SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Grigsby\'s Shadwell\'s Janeway\'s and Sam\'s Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsby\'s Shadwell\'s Janeway\'s and Sam\'s Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 866 matches on Author, 211 matches on Performance Title, 145 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: An order of the Court of Common Council for London forbids any performances of plays or interludes at Bartholomew Fair. See a broadside in the British Museum [1851 b. 25 (25)], reported by Alfred Jackson, Review of English Studies, XIV (1938), 55. Flying Post, 22-25 June 1700: The Right Honourable the Lord Mayor and Court of Alderman have ordered that no Play-house Bills be affix'd on any Post, &c. in this City; and the like Orders are resolved on in Westminster

Performances

Event Comment: Betterton's Company. London Post, 28 June-1 July 1700: Yesterday the Play called the Tempest was acted at the Old Play-house; and that called Love for Love at the new, both for the benefit of the poor English Slaves, &c. and I am told, that the sum arising thereby, amounted to about 250 #. It being put on the Playhouse Bills on Friday last, That each Company were to Act that day, and the whole Profits to go to'ards the Redemption of the English now in Slavery at Machanisso in Barbary, we are credibly informed, That, pursuant thereunto, the Treasurers of the Theatre Royal in Drury Lane, did on Saturday last pay into the hands of the Churchwardens of St.@Martin's the sum of 20 #. out of the Receipts of the Play acted by that Company, towards the Relief of those our Natives from Slavery, which good example 'tis hoped, may move others to be speedy and generous in their Charity for the same purpose. What the other Company gave I do not yet hear

Performances

Mainpiece Title: Love For Love

Event Comment: Rich's Company. London Post, 5-8 July 1700: This day at the Theatre Royal in Drury-lane, will be presented a Play called, Sophonisba, or Hannibals Overthrow, not performed by the publick Actors but all by young Gentlemen and Ladies for their own Diversion. The Benefit for the young People of the House

Performances

Mainpiece Title: Sophonisba Or Hannibals Overthrow

Event Comment: Rich's Company. Post Boy, 11-13 July 1700: In consideration of the great Success of a Play, call'd, the Constant Couple, or a Trip to the Jubelee, and in Answer to a Scandalous Prologue spoken against it by the New House. At the Theatre Royal in Drury Lane this day, being the 13th of July, the said Play will be presented, for the Benefit of the Author, it being the last time of the Company's Acting this Summer. [The play, with the new Prologue, was published 20 Aug. 1700, according to the Post Man, 17-20 Aug. 1700.

Performances

Mainpiece Title: The Constant Couple

Event Comment: London Post, 13-16 Dec.: There being a French Scaramouch Dance betwixt the second and third Acts, a certain Person went in a Frolick, Incognito, up into the upper Gallery, and so pelted the Dancers with Oranges, that they were forced to quit the Stage, and the Play-house was all in an Uproar; but some of the Auditory perceiving who threw them, cryed out, fling him down into the Pit, which so startled him, that he was forced to make the best of his way down Stairs; however, a Constable having been sent for in the mean time, he was secured. Preface to Ximena (1719): The Fop's Fortune lagg'd on the Fourth Day and only held up its Head by the Heels of the French Tumblers

Performances

Mainpiece Title: Love Makes A Man

Dance: End II: a French Scaramouch-

Performances

Mainpiece Title: Concert

Music: New Vocal and Instrumental Music-

Performances

Mainpiece Title: The Old Batchelor

Event Comment: [By Thomas D'Urfey. Premiere.] Preface: The stopping of it from Acting by Superiour command, doing me no manner of Injury, (tho it might the Play-house) but only for two or three days disappointing my friends; the Cause is so trivial...for taking the Poetical Licence of making Mad man in my Scene Satyrically drink a Health, altering it into a modest phrase, (tho somewhat too familiar)

Performances

Mainpiece Title: The Bath Or The Western Lass

Event Comment: Some of the Footmen that were waiting, endeavouring to force into the House, in opposition to the Centinel, were all engag'd instantly in a bloody Quarrel; whereupon the Centinel firing upon 'em, kill'd one of 'em upon the spot, and several others were wounded in the Scuffle

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

Event Comment: the None to go into the Pit or Boxes but by the Subscriber's Tickets....But the Galleries and the Balconies, and Boxes on the Stage, are for the Jenefit of the House

Performances

Mainpiece Title: The Judgment Of Paris

Music: the As set by Mr Purcell Music for the Prize-

Dance: the Isaack's Scholar, Labbe

Event Comment: Benefit Edward Keene. Tickets (5s.) may be had at Keene's house in Arundel Street in the Strand. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-all the same Masters [who perform'd at his [Edward Keene's] last Meeting

Event Comment: [See Minutes of the Society for Promoting Christian Knowledge in Secretan, p. 107: "1703. Dec. 16: Also that at the bottom of the said paper a query might be put, whether acting the 'Tempest' upon the next Wednesday after the late dreadful storm, at the new play-house in Little Lincoln's Inn Fields, was proper or reasonable." See also The Terrible Stormy Wind and Tempest (1705), p. 24.

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Quacks Or Loves The Physician

Performance Comment: edition of 1705 lists: Sir Patient Careful-Norris; Clitander-Mills; Doctor Medley-Bullock; Caudle-Cross; Tickle Pulse-Pinkeman; Novice-Bickerstaff; Refugee-Cibber; Rhubarb-Fairbank; Freckle-Keen; Harry-Estcourt; Lysette-Mrs Moor; Lucinda-Mrs Temple; Doris-Mrs Powel; Nurse-Carnaby; Prologue-; Epilogue-Mills.
Cast
Role: Clitander Actor: Mills

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Performance Comment: The Actors of both Houses , and perfectly Perform'd (Downes, p. 47).

Song: Mrs del'Epine, Signora Maria Gallia, Mrs Lindsey, Mrs Hudson, Leveridge

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Miss Campion, Mrs duRuel, Devonshire Girl

Event Comment: By subscription, as 4 March, but the Stage Boxes, Balconies, and Galleries are for the Benefit of the House

Performances

Mainpiece Title: Rosamond

Event Comment: By subscription, with the pit, front boxes, and two side boxes for the subscribers; the galleries for the house

Performances

Mainpiece Title: Rosamond

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters

Event Comment: [Text by P. A. Motteux. Music adapted by Pepusch.] A new Opera. By Subscription. The Front Boxes and Side Boxes to be laid open into the Pit; where none are to be admitted but by the Subscribers' Tickets. And the Stage Boxes, Balconies, and Galleries are for the Benefit of the House

Performances

Mainpiece Title: Thomyris

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the greatest Masters

Event Comment: Lady Wentworth, writing on 10 Dec., said: Yesterday I had lyke to have been ketched in a trap, your Brother Wentworth had almost parswaded me to have gon last night to hear the fyne muisick, the famous Etallion sing att the rehersall of the Operer, which he assured me it was soe dark none could see me. Indeed musick was the greatist temtation I could have, but I was afraid he deceaved me, soe Betty only went with his wife and him; and I rejoysed I did not, for thear was a vast deal of company and good light--but the Dutchis of Molbery had got the Etallian to sing and he sent an excuse, but the Dutchis of Shrosberry made him com, brought him in her coach but Mrs Taufs huft and would not sing because he had first put it ofe; though she was thear yet she would not, but went away. I wish the house would al joyne to humble her and not receav her again. This man out dus Sefashoe, they say that has hard both (Wentworth, p. 66)

Performances

Mainpiece Title: Pyrrhus And Demetrius

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Stage Coach

Performance Comment: As17090524, but Leigh Landlord-_.
Event Comment: By her Majesty's License and Authority. [dl had come under the management of Aaron Hill, who shared the direction of the house with seven actors.

Performances

Mainpiece Title: Aurengzebe Or The Great Mogul

Event Comment: With all new Habits. Preface, edition of 1710: I take this Publick Opportunity to return my Thanks to that generous Part of the Town, who remember'd, 'twas a Third Night, and made so favourable an Appearance in my Interest; and I can't omit doing Justice to the ingenious Author of the Tender Husband, who endeavour'd as much as possible to persuade the Manager of the New House to put off that Play, and the Interest which was made for it, to another Night

Performances

Mainpiece Title: Elfrid