SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 866 matches on Author, 211 matches on Performance Title, 141 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Hermit

Event Comment: Paid Sarjant for 1!2 years rent for a house in Bow St. Passage due Mich. last #12 but with the Land Taz allow'd of #2 1s. 8d. Total #10 8s. 4d. (Account Book). Receipts: #125 16s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Woodward; Sir George-Smith; Charles-Hull; Sir Francis-Shuter; Sir Jealous-Dunstall; Whisper-R. Smith; Scentwell-Ferguson; Isabinda-Mrs Baker; Patch-Mrs Pitt; Miranda-Miss Macklin.
Cast
Role: Miranda Actor: Miss Macklin.

Afterpiece Title: The Royal Chace

Event Comment: VViscomica to the Printer of the Public Advertiser: As burlettas have been laid aside some years, and they are a species of entertainment I am particularly fond of, as there is vivacity in the music, and great humour and satire in the performance, I was much pleased with the thoughts of being as well entertained as I had heretofore been; and more so when I found I could gain admittance to so good a place for hearing, for the trifling sum of three shillings; a place in which I never dared to shew my face before, not being on a footing with the riotous company that used to be admitted there, to attend their several masters' call; a nuisance, from which I rejoice the managers have at length, after so many hints and solcitations, found out a method to deliver their audience. I remember to have seen a darkish way down a flight of steps to a dismal winding staircase, which I was told led to the footman's gallery, and, supposing that the road I was to take on this occasion, was very agreeably undeceived by being shewn up about halfway to the five shilling gallery, and by a turn through an arch introduced to a new and convenient staircase leading to this region of the gods, where I was surprised to find myself arrived before I thought I was half-way up. The managers have indeed made this place very neat and commodious, by rendering the descent much less steep, lowering and matting the benches, painting and lighting the whole place; so that I found myself as much at my ease there, as in any other part of the house, and much better situated than I had expected; likewise, by their following Mr Garrick's example, in removing the pendant lustres, and lighting after the foreign manner, you have a full view of the whole stage; by which the magnificance appears greatly increased. The performance was beyond my expectations, as I think the performers excel any in their way which have appeared in this country; but I need not expatiates upon a subject the town in general have been, or I dare say will be, as good judges of as yours, &c

Performances

Performances

Mainpiece Title: Trakebarne Grand Mogol

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Citizen

Dance: II: Rural Love, as17661120

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Sir John Melvil Actor: Holland

Afterpiece Title: The Cunning Man

Music: II: A Concerto on the Harpsichord-Mr Burney Jr from Worcester

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Deuce Is in Him

Performances

Mainpiece Title: The Plain Dealer

Cast
Role: Manly Actor: Holland

Afterpiece Title: The Old Maid

Dance: II: The Vintage, as17661011

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: High Life below Stairs

Dance: End: The Vintage, as17661011

Event Comment: By Particular Desire of the Right Honorable and Honorable The Governors (Being the Last Time of performing till the Holidays). Not acted this season. For the Benefit of the General Lying-In Hospital, Quebec Street, Oxford Road. Charges #85 5s., Balance to Hospital #5 6d. Hospital also receiv'd #156 10s. from tickets (Box 544, Pit 116, Gallery 31). Paid for 1 year's watch for theatre due at Xmas #12 10s. and for the House in Bow Passage 12s. 6d. Paid Dunstall the balance due for the theatrical Fund #136 17s. (Account Book). Receipts: #90 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Citizen

Dance: III: A Hornpipe-Miss Pitt; End: The Village Romps, as17661008

Event Comment: Author's night advertised as for Miss Elliot. Charges of the House with a farce being added #84, plus Candles #1 5s., plus a Fair Copy for the Prompter #1 1s.: Total #86 6s. Balance to Miss Elliott #66 4s. (Account Book). Receipts: #152 10s. (Account Book)

Performances

Mainpiece Title: The School For Guardians

Afterpiece Title: The Upholsterer

Dance: End of Play: The Gallant Peasants, as17670113

Performances

Mainpiece Title: The English Merchant

Music: After Interlude-Epilogue: The New Concerto on Harpsichord, as17670212

Dance: TThe Vintage, as17661011

Event Comment: Half past 5 went to the 5s. Gallery at the Opera House to see the comic opera La Buona Figliola, altered from Goldoni. The Music by Sg Nic Piccini, a Neopolitan composer. The Marq by Sg Lovatini, Castina by Sga Zamporini, the German by Sg Marigi. These I believe are reckoned the best of the company. I can't say I was greatly entertained, tho the music is very pleasing. There is something very absurd and truly characteristic of the present age in supporting a set of people at an immense expense to perform plays in a language which very few here understand. We had dances after every act by Sg Adriani, Sga Radicati, &c. It is said the dances at the opera are better than those at the theatres, but I am no great judge either of music or dancing. The scenes, particularly that of the Garden with waterworks &c. are very fine. They who go into the Pit &c. must be in a vile French dress (Neville MS Diary)

Performances

Mainpiece Title: La Buona Figliuola

Dance: [Unspecified.

Performances

Mainpiece Title: The English Merchant

Dance: III: New Pantomime Dance, as17670225; After Interlude: A New Pantomime Dance call'd The Lilliputian Camp-

Music: NNew Concerto on Harpsichord, as17670212

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: High Life below Stairs

Dance: III: New Comic Dance-Duquesney, Mrs King; End: The Lilliputian Camp, as17670227

Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Music: CConcerto on Organ-Stanley

Event Comment: Mainpiece: By Particular Desire. Beard's Night. Charges. #64 5s., Balance to Beard #198 12s. (Account Book). Got but a bad place in the 2s. Gallery at Covent Garden where I saw Love in a Village with the Citizen...At the end of Act 2, we had the dance of the Female Archer, by Mad LaRiviere, Miss Wilford, &c. with Miss Pope of the other House. Ought to be particularly encouraged because she is virtuous. Mr Elliot has sold her to Cumberland (Neville MS Diary). Receipts: #262 17s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

Event Comment: Benefit for Mrs Pritchard. Part of pit laid into boxes. House charges #61 4s. [Profit to Mrs Pritchard #68 8s.] Lent to Mr Johnston, Prompter, by order #2 2s.; Paid to James Aickin on his note #40; Paid Poor's rate (1!2 year for St Martin's) #20 4s.; Salary list #294 2s. 8d. (Treasurer's Book). Receipts: #129 12s. (Treasurer's Book). Went to see Macbeth for Mrs Pritchard's Benefit. Got a good seat in the Pit, which was not full for half an hour after I went, tho part of it was laid into the boxes. Read the Public Advertiser of Today' and part of London Chronicle before the play began...Dance of the Furies in the 4th Act, and end of the Play (Neville MS Diary)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Holland; Duncan-Bransby; MacDuff-Havard; Ross-Aickin; Malcolm-Packer; Banquo-Palmer; Seaton-Ackman; Seyward-Moody; Hecate-Champnes; Witches-Burton, Love, Baddeley; Lady MacDuff-Mrs Bennet; Lady Macbeth-Mrs Pritchard; Vocal Parts-Vernon, Champness, Mrs Vincent, Miss Young; In Act IV, a Dance of Furies-.
Cast
Role: Macbeth Actor: Holland

Afterpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Dance: End: The Vintage, as17661011

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Lieutenant-Woodward 1st time; Demetrius-Smith; Seleucus-Anderson; Lysimachus-Gardner; Charinthus-Redman; Ptolomy-Wignell; Menippus-Hallam; Timon-Murden; King-Walker; 1st Gentleman-Lewes; 2nd Gentleman-Perry; Soldier-Buck; 1st Physician-Bennet; 2nd Physician-Weller; 3rd Physician-Baker; Leontius-Gibson; Leucippe-Mrs Pitt; Celia-Mrs Bellamy; Original Epilogue-the Lieutenant.
Cast
Role: Seleucus Actor: Anderson
Event Comment: Benefit for Smith. Tickets sold at the doors will not be admitted. Tickets and Places to be taken of Mr Smith at his house in Beaufort Buildings, Strand; and of Mr Sarjant at the stage-door of the Theatre. Charges: #70 19s. 6d. [Profit to Smith #79 10s. 6d. plus #136 16s. from tickets (Box 388; Pit 198; Gallery 101).] Receipts: #150 10s. (Account Book)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Alexander-Smith, 1st time; Hephestion-Dyer; Lysimachus-Hull; Cassander-Clarke; Polyperchon-Perry; Perdiccas-Davis; Clytus-Gibson; Statira-Mrs Mattocks, 1st time; Sysigambis-Mrs Vincent; Parisatis-Miss Vincent; Roxana (with Epilogue in Character 1st time)-Mrs Bellamy; In Act II, The Triumphal Entry of Alexander into Babylon-.

Afterpiece Title: The Citizen

Dance: III: The Village Romps, as17661008; End: The Female Archer, as17661215

Event Comment: Benefit for Mrs Yates. Pit and Boxes laid together. House charges #64 17s.[Profit to Mrs Yates #54 10s. 6d.] Tragedy by Glover. Never acted. Rec'd from Mr Blagden one year [rent] to Xmas last #3 10s. (Treasurer's Book). Receipts: #119 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Medea

Performance Comment: Parts-Powell, Holland, Havard, Bensley, Packer, Strange, Mrs Hopkins, Miss Rogers, Mrs Yates. Prologue-; Epilogue-; Jason-Powell; Creon-Holland; Aeson-Havard; Lycander-Bensley; Medea-Mrs Yates; Theano-Mrs Hopkins (Genest, V, 123).

Afterpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Dance: End: A Comic Dance-Duquesney, Mrs King

Event Comment: TThe Maid of the Mill oblig'd to be deferr'd on account of the Indisposition of a principal performer. Paid 1!2 year's poor rate for the theatre due at Lady Day #15 12s. 6d., and for the House in Bow Passage 15s. 7 1!2d. Paid Mas. Lindley for his performance in the Fairy Favour #20 (Account Book). Receipts: #157 17s. (Account Book)

Performances

Mainpiece Title: Love Makes A Man

Event Comment: Mainpiece: By Particular Desire. Afterpiece: By Desire. Benefit for Holland. Part of Pit laid into Boxes. House Charges #67 1s. 6d. [Profit to Holland #201 8s. 6d.] Tragedy (never performed) written in the manner of Shakespeare [by Joseph Reed]. Rec'd stopages 16s. 6d. Paid salary list #294 2s. 8d.; Chorus singers 1 night #2 5s. 6d. (Treasurer's Book). Receipts: #268 10s. (Treasurer's Book). To see Dido, a Tragedy in Shakespere's style, performed for the first time, with Daphne and Amintor. This piece is the production of a Ropemaker of Chadwick, and being refused by the managers, was given to Holland to be played for his benefit. It went off with considerable applause and is by desire to be performed again. Powel and Yates were good in Aeneas and Dido. Holland played Narbel, Havard Bilias, and Bensley Anchises. We had a prologue spoken by King and an Epilogue spoken by Mrs Abington. Before the play began, by the light of my wax taper read No. 1564 of the London Chronicle, in which was Night' a pretty good ode (Neville MS Diary)

Performances

Mainpiece Title: Dido

Performance Comment: Parts-Holland, Powell, Havard, Bensley, Bransby, Strange, A Young Gentlewoman, Mrs Lee, Mrs Yates, Packer, Aickin, Fawcett; Prologue-King; Epilogue-Mrs Abington Aeneas-Powell; Cephales-Bensley; Gyas-Bransby; Sagertus-Fox; Norbal-Holland; Bilius-Havard; Adoam-Strange; Dido-Mrs Yates; Anna-Mrs Lee; Barce-Miss Simson (Winston MS 9, from Burney's News Cuttings).

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Yates. House Charges #65 5s. [Profit to Yates #118 16s. 6d.] Not performed for 20 years. Revived with alterations. Paid B. Johnson's Head Bill #2 5s. 6d. Paid #2 2s. for licensing Dido (Treasurer's Book). Receipts: #184 6d. (Treasurer's Book). About 5 went into the Pit at Drury Lane to see the False Friend reviv'd with alterations, for the benefit of Yates. It engages the attention, but was very well performed. Don John by Holland; Don Pedro by Powell; Lopez by Mr Yates, the drinking Servant by Baddeley; Leonora by Mrs Barry (whom I never saw before); Isabella by Miss Plym and Jacintha by Mrs Yates. I think an Abigail an odd character for her, but no doubt she was willing to play anything for her husband's benefit. After the dance of the Vintage, Mr Yates spoke by way of Interlude a new piece on his being in France called the "Modern Traveller," containing some strokes on the affectation of French Fashions, &c. We had the Farce of High Life Below Stairs with minuet by Mrs Yates and a French Valet, which I do not remenber to have seen when I saw this Farce (before) (Neville MS Diary)

Performances

Mainpiece Title: The False Friend

Performance Comment: Parts-Holland, Powell, Yates, Bransby, Packer, Baddeley, Mrs Yates, Miss Plym, Mrs W. Barry. [See Neville's comments below.]See Neville's comments below.]

Afterpiece Title: High Life below Stairs

Dance: Pantomime Dance, The Vintage, as17661011

Entertainment: V: a New Interlude, The Modern Traveller-Mr Yates