SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hannah More"/1) | (@(roleclean,performerclean) "Hannah More")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 815 matches on Event Comments, 261 matches on Author, 105 matches on Performance Comments, 52 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Pepys, Diary: I all alone to the Duke of York's house, and saw The Tempest, which, as often as I have seen it, I do like very well, and the house very full. But I could take little pleasure more than the play, for not being able to look about, for fear of being seen

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: All Mistaken; Or, The Mad Couple

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The King's Company. Pepys, Diary: And wife and Deb. to the King's house, there to see The Wild-goose Chase, which I never saw, but have long longed to see it, being a famous play, but as it was yesterday I do find that where I expect most I find least satisfaction, for in this play I met with nothing extraordinary at all, but very dull inventions and designs. Knepp come and sat by us, and her talk pleased me a little, she telling me how Mis Davis is for certain going away from the Duke's house, the King being in love with her; and a house is taken for her, and furnishing; and she hath a ring given her already worth #600: that the King did send several times for Nelly, and she was with him, but what he did she knows not; this was a good while ago, and she says that the King first spoiled Mrs Weaver, which is very mean, methinks, in a prince, and I am sorry for it, and can hope for no good to the State from having a Prince so devoted to his pleasure. She told me also of a play shortly coming upon the stage, of Sir Charles Sidly's, which, she thinks, will be called The Wandering Ladys, a comedy that, she thinks, will be more pleasant; and also another play, called The Duke of Lerma; besides Catelin, which she thinks, for want of the clothes which the King promised them, will not be acted for a good while

Performances

Mainpiece Title: The Wild Goose Chace

Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Event Comment: The King's Company. Pepys, Diary: [Sir W. Pen] and I to the King's house, and there, in one of the upper boxes, saw Flora's Vagarys, which is a very silly play; and the more, I being out of humour, being at a play without my wife

Performances

Mainpiece Title: Flora's Vagaries

Event Comment: Pepys, Diary: To the Nursery, where I was yesterday, and there saw them act a comedy, a pastorall, The Faythful Shepherd, having the curiosity to see whether they did a comedy better than a tragedy; but they do it both alike, in the meanest manner, that I was sick of it, but only for to satisfy myself once in seeing the manner of it, but I shall see them no more, I believe

Performances

Mainpiece Title: The Faithful Shepherd

Performances

Mainpiece Title: The English Monsieur

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Performances

Mainpiece Title: The Sullen Lovers

Performances

Mainpiece Title: The Virgin Martyr

Event Comment: Pepys, Diary: But, Lord! to see how this play of Sir Positive At-all [The Sullen Lovers], in abuse of Sir Robert Howard, do take, all the Duke's and every body's talk being of that, and telling more stories of him, of the like nature, that it is now the town and country talk, and, they say, is most exactly true. The Duke of York himself said that of his playing at trap-ball is true, and told several other stories of him

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw Philaster; where it is pretty to see how I could remember almost all along, ever since I was a boy, Arethusa, the part which I was to have acted at Sir Robert Cooke's; and it was very pleasant to me, but more to think what a ridiculous thing it would have been for me to have acted a beautiful woman

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Event Comment: The King's Company. Pepys, Diary: My wife, and Deb., and I, to the King's house again, coming too late yesterday to hear the prologue, and do like the play better now than before; and, indeed, there is a good deal of true wit in it, more than in the common sort of plays

Performances

Mainpiece Title: The Old Troop; Or, Monsieur Raggou

Event Comment: Pepys, Diary: To the Duke of York's playhouse, and there met my wife and Deb. and Mary Mercer and Batelier, where also W. Hewer was, and saw Hamlet, which we have not seen this year before, or more; and mightily pleased with it; but, above all, with Betterton, the best part, I believe, that ever man acted

Performances

Mainpiece Title: Hamlet

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Whittington [a Puppet Show]

Performances

Mainpiece Title: Tryphon

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, where mighty full again, but we come time enough to have a good place in the pit, and did hear this new play again, where, though I better understood it than before, yet my sense of it and pleasure was just the same as yesterday, and no more, nor any body else's about us

Performances

Mainpiece Title: Tryphon

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Charles II to Madame, Whitehall, 14 Dec.: I can say no more to you now for I am called to goe to the Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 227)

Performances

Mainpiece Title: Women Pleased

Performances

Mainpiece Title: The Island Princess

Event Comment: Richard ye Third. Coriolanus. Andronicus. Julius Ceaser. The Moore of Venice [Othello]. Anthony & Clopatra. Cymbelyne. The Doubtfull Heire [Rosania; or, Love's Victory, by James Shirley]. The Impostor. The Brothers. The Sisters. The Cardinall. The Duke of Lerma. The Duke of Millan. Alphonso. The vnnaturall Cumbat. The Gardian. Aglaura. Arviragus & Philitia 1st pt. Arviragus & Philitia 2d pt. The Spartan Ladyes. The Bashfull Lover. Bussy D'Amboys. Brenoralt [or, The Discountented Colonel]. Country Captaine. The Variety. The Emperour of ye East. The Deserveing ffavorett. The Goblins. The ffatall Dowry. The Lost Lady. The Devell of Edmonton. More Desemblers then Weomen. The Mayor of Quinborough. The Northen Lasse. The Novella. Osmond ye Great Turke [or, The Noble Servant]. The Roman Actor. The Widdow. The Widdows Teares

Performances

Mainpiece Title: Comment Continued