SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hallams Company of Comedians"/1) | (@(roleclean,performerclean) "Hallams Company of Comedians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2010 matches on Event Comments, 926 matches on Performance Comments, 30 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 406. There is no indication as to whether this is the premiere; the play was not licensed for publication until 27 Nov. 1676. Preface to Settle's Ibrahim (licensed 4 May 1676): Having a Play, call'd the Triumphant Widow, given him [Thomas Shadwell] to bring into the Duke's Playhouse, he spitefully foists in a Scene of his own into the Play, and makes a silly Heroick Poet in it, speak the very words he had heard me say, and made reflexions on some of the very Lines he had so senselessly prated on before in his Notes [to The Empress of Morocco]

Performances

Mainpiece Title: The Triumphant Widow; Or, The Medley Of Humours

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116: The Tamer Tamed. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Tamer Tamed

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: Love And Revenge

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. This play was reprinted in 1675, as the third edition: With Amendments and large Additions by the Author

Performances

Mainpiece Title: The Rehearsal

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Rehearsal

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216.See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K & Q:. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Guardian

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is some uncertainty as to whether this is the premiere, but another performance on 15 Jan. 1674@5 and its entry in the Stationers' Register 13 Jan. 1674@5 suggest that this was probably the first performance

Performances

Mainpiece Title: The Country Wife

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Country Wife

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: Sr Martin Marall K & Q. See also Nicoll, Restoration Drama, p. 348. It is possible that this performance was at court

Performances

Mainpiece Title: The Feign'd Innocence

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215: The King & Queene. See also Nicoll, Restoration Drama, p. 345. The cast in the edition of 1681 may not, of course, be the one for this performance; but all the performers named in it could have performed at this time

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: An unnamed play was acted, and the Company is not named. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 104

Performances

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Afterpiece Title: Calisto's Additional performers

Event Comment: The Duke's Company. This performance is assumed from Downes' statement that the play was given on eight days and from known performances on 2 and 3 March 1674@5

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is assumed from Downes' statement that the play was given on eight days

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is assumed from Downes' statement that the play was given on eight days consecutively

Performances

Mainpiece Title: Psyche

Event Comment: The King's Company. This performance is on the L. C. list 5@141, p. 215. the Kings Mate. See also Nicoll. Restoration Drama, p. 345

Performances

Mainpiece Title: Catiline