners, as17491219

Ballet: SSavoyard Travellers. As17500118, but Principal Savoyards-Miss Baker, Mrs _Addison

Event Comment: Benefit for a Citizen in Distress. Benefit for Mr Buss. Cash #47 1s. 6d. plus tickets #46 19s. Total income #94 6s. (Treasurer's Book). Tickets to be had at Pinchbeck's Toy Shop, in the Haymarket; the Mitre, Union St., Westminster; The Rummer, Charing Cross, the Gentleman and Porter, Fleet St.; Mr Dickenson, Printseller, Fleet St., Doctor's Commons Coffee House; the Dog Tavern, Garlick Hill; the Three Tuns Aldgate; and of Hobson at the stage door. Tomorrow, the Merchant of Venice, for the Benefit of a Young Gentlewoman under misfortunes, by the bankruptcy of her Guardian (General Advertiser). Receipts: #93 (Cross); charges, #80 (Treasurer's Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Lying Valet

Dance: CComic Dance-Mathews, MacNeale, Miss Baker

Event Comment: Whereas Doctor John Francis Croza, late Master of the Company of Comedians at the Opera House in the Haymarket, escaped fro me on Tuesday Evening last: whoever will secure or cause him to be secured, so that I may re-take him, shall have a reward of thirty pounds immediately, paid by me Henry Gibbs, one of the Tipstaffs attending the court of Common Pleas, Southampton St., Covent Garden, Tea Merchant. N.B. The said John Francis Croza is a thin man, about Five feet five inches high, of a swarthy Complexion, with dark brown eyebrows, pitted with the small pox, stoops a little in the Shoulders, is about 50 Years of age, and takes a remarkable deal of Snuff, talks Italian and French, but speaks very little English (General Advertiser)

Performances

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Benefit for Miss Charlotte Skinner. Tickets to be had at Miss Skinner's Lodgings, No 4, Angel Court, Windmill St., Haymarket (Daily Advertiser). A Concert. As no money can be taken, only those given tickets by Miss Skinner can be admitted. As this Advertisement was sent too late to be altered in the Daily Advertiser, it is hoped that the Advertisement inserted in that Paper for this Entertainment will not be regarded, as to any Money being taken for places. To begin at 6 p.m

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Mrs Ward. Tickets to be had of Mrs Ward, next door to the Chapel, in Little Wild St., and of Hobson at the stage door. Tickets deliver'd out for Jane Shore will be taken. A Pamphlet having lately appeared in Ridicule of the late performance of Othello at Drury Lane, to which was subjoined an Advertisement in my name,from whence Occasion has been taken to assert, that I was the publisher, the Publick may be assured that advertisement was inserted without my knowledge or consent, that I am entirely ignorant of the Author, nor am the least concerned in that mean invidious affair. F. Stamper (General Advertiser). [Stamper possibly refers to A satirical Dialogue Humbly address'd to the Gentlemen who deformed the play of Othello; with a Prologue and Epilogue, much more suitable to the occasion than their own. London: River, 1751, listed in the Register of Books, Gentleman's Magazine, March 1751, p. 142. Stamper may also be alluding in some way to a Modern Character introduced in the Scenes of Vanbrugh's Aesop as it was acted at a late private representation of King Henry IV, performed gratis at the Little Opera House in the Haymarket, 3rd edn. 1751, written by F. Stamper. It was published because the farce was hissed off the stage. The Character is a Spouter who tries to instruct Aesop in heroics.] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: Devisse, Mad Auretti, Harvey, Mad Camargo

Event Comment: Benefit for Berry. Tickets at Popes Perke maker Russell St., and at the Stage Door. Tickets deliver'd out for 26 March will be taken. At Punch's Theatre in James St., near the Haymarket, this, and every Evening this week, the Town will be entertained with Yeates's inimitable dexterity of Hand; likewise by Mr Punch's Company of performers will be exhibited the play of Jane Shore. To conclude with a New Grand Machine, representing the Temple of the Sunv, at Mexico, in North America, which has given universal satisfaction to the Nobility and Gentry (General Advertiser). Receipts: #212 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Costollo and Miss Minors. Tickets of Costollo at his lodgings at Mr Waiter's, Chymist, the Golden Cross, in Russel St., Covent Garden; of Miss Minors, at Mr Nichols's a Baker, in Catherine St., near Russel Court, and at the Stage Door. We are assured that Sg Giardini's Performance on the Violin, at Sga Cuzzoni's Benefit, at the New Theatre in Haymarket, on Saturday Night last, gave the highest pleasure to several of the best judges of that instrument. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Event Comment: [The theatres this night met competition from (I) an Assembly at the king's Theatre in the Haymarket, tickets 26s. each, to admit one Gentleman and two ladies. (2) another Assembly at the Five Bells Tavern, behind the New Church, in the Strand, where was opened the Temple of Taste, where will be exhibited a grand concert of Music. Also an attempt towards the Introduction of a new rational entertainment, consisting of an Occasional Prologue by a Gentleman; a panegyric on the Utility of Public Speaking, in which the Design is particularly illustrated; Propositions made from a Gentleman in the Chair, to be debated by the company, such as the Gay and Polite may be supposed to understand, and speak upon with success; to conclude with an Original Epilogue; the whole interspers'd with several grand concertos, Overtures, and Full pieces of Musick. This design, which has for its object the interest of Knowledge, Eloquence and Politeness, needs no Apology, and can be opposed by those, with whom to be at variance, is Virtue. No subject of so Sacred Nature as Religion, will be there canvass'd nor anything that can give Occasion to Indecency, or unmannerly reflection on any Undertaking or Party.-In this attempt all Men of Taste are interested, as they will have an opportunity not only of being pleased, but giving pleasure by considering every subject with candour, and reasoning upon it, with Eloquence and propriety. To this entertainment, the Ladies are likewise invited, who have an unexceptionable right to be present at all Attempts, calculated for the promotion of knowledge, and as their appearance will naturally secure polite behavior, so they may reap some advantage from the Circulation of ideas, which is such an Assembly must necessarily take place. The price of entrance-half a crown each. To begin precisely at seven. The room which is very commodious, will be elegantly illuminated. The SUBJECT for the first Night's Debate will be, "If the Custom of Portioning Daughters was entirely suppress'd, would it not be a good Expedient towards the promotion of Matrimony and the felicity of that state." It continued on four Wednesday nights. Then seems to have died.

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Harlequin Sorcerer

Event Comment: On Wednesday next in the Evening Mrs Midnight's Concert and Oratory will again be performed...at the Haymarket. The last time this Entertainment was performed, the House was crowded, that many Hundreds could not get admittance, and persons of Quality and Distinction found Satisfaction...My Service to Sister Henley. Mary Midnight (Daily Advertiser)

Performances

Event Comment: [Benefit] for 3 orphan Daughters of a Cit of London (Cross). Tickets to be had at Will's and the Union Coffee House in Cornhill; Grigsby's behind the Royal Exchange; Seagoes in Holborn; the Bedford in Covent Garden; George's in the Haymarket, and at the Stage Door of the Theatre, where places for the Boxes may be taken. Receipts: #264 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Anatomist

Song: II: Beard

Event Comment: [Letter to Woodward from Samson Edwards, The Merry Cobler of Haymarket. Answer to Henry Woodward's reply on Hill's Letter, 6d. Ironical defense of Hill casting further opprobrium upon him.] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Anatomist

Event Comment: Any Person of whatever Party, Perswasion, Countenance, or Country, who is able to entertain the Publick in a singular and agreeable Manner, may enter into present Pay and good Quarters, with Mrs Midnight's Band of Originals, by applying to her at the Theatre in the Haymarket, any evening at five 'oclock. [Notice repeated.] Sixteenth Day

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: Animal Pantomime

Event Comment: Mainpiece: By Desire. The Play of As You Like It designed for tomorrow, for the Benefit of a Distress'd Family, is oblig'd, on account of the Ball at the Haymarket, to be deferr'd till farther notice (playbill). Receipts: #200 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Genii

Event Comment: As my Monkeys and me and my Dogs am promised to go to L'Haye and Vienna after some Days more, the grand Noblemans and Gentlemans of this Nation England do desire me to perform every Night, and so me shall do with Mrs Midnight at the Haymarket Playhouse this Thursday Night. Ballard Mango, my big Monkey, will talk the Prologue

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: Animal Pantomime