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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hay"/1) | (@(roleclean,performerclean) "Hay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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463 results for: Keyword - Hay
We found 252 matches on Event Comments, 135 matches on Performance Title, 68 matches on Roles/Actors, 67 matches on Performance Comments, and 0 matches on Author.

201
21 February 1728 @ Haymarket Theatre

Event Comment: A Dramatick Entertainment of Dancing in Grotesque Characters, the whole entirely new. [In previous weeks Mrs Violante had been offering miscellaneous entertainments at the hay, but this is the first piece which begins to resemble a dramatic production.

Performances

Mainpiece Title: The Rivals; Or, The Happy Despair

202
30 September 1729 @ Blackheath

Event Comment: By a Company of Comedians from the Hay-Market. At the Great Theatrical Tyl'd Booth, during the four Days of Black-heath Fair. From 1 P.M. to 10 P.M

Performances

Mainpiece Title: The Beggar's Wedding

Afterpiece Title: Flora

Dance:

203
29 November 1729 @ Front Long Room

Event Comment: By a Company under the Direction of Mr Aston. At the Front Long Room, next to the Opera-House in the Hay-Market. Price 2s. 6d. At 6 P.M. N.B. We perform henceforward on Mondays, Wednesdays, and Fridays only

Performances

Mainpiece Title: Tunbridge Walks

Song: Between the Acts: New Comical Songs-; particularly A Dissertation on the Famous Beggar's Opera-

204
14 September 1730 @ Southwark Fair

Event Comment: By the Company of Comedians from the Hay-Market at the Great Theatrical Booth in Bird-Cage Alley

Performances

Mainpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Afterpiece Title: Harlequin's Contrivance; or, The Plague of a Wanton Wife

Song: Mrs Nokes

205
09 October 1730 @ King's Theatre

Event Comment: DDaily Journal, 9 Oct.: There are Grand Preparations making at the Opera-House in the Hay-Market by New Cloaths, Scenes, &c. And, Senesino being arrived, they will begin to perform as soon as the Court comes to St. James's

Performances

206
03 December 1730 @ Drury Lane Theatre

Event Comment: Benefit Carey. With some Additional Songs proper to the Characters, which will be printed, and given Gratis to all Persons at their Entrance. [A Tragedy of half an act entitled Did You Ever See The Like? was advertised as an afterpiece for this day 1n Fog's, 28 Nov.] Daily Post, 3 Dec.: Our Friend Harry Carey having this Night a Benefit...the Powers of Music, Painting, and Poetry, assemble in his Behalf, he being an Admirer of the three Sister Arts: The Body of Musicians meet in the Hay-market, from whence they march in great Order, preceded by a magnificent moving Organ, in Form of a Pageant, accompany'd by all Kinds of Musical Instruments ever in Use, from Tubal Cain to this Day: A great Multitude of Booksellers, Authors and Printers, form themselves into a Body at Temple-Bar, from whence of Printers Devils, with their proper Implements: Here the two Bodies of Music and Poetry are joined by the Brothers of the Pencil, where taking a Glass of Refreshment at the Bedford-Arms, they make a solemn Procession to the Theatre, amidst an innumerable Croud of Spectators

Performances

Mainpiece Title: Greenwich Park

Song: A Dialogue of Mr Henry Purcell-Mrs Carey, Miss Raftor; A Cantata of Mr Carey's-Miss Raftor

Dance: Essex, Lally, Rainton, Mrs Walter, Miss Robinson, Miss Brett

207
13 February 1731 @ Haymarket Theatre

Event Comment: See Universal Spectator, 13 Feb., for an essay on a rehearsal of The Indian Empress, forthcoming at hay, and British Journal, 13 Feb., for a discussion of some new plays of the season

Performances

208
20 August 1731 @ Haymarket Theatre

Event Comment: DDaily Courant, 25 Aug.: On Friday Night last the Constables of Middlesex and Westminster went to [hay] in order to apprehend the Actors and Players there, upon a Warrant signed by several of his Majesty's Justices of the Peace, against them as Rogues and Vagabonds, but they all made their Escapes

Performances

Mainpiece Title: Hurlothrumbo

209
03 March 1732 @ Haymarket Theatre

Event Comment: As 2 March. According to Daily Post, 4 March, the new English Opera of Amelia was rehearsed at hay on 3 March by a Set of Performers that never appeared before upon any Stage

Performances

Mainpiece Title: The Blazing Comet

Cast
Role: Lady Flame Actor: Mrs Haywood

210
26 September 1733 @ Drury Lane Theatre

Event Comment: Mainpiece: With an additional Scene written by the late Sir John Vanbrugh. [See Daily Journal, 26 Sept., for a discussion of the relationship between the Patentees of DL and the rebelling actors, opening at HAY, with particular reference to The Impartial State of the Dispute; see also 4 June 1733.]

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Devil to Pay

Music: Select Pieces between the Acts, Composed by Mr Lampe

Dance: Drunken Peasant by Le Brun. English Maggot by Lally Jr and Mrs Walter

211
26 September 1733 @ Haymarket Theatre

Event Comment: By the Company of Comedians of his Majesty's Revels. Mainpiece: Written by the late Mr Congreve. All the Characters entirely new drest. With new Scenes and Decorations. [This is the opening of HAY by the dissenting actors under Theophilus Cibber. For a Prologue intended to be spoken on this night, see The Honeysuckle (1734), pp. 113-15.] At Common Prices. 6 P.M

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: By Miss Robinson, Janny, Fisher Tench, Miss Mann

212
05 November 1733 @ Haymarket Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late N. Rowe, Poet-Laureat. With New Habits. Afterpiece: Set to Musick by Mr T. Arne Jr. [See Daily Post, 6 Nov., and London Evening Post, 6 Nov., for prosecution of actors at HAY by officials of DL, CG, and GF.]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Opera of Operas

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Dance: As17331031

213
09 November 1733 @ Haymarket Theatre

Event Comment: Mainpiece: Taken from Moliere by the late Mr Betterton. Afterpiece: As 8 Nov. [HAY also announces it intends to perform a new masque, Love and Glory, in honor of the approaching Royal Nuptials, but, the time being short, the theatre will first bring on an Impromptu Revel Masque]

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Afterpiece Title: The Opera of Operas

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Dance: In Afterpiece: Les Bergeries, as17331108

214
02 February 1734 @ Inner Temple

Performances

Mainpiece Title: Love For Love

Performance Comment: By the New Hay market Company .

215
08 March 1734 @ Hickford's Room

Event Comment: Benefit John Richter. 7 P.M. Daily Advertiser, 9 March: Yesterday the Company of Comedians in the Hay-Market took Possession of Drury Lane Theatre

Performances

Mainpiece Title: Concert

216
08 March 1734 @ Drury Lane Theatre

Event Comment: Comment. Daily Advertiser, 9 March: Yesterday the Company of Comedians in the Hay-Market took Possession of Drury Lane Theatre

Performances

Mainpiece Title: Concert

217
16 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchymist

Performance Comment: As at HAY 20 Dec. 1733, but in Neighbours Jones replaces Harrington, Leigh replaces Tenoe .

Afterpiece Title: The Devil to Pay

Music: Select Pieces

Dance: Polish Dance, as17340312 Grand Dance in Momus: Les Plaisirs-Essex, Miss Robinson; Swains-Boval, S. Lally, Davenport; Nymphs-Miss Latour, Mrs Walter, Mrs Davenport; Sailor-Nivelon; Lively Lass-Miss Mann

218
18 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As at HAY 20 Oct. 1733, but Edging-Mrs Clive .

Dance: French Sailor and his Lass by Malter and Mlle Salle. Scotish Dance, as17331004. Pigmalion, as17340114

219
19 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Performance Comment: As at HAY, 3 Nov. 1733 .

Afterpiece Title: The Devil to Pay

Dance: English Maggot by Lally and Mrs Walter. Dutch Woman by Miss Robinson. Revellers by Essex, Miss Latour, Lally, Holt, Miss Mann, Miss Brett. Pierrots by Poitier and Nivelon. Polonese, as17340318

220
21 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Silent Woman

Performance Comment: As at HAY, 22 Dec. 173 3 .

Afterpiece Title: Love and Glory

Music: Select Pieces between the Acts

221
22 March 1734 @ Hickford's Room

Event Comment: Benefit Caporale, First Violoncello in the Opera at the Hay-Market. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Several Solos on the Violoncello by Caporale

222
26 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Performance Comment: As at HAY, 5 Dec. 1733 .

Afterpiece Title: The Devil to Pay

Dance: Clown by Nivelon. Watteau by Miss Robinson. English Maggot by Lally and Mrs Walter. Revellers, as17340319

223
28 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As at HAY, 27 Oct. 1733, but Lady Darling-Mrs Shireburn; Angelica-Miss Holliday .

Afterpiece Title: Love and Glory

Dance: I: Drunken Peasant by Le Bran. II: Pierrots by Poitier and Nivelon. III: Polonese, as17340325 IV: English Maggot by Lally Jr and Mrs Walter. V: Grand Dance in Momus, as17340316

224
04 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Performance Comment: As at HAY, 26 Sept. 1733 .

Dance: I: Pierrots by Poitier and Nivelon. III: Black and White Joak by Nivelon and Miss Mann. IV: Revellers by Miss Latour and others. V: Dutchwoman by Miss Robinson

Song: II: Quanto dolce, duanto care by Miss Arne

225
15 April 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Silent Woman

Performance Comment: As at HAY, 22 Dec. 1733 .

Afterpiece Title: Cupid and Psyche