SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "H B Wilson"/1) | (@(roleclean,performerclean) "H B Wilson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1486 matches on Performance Comments, 334 matches on Event Comments, 314 matches on Author, 36 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Event Comment: The Duke's Company. The date of the first production is not known, but the fact that Narcissus Luttrell purchased a copy on 22 March 1679@80 suggests that the premiere occurred not later than February. A copy, with Luttrell's date of purchase, is in the Ohio State University Library. (I am indebted to Professor J. H. Wilson for this information.

Performances

Mainpiece Title: The Misery Of Civil-war

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: Five Thousand A Year

Afterpiece Title: A Divertisement

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon

Performances

Mainpiece Title: Fun And Frolic

Afterpiece Title: The Birth Day

Afterpiece Title: The Magic Oak

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Pyramus and Thisbe, Lyon, Moonshine, and Wall

Music: With all New Musick (for that Night) both Vocal and Instrumental Musick-

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Humours of Harlequin; With the Loves of Several Deities

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: In afterpiece: Come every jovial fellow-Mrs Chapman, Gray, Mrs Atkins; O ever in my bosom live-Mrs Chapman, Mrs Atkins

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Flitch of Bacon

Cast
Role: Wilson Actor: Townsend

Dance: As17990418

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortune's Frolic

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Robin Hood

Performances

Mainpiece Title: Lover's [recte Lovers'] Vows

Afterpiece Title: The Naval Pillar

Dance: As17991007

Song: afterpiece: As17991007

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: True Friends

Performances

Mainpiece Title: The Miser

Afterpiece Title: Paul and Virginia

Afterpiece Title: Raymond and Agnes

Dance: In 2nd piece: Dances-Blurton, Wilde, Platt, Lewiss, Klanert, L. Bologna, J. Whitmore, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs Norton, Miss Bologna, Miss Dibdin, Miss Burnett

Song: In 2nd piece: Chorusses-Linton, Street, Denman, Oddwell, Thomas, Little, Curties, Lee, Ms Trevor, Ms Leserve, Ms Castelle, Ms Norton, Ms Masters, Ms Iliff, Ms Lloyd

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Whitsun Festival

Afterpiece Title: Five Thousand a Year

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Song: End I: the Battle Song-Incledon as18000522

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Grand Volgi

Music: A New Sett of Act Tunes composed by Mr Arne

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: [The Virgin Unmask'd

Dance: [II: Savoyards, as17471215; V: Gondoliers-Cooke

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Dr Faustus (With a New Additional Scene)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Performances

Mainpiece Title: Concerto Spirituale; Judas Maccabaeus

Music: First Violin, as17760223; After I: Concerto on German Flute, as17760223; End II: Concerto on Violin-Lamotte