SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hay"/1) | (@(roleclean,performerclean) "Hay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 252 matches on Event Comments, 135 matches on Performance Title, 68 matches on Performance Comments, 68 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Afterpiece: Never performed here. Written by [John] O'Keeffe; As it was performed at the Theatre Royal in the Haymarket [beginning with 4 Sept.], with the greatest Applause. The Overture and new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #205 7s. 6d.(203/6/6; 2/1/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Agreeable Surprise

Performance Comment: Characters by Reinhold, Wilson, Davies, Webb, Egan, Stevens, Painter, J. Wilson, Edwin; Mrs Webb, Mrs Wilson, Mrs Poussin, Miss Harper-[Cast from Public Advertiser, 26 Nov., and adjusted from HAY playbill of 4 Sept.: Compton-Reinhold; Sir Felix Friendly-Wilson; Eugene-Davies; Chicane-Webb; John-Egan; Thomas-Stevens; Stump-Painter; Cudden-J. Wilson; Lingo-Edwin; Mrs Cheshire-Mrs Webb; Cowslip-Mrs Wilson; Fringe-Mrs Poussin; Laura-Miss Harper.] hathi. hathi.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Son in Law

Performance Comment: Principal Characters by Wilson, Edwin, Robson, Lee Lewes, Quick, Egan, Stevens, Thompson, Bannister; Mrs Davenett, Miss Harper. [Probable cast adjusted from HAY playbill of 9 June 1781: Cranky-Wilson; Bowkitt-Edwin; Bouquet-Robson; Vinegar-Lee Lewes; Orator Mum-Quick; Idle-Egan; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Davenett; Cecilia-Miss Harper. Thompson is unassigned.] hathi. hathi.

Dance: As17811101

Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

Event Comment: Benefit for Zuchelli, Delpini & the Miss Stageldoirs. Mainpiece: With Alterations [by Richard Brinsley Sheridan]. Afterpiece [1st time; P 2, author unknown]: The whole under the direction of Delpini and Zuchelli. The Music by the celebrated Chevalier Clough. An Historical Account of the Pantomime, with the Songs, may be had at the Theatre. Morning Herald, 27 Apr.: Tickets to be had of Zuchelli, No. 81, Hay-market; Ibid, 30 Apr.: of the Miss Stageldoirs at their house, No. 26, Crown-street, Little Russel-street, Covent-garden [Delpini not listed]. Receipts: #226 13s. (67/7; 28/12; 0/3; tickets: 130/11) (charge: #120 16s. 9d.)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Don Juan or The Libertine Destroyd

Dance: End of Act III of mainpiece a new Masquerade Dance, in which a Minuet by Zuchelli and Miss M. Stageldoir; Afterpiece to conclude with a Dance of Furies (performers not listed)

Song: In Masquerade Dance a favorite song by Miss Romanzini, and to conclude with a Serious and Comic Air by Delpini

Event Comment: Benefit for Wood, Percey, Cameron & Morris. [Palmer's 1st appearance as Archer was at the HAY, 17 Aug. 1779. Afterpiece in place of The Alchymist, announced on playbill of 30 May.] Receipts: #254 17s. (36/2; 19/6; 0/0; tickets: 199/9) (charge: none listed)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Irish Widow

Event Comment: Mainpiece: With Alterations in the Dialogue and New Music [i.e. 6 new songs by John O'Keeffe with music by Michael Arne: 3 sung by Fairfield, and 1 each by Theodosia, Farmer Giles and Fanny. They are printed in London Chronicle, 26 Sept. and in Town and Country Magazine, Sept. 1782,p. 452]. The Words of the New Songs will be given at the Boxes. Afterpiece: 6th time [i.e. in continuation of the reckoning for the previous season]. [Brett was from the HAY.] Receipts: #271 10s. 6d. (269/4/6; 2/6/0)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Retaliation

Dance: End of Act I of mainpiece The Belle of the Village by Harris and Miss Matthews

Event Comment: [Mrs Wheatley, for whom see HAY, 26 Aug. and 2 Sept. 1782, is identified in European Magazine, Oct. 1782, p. 308.] Receipts: #232 (223/17/6; 8/2/6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Dance: End of mainpiece, as17820925

Event Comment: Mainpiece: Not acted these 6 years [acted 9 Apr. 1778]. [Staunton was from the HAY.] Receipts: #125 13s. (93/6/0; 31/9/6; 0/17/6)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Too Civil by Half

Dance: End of mainpiece, as17821005

Event Comment: Benefit for Lepicq. Tickets to be had of Lepicq, No. 9, facing the Opera-house, Hay-market. [Public Advertiser, 14 Mar.: La Bigueule composed by Lepicq; music by Borghi.]

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

Event Comment: Benefit for Mme Rossi. Tickets to be had of Mme Rossi, No. 80, near the Opera-house, Hay-market

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

Event Comment: Benefit for Mlle Theodore. Tickets, 10s. 6d. each, to be had of Mlle Theodore, No. 46, Rupert-street, Hay-market

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

Event Comment: Benefit for Waldron. Public Advertiser, 9 May: Tickets to be had of Waldron, No. 19, Martlet-court, Bow-street, Covent Garden. Mainpiece [1st time in London; C 5, by Francis Godolphin Waldron, 1st acted at Richmond, Aug. 1782, as The Belle's Stratagem; or, The Female Fortune-Hunters, and again at the HAY in 1794 as Heigho for a Husband! Prologue by the author (MacMillan, Larpent Catalogue, 100). Author of Epilogue unknown. MS: Larpent 599; not published]. Afterpiece: Not acted these 8 years. The Indisposition which prevented King from performing last Friday continuing, Palmer has very kindly undertaken and studied the Character King intended to have appeared in this Evening. Receipts: #126 15s. 6d. (34/5/0; 21/18/6; 2/15/0; tickets: 67/17/0) (charge: #106 9s. 8d.)

Performances

Mainpiece Title: Imitation Or The Female Fortune hunters

Afterpiece Title: The Ladies Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

Event Comment: The last Time of the Company's performing this Season. [On this night Wewitzer acted both at CG and the HAY.] Receipts: #135 3s. 6d. (132/14/6; 2/9/0). Account-Book, 7 June: Paid Harris for One Year's Superintendence #500, Garton [treasurer] in full of his Salary #238, Miss Younge in lieu of Cloaths this Season #200; 30 June: Paid Lewis in full for Salary as Acting Manager #200. Between 7 and 30 June various sums, a few of which are here specified, were entered in the Account-Book as being paid to the following tradesmen and others: perukemaker, fireworks maker, blacksmith [#277 6s.], basketmaker, scalemaker, haberdasher, sadler, bill-sticker, turner, harpsichord-tuner, silk-dyer, printer, sawyer, plumber, linen-draper, woollen-draper, brazier, coal merchant [#189 8s.], timber merchant [#500 8s.], stonemason, hosier, music copier, shoemaker, painter, tinman, oil merchant [#452 2s.], gunsmith, worsted laceman, book-binder, glazier, copper laceman [#127 15s.], silk mercer, tallow chandler, stationer, engine-maker, gold-beater, furrier, watch-maker, bookseller, victualler, rope-maker, embroiderer, bricklayer [#226 14s.], wax chandler [#501 2s.], upholsterer [#729]. Many of these disbursements had to do with the extensive rebuilding of the theatre

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Rosina

Event Comment: [Miss George was from the HAY.] Receipts: #174 19s. (123/3; 3/51/16; 0/0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Alchymist

Dance: In Act I of mainpiece a Country Dance incident to the Piece (performers not listed); End of Act II, as17830918

Event Comment: [Lee Lewes's 1st recorded appearance as Falstaff was at Manchester, 19 Dec. 1777. Miss Farren's 1st appearance as Mrs Ford was at the HAY, 24 Aug. 1781.] Receipts: #277 2s. (273/15; 3/2; ticket not come in: 0/5)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior

Event Comment: Benefit for Bannister. Gazetteer, 16 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Hay-market. King Lear [announced on playbill of 29 Mar.] cannot be performed, on account of Henderson's Indisposition. Tickets for King Lear will be admitted. Receipts: #244 9s. 6d. (140/7/6; tickets: 104/2/0) (charge: #105)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: End of mainpiece September the Thirteenth proud Bourbon may mourn, from Gretna Green (composed by Dr Arnold) by Bannister

Event Comment: Benefit for Bannister Jun. Public Advertiser, 17 Apr.: Tickets to be had of Bannister Jun., No. 6, Great Russel Street, Covent Garden. Mainpiece: Not acted these 20 years [not acted since 21 Oct. 1760]. Afterpiece: For that night only; never acted here. [Miss Bannister's 1st appearance on the stage was at HAY, 27 Aug. 1783.] Receipts: #206 19s. 6d. (114/1/0; 23/7/6; 1/5/0; tickets: 68/6/0) (charge: #108 14s. 3d.)

Performances

Mainpiece Title: Cato

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza Haywood

Dance: As17840311athi

Song: End of Act II of mainpicce Auld Robin Grey, as17840426 imitations. After the Dancing, various Imitations, Vocal and Rhetorical by Bannister Jun

Event Comment: [Extra night] Benefit for Wild. Wild respectfully informs the Public, on account of the Loss he sustained by his former Night [see 17 May], the Managers of Covent Garden and Hay-market Theatres, as well as the several Performers, have granted him their free Assistance. Receipts: none listed

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Comus

Dance: End of Act III of mainpiece Dance by Byrne and Mrs Goodwin; End of Act IV Dance by Harris and Miss Besford

Song: In afterpiece Sweet Echo, as17840323but accompanied by Foster

Event Comment: [On this night Edwin, Miss Morris and Mrs Bannister appeared both at CG and the HAY.]

Performances

Mainpiece Title: Seeing Is Believing A Dramatic Proverb

Afterpiece Title: Gretna Green

Afterpiece Title: The Election of the Managers

Event Comment: Benefit for Brett. Public Advertiser, 22 July: Tickets to be had of Brett at Warburton's, Hay-market

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Dance [probably The Medley], as17840528

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Midas

Performance Comment: As17840724 HAY.

Music: End of Act III of mainpiece a clarinet concerto by Mahon

Song: End of Act II of mainpiece a favorite Scotch song; End of Act IV a favorite Irish ballad, both by Miss George

Monologue: 1784 08 03 End of mainpiece (for that night only) Buds, have at ye all! by Palmer

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Related Works
Related Work: Lord Russel Author(s): William Hayley
Event Comment: [Mrs Gordon is identified by MS annotation on Kemble playbill. Her 1st appearance on the stage was at the HAY, 30 May 1781, as Miss Lyon.]

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin Rambler

Song: Mainpiece: Vocal Parts by Johnstone, Brett, Gaudry, Doyle, Lloyd; Mrs Kennedy, Miss Wheeler, Mrs Martyr, Mrs Morton, Mrs Chalmers, Mrs Davenett, Miss Stuart, Mrs Bannister

Event Comment: Benefit for Nivelon. Tickets, half a guinea each, to be had of Nivelon, No. 80, near the Opera House, Hay-marlcet. Divertissement: Part of the music composed by Barthelemon. [A la Plus Sage has the same plot as La Rosiere de Salency (see 19 Mar. 1782). A synopsis of the action is printed in London Magazine, Mar. 1785, pp. 219-20.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Event Comment: Mainpiece: In Act I a Statute Scene. [Meadows had 1st appeard in London, from the Crow Street Theatre, Dublin, at the HAY, 12 Feb. 1785.]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Hunt the Slipper

Dance: End of Act II of mainpiece, as17850601