SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hay"/1) | (@(roleclean,performerclean) "Hay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 252 matches on Event Comments, 135 matches on Performance Title, 68 matches on Roles/Actors, 67 matches on Performance Comments, and 0 matches on Author.
Event Comment: [Lacy's 1st appearance at the HAY was on 13 Sept. 1784.]

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Peeping Tom

Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: St

Dance: End of mainpiece The Merry Sailors by Byrn, &c

Event Comment: [Mrs Wells was from the HAY.] Afterpiece: Never performed here. [Prologue by Miles Peter Andrews.] Receipts: #204 2s. (197/13; 6/9)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Fool

Dance: As17851112

Event Comment: Benefit for Mrs Inchbald. Mainpiece: By Permission of Colman [proprietor of the HAY, owner of the copyright of the play, and author of Epilogue]. Morning Chronicle, 22 Apr.: Tickets to be had of Mrs Inchbald, No. 10, Great Russel-street, Covent Garden. Receipts: #107 8s. (71/17/6; 5/1/6; tickets: 30/9/0) (charge: #105)

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Dance: As17851112

Event Comment: Afterpiece: Written by O'Keeffe, Author of The Poor Soldier, &c, and perform'd at the Theatre Royal, Hay-Market, with universal Applause

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Agreeable Surprise

Event Comment: Benefit for Mrs Waldron. Mainpiece: Written by the celebrated General Burgoyne (Tam Marti quam Mercurio), and performed near Forty Nights last season at the Theatre-Royal, Drury-Lane, with unprecedented Applause. 2nd piece: Written by O'Keeffe, set to music by Shield, and performed with unceasing Applause at the Theatre-Royal in the Hay-Market

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

Event Comment: Benefit for Miss Woollery. [As afterpiece the playbill announces A Beggar on Horseback, but "on account of Edwin's being unluckily hurt by a fall from his horse, the farce was changed to A Mogul Tale (General Advertiser, 15 July).] Morning Chronicle, 10 July: Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Lacy; Cassio-Bannister Jun.; Brabantio-Aickin; Roderigo HAY R. Palmer; Duke-Gardner; Lodovico-Usher; Montano-Riley; Iago-Bensley; AEmilia-Mrs Bates; Desdemona-Miss Woollery .

Afterpiece Title: A Mogul Tale

Dance: As17860706

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Smith; Manly-Bensley; Count Basset-Dodd; John Moody-Moody; Squire Richard-Suett; Sir Francis Wronghead-Parsons; Lady Grace-Mrs Ward; Lady Wronghead-Mrs Hopkins; Miss Jenny (with songs)-Mrs Forster; Trusty-Mrs Heard; Myrtilla-Miss Barnes; Mrs Motherly-Mrs Love; Lady Townly-Mrs Brooks (of hay).

Afterpiece Title: Too Civil by Half

Dance: End: The Lucky Return-Hamoir, the Miss Stageldoirs

Event Comment: Benefit for the London Hospital. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre; the Doors of which will be opened at 5:30, and the Performance to begin precisely at 6:30. No Money to be returned after the Curtain is drawn up, nor will any Person be admitted behind the Scenes. [Master Braham is identified in Grove. Address by Arthur Murphy (Town and Country Magazine, July 1787, p. 324).] This was the opening night of this theatre, which had been built by and was under the management of John Palmer. Following the afterpiece he explained to the audience the objections of the proprietors of dl, cg and hay to his opening the theatre. He said that he had from the Lieutenant of the Tower of London what he considered to be sufficient permission, but that he would nevertheless close the theatre temporarily. Palmer's difficulty was that he had no really legal permission from anybody for the performance of actual plays. See 3 July, and for further details the head-note to this season. World, 18 July, prints an official accoudting for this night from the theatre's treasurer: Receipts were #273 12s.; paid for music, advertisements, servants, &c. #37 10s.; lost in bad silver #1 19s.; paid the London Hospital #234 4s.; the players acted without salary

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Event Comment: Benefit for Jewell, treasurer. 2nd piece: Taken from The Devil upon Two Sticks. 3rd piece: Never performed here. Public Advertiser, 8 Aug.: Tickets to be had of Jewell, No. 26, Great Suffolk-street, Hay-market

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Event Comment: Benefit for Mrs Martyr. [1st piece in place of Look before You Leap, advertised on playbill of 10 Apr. This new farce was withdrawn from cg, and 1st acted at the hay, 22 Aug. 1788.] 2nd piece: In 3 acts. General Advertiser, 5 Apr.: Tickets to be had of Mrs Martyr, No. 28, Great Pultney-street. Receipts: #260 17s. (152.9; 3.17; tickets: 104.11)

Performances

Mainpiece Title: The Poor Soldier

Afterpiece Title: The Winter's Tale

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Song: End: The new Four@and@Twenty Fidlers-Edwin; In II 2nd piece: Come come my good Shepherds-Mrs Martyr

Entertainment: Monologue. End 2nd piece: A Description of the Curiosities in the Tower-Edwin

Event Comment: Benefit for Wild. 1st Piece: 1st Time at this Theatre, and with Permission of G. Colman, Esq. [owner of the copyright]; written by Joseph Atkinson, Esq. [i.e. altered from his The Mutual Deception (see hay, 29 Aug. 1786)]. 2nd piece: Not acted these 2 years. 3rd piece: Not acted these 7 years [acted 23 May 1783]. Receipts: #225 0s. 6d. (113.0.6; 5.5.0; tickets: 106.15.0)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

Event Comment: Benefit for Morigi. A Comic Opera, the music by Paisiello; under the direction of Mazzinghi. Tickets to be had of Morigi, No. 3, Angel-court, Windmill-street, Hay-market. Miss Harvey's tickets will be admitted for the Opera. Receipts not listed

Performances

Mainpiece Title: La Frascatana

Dance: End I: New Ballet, as17880426; with a Pas de Deux-Miss Harvey, Henry

Song: In opera: the Grand Quintetto (never performed in this Country)-; several beautiful parts of music as performed in the original Opera-

Ballet: End Opera: L'Amour et Psiche. As17880129, but Hymen-Henry in place of Chevalier; Graces Furies and Fates-Mlle _Vedie, Miss Harvey, _Jacolet, _Saulnier, _Sala; Didelot_; Coulon_

Event Comment: Tickets delivered for this Evening [Account-Book: by Brady, Dale, the D'Egvilles, Jones, Lyons, Powell, Sherratt, Smith, Whittow, Mrs Heard, Mrs Haskey, Mrs Mills, Miss Palmer, Mrs Shaw] will be admitted. [Miss Davies's 1st appearance, billed as "A Young Lady," was at the hay, 28 July 1786.] Receipts: #279 12s. 6d. (16.1.0; 10.8.6; 0.6.0; tickets: 252.17.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the World's a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice at the Theatre. [On this night Burton and Phillimore acted in the mainpiece at dl and in the afterpiece at the hay.

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Agreeable Surprise

Dance: End III: Dance-Byrn, Mrs Goodwin

Event Comment: [Miss Collett was from dl. Burton is listed in the afterpieces at both dl and the hay.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mayor of Garratt

Dance: In III: Hornpipe-Byrn

Event Comment: Benefit for the Author of the Farce [who is named in Kemble Mem., but not on the playbill. Kemble's 1st appearance as Leon was at Smock Alley Theatre, Dublin (Genest, VI, 295); Palmer's as the Copper Captain at hay, 15 July 1777]. Receipts: #133 15s. (94.17; 37.3; 1.15; tickets; none listed) (charge: #105)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Doctor and the Apothecary

Event Comment: Mainpiece: Not acted these 6 years. [Mrs Farmer is identified by MS annotation on Kemble playbill. Her 1st two appearances had been at the hay on 29 Aug. 1787 and 9 Sept. 1788.] Receipts: #157 19s. 6d. (121.1.0; 36.12.0; 0.6.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Selima and Azor

Song: End IV: a Funeral Procession to Monument of Capulets-; In which a Dirge by Linley? Sen-; Vocal Parts-Dignum, Sedgwick, Danby, Wilson, Alfred, Lyons, Cox, Mrs Love, Mrs Booth, Miss Barnes, Mrs Shaw, Miss Stageldoir, Miss Collett, Miss Romanzini

Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: Mainpiece: Not acted these 2 years. Some of the Airs compiled from the best Masters. The rest of the Music, the Overture, Accompanimedts, &c. by Linley? Sen. [Mrs Edwards was from the hay.] Receipts: #197 16s. 6d. (169.19.0; 26.14.6; 1.3.0)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Event Comment: Benefit for Phillimore, Miss Barnes & Miss Tidswell. Mainpiece: Not acted these 8 years [acted 20 May 1783]. [Kean was from the hay.] Receipts: #283 11s. 6d. (15.12.0; 15.3.6; 0.16.0; tickets: 252.0.0) (charge: #106 1s. 8d.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Minor

Song: Between acts: Miss Barnes

Entertainment: Monologue. As17890527

Event Comment: [Miss Prideaux was from the hay.] Receipts: #170 12s. 6d. (119.18.0; 48.12.0; 2.2.6)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Virgin Unmask'd

Event Comment: Afterpiece: Not acted these 4 years. [Bannister Jun.'s 1st appearance as Young Philpot was at the hay, 7 Sept. 1789.] Receipts: #191 5s. 6d. (162.7.0; 27.3.0; 1.15.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Bannister Jun. (1st appearance in that character on that stage); Wilding-R. Palmer; Sir Jasper Wilding-Burton; Beaufort-Haymes; Quildrive-Banks; Dapper-Fawcett; Old Philpot-Baddeley; Corinna-Miss Tidswell; Maria-Miss Farren.
Cast
Role: Beaufort Actor: Haymes

Song: As17891017

Event Comment: Benefit for Bannister. [Mrs Wells had 1st acted Macheath at the hay, 14 Sept. 1781; Bannister had acted Polly at the same theatre, 16 Sept. 1785.] Gazetteer, 3 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. "There is now a most vehement rage of innovation in language, government, religion, and everything else...On the British stage, with infinite applause, young and beautiful actresses perform sometimes the Parts of highwaymen; and some singing actors squall in an affected voice resembling, and intended to imitate, that of women; the most humourous dramatic pieces are frittered away into songs; and I should not be surprised to hear that henceforth Miranda and Juliet are to be personated by grim-visaged grenadiers seven feet high, and Falstaff by a slender miss just entered her teens" (Universal Magazine, Mar. 1795, p. 171). Receipts: #285 14s. (162.4.6; 5.9.6; tickets: 118.0.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister